100 books like Akira, Volume 1

An incredibly haunting book. At first glance it looks like a fairy tale for children but after only a few pages in you realise it is quite a sinister tale and something much darker altogether. It is a very brave book I think and I’m not really sure how to categorize it other than it being very, very dark indeed.

Without a doubt, Neuromancer is the most recognizable, well-known, and highly regarded cyberpunk novel—and rightfully so. 

Published in 1984, Neuromancer was directly inspired by City Come A-Walkin’ and then surpassed it, deepening the technical elements, exploring the ever-more-important aspects of computer networks and hacking (Gibson having coined the phrase, “cyberspace”), and solidifying the literary style of cyberpunk. 

For me, though, the fact that Gibson was responding to Shirley enriches both novels. I love the concept of one artist responding to another’s work; from Horace to Shakespeare, to Dryden to Pope, to Hammett to Chandler, the best art is inspired by art, and the same is true in cyberpunk. It’s a microcosm of the human condition and, come to think of it, so is Neuromancer.

The OG Metaverse novel is still as smart, hilarious, rollicking, and inspirational as it was 30 years ago.

I’m amazed at how many technologists talking about the concept have not read it and realized how influential and prophetic it actually is, envisioning scenes of virtual life that have since become commonplace for millions of Internet denizens.

Often pigeonholed as a standard dystopian sci-fi tale, Snow Crash is too sly, satirical, and kinetic to fit that category. And reading it will clarify why so many people in tech have yearned to build something like the Metaverse for decades, even referencing it during development discussions—including me! 

The Incal follows John DiFool, an everyday goofball, as he is swept away on the most metaphysical, surrealistic, galactic adventure possible. Written and drawn by two of the wildest, most ingenious imaginations to ever grace the page, Jodorowsky and Moebius guide the reader gracefully to the edge of existence and back – without confusing or pandering to its audience. 

This book works so well because, first, Moebuis’ art is an absolute delight to look at, and second, because using the common-man-character of DiFool as the protagonist, the reader can learn alongside the story in a way that feels smooth and natural – in a world that would otherwise be beyond the understanding of mere mortals.

I absolutely adore Miyazaki’s art in Nausicaa. Although dealing in themes of plague and pollution, the artwork really feels like it comes from a place of love. His creature and vehicle designs exude his adoration of nature and science. And everything is rendered in a soft, effortless chiaroscuro that makes reading an endless pleasure. 

But maybe the single most endearing attribute is the character, Nausicaa, herself. It seems to me, that more often than not, a hero story asks its protagonist to go through some sort of reluctant change to become a hero. But not Nausicaa. She comes to us fully formed, full of virtue and ambition. And so the story is centered on her choices. The story doesn’t happen to her, she drives it herself.

In a post-apocalyptic world run by an oppressive American empire, we find Little Bird hiding in a hole. Though her mother was a great leader of the rebellion, Little Bird has found herself very lost, in a very cruel world - and she just might be the last chance that the freethinking people of the Western world have. 

I love that this story takes familiar forces and fears of our modern life and cranks them up to eleven. With that in mind, the star of the show must be Ian Bertram’s artwork. All the huge ideas and themes created by Darcy are elevated to a startling degree by the way Ian is able to build this world visually. The iconography, the violence, the characterizations, it slaps you in the face page after page.

Before a Friday night drink, turn on some heavy metal (or hard rock) and decide if you want to, “Become a cop or die.”

 This indie sci-fi graphic novel has style with thought-provoking themes that will make you wonder about our lives in the near future. 

The monochromatic color palette is not only stylistically cool but it frames emotion perfectly well. I loved the raw indie art by Ziritt, feels like a classic tattoo artist took his inks and drew inside comic panels. He frames a lot of statuesque and memorable moments with his violent, dystopian characters.

As an indie artist and writer, it’s awesome to see another indie story. Indie at its core is unfiltered, which is what makes it great. It isn’t watered down to hit the right tone to sell a lot of copies. It’s the creator’s voice being heard.

I suggest that you read this one… show more.

Scud is a ’90s indie comic at its best and is now in one giant collection. Vending machine robots with various whacky, funny, and violent scenarios. Artist/writer Rob Shrab created a ton of awesome indie work. His passion and talent are undeniable as he creates one crazy scenario to the next. I recommend going to a local coffee shop and spending some time with the printed copy sipping a latte while listening to 90’s grunge rock.

I suggest that you read this one on a Saturday afternoon.

This is my favorite mainstream graphic novel of the Caped Crusader. Mostly because of the art by Tim Sale. This graphic novel has a special place for me because it is my first experience with Tim’s art. Tim represents style, emotion, and grit through his visuals. I am an art-first comic book fan. I got into writing later as a young adult but art is what drives me to pursue graphic novels. I flip through graphic novels without reading a word first. If it is visually appealing throughout the story, I go back and read the whole story.

Dark Victory is technically Jeph Loeb and Tim’s second Batman novel after but Dark Victory is more polished, feels cooler and the story is smoother.

I suggest that you read this one on a Saturday night.

I picked this book up on a whim, I’m glad I did. It was a pleasant surprise with no expectations. A simple, easy-to-read story with art guiding you frame by frame from artist Ann Xu. The smooth art guides you through the effortless story. It shines a light from a different perspective of life. It is soft, warm, and enlightening as we question death around the corner (especially close for the elderly woman in this story who literally vacuums up death). If you are looking for something different from a harsh dystopian/superhero graphic novel, pick up Shadow Life.

I suggest that you read this one on a Sunday morning.