Fans pick 100 books like American OZ

When I was secretly working as an escort, living and working ‘underground’, and came upon this book, I was immediately drawn in because here, too, despite and thankfully many different circumstances, was a woman witnessing and taking notes not only to keep herself sane but also to bear witness to the real events as they affected women in this terrible and extraordinary moment in history.

Instead of events and general washes of the main players, as is so often what we get when studying a period of history, here was a true, authentic voice of the actual effects and aftermath of the war on the people living through it. And she wrote it as it was being lived! …” with nothing but a pencil stub, writing by candlelight since Berlin had no electricity…”

As the author, she chose to remain anonymous to protect herself. This choice resonated with me until… show more.

Oh, I love this book. I read it several times and had to watch the movie even though it wasn’t as good as the book. I love firsthand accounts of secret lives, and even though this is a fictional story, there is so much truth in it. Although it is fiction, maybe historical fiction, Arthur Golden takes us into the very secretive world of Geishas in Kyoto, Japan, before and right after the war.

I knew nothing about this world save for general history. But here we were, seeing the world and its politics and its effects on women from the eyes of one who lived it. The details of the lives of Geishas felt so authentic that I began to research the world he brought to life in this transporting tale. I found that the author based the story on a Geisha he interviewed.

The book was so close… show more.

I read this book when it was first published when working low-wage ‘regular’ jobs was something I feared. I had been poor for so long and worked low-wage regular jobs before and through 9 years of college and after until I became an escort. As much as being an escort was shamed, it was nothing compared to the shame of not being able to survive with two low-wage jobs that eat up all your time, your choices, and your health. Then here was this powerful, insightful book.

The author is a journalist who goes underground, takes these jobs, and tries to survive. What is revealed are the lives of so much of the population in America that are working this way. I read this book in one day. Once you see it and have felt it, it’s impossible not to see it and want better for all of us.

The moment I open a book by Isabel Allende, I know I will be transported to a time and culture so unlike my own, and I will get to live there until I close the book and even after in my imagination as the book lingers.

In my own books, I hope to take readers into a world foreign to them and introduce them to a cast of characters revealing the humanity not seen immediately.

In this book, Eva is a storyteller who trades her stories for help from others. Along the way, she immerses us in hidden and not-so-hidden worlds within the South American culture at the time.

I chose this book because, well, it’s really funny!

Tony Hawks carries a fridge around Ireland for charity and becomes infamous for it on the way round. His style and humour are hugely engaging, and Ireland is so full of character, that by the end of it, I felt as if I had taken every step with him.

I feel as if I have a memory of walking around Ireland with a fridge as if I did it. That is a sign of very good writing! 

I just love this book. Again, it’s set against such an evocative landscape – this time in Western Australia. It tells the story of a tentative love affair between a reckless poacher and the wife of a wealthy landowner – and the inevitable fall-out. There’s even a soundtrack to go with it – Winton’s a musician too.

The writing’s so pitch-perfect that I had to keep stopping to scribble phrases down. It’s that good. Why is it about survival? As well as Luther Fox, the poacher, struggling to get over the tragedy of his past, the last third of the book focuses on his walkabout up north to Coronation Island, where he deliberately shipwrecks himself. Cue the wilderness: scavenging, hunting, sheltering. True, haunting, survival in its rawest sense as he battles to redemption.

I wouldn’t recommend reading this book during a storm when there’s a chance of a power cut! Years back, I camped on the edge of a highway in the middle of central Australia–and even before this book came out, I knew I’d never do it again! The stars might be spectacular, but the isolation is an absolutely crushing force. 

This book captures that essence perfectly–along with the relief of finding another human being on the road…quickly followed by the terror of realizing that person may not be who you think. 

I read this book during the summer of 2021 when a lot of pandemic restrictions were still in place, and I wasn’t going anywhere. Reading Bacchanal made me feel like I was on a road trip, traveling across the dusty American southwest in the 1930s.

Veronica G. Henry’s debut features a traveling carnival making its way across middle America during the Great Depression. But the carnival isn’t all fun and games—behind the scenes, a hungry demon runs the show, and Liza might be in danger of becoming the creature’s next meal.

Bacchanal features a cast of interesting humans and demons, and the book really shines when it showcases real-life personages such as Stephanie St. Clair, a Black crime boss in 1920s Harlem. I love how danger lurks around every corner in this novel, with the traveling carnival offering up a mix of scares and delights.   

I would have loved to have had this book in my childhood! As a child, I grew up reading myths and folk tales that came mostly from Europe, however, this book gives a glimpse of myths in America long before the colonization. Thanks to this book I discovered many myths from Alaska to Tierra del Fuego—or the Sea-Ringed World, as the Aztecs called it—which sparked my curiosity in order to know more. Also, I was pleasantly surprised to learn that some of the stories were intertwined.

Even if this is not a picture book, I decided to include it because the stylish and sophisticated illustrations (of the multi-awarded) Mexican illustrator Amanda Mijangos, fill the spaces that the text is missing and add another level of reading to each one of the tales.

Set in the US in the late 70s, this book was one I went back and forth on if it fit my criteria of being a lesser-known locale (or possibly even historical fiction, since the 60s and 70s are just now starting to hit that cut-off). The world it presents—life in a traveling carnival during the tail end of the freakshow era—was so interesting, though, I felt I had to slip it in. On the run from a terrible secret, the protagonist joins the carnival as their “fat lady” act in the freakshow… and things are just as crazy (and yet somehow so emotionally grounded?) as that premise makes it sound. I’d definitely suggest giving it a read.