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I’m a poet, children’s writer, and songwriter from Drogheda, Ireland. Ballads were always part of my family life. My favourite uncle, Gerry Cullen, is a song collector and singer who was central to the revival of folk singing in Drogheda. It was only when I embarked on a Creative Writing PhD in 2015 that I fully recognised the influence of ballads on my work. This has brought me deeper into ballad studies and I have just begun a postdoctoral fellowship at University College Dublin to reclaim lost street poets and tenement balladeers of 19th-century Ireland. For me, the ballad is a peerless narrative form: compact, rhyming, rhythmic, and memorable.
In 1961, American illustrator Peter Spier won a Caldecott Honor for his version of this ancient song, and in 2014 he revisited his book, turning the black and white illustrations into glorious colour. As a scholar of ballads, I’m thrilled by their persistent popularity. The first evidence of “The Fox” is in a manuscript in the British Library from the second half of the fifteenth century, with its chorus—“Pax vobis, quoth the fox, for I am going to the town.” It’s clearly the same song, just missing the ‘o’ after town.What’s the attraction? Besides Spier’s shimmering double spreads of Americana, there’s tight storytelling with great visual details, a tune, a chorus, and a hero’s journey with a happy ending—for Fox and his family, at least!
This Caldecott Honor book from beloved illustrator Peter Spier is a spirited take on a classic American folk song.
"[Spier's] finely detailed, action-packed New England autumn vistas are almost startlingly beautiful."—The New York Times
Over fifty years after he won a Caldecott Honor for The Fox Went Out on a Chilly Night, legendary illustrator Peter Spier went back to this time-honored favorite in 2014 to paint the half of the book that was originally printed in black and white. In this glowing, restored vision of Spier’s beloved classic, follow the wily fox as he roams a sleepy New England town…
I’m a poet, children’s writer, and songwriter from Drogheda, Ireland. Ballads were always part of my family life. My favourite uncle, Gerry Cullen, is a song collector and singer who was central to the revival of folk singing in Drogheda. It was only when I embarked on a Creative Writing PhD in 2015 that I fully recognised the influence of ballads on my work. This has brought me deeper into ballad studies and I have just begun a postdoctoral fellowship at University College Dublin to reclaim lost street poets and tenement balladeers of 19th-century Ireland. For me, the ballad is a peerless narrative form: compact, rhyming, rhythmic, and memorable.
“Wise old man, can you help me please? My house is a squash and a squeeze!” Julia Donaldson is a songwriter turned picture-book writer who acknowledges that her song skills have been key to her successful books. She’s an inspiration to slow starters everywhere: this, her first book, was published in 1993, 18 years after she wrote the song for a BBC children’s programme! It’s a boisterous retelling of an eastern European folktale, where an old woman, who complains that her house is too small, is advised to take in some animals. When she lets them all out again, the house feels huge! Donaldson has recorded many of her songs on CDs such as The Gruffalo Song and Other Songs. But her first “song” book is my favourite!
"Wise old man, won't you help me, please? My house is a squash and squeeze."
Visit the farm in the brilliantly funny A Squash and a Squeeze, the first ever picture book written and illustrated by the unparalleled picture book partnership of Julia Donaldson and Axel Scheffler, creators of The Gruffalo.
A little old lady lives all by herself in her house but she's not happy - it's just too small, even for one. Whatever can she do? The wise old man knows: bring in a flappy, scratchy, greedy, noisy crowd of farmyard animals. When she pushes them all out…
I’m a poet, children’s writer, and songwriter from Drogheda, Ireland. Ballads were always part of my family life. My favourite uncle, Gerry Cullen, is a song collector and singer who was central to the revival of folk singing in Drogheda. It was only when I embarked on a Creative Writing PhD in 2015 that I fully recognised the influence of ballads on my work. This has brought me deeper into ballad studies and I have just begun a postdoctoral fellowship at University College Dublin to reclaim lost street poets and tenement balladeers of 19th-century Ireland. For me, the ballad is a peerless narrative form: compact, rhyming, rhythmic, and memorable.
Galway-based writer Kate Thompson heard the Scottish folk song "Annan Water" in her local pub. It tells of a doomed rider who crosses a flooded river to meet his Annie. Thompson fills out the sparse narrative into a modern setting, and makes the ballad a character in her story when Michael is haunted by the words: "And woe betide you, Annan Water / By night you are a gloomy river." She harnesses its resonance, harness being apt as the story centres around Michael's horse-dealing family as well as his attraction to another Annie. There is tragedy in the story, as in the ballad—Thompson believes children should not be protected from death. Certainly children brought up on ballads, as I was, face sisters killing sisters, hangings, and, of course, drownings.
. Michael first sees Annie one morning on the banks of Annan Water, when he is out exercising two horses from his parents` stables. That first impression of her never leaves him. She triggers in him a desire to get to know and understand her and in doing so, to understand himself . Complicated by the fact that he is haunted by the tune and words of a song about the Annan Water, he finds there is no easy answer to the way he must go- to get to know Annie seems as impossible as interpreting the words of the…
I was born and raised in Durham, North Carolina where I was loved, nurtured, and mentored by several brilliant, creative, and powerful Black women. One of those women was Dr. Maya Angelou, who was close with my Grandmother, Queen Mother Frances Pierce, and was my mom's God-Mother. She and the other authors on this list are all women who I respect professionally and love dearly. I am a picture book author, a Grammy-nominated children's musician, and a father of two. I have read these stories to my children and am so proud to live in the great state of North Carolina with so many talented, genuine, and inspirational Black women.
Fellow musician Rhiannon Giddens is the author of Build a House, a tender story about a banjo-playing little girl and her musical and resilient family.
As the descendent of formerly enslaved Afro-Carolinian banjo and fiddle-playing musicians, Giddens gives readers a unique glimpse into the history of North Carolina and lots of inspiration for the future! Did I mention she's also a Grammy winner and MacArthur Genius Grant recipient?
Grammy Award winner Rhiannon Giddens celebrates Black history and culture in her unflinching, uplifting, and gorgeously illustrated picture book debut.
I learned your words and wrote my song. I put my story down.
As an acclaimed musician, singer, songwriter, and cofounder of the traditional African American string band the Carolina Chocolate Drops, Rhiannon Giddens has long used her art to mine America’s musical past and manifest its future, passionately recovering lost voices and reconstructing a nation’s musical heritage. Written as a song to commemorate the 155th anniversary of Juneteenth—which was originally performed with famed cellist Yo-Yo Ma—and paired here with…
Strangely as an English writer who loves skiing, the one place in the world in which I feel most at home is the old town of Istanbul. I’ve been there so many times and every visit inspires me to write. One trip provided the opening sentences of my first novel, another the middle chunk of my second novel, Copper Trance & Motorways, and yet another a suite of poems. Despite the historical sites it’s not a particularly beautiful city but it has a vitality like an electric charge and the hospitality of most Turks is amazing. When I’ve been struggling with writer’s block it's taking off to Istanbul that’s unstuck me.
For Istanbul the best walking guide ever. This book seamlessly conducts a visitor around the city’s sights, weaving stories from its history into street-by-street locations and managing above all else to avoid the sin of becoming boring. It makes you want to see every stretch of pavement and every building mentioned in the book. The only warning is it’s a thick paperback and you’ll want to take notes from it in advance rather than carrying it around with you.
This classic guide to Istanbul by Hilary Summer-Boyd and John Freely - the 'best travel guide to Istanbul' (The Times), 'a guide book that reads like a novel' (New York Times) - is here, for the first time since its original publication thirty-seven years ago, published in a completely revised and updated new edition.
Taking the reader on foot through this captivating city - European City of Culture 2010 - the authors describe the historic monuments and sites of what was once Constantinople and the capital in turn of the Byzantine and Ottoman Empires, in the context of the great…
I’ve lived in cities all my adult life and currently divide my time between Paris and Philadelphia. And while those two cities are strikingly different places, they have in common the fact that they are both great walking cities –- urban centers that can be explored on foot and easily enjoyed by pedestrians. Walking cities, I believe, provide not only an ideal context for today’s tourists but also a model for a future in which urban dwellers become less reliant on automobiles and urban centers more open to foot traffic than to vehicular pollution and congestion. The books I’ll recommend deal in various ways with the building and rebuilding of visionary cities, and of Paris in particular.
Beginning in the seventeenth century at the moment when Paris was redesigned, it became a great literary city and the center of the French literary tradition. For anyone interested in how the most important French writers have celebrated their city and depicted the ways in which Paris has changed over the centuries and the impact such changes have had on its inhabitants this is the perfect book.
No city more than Paris has had such a constant and deep association with the development of literary forms and cultural ideas. The idea of the city as a space of literary self-consciousness started to take hold in the sixteenth century. By 1620, where this volume begins, the first in a long line of extraordinary works of the human imagination, in which the city represented itself to itself, had begun to find form in print. This collection follows that process through to the present day. Beginning with the 'salon', followed by the hybrid culture of libertinage and the revolutionary hotbeds…
As a kid I found myself watching cop shows and wondering “These cops seem to be on duty all day and all night. Don’t they have families?” And when I’d read dramas in which characters took lavish vacations and bought expensive cars, I’d think “Doesn’t anyone worry about money?” While I certainly don’t believe that fiction should always strive toward perfect realism (I love fantasy and sci-fi stories!) I do think that adding everyday problems and concerns makes a character much more relatable and interesting. A detective chasing a serial killer is exciting. A detective suffering from an excruciating toothache while chasing a serial killer adds another layer of delicious tension.
There are a dozen reasons to read anything by Ken Bruen, but the best is this: His books are fun.
Unlike so many self-serious writers, Bruen never forgets that he’s writing for readers. And Bruen’s most compelling creation is Jack Taylor, a washed-up private investigator who always has a sharp comment, even when stuck in a scary situation. I read Bruen and find myself cackling just as often as I gasp.
Still stinging from his unceremonious ouster from the Garda Síochána—the Guards, Ireland's police force—and staring at the world through the smoky bottom of his beer mug, Jack Taylor is stuck in Galway with nothing to look forward to. In his sober moments Jack aspires to become Ireland's best private investigator, not to mention its first—Irish history, full of betrayal and espionage, discourages any profession so closely related to informing. But in truth Jack is teetering on the brink of his life's sharpest edges, his memories of the past cutting deep into his soul and his prospects for the future nonexistent.…
I have been a student of Druidry since the mid-1990s and I have also had a passion for history and mythology since I received a children’s version of “The Twelve Labours of Hercules” when I was around 7 years old. I’ve read pretty much all the major stories and texts in relation to Celtic myth and Druid lore (particularly from Ireland), sometimes in multiple versions, so I think I have a fair idea of what is useful or worth reading.
There are newer versions of this book, often described as the “Illiad/Odyssey” of Irish tradition, but this is the classic translation from 1969.
Kinsella was a poet and a Gaeilgeoir (Irish speaker) so he really understood this text due to his deep knowledge of the source language and of Irish poetic norms, plus he spent 15 years lovingly translating it into the best English facsimile possible.
This is one of (if not the most) important myths of Ireland and is an essential read for those interested in Irish mythology.
The Tain Bo Cuailnge, centre-piece of the eighth-century Ulster cycle of heroic tales, is Ireland's greatest epic. It tells the story of a great cattle-raid, the invasion of Ulster by the armies of Medb and Ailill, queen and king of Connacht, and their allies, seeking to carry off the great Brown Bull of Cuailnge. The hero of the tale is Cuchulainn, the Hound of Ulster, who resists the invaders single-handed while Ulster's warriors lie sick.
Thomas Kinsella presents a complete and living version of the story. His translation is based on the partial texts in two medieval manuscripts, with elements…
Romance and chick-lit books hooked me as a young adult. It was this genre that inspired me to write. Since publishing my first book Gut Feeling in 2012 I’ve since written three chick-lit novels and a holiday rom-com screenplay. The fiction world of perfectly unperfect romance never fails.
If you’re looking for a fresh and funny take on romance then, The Midwife Crisis is the book for you. Written in my family’s hometown of Galway, in Island, not only could I relate to this author's story, but it was a new take on a normal love genre.
★★★★★ A love story that pulls on your heart strings
★★★★★ A beautiful read
★★★★★ A stunning read worthy of five thousand stars
As a midwife, nothing shocks Orla Broder. She's seen it all; from fainting to forceps, epidurals to epiphanies, tears to triumphs.
Miles from her Galway home, immersed in the magic and madness of an Edinburgh labour ward, not to mention the wild hospital nights out, Orla had never given much thought to her own happy ever after....
That is until an unexpected financial contractor arrives at the hospital ruffling feathers, including her own. To complicate things further,…
I am an historian of urban crime and policing. I specialise in metropolitan forces, for example the Dublin Metropolitan Police, London Police, and their colonial counterparts. I am particularly interested in the transnational exchange of concepts and personnel. The latter decades of the nineteenth century saw a lively and consistent movement of police across countries and continents, cross-pollinating ideas and experiences, shaping the future of organised policing. I have traced Australian policing roots to the streets of Dublin and London, which are explored in To Preserve and Protect: Policing Colonial Brisbane (2020) through personal life stories of policemen and criminals alike.
In contrast to earlier works on the Garda history, Conway frames policing experience in Ireland by examining its history and development in the context of post-colonialism, its impact, and lived experiences. As Ireland achieved independence, she shows, ‘time constraints and lack of alternative experience led to the retention of many core features of colonial policing’, resulting in an organisation ideologically different but practically similar to the Irish forces of the preceding century. In 1925, the new police of the Irish Free State absorbed the Dublin Metropolitan Police, the Civic Guards, who filled the niche left vacant by the disbanded Constabulary, and contentiously, many ex-RIC men. Conway skillfully weaves gardaí interviews into this varied contemporary history of policing the Republic of Ireland.
The twentieth century was a time of rapid social change in Ireland: from colonial rule to independence, civil war and later the Troubles; from poverty to globalisation and the Celtic Tiger; and from the rise to the fall of the Catholic Church. Policing in Ireland has been shaped by all of these changes. This book critically evaluates the creation of the new police force, an Garda Siochana, in the 1920s and analyses how this institution was influenced by and responded to these substantial changes.
Beginning with an overview of policing in pre-independence Ireland, this book chronologically charts the history of…
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