Fans pick 96 books like Wallflower Assassin

The Outside is a gripping sci-fi novel with a queer autistic protagonist, written by an autistic author who perfectly conveys the flavor of autistic thinking. This one’s set far in the future, in a galaxy-spanning theocracy ruled by powerful artificial intelligences that have set themselves up as gods. Scientist Yasira Shien has developed a brilliant new energy drive. The problem? Turns out the drive taps into an extradimensional reality called the Outside, which, true to its name, exists outside ordinary spacetime—and which is capable of spilling over catastrophically into the material world. Highly original world-building blended with classic space opera. Compelling characters and a plot that had me hooked all the way. Oh, and it’s the first book in a trilogy!

Autistic minds are uniquely suited to interface with 26th-century computers. Has this led society to appreciate autistic people? Of course not! Instead, they’ve been turned into a caste called Operators, enslaved computer programmers denied human rights. But this is starting to change, and recently-liberated Operator Hoshi Archer has a new life as a private investigator. Her latest case? A serial killer who’s ritually murdering Operators. Dora Raymaker vividly describes autistic experience in a way that no non-autistic writer could, and it was profoundly moving for me to read a book written from the viewpoint of a character whose sensory processing was so much like my own. On top of all this, Hoshi and the Red City Circuit is a gripping can’t-put-it-down detective thriller!

Transgender anarchist author Margaret Killjoy’s collection of short speculative fiction stories, We Won’t Be Here Tomorrow, is a stark contrast to the dazzling high-tech fantasies and cinematic adventures of my first three recommendations. Most of these stories are set in disturbingly plausible and not-at-all-distant futures, and veer into the territories of dark fantasy, gritty dystopianism, and atomspheric horror. No interplanetary space opera here; Killjoy’s protagonists are earthbound, anarchistic outcasts and misfits struggling to survive on the edges of society or in society’s ruins, in worlds gone unfathomably strange. And Killjoy writes it all beautifully, with a clarity of description that often left me stunned by its simple poetic power. This one’s for you if you like your speculative fiction close to the bone.

Okay, I’m bending the rules just a little bit here. We’re not supposed to include our own books on this list—and this isn’t my book, but I am one of the three co-editors. No list of essential neuroqueer fiction would be complete, though, without mention of the annual Spoon Knife neuroqueer lit anthology. Spoon Knife accepts fiction of all genres, plus some short memoir and poetry; anything goes, as long as the editors deem the content and style to be sufficiently neuroqueer (and each volume has a different team of editors). I picked Volume 5 for this list because it’s a volume that ended up including a lot of speculative fiction. Pieces by 24 authors, all wildly different from each other, each one a strange little neuroqueer gem.

I first read this book not because of interest—in fact, I hadn’t read anything else by its author, Robert Ludlum. Instead, I read this novel because I had been told that my writing was like that of Ludlum’s.

And that is startlingly true. It was as if reading something I had forgotten having written but which was richer with a depth of ever-increasing emotional nuances than works of a comparable kind. It’s a compelling read.

Through a combination of unusual story elements and narrative style, this novel engages a reader in the main character’s journey to discover his forgotten identity. Although this isn’t an all-that-unusual aspect of story-telling, the espionage element makes it a singular literary experience. Over the course of the novel, I progressively felt as if I were spending time with a really awesome friend. And this is owed to, I think, the “slow burn” of empathy compelled… show more.

In Everything You Are, Braden is a cellist who has lost the use of his hands—in his case, through a tragic twist of fate. Enter Ophelia, granddaughter of the man who sold Branden his cello and made Ophelia swear that he will always play it. Author Kerry Anne King weaves a magical spell around these two characters as, together, they find their way to forgiveness. This is a story full of twists and turns, culminating in a beautiful ending that depicts the healing power of music.

A fast-paced thriller that hooked me from the very first chapter, this is an intricately plotted book full of twists and turns I didn’t see coming. In fact, I was so invested that I read it in a matter of days.

I loved that the main story takes place on a camping trip in the mountains. The characters felt very realistic, and the mystery of the two missing friends kept me on my toes until the big reveal near the end.

Blackout follows Allie, a girl who has woken up after a car accident with amnesia in the small town of Pender Falls, British Columbia. Allie can’t remember who she was before, but she’s forced to fall back into the life of “Old Allie”—a girl who had a boyfriend the new Allie isn’t comfortable with, a best friend she doesn’t trust, and a shady past she finds more than unsavory. Allie slowly discovers that she doesn’t like who she was before—and she wants to be better.

The core mystery of this story revolves around Allie discovering the events that lead to her car accident. What caused it? And do all these strange dreams mean anything? Can she really trust the people who apparently love and know her?

While the mystery certainly kept me turning the pages, what I loved most about this book was the characters. Allie is a strong girl… show more.

A thriller with a kick-ass premise: Chloe wakes up on the side of a highway not knowing who the heck she is or how she got there.

It’s a haunting, scary, unnerving story about a woman trying to figure out what could have happened to completely wipe out her memory. What I love about the novel is how Wong’s relentless pace matches lockstep with her protagonist’s frenzied and fractured state of mind.

Bits of the past begin to slip through the cracks as Chloe searches for the truth. I love that Wong chose to tell the story from Chloe’s POV so we’re only privy to what this messy character remembers—or chooses to tell us that she remembers. Twisted, damaged characters with secrets are my cup of tea.

Moon Brow describes the social tensions between ideals of freedom, religion, and authoritarianism that provoked Iran’s 1978 revolution, but only increased under Islamic rule. Amir, a formerly rich, wild playboy, flogged by the morality police after a drunken orgy, joins the army to escape shame and find meaning for his life in the brutal and futile 10-year war against Iraq. Commanding artillery in the borderland, he encounters the mysterious, sprite-like woman he calls “Moon Brow,” who, after an Iraqi shell maims him, becomes a magical force in his PTSD hallucinations. Her true identity will come as a rebuke for his comparatively pointless existence, while his sister’s spurning of her rich, pretentious suitor will be another rebuke, of his machismo. A brilliant evocation of the illusions that sustain violence.