Here are 100 books that Zelda fans have personally recommended if you like
Zelda.
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Though I was born in the U.S., I didn’t wind up living here full-time till I was almost 10. The result? I have always been curious about what it means to be an American. In one way or another, the books on my list explore that question. More than that, all (well, nearly all) insist that black history is inextricably intertwined with American history and that American culture is a mulatto culture, a fusion of black and white. After years of making my living as a journalist, editor, and book reviewer, I left newspapers to write fiction and non-fiction, exploring these and other questions.
Was the hero of F. Scott Fitzgerald’s American classic African-American?
A couple of academics have advanced that theory. I’m not sure I buy it. The notion (and supporting “evidence”) seems little more than a literary parlor game, not to mention the fact that nothing in Fitzgerald’s work or his letters shows a particular engagement with, or sympathy for, black Americans.
Still, it’s an interesting metaphor and the reason this seminal American novel appears in a list of what’s otherwise non-fiction. Gatsby’s yearning for his lost love could be an African-American yearning for a beloved country that does not always love them in return.
I first read this book in high school. It wasn’t until my second, third, and fourth re-reading that I began to appreciate Fitzgerald’s gift for story-telling and his evocative, poignant language. And to identify with Gatsby, the outsider craving to become an insider.
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
I’m a memoirist living in New York and my women friends have saved my life many times. I didn’t fully understand how important they were to me until the three I write about died within a few years of each other in the early aughts. I also teach memoir as an academic. I’ve learned from my favorite writers how crucial it is to push past shame and embarrassment to try and reach emotional truth—whatever that is for each of us. Only readers can decide whether one succeeds, but for me, the most important gift memoir can bestow is the writer’s willingness to risk intimate self-disclosure.
This poignant narrative of Anne Sexton’s life takes you inside the complicated emotions of a prize winning poet who began her career as a suburban housewife and mother. I especially loved but also envied the portrait of Sexton’s long friendship with poet Maxine Kumin with whom Sexton took her first steps in the writing of poetry. Famously, the two women kept a separate phone line open between their houses so that they could share and craft lines between domestic chores. Sadly, despite the pulls of friendship, the biography shows, even the most talented writer has demons that can’t be vanquished. Middlebrook reveals the psychic cost of creativity, especially for women artists in the years before feminism.
At the time of her suicide in October 1974, Anne Sexton, 45, occupied a central position on the American poetry scene. Today, her reputation is tangled up with that of Sylvia Plath, whom she knew, and tainted with images of monster or victim. This biography, written with the full co-operation of Sexton's family and her principal psychiatrist who released three years of audiotaped therapy sessions, reveals and pivots around the creative relationship Anne Sexton struck with an incurable illness. Suffering from a mental disorder that eluded diagnosis, Anne Sexton underwent intensive psychotherapy and repeated bouts in mental institutions for nearly…
I’ve been fascinated by American women’s lives my whole life, reading and writing women’s biographies from high school through graduate school and into my career as a professional historian. I was raised in the Great Lakes region of the United States, and was educated at Bryn Mawr College and the University of Pennsylvania. I teach early American history, women’s history, and the history of sexuality at Colorado State University in Fort Collins, Colorado, and am at work on a book about women’s lives in the generation after the American Revolution.
Not a biography in the strict sense, this book is an investigation into “an American controversy” by a legal scholar that demonstrates the value of historical research and analysis by showing how Jefferson’s grandchildren, and white scholars and biographers following their lead, effectively conspired to hide the truth of Jefferson’s 30+ relationship with a woman he owned. And Gordon-Reed published this book a full year before the DNA-based analysis showed that Jefferson was overwhelmingly likely to have been the only father to Hemings’s four children.
When Annette Gordon-Reed's groundbreaking study was first published, rumors of Thomas Jefferson's sexual involvement with his slave Sally Hemings had circulated for two centuries. Among all aspects of Jefferson's renowned life, it was perhaps the most hotly contested topic. The publication of Thomas Jefferson and Sally Hemings intensified this debate by identifying glaring inconsistencies in many noted scholars' evaluations of the existing evidence. In this study, Gordon-Reed assembles a fascinating and convincing argument: not that the alleged thirty-eight-year liaison necessarily took place but rather that the evidence for its taking place has been denied a fair hearing.
As a child, I loved reading books about time travel, and now as a historian, I do a sort of time travel for my job. I have always been especially drawn to reading women’s correspondence, particularly when the women involved were pushing against gender roles and finding ways to access political power. I approach doing history as if it’s an ethnography of a group of people with entirely different beliefs, norms, and even emotions from us today; after all, the past is a foreign country. I’m especially intrigued by uncovering how personal relationships worked in the past and how relationships with political figures allowed family and friends to access power.
Kerrison brings careful scholarly research and even detective work to this fluidly-written story of Jefferson’s two white daughters, Martha and Maria Jefferson, and one Black daughter, Harriet Hemings. The book offers a more detailed chronicle of Martha and Maria, but Kerrison reveals for the reader her search for what happened to Harriet after she left Monticello and why that story ultimately remains a mystery.
The remarkable untold story of Thomas Jefferson’s three daughters—two white and free, one black and enslaved—and the divergent paths they forged in a newly independent America
FINALIST FOR THE GEORGE WASHINGTON PRIZE • “Beautifully written . . . To a nuanced study of Jefferson’s two white daughters, Martha and Maria, [Kerrison] innovatively adds a discussion of his only enslaved daughter, Harriet Hemings.”—The New York Times Book Review
Thomas Jefferson had three daughters: Martha and Maria by his wife, Martha Wayles Jefferson, and Harriet by his slave Sally Hemings. Although the three women shared a father, the similarities end there. Martha…
I'm an American historian and former director of UNC-Chapel Hill's Program in Sexuality Studies—and former pizza maker, gas pumper, park ranger, and tour guide at the house in which Louisa May Alcott wroteLittle Women. As a historian, I've spent my career trying to understand the lives of people in early American history who weren't well known at the time. In writing the Sewing Girl's Tale, which focuses on a survivor of a sexual assault, it was especially important to keep her at the center of the story. Ultimately, I wanted to know: What was life in the aftermath of the American Revolution like—not for some Founding Father—but for an ordinary young woman.
This best-selling book tells an important story about Black women's struggles for freedom and autonomy at the founding of the American nation. And tells it so well! One of my favorite things about this book is that the title is a bit misleading: this is not actually (another) book about the Washingtons.The book centers on Ona Judge, a woman who freed herself after the Revolution and forged a new life in the tumultuous world of the newly independent United States. Dramatic and suspenseful as her personal story is, this book also tells a bigger story about how it was enslaved people themselves who made the North free. Heartbreaking, heroic, dramatic, suspenseful, inspiring.
A startling and eye-opening look into America's First Family, Never Caught is the powerful story about a daring woman of "extraordinary grit" (The Philadelphia Inquirer).
When George Washington was elected president, he reluctantly left behind his beloved Mount Vernon to serve in Philadelphia, the temporary seat of the nation's capital. In setting up his household he brought along nine slaves, including Ona Judge. As the President grew accustomed to Northern ways, there was one change he couldn't abide: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to…
I’ve loved F. Scott Fitzgerald’s stories ever since I read The Great Gatsby as a teenager. After that, I devoured all of his works, thanks to a membership in one of those book subscription services where you have to send back monthly book selections if you don’t want them. I read almost all his short stories, all his novels, including the unfinished The Last Tycoon, and everything I could find on him and his wife Zelda.When The Great Gatsby entered the public domain a couple years ago, I started daydreaming of how I'd love to revisit the story from a fresh perspective, which led me to penning Daisy.
No look at F. Scott Fitzgerald would be complete without a good biography of his life.
This book does the job, capturing with copious quotes from Fitzgerald and those who knew him the tortured creative life of this golden boy of 1920s literature. What struck me most was how insecure Fitzgerald was about his class status all through his life, how he always felt like the outsider among the rich and famous he came to hobnob with.
It explains a lot about how his most famous protagonist, Jay Gatsby, came to be—in many ways, he’s a stand-in for Fitzgerald himself, a man in search of acceptance who never gives up on the one great love of his life—Daisy in Gatsby’s story, Zelda in Fitzgerald’s.
The standard work on Fitzgerald, revised, enlarged, and updated; Since its first publication in 1981, Some Sort of Epic Grandeur has stood apart from other biographies of F. Scott Fitzgerald for its thoroughness and volume of information. It is regarded today as the basic work on Fitzgerald and the preeminent source for the study of the novelist. In this second revised edition, Matthew J. Bruccoli provides new evidence discovered since its original edition. This new edition of Some Sort of Epic Grandeur improves, augments, and updates the standard biography of F. Scott Fitzgerald.
I’ve loved F. Scott Fitzgerald’s stories ever since I read The Great Gatsby as a teenager. After that, I devoured all of his works, thanks to a membership in one of those book subscription services where you have to send back monthly book selections if you don’t want them. I read almost all his short stories, all his novels, including the unfinished The Last Tycoon, and everything I could find on him and his wife Zelda.When The Great Gatsby entered the public domain a couple years ago, I started daydreaming of how I'd love to revisit the story from a fresh perspective, which led me to penning Daisy.
This collection of essays and letters, put together by F. Scott Fitzgerald’s editor Edmund Wilson after Fitzgerald’s death, touches on the author's fall from grace, losing his popularity, his sobriety, and sometimes the respect of some fellow auteurs.
It’s almost embarrassing in its frankness, but it provides a great insight into what went wrong with this artist’s life so that he was not able to enjoy the success of his literary works in later years. In many ways, it’s an allegory for the times—from the raucous Roaring Twenties to the somber years of the Great Depression.
The Crack-Up tells the story of Fitzgerald's sudden descent at the age of thirty-nine from glamorous success to empty despair, and his determined recovery. Compiled and edited by Edmund Wilson shortly after F. Scott Fitzgerald's death, this revealing collection of his essays-as well as letters to and from Gertrude Stein, Edith Wharton, T.S. Eliot, John Dos Passos-tells of a man with charm and talent to burn, whose gaiety and genius made him a living symbol of the Jazz Age, and whose recklessness brought him grief and loss. "Fitzgerald's physical and spiritual exhaustion is described brilliantly," noted The New York Review…
I’ve loved F. Scott Fitzgerald’s stories ever since I read The Great Gatsby as a teenager. After that, I devoured all of his works, thanks to a membership in one of those book subscription services where you have to send back monthly book selections if you don’t want them. I read almost all his short stories, all his novels, including the unfinished The Last Tycoon, and everything I could find on him and his wife Zelda.When The Great Gatsby entered the public domain a couple years ago, I started daydreaming of how I'd love to revisit the story from a fresh perspective, which led me to penning Daisy.
When I first read this book, I could hear Roberta Flack’s famous song “Killing Me Softly” playing in my head.
I felt as if the author had peered into my own heart and articulated everything I felt about F. Scott Fitzgerald’s greatest work, The Great Gatsby. Corrigan covers an enormous amount of territory—everything from her personal reflections on the novel to how it didn’t sell well at first to how it gained in popularity as GIs read it during WWII as part of a free books program designed just for them up to the four film iterations of the tale.
Along the way, though, she explores why Gatsby still moves so many readers and why it’s considered The Great American Novel.
The "Fresh Air" book critic investigates the enduring power of The Great Gatsby -- "The Great American Novel we all think we've read, but really haven't."
Conceived nearly a century ago by a man who died believing himself a failure, it's now a revered classic and a rite of passage in the reading lives of millions. But how well do we really know The Great Gatsby? As Maureen Corrigan, Gatsby lover extraordinaire, points out, while Fitzgerald's masterpiece may be one of the most popular novels in America, many of us first read it when we were too young to fully…
When I was pregnant for the first time, I knew exactly the sort of mother I was going to be. I had read all the articles, bookmarked all the tastefully filtered Instagram posts. But then I had my son, and I realized almost immediately how little I knew. It turns out that while those tender Instagram moments do happen (and they truly are magic), there are just as many moments that can only be described as: WTF? My novel, The Perfect Ones, goes deep behind the screens of two Instagram influencers and their messy, conflicting, and fundamentally human feelings on motherhood. Here are five more books about the parts that don’t make the Instagram grid.
This novel does the very scary thing of looking postpartum directly in the eye.
It follows new mom Liz Bennet along her increasingly unhinged search for clues about her husband’s suspected infidelity. Most moms (hopefully!) won’t relate to Liz’s specific situation, but Justine Sullivan paints a terrifyingly realistic portrait of the madness of those first years of new motherhood.
Liz Bennett knows that she is one of the lucky ones. Wealthy and charming, Arno is a supportive husband to Liz and a doting father to their daughter, Emma. A rising banker at a top firm in the Boston area, he is the picture of perfection, rounding off their idyllic New England life. But when Liz sees a text on Arno's phone with a kissy-face emoji, her anxiety kicks into overdrive and she begins to worry that her luck has run out.
Plagued by persistent skepticism and countless sleepless nights, Liz decides she must uncover the truth about her husband…
I’m a novelist, essayist, and short story writer who finds domestic life as fascinating and complex as any board room battle or historical event. I love books about marriage and family because so few people are willing to talk honestly about them. Finding a great book is like meeting a new friend who is willing to tell you their secrets and then share hard-won advice.
It’s been nearly ten years since I first read this book and I can still remember what the characters were wearing in the first chapter. Now that’s visceral storytelling! The author’s ability to capture his intense obsession with his future wife is familiar, poignant, and heart-warming. Yglesias’ portrayal of the couple’s long and, at times, bumpy marriage, makes this one of the most complex and honest portrayals of a marriage that I have ever read. That this is also a book about cancer and death does nothing to diminish the feelings of hope and gratitude embodied on every page.
A Happy Marriage is both intimate and expansive: It is the story of Enrique Sabas and his wife, Margaret, a novel that alternates between the romantic misadventures of the first weeks of their courtship and the final months of Margaret's life as she says good-bye to her family, friends, and children -- and to Enrique. Spanning thirty years, this achingly honest story is about what it means for two people to spend a lifetime together -- and what makes a happy marriage.
Yglesias's career as a novelist began in 1970 when he wrote an autobiographical novel at sixteen, hailed by…
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