100 books like Anne Sexton

I’ve loved F. Scott Fitzgerald’s stories ever since I read The Great Gatsby as a teenager. After that, I devoured all of his works, thanks to a membership in one of those book subscription services where you have to send back monthly book selections if you don’t want them. I read almost all his short stories, all his novels, including the unfinished The Last Tycoon, and everything I could find on him and his wife Zelda. When The Great Gatsby entered the public domain a couple years ago, I started daydreaming of how I'd love to revisit the story from a fresh perspective, which led me to penning Daisy.

I’ve been fascinated by American women’s lives my whole life, reading and writing women’s biographies from high school through graduate school and into my career as a professional historian. I was raised in the Great Lakes region of the United States, and was educated at Bryn Mawr College and the University of Pennsylvania. I teach early American history, women’s history, and the history of sexuality at Colorado State University in Fort Collins, Colorado, and am at work on a book about women’s lives in the generation after the American Revolution.

As a child, I loved reading books about time travel, and now as a historian, I do a sort of time travel for my job. I have always been especially drawn to reading women’s correspondence, particularly when the women involved were pushing against gender roles and finding ways to access political power. I approach doing history as if it’s an ethnography of a group of people with entirely different beliefs, norms, and even emotions from us today; after all, the past is a foreign country. I’m especially intrigued by uncovering how personal relationships worked in the past and how relationships with political figures allowed family and friends to access power.

I'm an American historian and former director of UNC-Chapel Hill's Program in Sexuality Studies—and former pizza maker, gas pumper, park ranger, and tour guide at the house in which Louisa May Alcott wrote Little Women. As a historian, I've spent my career trying to understand the lives of people in early American history who weren't well known at the time. In writing the Sewing Girl's Tale, which focuses on a survivor of a sexual assault, it was especially important to keep her at the center of the story. Ultimately, I wanted to know: What was life in the aftermath of the American Revolution like—not for some Founding Father—but for an ordinary young woman.

I love to read and write about complex characters and particularly the “unlikeable” female character. Many readers connect with my characters because they are flawed—they don’t always think or do what we want them to, or what we think they should do, which is often (frustratingly) the case with the real-life people we love and care about. Real, complex people exist in real, complex relationships, including friendships that don’t always serve them—or that do serve them, but in unconventional or superficially unclear ways. I think that reading about contradictory, inconsistent, and confused characters in relationships helps us to be kinder and more empathetic people—and, quite possibly, better friends. 

A so-called “recovering lawyer,” after 20 dreary years shuffling papers, I decided to pursue the Life of the Mind with a degree in Historical Studies at the Graduate Faculty of the New School. For an assignment regarding a significant historian, I chose Frances Yates, whose book Giordano Bruno and the Hermetic Tradition spoke to me. Culling her papers at the Warburg Institute in London led to her first biography, Frances Yates and the Hermetic Tradition. Since then, I've transformed Dame Frances into a sleuth, who explores other unorthodox faith traditions, accompanied by another “recovering lawyer,” whose story mirrors my own, thus enabling me via bio-fiction to further enhance my spirituality. 

I’m a memoirist living in New York and my women friends have saved my life many times. I didn’t fully understand how important they were to me until the three I write about died within a few years of each other in the early aughts. I also teach memoir as an academic. I’ve learned from my favorite writers how crucial it is to push past shame and embarrassment to try and reach emotional truth—whatever that is for each of us. Only readers can decide whether one succeeds, but for me, the most important gift memoir can bestow is the writer’s willingness to risk intimate self-disclosure.  

As a full-time writer of creative non-fiction, I am passionately interested in what makes us human. Like most people. I have always been fascinated by friendship and have had many friends throughout my life. I decided to write about friendship when a good friend 'pruned' me, that is, ended our friendship. I was bewildered and hurt and wanted to understand what had happened, which led me to write True Friends. When I discussed the topic with others, it turned out that most people had also experienced a friend break-up, but it was not much written about—until now!

I’d been writing for forty years before I could write about the biggest story in my life. My 25 non-fiction books about the American West—landscape, Native peoples, conservation—are a joy to research, photograph, and create. But I had unfinished emotional business: my mentally ill brother who left home when I was six, never to return. After everyone in my family was gone, it was finally safe. I began to recreate my brother’s life, reveling in research. I know how to do that. Opening myself emotionally to the heart of my family story took far longer. Empathy is a choice, and I’ve made my choice.

I’ve been devoted to reading memoirs since childhood. My favorite memoirs are based on letters written by people who served in World War II. Their letters encapsulate their experiences with an intimacy meant only for their loved ones. I am fascinated with the immediacy of their personal experience, the longing for home, and the courage to carry on that is expressed in these letters. I continue to be astonished and inspired by the lives of “ordinary” people who tell their own extraordinary stories better than anyone else could. I am the author of two non-fiction books based on letters and my current project is a World War II-era historical novel.