Here are 100 books that A Dirty Job fans have personally recommended if you like
A Dirty Job.
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I’ve always been a fan of dark comedies. Fargo. Heathers. Fight Club. There’s something about being able to laugh about tragedy that feels both cathartic and as if you might get struck down by lightning. But I also grew up on a steady diet of supernatural horror à la Stephen King, Peter Straub, and early Dean Koontz. So combining the supernatural and dark comedy into my writing seemed like a natural fit. While I’m drawn to dark comedies of all sorts in both fiction and film, I have a soft spot for those with a supernatural element that involves death, either in the literal sense or as a character.
Not only is this novel about death and dying (10,000 times, to be exact), but it also features Death as a main character. So it gets bonus points for hitting both of those marks when it comes to my love of dark comedies about death. But it’s also a story about finding a reason for living, that reason being the aforementioned Death, who just so happens to be the main character’s love interest. It’s complicated. At turns both thought-provoking and laugh-out-loud funny. Reincarnation stories have always intrigued me and this one does it in a fashion unlike any other.
I’ve always been a fan of dark comedies. Fargo. Heathers. Fight Club. There’s something about being able to laugh about tragedy that feels both cathartic and as if you might get struck down by lightning. But I also grew up on a steady diet of supernatural horror à la Stephen King, Peter Straub, and early Dean Koontz. So combining the supernatural and dark comedy into my writing seemed like a natural fit. While I’m drawn to dark comedies of all sorts in both fiction and film, I have a soft spot for those with a supernatural element that involves death, either in the literal sense or as a character.
It’s not often you read the opening chapter of a novel (in this case the Prologue) and go back to read it again before continuing with the rest of the novel because you’ve never read anything like it before. And the book just gets better from there. Combine an African culling song with a tortured journalist investigating crib deaths and a heroine real estate agent who sells haunted houses, then put that all in the hands of Chuck Palahniuk, and you have a supernatural horror dark comedy/satire unlike anything you’ll ever read. Except maybe another Chuck Palahniuk novel. After reading this, I was inspired to write Breathers.
Carl Streator is a reporter investigating Sudden Infant Death Syndrome for a soft-news feature. After responding to several calls with paramedics, he notices that all the dead children were read the same poem from the same library book the night before they died. It's a 'culling song' - an ancient African spell for euthanizing sick or old people. Researching it, he meets a woman who killed her own child with it accidentally. He himself accidentally killed his own wife and child with the same poem twenty years earlier. Together, the man and the woman must find and destroy all copies…
I’ve always been a fan of dark comedies. Fargo. Heathers. Fight Club. There’s something about being able to laugh about tragedy that feels both cathartic and as if you might get struck down by lightning. But I also grew up on a steady diet of supernatural horror à la Stephen King, Peter Straub, and early Dean Koontz. So combining the supernatural and dark comedy into my writing seemed like a natural fit. While I’m drawn to dark comedies of all sorts in both fiction and film, I have a soft spot for those with a supernatural element that involves death, either in the literal sense or as a character.
Ten years before What We Do in the Shadows comically imagined what everyday life might be like for vampires, David Sosnowski published Vamped. Set in a world where vampires outnumber humans, the story stars a bloodsucking bachelor bored with his existence and all of the modern vampire conveniences, and inconveniences. Like missing coffee. And chocolate. And sunlight. And not having any more fresh humans to hunt. But when our hero stumbles across a human child, his existence gets complicated. A sharp, smart, charming, and occasionally heart-warming black comedy with an anti-hero who you end up rooting for.
So this vampire walks into a bar...Yes, it sounds like the beginning of a bad joke, but it's just another night in the never-ending life of Marty Kowalski. With his trademark slogan -- "There's a sucker born every minute" -- this blood-drinking bachelor has managed to talk half the mortal world into joining the graveyard shift. Now vampires outnumber humans, and Marty is so bored he could die -- again. With modern conveniences like synthetic blood and Mr. Plasma machines, the thrill of the hunt is gone. Especially for Marty, who's starting to wonder if he should just settle down,…
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers he’s the only human being who can prevent the end of the world, and not just on his planet! In the multiverse, infinite Earths will be destroyed.
★★★★★ "Funny, yet deep, this is definitely worth venturing into the multiverse for."
Amazing Stories says: "Snarky as Pratchet, insightful as Stephenson, as full of scathing social commentary as Swift or Voltaire, and weirdly reminiscent of LeGuin, Alpha Max is the only multiverse novel you need this month, or maybe ever."
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers…
Travel and writing are my two great passions. Since I was a child, I escaped reality by escaping into my own mind. I had relied on my stories of the warrior queens ever since I learned about them as a child. It was only a few years ago, when I lived in Geneva, that I had a memory flash at me of the statue of Queen Lakshmi Bai of Jhansi on a rearing horse with a curved sword held in one hand. I knew then that it was time to tell a story—my own story and that of my favorite warrior queens.
This is a surprising book because while it is certainly macabre, it’s not morbid (at least not for me) and is strangely entertaining. It demystifies the human body and the process of death and dying.
Even as the author delves into every aspect of dead bodies, she does so with compassion and humor. Rooted and backed up with science, this book held my interest from beginning to end, and I read it non-stop for over a day and a half. Despite its grave subject matter, this book is not dark or scary. It’s matter-of-fact and very educational.
For two thousand years, cadavers - some willingly, some unwittingly - have been involved in science's boldest strides and weirdest undertakings. They've tested France's first guillotines, ridden the NASA Space Shuttle, been crucified in a Parisian laboratory to test the authenticity of the Shroud of Turin, and helped solve the mystery of TWA Flight 800. For every new surgical procedure, from heart transplants to gender confirmation surgery, cadavers have helped make history in their quiet way. "Delightful-though never disrespectful" (Les Simpson, Time Out New York), Stiff investigates the strange lives of our bodies postmortem and answers the question: What should…
The stories I’ve loved the most in my life have all been about the richness of human relationships, told by a memorable narrator who can find humor and hope in almost everything, no matter how screwed up. Whether it’s Charles Dickens poking fun at his contemporaries in Victorian England or Armistead Maupin sending up friendship and love in San Francisco in the 1980s, I’m a sucker for well-told, convoluted, and funny tales about people who find life with other human beings difficult, but still somehow manage to laugh about it and keep on going. As the author of six novels myself, these are the kinds of stories I always try to tell.
This is one of the funniest things I’ve ever read. It’s about a neurotic, hypochondriacal, middle-aged college professor in a small town who does one absurd thing after another as he attempts to sort his life out.
His wife, daughter, and father are all as much of a wreck as he is, as are his lunatic colleagues in the English department. Being a middle-aged, neurotic, and hypochondriacal man myself—and having grown up in a small, claustrophobic college town with maladjusted academic types much like these—this novel had me crying with laughter. (There’s an over-the-top scene with a goose and a news reporter that almost made me wet myself.)
But as often happens in a Richard Russo novel, there are also tons of lovely, sweet, and insightful moments. This is a great book.
Hilarious and true-to-life, witty, compassionate, and impossible to put down, Straight Man follows Hank Devereaux through one very bad week in this novel from the Pulitzer Prize-winning author of Empire Falls. Soon to Be an Original Series on AMC Starring Bob Odenkirk.
William Henry Devereaux, Jr., is the reluctant chairman of the English department of a badly underfunded college in the Pennsylvania rust belt. Devereaux's reluctance is partly rooted in his character—he is a born anarchist—and partly in the fact that his department is more savagely divided than the Balkans.
In the course of a single week, Devereaux will have…
Don’t ask me why I grew aware, from the earliest age, of living in more than one world. There seemed to be a strident world of what we said was happening, and a twilight world of what was really happening. I ended up liking and writing about the world of what really happens, because while all our seamless goal-driven plans are filling the air there’s this beautiful, whimsical, frail and often ridiculous world where we’re hapless and riddled with twists. The world of humanity. The backstage of laughter and tears. And for that, I present five outrageous old friends living in books from our strange human history.
A doctor in early twentieth-century Trieste demands that an eccentric patient write his memoirs as a form of psychotherapy. These pages are those memoirs – the doctor calls them all lies – and form the fictional life story of one of my favourite misfits, the unreliable Zeno Cosini, with his horde of idiosyncrasies. Between proposing to three sisters within an hour and making a fortune on the stock market by mistake, he spends his time nurturing his hypochondria and trying to give up smoking, which means endlessly smoking ‘last cigarettes’. A seminal work of modernism, this is another novel with autobiographical ties to the author, and I left it torn between laughter and tears over just how complex, ironic and funny we humans can be.
A marvel of psychological insight from one of the most important Italian literary figures of the twentieth century
When vain, obsessive and guilt-ridden Zeno Cosini seeks help for his neuroses, his psychoanalyst suggests he writes his memoirs as a form of therapy. Zeno's account is an alternative reality, a series of elliptical episodes dealing with the death of his father, his career, his marriage and affairs, and, above all, his passion for smoking and his spectacular failure to resist the promise of that last cigarette. A hymn to self-delusion and procrastination, Svevo's devilishly funny portrayal of a man's attempt to…
I’ve just spent the last few years writing Return to Valetto, about a nearly abandoned village in Umbria and the last ten people who live there. In 2018, I received an NEA grant to conduct research in Italy and I visited about a dozen abandoned and nearly abandoned towns all across Italy. While I was traveling, I immersed myself in books about Italy—from history and biography to memoir and fiction. The books on my list were stepping stones in my education about all things Italian and I hope you find them as transporting as I did!
This is one of the funniest and truest books about Italy!
The English novelist Tim Parks captures modern-day Italy through the lens of life on a single street in Verona, where he lives with his wife. He brings the entire neighborhood to life with a cast of characters that are colorful to say the least.
He also captures what it’s like to be a foreigner in a country where you weren’t born and whose essence is constantly evading you. Nonetheless, he shows us that it’s possible to find a true sense of belonging and home among the ragtag parade of your neighbors.
In this deliciously seductive account of an Italian neighborhood with a statue of the Virgin at one end of the street, a derelict bottle factory at the other, and a wealth of exotic flora and fauna in between, acclaimed novelist Tim Parks celebrates ten years of living with his wife, Rita, in Verona, Italy. Via Colombre, the main street in a village just outside Verona, offers an exemplary hodgepodge of all that is new and old in the bel paese, a point of collision between invading suburbia and diehard peasant tradition in a sometimes madcap, sometimes romantic always mixed-up world…
I’m a poet, literary critic, translator, and biographer, and I grew up partly in France. I became obsessed with Max Jacob when I was twenty. Max Jacob—mystic, poet, painter, and suffering lover—took hold of me, and I found myself writing poems to him, in his voice, in my sketchbooks. They were among my first published poems: he redirected my life. A few years later I stumbled into writing his biography, never imagining that it would take thirty-five years: it came out from W. W. Norton in 2020, along with my most recent book of poems So Forth. I teach Comparative Literature in the Committee on Social Thought at the University of Chicago.
One of the most moving accounts I know of how literary creation takes place. With extraordinary sensitivity, Steegmuller reveals the mind and soul of the perturbed young bourgeois, Gustave Flaubert, and shows him growing, bit by bit, page by page, into the writer who set new terms for the art of the novel for the next hundred years. Art remains a mystery, but Steegmuller brings us uncannily close to the heart of it.
Francis Steegmuller's beautifully executed double portrait of Madame Bovary and her maker is a remarkable and unusual biographical study, a sensitive and detailed account of how an unpromising young man turns himself into one of the world's greatest novelists. Steegmuller starts with the young Flaubert, prone to mysterious fits, hypochondriacal, at odds with and yet dependent on his bourgeois family. Then, drawing on Flaubert's voluminous correspondence, Steegmuller tracks his subject through friendships and love affairs, a trip to the Orient, nervous breakdown and tenuous recovery, and finally into the study, where a mind at once restless and jaded finds a…
I’ve been a free spirit since I was born, but as an adolescent I got trapped by diet culture and believed I needed to change my body. I struggled for six years with an eating disorder and my sister Stephanie died at age 36 from faulty breast implants and malnutrition. Because of these experiences, and wanting my baby daughter to grow up staying lovingly connected to her body (she has!), I created The Body Positive, a nonprofit that has freed millions of people to love and respect their precious bodies. I’m now a full-fledged Wild Woman teaching and freeing other aging women to connect to their soul’s innate wisdom.
I recommend this book to everyone I know, because it really is as the subtitle suggests—a way to be more fully alive by remembering that we are all going to die! Something that really helped me was the chapter on how to “find rest in the middle of things.” I don’t know about you, but my life is filled with a lot of responsibility, including being a caregiver for my 94-year-old mom. Then there’s everything happening in the world that adds to increased stress levels. Since reading this book, I’ve had more rest, from getaways to 10-minute walks to one simple but conscious breath. The stories shared are profound, and Frank’s gentle manner and wise teachings have been a true inspiration to me.
The cofounder of the Zen Hospice Project and pioneer behind the compassionate care movement shares an inspiring exploration of the lessons dying has to offer about living a fulfilling life.
Death is not waiting for us at the end of a long road. Death is always with us, in the marrow of every passing moment. She is the secret teacher hiding in plain sight, helping us to discover what matters most.
Life and death are a package deal. They cannot be pulled apart and we cannot truly live unless we are aware of death. The Five Invitations is an exhilarating…
I earned a Ph.D. in Modern Thought from Stanford and have been an award-winning professor of Women’s, Gender, and Sexuality Studies for over three decades. I've also lived with Crohn’s Disease for more than 50 years. At the intersection of these two experiences, I developed a therapeutic practice oriented towards those with chronic and life-threatening illnesses called Healing Counsel. As both a teacher and a counsellor, I ask people to reconsider the ways they make sense of their experiences. I try to assist people to open up new possibilities for healing, not only as individuals, but also as societies, maybe even as a species, or perhaps even as planetary beings.
Many people imagine that healing and dying are antithetical. However, this is not necessarily so. Sometimes, in the right circumstances, death can be healing not just for the person whose life is ending but for those who love them.
Unfortunately, American hospital care does not usually facilitate such graceful transitions. Kaufman, a medical anthropologist, compiles case histories of end-of-life care in medical facilities in order to help us understand the complexities that face us in these contexts. Since most Americans now die in some kind of medical institution, this book should be required reading for everyone—before it happens to us.
Over the past thirty years, the way Americans experience death has been dramatically altered. The advent of medical technology capable of sustaining life without restoring health has changed where, when, and how we die. In this revelatory study, medical anthropologist Sharon R. Kaufman examines the powerful center of those changes: the hospital, where most Americans die today. She deftly links the experiences of patients and families, the work of hospital staff, and the ramifications of institutional bureaucracy to show the invisible power of the hospital system in shaping death and our individual experience of it. In doing so, Kaufman also…
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