Here are 100 books that Italian Neighbors fans have personally recommended if you like
Italian Neighbors.
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I’ve just spent the last few years writing Return to Valetto, about a nearly abandoned village in Umbria and the last ten people who live there. In 2018, I received an NEA grant to conduct research in Italy and I visited about a dozen abandoned and nearly abandoned towns all across Italy. While I was traveling, I immersed myself in books about Italy—from history and biography to memoir and fiction. The books on my list were stepping stones in my education about all things Italian and I hope you find them as transporting as I did!
In many ways, this sort of book has gone out of style since it was published in the 1960s.
It’s an opinionated and ambitious portrayal of the Italian psyche and culture. Barzini looks at his fellow Italians with a dispassionate eye and a healthy sense of irreverence, uncovering their foibles, hidden beliefs, superstitions, and great strengths as a culture.
For me, Italy is an eternal paradox. Just when you think you’ve worked it out, something happens that makes you do a double-take. This book helps you understand that paradox has been part of Italy’s identity since the very beginning.
In this consummate portrait of the Italian people, bestselling author, publisher, journalist, and politician Luigi Barzini delves deeply into the Italian national character, discovering both its great qualities and its imperfections.
Barzini is startlingly frank as he examines “the two Italies”: the one that created and nurtured such luminaries as Dante Alighieri, St. Thomas of Aquino, and Leonardo da Vinci; the other, feeble and prone to catastrophe, backward in political action if not in thought, “invaded, ravaged, sacked, and humiliated in every century.” Deeply ambivalent, Barzini approaches his task with a combination of love, hate, disillusion, and affectionate paternalism, resulting…
I became very interested in this topic when I moved to Italy and met and married Andrea Meloni. I had never been particularly interested in wars and battles but, when he began to tell me about his very personal experience growing up in Mussolini’s Fascist Italy, I was captivated and felt that his unique story was important. I, therefore, encouraged him to write his memoirs. My book is based on them, and so it is more his book than mine. However, I did extensive research to set his story in a coherent historical context.
Origo was an English woman married to a wealthy Italian.
They were living on their estate in Italy (Tuscany) when Mussolini came to power and soon allied himself with Hitler. Her personal account of how they, both anti-Fascists, lived during this very difficult period brings history to life. They often put themselves in harm’s way by helping others hide from Fascist pursuers.
The bestselling diaries of WWII in Tuscany, with a new introduction by writer and social historian Virginia Nicholson, and stunning rediscovered photographsAt the height of the Second World War, Italy was being torn apart by German armies, civil war, and the eventual Allied invasion. In a corner of Tuscany, one woman - born in England, married to an Italian - kept a record of daily life in a country at war. Iris Origo's compellingly powerful diary, War in Val d'Orcia, is the spare and vivid account of what happened when a peaceful farming valley became a battleground.
I’ve just spent the last few years writing Return to Valetto, about a nearly abandoned village in Umbria and the last ten people who live there. In 2018, I received an NEA grant to conduct research in Italy and I visited about a dozen abandoned and nearly abandoned towns all across Italy. While I was traveling, I immersed myself in books about Italy—from history and biography to memoir and fiction. The books on my list were stepping stones in my education about all things Italian and I hope you find them as transporting as I did!
This was Calvino’s first novel when he was just in his early twenties, and long before he became known for his explorations of fantasy, fable, and magical realism.
He tells the story of a cobbler’s apprentice in a Ligurian town who becomes involved with a band of partisans during WWII. This brotherhood, who take on assumed identities by day and fight for Italy’s freedom up in the mountains by night, provides a story of second family for the protagonist, Pin, as he comes of age during a tumultuous time.
I love how we see the flickerings of who Calvino will become as a writer with this early foray into realism.
Italo Calvino was only twenty-three when he first published this bold and imaginative novel. It tells the story of Pin, a cobbler's apprentice in a town on the Ligurian coast during World War II. He lives with his sister, a prostitute, and spends as much time as he can at a seedy bar where he amuses the adult patrons. After a mishap with a Nazi soldier, Pin becomes involved with a band of partisans. Calvino's portrayal of these characters, seen through the eyes of a child, is not only a revealing commentary on the Italian resistance but an insightful coming-of-age…
Buried Secrets. A web of deceit, betrayal, and danger. Can she survive her fight for justice and truth? Laura thought she knew everything about her late husband before he died. Now, her life and the lives of those she loves are in danger. As Laura delves into his previous role…
I’ve just spent the last few years writing Return to Valetto, about a nearly abandoned village in Umbria and the last ten people who live there. In 2018, I received an NEA grant to conduct research in Italy and I visited about a dozen abandoned and nearly abandoned towns all across Italy. While I was traveling, I immersed myself in books about Italy—from history and biography to memoir and fiction. The books on my list were stepping stones in my education about all things Italian and I hope you find them as transporting as I did!
If you’ve ever fantasized about restoring a crumbling medieval Italian villa, then you’ll get to live that experience vicariously through this memoir.
The author has a wonderful sense of the absurd as she recounts her family’s multi-year efforts to turn a roofless villa into their dream home, complete with a complicated teenage daughter who is trying to find her way in the rural Italian countryside where the family has been transplanted.
Brimming with idiosyncratic and endearing characters.
The author recounts a year she spent in San Orsela, a small town in the Umbrian hils of Italy, sharing portraits of her Italian friends and a celebration of the seasonal cycle
I’m a British academic historian of the Roman Empire. I became interested in Rome before I could read, but since no school I attended offered Classics, I had to pick the subject up by myself. I first read historical fiction, and it was not until I was about fourteen that a close friend recommended Grant’s translation of Tacitus’ Annals. Thanks to a paper round, I could afford five shillings to buy the copy I still use, which swept me away. A great strength of Roman history is that it gives the opportunity to attempt a dispassionate—in Tacitus’ words, ‘without strong emotion or partiality’— understanding of a familiar but very different society.
As the Annals opened my eyes to Roman history, Highet’s book opened them to Latin poetry and the Italian countryside. Still at school, still doing only basic Latin, not Classics, and still to travel outside the U.K., but very interested in English poetry, Highet’s introduction to Catullus, Virgil, Propertius, Horace, Tibullus, Ovid, and Juvenal revealed a whole new world to me.
Highet’s autobiographical interpretation of their works is now very much out of date, but profusely illustrated with fine photographs, his book presented them to me as real people living in and influenced by real landscapes. I was also taken by Highet’s efforts to catch the feel of Latin verses in his translations. Horace’s ‘Hail, Bandusian spring, clearer than crystal pure’ is still fixed in my memory.
Gilbert Highet was a legendary teacher at Columbia University, admired both for his scholarship and his charisma as a lecturer. Poets in a Landscape is his delightful exploration of Latin literature and the Italian landscape. As Highet writes in his introduction, “I have endeavored to recall some of the greatest Roman poets by describing the places were they lived, recreating their characters and evoking the essence of their work.” The poets are Catullus, Vergil, Propertius, Horace, Tibullus, Ovid, and Juvenal. Highet brings them life, setting them in their historical context and locating them in the physical world, while also offering…
I found myself giving up a high-flying life and successful IT career at age 38 to live my dream in the African bush, getting to know wild elephant families intimately and ultimately helping to save them from the actions of corrupt officials, unethical sport-hunters, poachers, and land claimants. It took plenty of tenacity and endurance to make a difference. Books have long been an important influence in my life, as they are for so many. I want to share a different insight and inspire you to ponder which books changed you. Here are five books that helped shape my life, and the thought-provoking reasons why.
So much about this true story was evocative to me at a time when I didn’t yet understand anything much about the real Africa.
Kuki’s perfect prose through adversity and new beginnings had me right there with her in an entirely different world where ordinary people were experiencing extraordinary things.
I read this book over and over again, with joy and tears, before finally making my own move to live in the wilds of Africa.
This autobiography tells the story of an Italian woman whose life is driven by love of Africa. The prologue covers a string of deaths which shaped Kuki Gallmann's life including that of a woman friend who died in a car crash. The widower, Paulo (who then married Kuki), his two daughters and Kuki's son by a previous marriage all went to Kenya and bought a large estate. Paulo died in an accident and Kuki's son died aged 17, bitten by one of his own puff-adders. Kuki had a couple of affairs - one with a married white planter, another with…
I worked for many years in business consultancy (writing many books like the bestselling “Successful Time Management [Kogan Page]) before branching into other genres, including fiction and light-hearted travel writing (e.g., Beguiling Burma [Rethink Press]). My five novels all involve ordinary people caught up in situations that involve mystery or crime (or both). Like most fiction writers, I find it difficult to recognize where ideas come from, though I do draw on various aspects of my own life; for example, Long Overdue [Stanhope Books] involves sailing and a missing person. Certainly, I relate to sailing and, for many years, owned a boat.
I loved this book, a thriller from a writer normally at the literary end of the spectrum (the writing is great) in which the hero is the murderer. A bored Englishman working as a teacher in Italy looks to solve his money problems by marrying a student from a well to do family.
The situation spirals out of control as theft, blackmail, and murder spin from his obsessions. It is a great story, and I loved the fact that it never lost credibility for a moment and that I questioned the way I regarded such an essentially unsympathetic character as the hero.
The first Duckworth novel is "Better than Silence of the Lambs . . . Macabre fun orchestrated with immaculate precision. It's a killer" (Los Angeles Times)
Morris Duckworth teaches English to the pampered rich of Verona, and Morris is not pleased. Living a meager existence in a squalid apartment, he regards his privileged students with envy and disdain, first wreaking revenge by petty theft, and then, like all good criminals, graduating to grander larceny. When one of those students, a beautiful but vapid heiress named Massimina, falls in love with him, Morris can almost smell upward mobility. However, after the…
The first story I ever wrote was set among warehouse pickers and stockers; the second, a bridge maintenance crew; the third and fifth, office workers, and the sixth, cops on the beat. I’m fascinated by the drama of work. For most people the workplace is a highly structured environment—you can’t wear what you want, you can’t say what you want, you can’t avoid that guy who drives you nuts. Who-You-Really-Are and Who-You-Are-At-Work are not always in harmony, and the tension between those two identities is richly revelatory. I live and write in Moscow, Idaho, and have taught creative writing at the University of Idaho, Stanford University, and the Iowa Writer’s Workshop.
During Italy’s post-WWII economic boom of the ‘50s, in an anonymous northern Italian city, an unskilled laborer named Marcovaldo struggles to support his wife and five children (or seven, or four—the number changes). In twenty tightly-plotted tales, we observe him stealing a trout, stealing a rabbit, getting lost in the fog, shoveling sidewalks, trying to fall asleep, trying to stay warm in the winter. Each “adventure” complicates absurdly, and some are more dire than others. Though on the brink of poverty, Marcovaldo hangs on, strives and fails, and strives anew, never losing his naive sense that things will turn out fine. The best comic writing is always tinged with the tragic, making you laugh and making you feel, and Calvino is a master.
Marcovaldo is an enchanting collection of twenty stories that are both melancholy and funny, farce and fantasy. Calvino charts the struggles of an Italian peasant to reconcile country habits with urban life, combining comical disasters with a surrealistic view of city life through the eyes of an outsider. As always with Calvino, nothing is quite as it seems.
From Taylor Swift to Lauryn Hill, from Joan Baez to Beyonce, I find that the lyrics, performances, and melodies of women making music inspire my own creativity every day. I am not a musician; I am a writer, editor, and novelist! But I find music to be so accessible, so deeply meaningful, in a way that other art forms, even my own, are not. So naturally, I adore novels about music!
I return to this book in my mind again and again, and quote it all the time! It’s a slim, sexy, romantic, philosophical novel set against the backdrop of a British woman’s eye (and heart)-opening trip to Italy.
At first, young Lucy Honeychurch plays the piano with unbridled passion and lives somewhat timidly. But with a little bit of love, and some beauty, can that change?
When I think of what life is, and how seldom love is answered by love; it is one of the moments for which the world was made.
Lucy Honeychurch travels to Florence, Italy, with her cousin and they were assured they would receive a room with a view of the River Arno, but instead are given a room overlooking a dull courtyard. A one Mr. Emerson and his son George offer their room, which as the desirable view, to the two ladies. From this opening sequence, A Room with a View sets off following young Lucy as she navigates through…
I first visited Pompeii on a school trip when I was 17. I have a clear memory of standing in the Forum and thinking it was the most amazing place I had ever been. Decades later, that feeling remains, and the sites destroyed by Vesuvius have become the focus of my research on ancient Rome. I have excavated in Pompeii, conducted epigraphic fieldwork in Herculaneum, and taught students at multiple universities around the UK about the cities, the people who lived there, and their destruction.I am fundamentally interested in the people, how they lived their lives, and have published widely on tombs, epigraphy, and politics in Pompeii.
More often than not, people forget that the Vesuvian sites are, as gruesome as it sounds, large mass burials – not just of the cities themselves, but of people. The human remains of Pompeii (and by extension, Herculaneum) have been ignored or treated like some kind of circus attraction for centuries. What Lazar does is open your eyes to just how much information there is to be found from the casts and skeletons, and the potential to learn so much more about people and life in the first century. Her work is groundbreaking.
Resurrecting Pompeii provides an in-depth study of a unique site from antiquity with information about a population who all died from the same known cause within a short period of time.
Pompeii has been continuously excavated and studied since 1748. Early scholars working in Pompeii and other sites associated with the AD 79 eruption of Mount Vesuvius were seduced by the wealth of artefacts and wall paintings yielded by the site. This meant that the less visually attractive evidence, such as human skeletal remains, were largely ignored.
Recognizing the important contribution of the human skeletal evidence to the archaeology of…
