Here are 63 books that Three Days to Never fans have personally recommended if you like
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Spies are everywhere across the panorama of fictional tropes, in fantasy, science fiction, horror, and historical fiction. Spies are like salt. No matter the genre, drop a little espionage into the mix, and it tastes better. There’s an inherent complexity to a spy, a dichotomy baked into the profession, simultaneously a criminal and an agent of the government. A spy could be a one-man-army, a smooth-talker, or someone inside your computer network, but no matter who they really are, they’re never who they seem. The spy plays with identity, loyalty, and integrity in ways that the worst of us do but is safely compartmentalized in fiction for our enjoyment.
Set in the height of the Cold War, The Men Who Stare at Goats is the story of the US Army’s psychic warfare unit, the First Earth Battalion. These self-declared “warrior monks” trained in remote viewing and aspired to psychic slay capra with the force of their concentration.
Unlike the rest of the books on my list, The Men Who Stare at Goats is non-fiction. The bulk of the material in these pages are interviews with people in the First Earth Battalion.
Reading this book made me question the reality of psychic phenomena. Is there something to it? Or was this the result of a Soviet PSYOP (psychological operation, not psychic operation) to make the American military-industrial complex waste a lot of money?
Often funny, sometimes chilling and always thought-provoking, journalist Jon Ronson's Sunday Times bestseller The Men Who Stare at Goats is a story so unbelievable it has to be true.
In 1979 a secret unit was established by the most gifted minds within the US Army. Defying all known military practice - and indeed the laws of physics - they believed that a soldier could adopt a cloak of invisibility, pass cleanly through walls, and, perhaps most chillingly, kill goats just by staring at them.
They were the First Earth Battalion. And they really weren't joking. What's more, they're back and…
Spies are everywhere across the panorama of fictional tropes, in fantasy, science fiction, horror, and historical fiction. Spies are like salt. No matter the genre, drop a little espionage into the mix, and it tastes better. There’s an inherent complexity to a spy, a dichotomy baked into the profession, simultaneously a criminal and an agent of the government. A spy could be a one-man-army, a smooth-talker, or someone inside your computer network, but no matter who they really are, they’re never who they seem. The spy plays with identity, loyalty, and integrity in ways that the worst of us do but is safely compartmentalized in fiction for our enjoyment.
I became aware of Mind MGMT during the first draft of my book. Its success affirmed that an audience for psychic thrillers did exist. But I put off reading this 6-volume comic series until I finished my novel. It’s good to feel encouraged, it’s another to feel beaten to the punch.
Super-hero tropes dominate the American comic medium. The story elements of weekly world salvation, good guys vs bad guys, stagnate character development, and the artistic choices; idealized anatomy, fine lines, and bright colors appeal to a younger male gaze.
By all these standards, Mind MGMT stands apart. In this morally ambiguous story of psychic spies, Matt Kindt’s illustrations are raw and sketchy, complimented by his choice to color the pages with watercolor rather than digital inks.
This globe-spanning tale of espionage explores the adventures of a journalist investigating the mystery of a commercial flight where everyone aboard loses their memories
Meru's obsession with Flight 815 leads her to a much bigger story of a top-secret government Mind MGMT program. Her ensuing journey involves weaponized psychics, hypnotic advertising, talking dolphins, and seemingly immortal pursuers, as she hunts down the flight's missing passenger, the man who was Mind MGMT's greatest success--and its most devastating failure. But in a world where people can rewrite reality itself, can she trust anything she sees? Collects the first two volumes of the…
Spies are everywhere across the panorama of fictional tropes, in fantasy, science fiction, horror, and historical fiction. Spies are like salt. No matter the genre, drop a little espionage into the mix, and it tastes better. There’s an inherent complexity to a spy, a dichotomy baked into the profession, simultaneously a criminal and an agent of the government. A spy could be a one-man-army, a smooth-talker, or someone inside your computer network, but no matter who they really are, they’re never who they seem. The spy plays with identity, loyalty, and integrity in ways that the worst of us do but is safely compartmentalized in fiction for our enjoyment.
If you’ve chafed at the limitations of scale by these suggestions, this is the book for you.
All the stories on this list, including my own, take pains to couch the supernatural in such a way that the political, social, and economical natural orders are not threatened by the introduction of speculative elements. Not in Summerland.
Their pseudo-science real, Victorian spiritualists find a way to the afterlife and back. Within decades the strange, alien city on the other side is flooded with the principles of industry, commerce, and espionage.
Taking place between the World Wars, the existence of Summerland, and the technologies that unfold from its discovery change the landscape of pre-World War II Europe, but not the inevitability of human nature.
"It reads like John Le Carré if Le Carré ate a ton of acid before writing Tinker Tailor Soldier Spy..." —NPR on Summerland
From Hannu Rajaniemi, one of the most exciting science fiction writers in the last decade, comes an awe-inspiring account of the afterlife and what happens when it spills over into the world of the living
Loss is a thing of the past. Murder is obsolete. Death is just the beginning.
In 1938, death is no longer feared but exploited. Since the discovery of the afterlife, the British Empire has extended its reach into Summerland, a metropolis for…
Spies are everywhere across the panorama of fictional tropes, in fantasy, science fiction, horror, and historical fiction. Spies are like salt. No matter the genre, drop a little espionage into the mix, and it tastes better. There’s an inherent complexity to a spy, a dichotomy baked into the profession, simultaneously a criminal and an agent of the government. A spy could be a one-man-army, a smooth-talker, or someone inside your computer network, but no matter who they really are, they’re never who they seem. The spy plays with identity, loyalty, and integrity in ways that the worst of us do but is safely compartmentalized in fiction for our enjoyment.
If you’re too young to remember The Gong Show, it was the American Idol of its day. Equally as fake, but upfront about its fraudulent nature.
Back on the subject of pushing genre boundaries, Confessions of a Dangerous Mind is Chuck Barris’ “unauthorized autobiography.” Get your head around that concept. Barris was the producer/host of both The Gong Show and The Dating Game. If that doesn’t sound like a full slate, Barris claims he was a CIA assassin during this time.
Say you wrote an autobiography, but it lacks in the excitement department. Say you also wrote a spy novel, but it came in at half the length a publisher’s looking for. A great solution for both problems; mash them together!
Suspense, excess, danger and exuberant fun come together in Chuck Barris' unlikely autobiography - the tale of a wildly flamboyant 1970s television producer, better known as the infamous host of The Gong Show. What most people don't know is that Barris allegedly spent close to two decades as a decorated covert assassin for the CIA.
Barris, who achieved tremendous success as the creator and producer of hit TV game shows such as The Dating Game and The Newlywed Game, claims to have joined the CIA as an agent in the early 1960s, infiltrated the Civil Rights Movement, met with militant…
I’m a reader and writer of thrillers, especially espionage, but I also love literary fiction, including contemporary writers like Kazuo Ishiguro, Mohsin Hamid, and Amor Towles. And I enjoy reading classic writers including Gogol, Dostoyevsky, and Kafka. So, when it comes to reading thrillers, I gravitate towards those that are very well written, with precise prose and evocative imagery. This is my crossover list of the best five spy thrillers for readers of literary fiction. If you’re a literary reader interested in dabbling in a bit of espionage, these five books would be a great place to start.
This spot very nearly went to the great John le Carre, perhaps his brilliant The Little Drummer Girl.
Grady’s debut is not as complex or as dense as le Carre, but it holds a special place in my heart, partly because of its back story.
Grady was a young congressional staffer in my adopted hometown of Washington, DC when he dreamed up a covert CIA unit whose role is to monitor foreign intelligence operations by scouring books and magazines from around the world.
When the novel was adapted into the movie Three Days of the Condor, it was seen by KGB generals who—assuming it was based on truth—set up a similar unit of their own. Amazing but true.
'From the bottom of the stairwell Malcolm could only see that the room appeared to be empty. Mrs Russell wasn't at her desk. Out of the corner of his eye he noticed that Dr. Lappe's door was partially open. There was a peculiar odour in the room . Malcolm tossed the sandwich bags on top of Walter's desk and slowly mounted the stairs.
'He found the sources of the odour. As usual, Mrs Russell had been standing behind her desk when they entered. The blast from the machine gun in the mailman's pouch had knocked her almost as far back…
I was in the fourth grade when JFK was assassinated. I grew up in the late 1960s as conspiracy theories about ‘who killed Kennedy’ flourished. Jack Ruby’s murder of Oswald made me suspect the mafia played a role. After Oliver Stone’s controversial 1991 JFK film, I convinced a publisher to allow me to reexamine the assassination. I did not expect to solve the case. Halfway through my research, however, I realized there was an answer to ‘who killed Kennedy.’ It was not what I had expected. I discovered that the story of how a 24-year-old sociopath armed with a $12 rifle managed to kill the president was a far more fascinating one than I could have ever envisioned.
Bugliosi, the famed former Los Angeles prosecutor of Charles Manson, directs his attention to dismissing the conspiracy theories in the JFK murder in his massive (1648 page) tome. Bugliosi writes with the caustic tone of a prosecutor and covers just about every issue in some detail. It is a great reference book and concludes that Oswald alone killed Kennedy. Published 14 years after Case Closed, I often refer to it as Case Still Closed.
At 1:00 p.m. on November 22, 1963, President John F. Kennedy was pronounced dead, the victim of a sniper attack during his motorcade through Dallas. That may be the only fact generally agreed upon in the vast literature spawned by the assassination. National polls reveal that an overwhelming majority of Americans (75%) believe that there was a high-level conspiracy behind Lee Harvey Oswald. Many even believe that Oswald was entirely innocent. In this continuously absorbing, powerful, ground-breaking book, Vincent Bugliosi shows how we have come to believe such lies about an event that changed the course of history.
I’m a Black woman who writes stories about Black girls who aren’t all that nice. And, to me, that means writing stories where Black girls are at the forefront of their stories and given the space to be whoever they are, wholly and without minimizing their character to make them fit into neat boxes next to others. I do this because being able to take up space as you are is, oftentimes, a privilege. And I want to make sure the stories I write offer that space to every reader who picks up one of my books.
I would not be a writer had I not read this book. It was the first time I saw a Black girl be the main character in a fantasy novel, and she doesn’t limit herself to playing by the rules.
Jane McKeene is a troublemaker with a smart mouth, but she’s fearless against the shamblers (zombies), resourceful, and her complicated friendship with Kate was something I loved every minute of.
Trained at Miss Preston's School of Combat for Negro Girls in both weaponry and etiquette, Jane McKeene is poised for a successful career protecting the wealthy from the encroaching plague of walking dead. But when families begin to go missing, Jane uncovers a conspiracy that pits her against some powerful enemies. Sent far from home, Jane will need all her resourcefulness, wit and strength of character to survive.
A powerful, compelling tale of a young girl's journey through a hostile world, Jane McKeene is an unforgettable protagonist, and Dread Nation is an unforgettable book.
Writing is my life. As a child I wrote poems, scripts, and short stories. A couple of decades, a BCALA literary award, and a three-book deal later, my wild imagination has grown into a passion for exposing the truth. In 2020, a third of the 300,000 missing women in the United States were Black, and in that same year, I was almost a victim of human trafficking myself. With this second chance, I write to bring awareness and attention to women who cannot speak for themselves. I write to shed light on the truth and these five books have helped me on my journey.
This action-packed spy thriller kept me on edge from the first chapter mostly due to the beautiful prose, but also because it depicts the CIA in an accessible way. The book taught me to analyze people based on not their words or actions, but their intentions. Diving headfirst into the political hierarchy of the esteemed agency, this book highlights that no one—especially the co-worker you sit next to and eat lunch with every day—can be trusted. Fun and fast-paced, Red Widowdrops you in a body of water and just when you think you’re in a swimming pool, you find out you’re in the ocean.
“A wicked sharp spy novel…Equal parts Tinker Tailor Soldier Spy and Killing Eve.” –S. A. Cosby, author of Blacktop Wasteland and Razorblade Tears
An exhilarating spy thriller written by an intelligence veteran about two women CIA agents whose paths become intertwined around a threat to the Russia Division--one that's coming from inside the agency.
Lyndsey Duncan worries her career with the CIA might be over. After lines are crossed with another intelligence agent during an assignment, she is sent home to Washington on administrative leave. So when a former colleague--now Chief of the Russia Division--recruits her for an internal investigation,…
Apart from being an armchair historian and author of thriller and suspense novels, I’ve been a lifelong collector of original handwritten historical manuscripts—parchments and papyri from medieval times, papal documents from the Middle Ages, ancient illuminated manuscripts from hundreds of years ago, Gregorian chanting parchments…anything memorializing the human need to communicate and tell stories or document historical events. My home is like a museum, with framed historic written memorabilia on every wall, precious reminders of moments in time when someone thought what they were doing needed to be documented, usually in some form of achingly beautiful calligraphy when art was more important than expediency.
Robert Ludlum has been a favorite author of mine for years and was the inspiration for me to become a writer myself some thirty years ago. His plotlines are so intricately woven you question whether the stories are actually true. Of course, he’s best known for the Jason Bourne series, but those weren’t my favorite of his books. The Chancellor Manuscript stands out for its breathtakingly intricate plotting and well-drawn characters. One of those books you can read again years later and it will still be fresh.
“[The Chancellor Manuscript] exerts a riveting appeal, as it seems to justify our worst nightmares of what really goes on in the so-called intelligence community in Washington.”—The New York Times Book Review
Did J. Edgar Hoover die a natural death? Or was he murdered? When a group of high-minded and high-placed intellectuals known as Inver Brass detect a monstrous threat to the country in Hoover’s unethical use of his scandal-ridden private files, they decide to do away with him—quietly, efficiently, with no hint of impropriety. Then bestselling thriller writer Peter Chancellor stumbles onto information that makes his previous books look…
I’m still trying to figure out who I am. I’ve made films, I’ve written fiction, I’ve been in a punk band, and now I’m in law school. I’ve bopped around to different interests my whole life and never quite felt like I fit in anywhere, maybe because I grew up a part Puerto Rican kid in Kentucky. I don’t know. All I know is I’ve been a reader all this time, and I think because I’ve always found my own identity elusive, the mysteries and thrillers I gravitate towards are ones with characters that aren’t so easy to pin down.
A stranger approaches Adam Price and tells him that Adam’s wife faked her most recent pregnancy and miscarriage. But as Adam presses for more answers, the stranger won’t tell him anything else, like how he knows this, why he’s telling him, or maybe more importantly, who he even is.
The stranger’s revelation is unsettling, but what I found the most disturbing was how creepy it is to have someone else know so much about you while refusing to divulge anything about themselves.
A secret destroys a man’s perfect life and sends him on a collision course with a deadly conspiracy in this shocking thriller from #1 New York Times bestselling author Harlan Coben.
The Stranger appears out of nowhere, perhaps in a bar, or a parking lot, or at the grocery store. Their identity is unknown. Their motives are unclear. Their information is undeniable. Then they whisper a few words in your ear and disappear, leaving you picking up the pieces of your shattered world...
Adam Price has a lot to lose: a comfortable marriage to a…
