Here are 26 books that The Midwife Crisis fans have personally recommended if you like
The Midwife Crisis.
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Romance and chick-lit books hooked me as a young adult. It was this genre that inspired me to write. Since publishing my first book Gut Feeling in 2012 I’ve since written three chick-lit novels and a holiday rom-com screenplay. The fiction world of perfectly unperfect romance never fails.
I enjoy a book that is easy to read and makes me laugh. The Lucky Dress is a story most of us can relate to, with heartache and triumphs. We see the main character deal with a no-good ex and follow her life where we meet her friends and family. She grows as a woman, though not without some bumps along the way.
We all have our lucky dress… Emi Harrison hasn’t been feeling particularly lucky lately. Ever since her ex-fiancée, Jack Cabot, successfully shattered her heart into a million pieces. She’s managed to avoid him for a whole year, but all that’s about to change at her brother Evan’s wedding… She will have to face Jack, Jack’s sister, Jack’s parents, and Jack’s new girlfriend: a mean girl that just won’t quit. What could possibly go wrong? With her lucky dress on, all bets are off, and maybe Emi will find her happily-ever-after at last? Can this dream team thwart Edward Pennington’s plans…
Romance and chick-lit books hooked me as a young adult. It was this genre that inspired me to write. Since publishing my first book Gut Feeling in 2012 I’ve since written three chick-lit novels and a holiday rom-com screenplay. The fiction world of perfectly unperfect romance never fails.
This is the most touching love story I have ever read. I do not tend to read period dramas, and so I was hesitant to read a book set during the first world war. However, this book had me in tears so many times. I read this book over ten years ago, yet it is still my favorite love story of all time to date. Beautiful, just beautiful.
Set before and during the Great War, Birdsong captures the drama of that era on both a national and a personal scale. It is the story of Stephen, a young Englishman, who arrives in Amiens in 1910. His life goes through a series of traumatic experiences, from the clandestine love affair that tears apart the family with whom he lives, to the unprecedented experience of the war itself.
Romance and chick-lit books hooked me as a young adult. It was this genre that inspired me to write. Since publishing my first book Gut Feeling in 2012 I’ve since written three chick-lit novels and a holiday rom-com screenplay. The fiction world of perfectly unperfect romance never fails.
An easy vacation read is my go-to, so this book was perfect. I also read this during lockdown, when a vacation was only a fantasy anyway. It will not disappoint, the sun is real, the life is real and the need for love is compelling. Kat is a cute character I can relate to because I also moved to a country where it is summer all year round, but the sun doesn’t take your worries away.
This has been the PERFECT escapist read. Lockdown has definitely been made better with this utter gem of a book.' - 5 stars, Netgalley reviewer
Kat swore off dating many years ago, after her marriage ended in a catastrophic mess. Having moved to the Canary Islands for a fresh start, she has never had much time for romance, channelling all her energy into managing an all-male dance troupe - the Heavenly Hunks.
With golden beaches, sparkling blue water and relaxing after work with a glass of sangria - or three - for Kat, it's summer all year round.
Romance and chick-lit books hooked me as a young adult. It was this genre that inspired me to write. Since publishing my first book Gut Feeling in 2012 I’ve since written three chick-lit novels and a holiday rom-com screenplay. The fiction world of perfectly unperfect romance never fails.
This was the book that inspired me to write chick lit and romance novels. After reading Can You Keep a Secret?, I went on to read every book Kinsella wrote. Timeless. But there’s something about this one that is special. A touch of excitement us romance readers love when a bigshot highflyer falls in love with the normal girl on the street. Classic.
The hilarious romantic comedy from NUMBER ONE BESTSELLING AUTHOR Sophie Kinsella . . . soon to be a major motion picture!
Emma is like every girl in the world. She has a few little secrets.
Secrets from her mother: 1. I lost my virginity in the spare bedroom to Danny Nussbaum while Mum and Dad were downstairs watching TV.
... From her boyfriend: 2. I'm a size twelve. Not a size eight, like Connor thinks. 3. I've always thought Connor looks a bit like Ken. As in Barbie and Ken.
... From her colleagues: 4. When Artemis really annoys me…
Aged eighteen and living in London, my mother fell in love with an older man and was soon pregnant. Fearful of repercussions, she kept the pregnancy secret from her Catholic parents and continued to keep this secret for many years. This was something I’d always known, but it was only recently that I decided to investigate what happened to so many girls who went to the wrong people for help. What I found was devastating, and it gave me a greater understanding of the choices my mother made. I'm a writer who often draws on autobiographic material for my novels, plays, and stories. I like to feel a subject is truly mine.
I came across this memoir while researching Irish mother and baby homes for my own novel. June Goulding was a young midwife in the 1950s when she was hired by the Sacred Heart Convent in Cork. Here she found girls, some as young as 13, punished for the sin of being pregnant, forced to work, tarring roads, scrubbing floors, and rearing their children until they were handed over for adoption – in exchange for a donation to the church – often without their consent. Thirty years later, haunted by what she was party to, Goulding tells the story of how she tried to relieve the suffering of these unfortunate women.
'I promised that I would one day write a book and tell the world about the home for unmarried mothers. I have at last kept my promise.'
In Ireland, 1951, the young June Goulding took up a position as midwife in a home for unmarried mothers run by the Sacred Heart nuns. What she witnessed there was to haunt her for the next fifty years. It was a place of secrets, lies and cruelty. A place where women picked grass by hand and tarred roads whilst heavily pregnant. Where they were denied any contact with the outside world; denied basic…
I am a history professor at Purdue University and the author of several articles and three books that focus on controversies surrounding women’s reproductive health. I have also appeared on national television and radio, most recently on the PBS documentary, American Experience (the Eugenics Crusade), as well as the Vox/Netflix documentary “sex, explained.”
I could not put this book down. Vincent is a licensed home birth midwife in California, and Baby Catcher represents her accounts of many of her clients’ births. Her stories capture the diversity of experiences, the fears and joys of each mother who has opted for an out-of-hospital birth, and the beauty of bringing new life into the world. I have assigned this book in college courses and students love it; they come out angry at how broken our system is when it comes to maternity care.
A former nurse chronicles her journey into midwifery, from her dissatisfaction with formulaic delivery room procedures in the 1960s to her eventual career as a "baby catcher," and chronicles her diverse birth experiences, the women she has encountered along the way, and role of midwifery in the Unit
I began gathering stories about pregnancy and its avoidance in Mexican archives twenty-five years ago when I was working on my dissertation on religious history. This topic fascinated me because it was central to the preoccupations of so many women I knew, and it seemed to present a link to past generations. But as I researched, I also realized that radical differences existed between the experiences and attitudes of eighteenth- and nineteenth-century Mexican women and the concerns, practices, and understandings of my own period that I had assumed were timeless and unchanging. For me, this was a liberating discovery.
This book is one of the reasons why I became a historian.
Ulrich uncovered the nearly illegible diary of an eighteenth-century midwife in Maine and included excerpts of the original at the start of each chapter. When I read the excerpts, I thought: How could these possibly be significant and what do they mean, anyway?
And then, like a detective, a gifted mind-reader, and a learned botanist all rolled into one, Ulrich unpacked each entry, weaving each snippet into the fabric of a wide textile of social history that includes reproductive history, gender and marital relations, local economies, political conflicts, and religion.
Abortion and abortifacients play a marginal role in the story Ulrich tells, but the history of midwifery and reproductive health are central to it.
PULITZER PRIZE WINNER • Drawing on the diaries of one woman in eighteenth-century Maine, "A truly talented historian unravels the fascinating life of a community that is so foreign, and yet so similar to our own" (The New York Times Book Review).
Between 1785 and 1812 a midwife and healer named Martha Ballard kept a diary that recorded her arduous work (in 27 years she attended 816 births) as well as her domestic life in Hallowell, Maine. On the basis of that diary, Laurel Thatcher Ulrich gives us an intimate and densely imagined portrait, not only of the industrious and…
I’m a historical novelist originally from Ohio. In Civil War lessons at school, we learned about battles and generals and read The Red Badge of Courage and other books centering on men’s experiences. With the exception of Florence Nightingale, women were largely absent from the discussions. I want to know about the women. As an adult, I lived in Roswell, Georgia, where I learned of the mill workers, mostly women and children, who, in 1864, were arrested and sent north by Federal forces for making Confederate cloth. Their fates largely remain a mystery, and I wrote my book in order to imagine what we may never know.
Part of the pleasure of reading historical fiction is the opportunity to learn something new, and this novel offered insight into medical practices of the Civil War period. Oliveira spares no details, no matter how gruesome. Yet the novel never feels like a lecture; the details are expertly woven into the story.
I loved following Mary Sutter’s journey from a well-respected Albany midwife to an aspiring Washington surgeon. I was inspired by her determination to learn all she could about the human body and how to treat it despite the many obstacles in her path.
A moving, New York Times bestselling novel about a young Civil War midwife who dreams of becoming a surgeon
Chosen by Good Housekeeping as a Top 10 Good Read
Mary Sutter's story continues in Winter Sisters, coming February 2018 from Viking
Fans of Caleb's Crossing by Geraldine Brooks, Cold Mountain by Charles Frazier, and Mrs. Lincoln's Dressmaker by Jennifer Chiaverini will love this New York Times bestselling Civil War tale.
Mary Sutter is a brilliant young midwife who dreams of becoming a surgeon. Eager to run away from recent heartbreak, Mary travels to Washington, D.C., to help tend the legions…
I first started tending patients at age 15, as a candy striper at St. Joseph Hospital. That was a long time ago, and since then I’ve learned much at patients’ bedsides, in Congress, statehouses and courtrooms. Through sequential careers in nursing, medicine, law, and advocacy, I learned that end-of-life experiences have the most to teach us about being truly present to our lives, about learning to love well and growing in wisdom. Personal autonomy, individual empowerment, and guided planning are all key to moving past our fear of death. In the end, as Seneca observed, “The art of living well and dying well are one.”
In 1991 I was a young lawyer, just learning about the death-with-dignity movement. I had practiced nursing and medicine for 20 years and tended many dying patients. But I’d thought little about patient choice and empowerment at the end of life. In my ignorance, I turned to Dr. Timothy Quill and was struck by his clarity and courage. Tim was the first mainstream physician to be candid and compassionate about patients’ legitimate wish to advance the time of death if cancer or other illness traps them in “their worst nightmare.” This book, and his earlier Death with Dignity, are the definitive primers into the hows and whys of medical aid in dying, a practice that is authorized in many states now, but was a felony everywhere when Dr. Quill brought it to light.
Approximately two-thirds of deaths in the United States involve a doctor's partnership with an individual, whether it be for the administration of pain relief or sedation or for the act of discontinuing or not beginning life-sustaining treatment. In A Midwife through the Dying Process, Timothy Quill, M.D., explores that partnership and the complex end-of-life issues that surround physician-assisted death. Here are the stories of nine individuals and their very different endings, common only in each person's struggle to confront issues of law and ethics and to realize a "good"death.
I’m a fiction writer interested in exploring big historical moments through the lives of ordinary people. The extensive fight for reproductive rights and bodily autonomy for women, specifically black women, has long been a concern, admittedly for selfish reasons. This ever-shifting terrain—from eugenics and sterilization to coerced birth control and the rise in maternal mortality rates—was initially perplexing to me and it took a great deal of reading to make sense of it. Such research not only informed my historical novel, Night Wherever We Go, but much of how I understand the world. I’d argue one can’t fully comprehend the current abortion rights moment without understanding how race and reproduction are so deeply intertwined.
This account of Smith’s lauded 35-year career as a midwife in rural Alabama is fascinating.
What I appreciate about this book most is how it maps out the growing tensions that developed between African-American lay midwives and the medical establishment, once the Department of Labor began to regulate midwifery practices in the early twentieth century.
From increased scrutinization and criminalization of folk traditions, like medicinal teas and oil massages, licensed midwives with clinical training found themselves hamstrung by increasing regulation, until they were pushed out of the field altogether in the late 1970s.
The vacuum of maternal healthcare left in their wake has been devastating. Such that, we’re still seeing repercussions to this day.
Margaret Charles Smith, a ninety-one-year-old Alabama midwife, has thousands of birthing stories to tell. Sifting through nearly five decades of providing care for women in rural Greene County, she relates the tales that capture the life-and-death struggle of the birthing experience and the traditions, pharmacopeia, and spiritual attitudes that influenced her practice. She debunks images of the complacent southern “granny” midwife and honors the determination, talent, and complexity of midwifery.
Fascinating to read, this book is part of the new genre of writing that recognizes the credibility of midwives who have emerged from their own communities and were educated through…
