Here are 100 books that Shadow Life fans have personally recommended if you like
Shadow Life.
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Although I write Fantasy, I’m a Cyberpunk enthusiast who mentally lives in the high-tech effed-up future authors and artists imagined in the ‘80s. My imagination has been so influenced by Cyberpunk since I watched (and eventually read) Akira as a kid that I ended up creating a Fantasy world with a retro-futuristic, low-life/high-tech vibe, and a lot of motorcycles. An awful lot. I’m also a rebel by heart and a queer person, hence my stories always feature a fight against society and LGBTQ+ characters. I like reading about dystopias, morally grey characters, and dark content. This is what I read, and this is what I write about.
Akira is a must-read manga masterpiece, a deep analysis of government corruption, political upheaval, criminality, and decay of society. Apart from the breathtaking art, what caught my attention was the complex story and the nihilistic, harsh, and hopeless world Akira shows. There are virtually no good characters in this story and it fits the apocalyptic, decadent reality they face and live. Expect a lot of psychic abilities and motorcycles, along with gritty, graphic violence.
Akira 1 introduces readers to a gritty Neo-Tokyo, built on the ashes of a Tokyo annihilated by a blast of unknown origin that triggered World War III. The lives of two streetwise teenage friends, Tetsuo and Kaneda, change forever when paranormal abilities begin to waken in Tetsuo, making him a target for a shadowy agency that will stop at nothing to prevent another catastrophe like the one that levelled Tokyo. At the core of the agency's motivation is a raw, all-consuming fear of an unthinkable, monstrous power known only as Akira.
I’m a writer/artist inspired by a lifetime of reading graphic novels. A visual artist at heart with a BFA in Industrial Design I have worked over a decade in conceptual thinking for research and development in the manufacturing sector. I love the experimentation that breaks the boring norms of industry standards. I wanted to use my talent, experience, and passion to create a sci-fi graphic novel, Bear Serum, and break the medium norms. I wrote and drew it to satiate my own wild ideas in the sci-fi category to push the medium further.
Before a Friday night drink, turn on some heavy metal (or hard rock) and decide if you want to, “Become a cop or die.”
This indie sci-fi graphic novel has style with thought-provoking themes that will make you wonder about our lives in the near future.
The monochromatic color palette is not only stylistically cool but it frames emotion perfectly well. I loved the raw indie art by Ziritt, feels like a classic tattoo artist took his inks and drew inside comic panels. He frames a lot of statuesque and memorable moments with his violent, dystopian characters.
As an indie artist and writer, it’s awesome to see another indie story. Indie at its core is unfiltered, which is what makes it great. It isn’t watered down to hit the right tone to sell a lot of copies. It’s the creator’s voice being heard.
Night Hunters is a pulsing cyberpunk classic that tells the tale of two brothers who have to navigate the futuristic dystopian world of Venezuela, 100 years in the future.
How far would you go for your family? Would you enlist in a corrupt police department and slowly sell your body-parts for cyborg replacements so that your aging father can have a roof over his head? The only answer is pick up your gun and put one foot in front of the other.
This sci-fi epic by indie comics all-stars Alexis Ziritt (Space Riders, Tarantula) and Dave Baker (F*** Off Squad,…
I’m a writer/artist inspired by a lifetime of reading graphic novels. A visual artist at heart with a BFA in Industrial Design I have worked over a decade in conceptual thinking for research and development in the manufacturing sector. I love the experimentation that breaks the boring norms of industry standards. I wanted to use my talent, experience, and passion to create a sci-fi graphic novel, Bear Serum, and break the medium norms. I wrote and drew it to satiate my own wild ideas in the sci-fi category to push the medium further.
Scud is a ’90s indie comic at its best and is now in one giant collection. Vending machine robots with various whacky, funny, and violent scenarios. Artist/writer Rob Shrab created a ton of awesome indie work. His passion and talent are undeniable as he creates one crazy scenario to the next. I recommend going to a local coffee shop and spending some time with the printed copy sipping a latte while listening to 90’s grunge rock.
I suggest that you read this one on a Saturday afternoon.
In the world of Scud, bullets are cheaper than human life. Corner
vending machines provide any weapon you might need. The most popular weapons are
Scud disposable assassins: Robot hitmen that self-destruct when they kill their
target. This volume follows Scud 1373, assigned to take out a hideous female
man-eater named Jeff. While fighting the indestructible Jeff, Scud discovers his
infamous warning panel in a bathroom mirror. Realizing that to kill Jeff is to
kill himself, Scud blows off her arms and legs and hospitalizes her. Her life
support bills will have to be paid, and Scud will have to…
I’m a writer/artist inspired by a lifetime of reading graphic novels. A visual artist at heart with a BFA in Industrial Design I have worked over a decade in conceptual thinking for research and development in the manufacturing sector. I love the experimentation that breaks the boring norms of industry standards. I wanted to use my talent, experience, and passion to create a sci-fi graphic novel, Bear Serum, and break the medium norms. I wrote and drew it to satiate my own wild ideas in the sci-fi category to push the medium further.
This is my favorite mainstream graphic novel of the Caped Crusader. Mostly because of the art by Tim Sale. This graphic novel has a special place for me because it is my first experience with Tim’s art. Tim represents style, emotion, and grit through his visuals. I am an art-first comic book fan. I got into writing later as a young adult but art is what drives me to pursue graphic novels. I flip through graphic novels without reading a word first. If it is visually appealing throughout the story, I go back and read the whole story.
Dark Victory is technically Jeph Loeb and Tim’s second Batman novel after but Dark Victory is more polished, feels cooler and the story is smoother.
I suggest that you read this one on a Saturday night.
It is early in Batman's crimefighting career, when James Gordon, Harvey
Dent, and the vigilante himself were all just beginning their roles as Gotham's
protectors.Once a town controlled by organized crime, Gotham City suddenly finds
itself being run by lawless freaks, such as Poison Ivy, Mr. Freeze, and the
Joker. Witnessing his city's dark evolution, the Dark Knight completes his
transformation into the city's greatest defender. He faces multiple threats,
including the seeming return of a serial killer called Holiday. Batman's
previous investigation of Holiday's killings revealed that more than one person
was responsible for the murders. So the question…
I am a former children’s librarian who writes books for children and young adults. I love history, especially black history. We didn’t get much in school when I was a child, so I’ve been catching up on some of what I missed. I am particularly drawn to under-told stories about people who deserve more recognition for their contributions. I’m proud that some of those people are members of my own family.
The time is nearing for the lemming community to take the great leap—to run to the cliffs and keep going, plunging into the water below. Why? Because that’s what lemmings do. In his brilliant allegory, Alan Arkin explores what happens when one young lemming asks, “Can lemmings swim?” What happens when one suddenly realizes he’s uncomfortable with following the crowd and has the courage to say, This isn’t right and I don’t want any part of it. Arkin’s book has always been a source of hope for me, hope and belief in the power of the individual resisting what sometimes feels like society run amok.
My journey into Asian story began with Black Cranes, edited by Lee Murray and Geneve Flynn. I have two stories in that book, but it is more than another anthology. The stories were specifically about women of horror and Asian descent- black cranes. I’ve gone on to write and publish my own stand-alone works from the Asian perspective, and our sisterhood gets stronger with every new book. We aren’t alone in appreciating representation. The books we’ve written since Black Cranes have an impressive collection of Bram Stoker, Shirley Jackson, and all sorts of other awards.
Few books from the Asian perspective are from the Ryukyuan (Okinawan, Shimanchu) pov, but this book accomplishes this with an intricate blend of fantastical storytelling. I wish I’d known Darcy when we were looking for essayists for my book!
A profound exploration of grief and cultural identity, the collection is a tapestry of stories that intertwine language, culture, and the deep impacts of loss. Each narrative—ranging from a scholar in the Ryukyu Islands to a spirit observing the aftermath of her death—left me unable to put the book down.
Including an immigrant who sprouts wings and a journalist witnessing the event, which adds a layer of magical realism that is tender and dear. Representation really does matter, and I am grateful to Darcy Tamayose for taking up her pen.
Award-winning author Darcy Tamayose returns with Ezra's Ghosts, a collection of fantastical stories linked by a complex mingling of language and culture, as well as a deep understanding of grief and what it makes of us. Within these pages a scholar writes home from the Ryukyu islands, not knowing that his hometown will soon face a deadly calamity of its own. Another seeker of truth is trapped in Ezra after her violent death, and must watch how her family--and her killer--alter in her absence. The oldest man in town, an immigrant who came to Canada to escape imperial hardships, sprouts…
At the close of World War II, I was born into the peace and prosperity of mid-twentieth century America, but I longed to be transported to an earlier era and a simpler time. I grew up living in an apartment building in New York City, but my spiritual home was Central Park, which served as my wilderness. Clumps of bushes were my woods. Rock outcroppings were my mountains. Books like Heidi and Little House on the Prairie captured my imagination and warmed my heart. But when my beloved father died in my eleventh year, a shadow fell that changed the emotional landscape of my life.
I wasn't an orphan, I wasn’t raised on a farm, and no one teased me for my ordinary brown hair, but my identification with “carrot topped” Anne Shirley was immersive and all consuming. I could smell the flowers and taste the russet apples she delights in, and I could feel the unrelenting joie de vivre that, despite life’s many slings and arrows, courses through her childhood, adolescence, and young adulthood.
This book may date from 1905, but this beloved story of an orphan girl who comes to live with an aging brother and sister on their farm on Prince Edward Island has lost nothing of its irresistible charm. An awkward outsider looking in upon a world she longs to join, outspoken, feisty, wildly imaginative Anne came alive for me and won my heart from the moment I met her on the page.
Anne of Green Gables is the classic children's book by L M Montgomery, the inspiration for the Netflix Original series Anne with an E. Watch it now!
Marilla and Matthew Cuthbert are in for a big surprise. They are waiting for an orphan boy to help with the work at Green Gables - but a skinny, red-haired girl turns up instead. Feisty and full of spirit, Anne Shirley charms her way into the Cuthberts' affection with her vivid imagination and constant chatter. It's not long before Anne finds herself in trouble, but soon it becomes impossible for the Cuthberts to…
I am a Canadian freelance writer, who has a BA in honours history from Smith College, an MA in history from McGill University, and a Bachelor in Journalism from Carleton University. As I have a special interest in Canadian history and Canadian biography, I have authored books in these subject areas. These include an award-winning biography of Sir William Van Horne, a polymath and railway general who pushed through the construction of the Canadian Pacific Railway, and Cairine Wilson. Canada’s first woman senator, who was celebrated for her work with refugees in the 1930s and 1940s, and a best-selling survey of Canadian immigration and immigration policy, Strangers At Our Gates.
This book, which was written when serious questions were being asked about Canadian immigration, is a gold mine of information on this delicate and emotional subject. The research is both extensive and meticulous. Moreover, the author does not just cite and explain facts about events and circumstances, she also provides clues as to what she feels constitutes an immigration policy.
Remarkable changes have taken place in Canadian immigration policy, law, and management since this book was first published. A long-awaited new Immigration Act was passed in 1976 and became law in 1978. This marked the beginning of a new, more liberal, and more co-operative era in Canadian immigration. The new Act established clear national objectives in immigration and refugee policy. The new edition of Canada and Immigration takes into account these major changes in Canadian attitudes and policies toward immigration. The author discusses what these changes have meant for Canada, considering the new laws, closer federal-provincial collaboration, more confident and…
I wasn’t a fan of reading when I was young. I was a lazy reader. Subjects and genres were always chosen for me during education, until I hunted for my own. I used to write a lot more than reading in early high school. I wrote a horror journal, submitted to my English teacher every week. He told me that my writing was good but advised me that reading the genre could help develop my ideas. Funny, a young teenager couldn’t work that out? So, off I went to the local bookstore and bought my first horror novel. I devoured it within a week. I've been a reader and writer of horror ever since.
A book I’d wanted to read for a long time, but it wasn’t until later in life I was able to get it. When I was just on the early stages of my writing career, my now longtime friend, Marty, said he had a spare copy of Cabal laying around and offered to send it to me. Marty was my writing mentor at the time as he’d been writing horror for many years previous, and his work is inspiring. So, knowing I was getting a book in the mail from my mentor, to whom I hadn’t met in person yet, was very exciting. The book itself was a tired secondhand copy (which I was told it was) yet this gave it more special meaning. Even the cover was a little torn and it was a pocket edition. So, I sat back with this little book, which I still have as…
A fabulous journey through the mind of the master of dark imaginative fiction, Clive Barker.
The nightmare had begun....
Boone knew that there was no place on this earth for him now; no happiness here, not even with Lori. He would let Hell claim him, let Death take him there.
But Death itself seemed to shrink from Boone. No wonder, if he had indeed been the monster who had shattered, violated and shredded so many others' lives.
And Decker had shown him the proof - the hellish photographs where the last victims were forever stilled, splayed in the last obscene…
I first became interested in the history of the British Empire as an undergraduate. Understanding this history helped me relate my parents’ experiences growing up in a postcolonial nation with the history of the United States, where I grew up. As an academic historian, my research and teaching emphasize connections—between disparate places, between the past and present, and between our personal experiences and those of people born in distant times and places. My first children’s book allowed me to translate my scholarly work for a young audience. I hope this list of books that inspire my approach to history encourages your own investigations of imperialism and its pasts!
George Manuel was once asked by a white coworker, “Does Indians have feelings?” Refusing dehumanization, Manuel reveals the ongoing colonial relations between First Nations and the Canadian settler state. He charts his political journey from Secwepemcúl̓ecw to the National Indian Brotherhood to the World Council of Indigenous Peoples.
Manuel argues that the victories of the anti-colonial independence movements of the twentieth century did not end colonial domination of Indigenous Peoples—what he calls the Fourth World. The Fourth World is not a destination but the right to travel on your own road in your own way.
With a new insightful introduction, foreword, and afterword, the book's latest edition shows how Manuel’s analysis of colonialism and vision for solidarity continue to be relevant to contemporary struggles for decolonization.
A foundational work of radical anticolonialism, back in print
Originally published in 1974, The Fourth World is a critical work of Indigenous political activism that has long been out of print. George Manuel, a leader in the North American Indian movement at that time, with coauthor journalist Michael Posluns, presents a rich historical document that traces the struggle for Indigenous survival as a nation, a culture, and a reality. The authors shed light on alternatives for coexistence that would take place in the Fourth World-an alternative to the new world, the old world, and the Third World. Manuel was the…
