93 books like Wallflower Assassin

The Outside is a gripping sci-fi novel with a queer autistic protagonist, written by an autistic author who perfectly conveys the flavor of autistic thinking. This one’s set far in the future, in a galaxy-spanning theocracy ruled by powerful artificial intelligences that have set themselves up as gods. Scientist Yasira Shien has developed a brilliant new energy drive. The problem? Turns out the drive taps into an extradimensional reality called the Outside, which, true to its name, exists outside ordinary spacetime—and which is capable of spilling over catastrophically into the material world. Highly original world-building blended with classic space opera. Compelling characters and a plot that had me hooked all the way. Oh, and it’s the first book in a trilogy!

Autistic minds are uniquely suited to interface with 26th-century computers. Has this led society to appreciate autistic people? Of course not! Instead, they’ve been turned into a caste called Operators, enslaved computer programmers denied human rights. But this is starting to change, and recently-liberated Operator Hoshi Archer has a new life as a private investigator. Her latest case? A serial killer who’s ritually murdering Operators. Dora Raymaker vividly describes autistic experience in a way that no non-autistic writer could, and it was profoundly moving for me to read a book written from the viewpoint of a character whose sensory processing was so much like my own. On top of all this, Hoshi and the Red City Circuit is a gripping can’t-put-it-down detective thriller!

Transgender anarchist author Margaret Killjoy’s collection of short speculative fiction stories, We Won’t Be Here Tomorrow, is a stark contrast to the dazzling high-tech fantasies and cinematic adventures of my first three recommendations. Most of these stories are set in disturbingly plausible and not-at-all-distant futures, and veer into the territories of dark fantasy, gritty dystopianism, and atomspheric horror. No interplanetary space opera here; Killjoy’s protagonists are earthbound, anarchistic outcasts and misfits struggling to survive on the edges of society or in society’s ruins, in worlds gone unfathomably strange. And Killjoy writes it all beautifully, with a clarity of description that often left me stunned by its simple poetic power. This one’s for you if you like your speculative fiction close to the bone.

Okay, I’m bending the rules just a little bit here. We’re not supposed to include our own books on this list—and this isn’t my book, but I am one of the three co-editors. No list of essential neuroqueer fiction would be complete, though, without mention of the annual Spoon Knife neuroqueer lit anthology. Spoon Knife accepts fiction of all genres, plus some short memoir and poetry; anything goes, as long as the editors deem the content and style to be sufficiently neuroqueer (and each volume has a different team of editors). I picked Volume 5 for this list because it’s a volume that ended up including a lot of speculative fiction. Pieces by 24 authors, all wildly different from each other, each one a strange little neuroqueer gem.

Thanks to Hollywood adaptations and sometimes a greedy publisher, a great series can diminish as time passes. But that doesn’t change how cool the original was.

I love the setup of a man waking on a sailing vessel with no memory, only to discover his identity as super espionage agent. The mystery of the scenario and the intrigue as Bourne unravels his own personhood was so well done in this first book (and the first film was an excellent adaptation), and it is worth revisiting.

Maze Runner was a wild ride I couldn't put down. The plot's originality had me hooked with all its twists and turns, turning it into this page-turner I couldn't resist. Dashner's maze world? Pure genius.

Every mystery unfolding kept me racing through the pages, completely caught up in the characters' urgency and the need to unravel the maze's secrets. It felt like a personal challenge, a puzzle I just had to solve.

Dashner's talent for keeping the suspense alive made the whole experience immersive, and I couldn't help but appreciate the intricate plot. Maze Runner is a personal victory, and a story that grabbed me and held on tight until the very end.

I wasn’t sure what to think of this novel. I picked it up in a bookstore after reading the back cover with no recommendations from anyone. I should do that more often.

This book pulled me in quickly with its well-crafted mystery and buildup of suspense. I thought I knew what was happening, who to suspect, who to love, and who to despise. I didn’t want to put it down. Then, in the end, the author turned everything upside down and broke my heart.

It left me questioning the validity of my perceptions and my own reality for a long time after. It stayed with me, and, for me, that is evidence of a successful twist.  

I planned a trip to Scotland and immersed myself in Peter May’s Scottish perspective. I try to do that with my books: share the back story, the elements that make Martha’s Vineyard so special to so many people. This is the niche I have carved for myself over the past 15 years.

Peter May is a BBC stalwart; Coffin Road offers a daunting tale with an emphasis on the rugged landscape. May traces his tale right down to the water’s edge.  

And while this is a work of fiction, it offers a vivid view of the reality of living on an island: the isolation, the limitations, the beauty, and the danger. That’s what I do with my Vineyard histories.

A fast-paced thriller that hooked me from the very first chapter, this is an intricately plotted book full of twists and turns I didn’t see coming. In fact, I was so invested that I read it in a matter of days.

I loved that the main story takes place on a camping trip in the mountains. The characters felt very realistic, and the mystery of the two missing friends kept me on my toes until the big reveal near the end.

Corkin, a research psychologist, presents a fascinating case study of her patient, Henry Molaison, a man with no memory. Molaison—or H.M., as he was known in the scientific literature until his death in 2008—was a 27-year-old with severe epilepsy when he underwent radical brain surgery in 1953 to cure his intractable seizures.

Though Molaison’s seizures largely abated after the operation, he developed an even bigger problem, which manifested almost immediately after his surgery. Daily events vanished from his mind almost as soon as they had occurred.

Like most patients living with dementia, he could form no new long-term memories. With no new memories, he lived in a perpetual present, disconnected from his past (or at least the past after his surgery) and his future.