Fans pick 67 books like A Maiden's Grave

Stephen Hunter’s crime fiction masterpiece, Dirty White Boys, begins with a sentence lovingly detailing the villain’s genitals. 

I assure you this opening is in no way gratuitous or prurient; it signals that we’re in for a wild ride, informing us that only “…three men at McAlester State Penitentiary had larger penises than Lamar Pye….” 

Pye is one of the great literary villains of all time – racist, crude, violent, and cruel… and smart as a whip. And the tone here is pitch-dark hillbilly noir. If you’re brave enough to read this book it will live in your imagination for the rest of your life. 

The Harry Bosch series has been long and often predictable.

Bosch has a strong belief that if everybody doesn’t count, nobody counts. He has to hold up his image of justice against an LAPD that plays politics, and a city populace easily swayed by the latest headlines.

What I love about The Last Coyote is that it’s a very personal novel where Bosch examines his relationship with his deceased mother Marjorie Phillips Lowe, a prostitute who was brutally murdered. While on psychiatric leave, Bosch takes on the case of his mother’s unsolved murder.

It’s a wonderfully nuanced exploration of the relationship between a mother and son, a cop and his own psyche, and a city and its most reviled citizens.

Reading for me is often a temporary escape. There are people who need a permanent escape to avoid harm or death. Want to vanish? Jane Whitefield, member of the Wolf Tribe of the Seneca people, can make it happen. She uses ancient and modern techniques and a few twists she invented herself to spirit people to safety. But no good deed goes unpunished. In this first book in the series, Jane finds she’s the one in a trap and in need of escape. Not all new situations are without problems. An engaging read right to the end and an introduction to the other eight books in the series.

Gerald Petievich must have used a crystal ball when writing Earth Angels in 1989, because only nine years later, all the basic elements of the story would hit the headlines, as rogue elements within the LAPD were exposed in a wide-ranging criminal conspiracy known as the Rampart scandal. The book’s eerie prescience is only one reason it’s a modern classic. Its depiction of police procedure is almost unmatched in accuracy and detail, and it perfectly captures the dark, gritty side of Los Angeles, far away from the bright lights of movie premieres. If I ever need to remind myself why I left L.A. after twelve years, I only need to revisit Petievich’s open-eyed exposé of official corruption, casual lawlessness, and random violence. 

Lois Ruby is a YA veteran who has more than 20 books to her name, many of them historical fiction, including the beloved Steal Away Home, which appeared on basically every year-end best list back in 1994. She also happens to be my mom. And her latest book, which takes place during the “red scare” of the 1950s, is among her best. It’s a tense story about a baseball-crazy 13-year-old boy whose parents are accused of being communist sympathizers, turning his life upside down when he’s supposed to be studying for his bar mitzvah. The clock-ticking backdrop, leading up to the notorious execution of Julius and Ethel Rosenberg for supposedly passing on nuclear secrets to the Soviets, gives the whole book terrifyingly high stakes.

The “deep map” that Least Heat-Moon unfolds for us in this revelatory book is the history of Chase County, Kansas, home of the largest and least corrupted stand of tallgrass in America. He takes us with him—by car, on foot, and in mind—as he explores this story-rich land, its plants, animals, and the homespun people who have struggled to occupy this forbidding landscape.

In one breath, he reminds us it was the tall grasses of the African savannah that first made humankind stand up. In another, he tells us that the humans who peer across America’s tall grasses have “prairie eyes.” In “a place where you see twenty miles sitting down,” you have prairie eyes if you take in the horizon with stoic calm, knowing it can bring the deliverance of rain or the destruction of a tornado, dust storm, prairie fire (the “red buffalo”), or locusts. 

Least Heat-Moon reports… show more.

It was Calvin Trillin's hilariously enthusiastic stories about the world's best restaurants (most of which seem to be situated in his hometown of Kansas City) that initially made me one of his many fans. Between 1967 and 1982, however, he also wrote a series of long articles for The New Yorker entitled "U.S. Journal," in which he used singular events, often homicides, as the launchpads for tales rich in local history and lifeways. Sixteen of Trillin's best are assembled here. Has anyone written more penetratingly about how rivalries and resentments are embedded in social settings?  

Before being published I was very much a romance snob. I was a bookshelf elitist who thought that good literature did not include romance.

When my first book was labeled a romance novel, romance fans quickly let me know that what I’d written wasn’t true romance, but they loved the book. So, I had to learn how to write romance and what better way than to read it.

Night Song was my first foray into historical romance with characters who looked like me. It was life changing and one of the most beautiful tales I had ever read. Lesson learned! The romance genre includes incredible stories, superb writing, and bourbon-sipping storylines and I had been missing out.

Scott Thomas was nominated for a Bram Stoker award for his spine-chilling story about four famous horror writers who are invited to spend Halloween in a haunted house as a publicity stunt, only to find themselves tormented by the unholy entity that roams its silent halls. Clearly an expert on the horror genre himself, Thomas brings a much-needed new twist to the haunted house trope and elevates it to a fearsome new level. But this novel’s real strength lies in its character development. A horror story only works if you care enough about the characters to hope (and pray) for their survival, and by the end of this one, you’ll feel like you’re clinging to old, familiar friends as they fight for their lives.      

I found this book so helpful in explaining why it wasn’t “the economy stupid” but values that moved voters. His work was helpful in illuminating my own extensive work on how values move voters.

Frank is especially good at describing the role of the evangelical movement in putting cultural issues, including abortion, front and center in our politics. I found that he was onto something important and that has helped my understanding of today’s politics. A very readable, down-to-earth book.