Here are 100 books that Build a House fans have personally recommended if you like
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I was born and raised in Durham, North Carolina where I was loved, nurtured, and mentored by several brilliant, creative, and powerful Black women. One of those women was Dr. Maya Angelou, who was close with my Grandmother, Queen Mother Frances Pierce, and was my mom's God-Mother. She and the other authors on this list are all women who I respect professionally and love dearly. I am a picture book author, a Grammy-nominated children's musician, and a father of two. I have read these stories to my children and am so proud to live in the great state of North Carolina with so many talented, genuine, and inspirational Black women.
Kelly Starling Lyons is a brilliant author of several books for children and young adults.
A personal favorite is her book about my father, Dream Builder: The Story of Architect Philip Freelon. This tells my Dad's story, from struggling to read letters and numbers as a child, to becoming a world renowned architect of the Smithsonian National Museum of African American History and Culture in Washington DC.
You've seen the building. Now meet the man whose life went into it.
Philip Freelon's grandfather was an acclaimed painter of the Harlem Renaissance. His father was a successful businessman who attended the 1963 March on Washington. When Phil decided to attend architecture school, he created his own focus on African American and Islamic designers. He later chose not to build casinos or prisons, instead concentrating on schools, libraries, and museums--buildings that connect people with heritage and fill hearts with joy. And in 2009, Phil's team won a commission that let him use his personal history in service to the…
I’m a poet, children’s writer, and songwriter from Drogheda, Ireland. Ballads were always part of my family life. My favourite uncle, Gerry Cullen, is a song collector and singer who was central to the revival of folk singing in Drogheda. It was only when I embarked on a Creative Writing PhD in 2015 that I fully recognised the influence of ballads on my work. This has brought me deeper into ballad studies and I have just begun a postdoctoral fellowship at University College Dublin to reclaim lost street poets and tenement balladeers of 19th-century Ireland. For me, the ballad is a peerless narrative form: compact, rhyming, rhythmic, and memorable.
In 1961, American illustrator Peter Spier won a Caldecott Honor for his version of this ancient song, and in 2014 he revisited his book, turning the black and white illustrations into glorious colour. As a scholar of ballads, I’m thrilled by their persistent popularity. The first evidence of “The Fox” is in a manuscript in the British Library from the second half of the fifteenth century, with its chorus—“Pax vobis, quoth the fox, for I am going to the town.” It’s clearly the same song, just missing the ‘o’ after town.What’s the attraction? Besides Spier’s shimmering double spreads of Americana, there’s tight storytelling with great visual details, a tune, a chorus, and a hero’s journey with a happy ending—for Fox and his family, at least!
This Caldecott Honor book from beloved illustrator Peter Spier is a spirited take on a classic American folk song.
"[Spier's] finely detailed, action-packed New England autumn vistas are almost startlingly beautiful."—The New York Times
Over fifty years after he won a Caldecott Honor for The Fox Went Out on a Chilly Night, legendary illustrator Peter Spier went back to this time-honored favorite in 2014 to paint the half of the book that was originally printed in black and white. In this glowing, restored vision of Spier’s beloved classic, follow the wily fox as he roams a sleepy New England town…
I’m a poet, children’s writer, and songwriter from Drogheda, Ireland. Ballads were always part of my family life. My favourite uncle, Gerry Cullen, is a song collector and singer who was central to the revival of folk singing in Drogheda. It was only when I embarked on a Creative Writing PhD in 2015 that I fully recognised the influence of ballads on my work. This has brought me deeper into ballad studies and I have just begun a postdoctoral fellowship at University College Dublin to reclaim lost street poets and tenement balladeers of 19th-century Ireland. For me, the ballad is a peerless narrative form: compact, rhyming, rhythmic, and memorable.
“Wise old man, can you help me please? My house is a squash and a squeeze!” Julia Donaldson is a songwriter turned picture-book writer who acknowledges that her song skills have been key to her successful books. She’s an inspiration to slow starters everywhere: this, her first book, was published in 1993, 18 years after she wrote the song for a BBC children’s programme! It’s a boisterous retelling of an eastern European folktale, where an old woman, who complains that her house is too small, is advised to take in some animals. When she lets them all out again, the house feels huge! Donaldson has recorded many of her songs on CDs such as The Gruffalo Song and Other Songs. But her first “song” book is my favourite!
"Wise old man, won't you help me, please? My house is a squash and squeeze."
Visit the farm in the brilliantly funny A Squash and a Squeeze, the first ever picture book written and illustrated by the unparalleled picture book partnership of Julia Donaldson and Axel Scheffler, creators of The Gruffalo.
A little old lady lives all by herself in her house but she's not happy - it's just too small, even for one. Whatever can she do? The wise old man knows: bring in a flappy, scratchy, greedy, noisy crowd of farmyard animals. When she pushes them all out…
I’m a poet, children’s writer, and songwriter from Drogheda, Ireland. Ballads were always part of my family life. My favourite uncle, Gerry Cullen, is a song collector and singer who was central to the revival of folk singing in Drogheda. It was only when I embarked on a Creative Writing PhD in 2015 that I fully recognised the influence of ballads on my work. This has brought me deeper into ballad studies and I have just begun a postdoctoral fellowship at University College Dublin to reclaim lost street poets and tenement balladeers of 19th-century Ireland. For me, the ballad is a peerless narrative form: compact, rhyming, rhythmic, and memorable.
Galway-based writer Kate Thompson heard the Scottish folk song "Annan Water" in her local pub. It tells of a doomed rider who crosses a flooded river to meet his Annie. Thompson fills out the sparse narrative into a modern setting, and makes the ballad a character in her story when Michael is haunted by the words: "And woe betide you, Annan Water / By night you are a gloomy river." She harnesses its resonance, harness being apt as the story centres around Michael's horse-dealing family as well as his attraction to another Annie. There is tragedy in the story, as in the ballad—Thompson believes children should not be protected from death. Certainly children brought up on ballads, as I was, face sisters killing sisters, hangings, and, of course, drownings.
. Michael first sees Annie one morning on the banks of Annan Water, when he is out exercising two horses from his parents` stables. That first impression of her never leaves him. She triggers in him a desire to get to know and understand her and in doing so, to understand himself . Complicated by the fact that he is haunted by the tune and words of a song about the Annan Water, he finds there is no easy answer to the way he must go- to get to know Annie seems as impossible as interpreting the words of the…
I’m a poet, children’s writer, and songwriter from Drogheda, Ireland. Ballads were always part of my family life. My favourite uncle, Gerry Cullen, is a song collector and singer who was central to the revival of folk singing in Drogheda. It was only when I embarked on a Creative Writing PhD in 2015 that I fully recognised the influence of ballads on my work. This has brought me deeper into ballad studies and I have just begun a postdoctoral fellowship at University College Dublin to reclaim lost street poets and tenement balladeers of 19th-century Ireland. For me, the ballad is a peerless narrative form: compact, rhyming, rhythmic, and memorable.
Patricia Forde is one of the stars of Irish writing, and this magical book was always meant to inspire a song. It’s the story of Fia, who longs to visit the mythical island of Hy Brasil, and finally reaches it by walking across a moonbeam. Her adventures with creatures, real and legendary, are realised in glowing illustrations by Nicola Bernardelli. The book was commissioned by Galway 2020 European Capital of Culture with versions in Irish and in English. Local composer Anna Mullarkey wrote a song to accompany it. Story, song, and pictures combine to show how a child’s imagination becomes part of the enchantment of a special place: “Fia felt the pull of magic in the air / and the pull of her own strong heart.”
Fia looks out her window and across the bay. She longs to see the mysterious island, which appears and disappears in the water.
One night a moonbeam reaches across the bay and leads her to the island. She walks with magical creatures, dances with a host of girls and boys, and visits the bottom of the sea and the stars in space.
Lyrical text with gorgeous colour illustrations, from a multi-award-winning Irish author. Based on the mythical Irish island of Hy Brasil, which lies off the west coast of Galway.
I was born and raised in Durham, North Carolina where I was loved, nurtured, and mentored by several brilliant, creative, and powerful Black women. One of those women was Dr. Maya Angelou, who was close with my Grandmother, Queen Mother Frances Pierce, and was my mom's God-Mother. She and the other authors on this list are all women who I respect professionally and love dearly. I am a picture book author, a Grammy-nominated children's musician, and a father of two. I have read these stories to my children and am so proud to live in the great state of North Carolina with so many talented, genuine, and inspirational Black women.
Michelle Lanier’s My N.C. from A to Z is illustrated by another awesome North Carolina native, Dare Coulter.
This wonderful book celebrates the great state of North Carolina, highlighting our African American heritage, unveiling historical landmarks, and introducing kids to social justice icons. Spotlights include the Great Dismal Swamp, Ella Baker, Black Wall Street, and Pauli Murray.
Children and parents will love learning their very first ideas about North Carolina in My N.C. from A–Z. This colorful, sturdy board book celebrates pride of place, creates connections to North Carolina's rich African American heritage, and teaches children about human equality and social justice. A perfect first baby or toddler book!
I was born and raised in Durham, North Carolina where I was loved, nurtured, and mentored by several brilliant, creative, and powerful Black women. One of those women was Dr. Maya Angelou, who was close with my Grandmother, Queen Mother Frances Pierce, and was my mom's God-Mother. She and the other authors on this list are all women who I respect professionally and love dearly. I am a picture book author, a Grammy-nominated children's musician, and a father of two. I have read these stories to my children and am so proud to live in the great state of North Carolina with so many talented, genuine, and inspirational Black women.
I fell in love with Alison's work when I first saw her Instagram profile: "@bunny_fart". Not only did I laugh out loud at the name on her profile, I was also blown away by her wonderfully creative illustrations and animation.
I love her award-winning collabo with author Angela Shante: The Noisy Classroom which follows a young girl who is nervous on her first day of school and her fun-loving, sing-songy teacher. It’s a charming glimpse into a relatable subject: that awkward feeling you get adjusting to an unfamiliar environment. Perfect for any family struggling to embrace a new change.
Silver Medalist, 2020 Wishing Shelf Book Awards: Books for 6-8 Year Olds Winner, 2020 American Fiction Awards for Best Cover Design: Children's Books Finalist, 2020 American Fiction Awards for Children's Fiction
The first day of school is coming... and I'm going to be in the noisy class. Any class but the noisy class will do!
A young girl is about to enter the third grade, but this year she's put into Ms. Johnson's noisy class. Everything about the noisy class is odd. While all the other classes are quiet, Ms. Johnson sings and the kids chatter all day. The door…
I was born and raised in Durham, North Carolina where I was loved, nurtured, and mentored by several brilliant, creative, and powerful Black women. One of those women was Dr. Maya Angelou, who was close with my Grandmother, Queen Mother Frances Pierce, and was my mom's God-Mother. She and the other authors on this list are all women who I respect professionally and love dearly. I am a picture book author, a Grammy-nominated children's musician, and a father of two. I have read these stories to my children and am so proud to live in the great state of North Carolina with so many talented, genuine, and inspirational Black women.
The late Dr. Maya Angelou, or "Auntie Maya" as we called her in our household, is one of the most brilliant and iconic authors in American history.
One of her lesser-known publications is her 1993 picture book, Life Doesn't Frighten Me, illustrated by the legendary artist Jean Michel Basquiat. This book is a work of art for all ages! Dr. Angelou's bold and beautiful poetry paired with Basquiat's genius is a love letter to the human spirit.
Shadows on the wallNoises down the hallLife doesn't frighten me at all Maya Angelou's brave, defiant poem celebrates the courage within each of us, young and old. From the scary thought of panthers in the park to the unsettling scene of a new classroom, fearsome images are summoned and dispelled by the power of faith in ourselves.Angelou's strong words are matched by the daring vision of artist Jean-Michel Basquiat, whose childlike style reveals the powerful emotions and fanciful imaginings of childhood. Together, Angelou's words and Basquiat's paintings create a place where every child, indeed every person, may experience his or…
I’m a person who likes to nibble on poetry and taste history and non-fiction. But I love to devour fiction, especially mysteries. Reading a feel-good adventure with an excellent plot and engaging characters is my way of relaxing. My philosophy is that life can often be difficult, and fiction stories, such as cozy mysteries, are good therapy. When I’m not reading, quilting, or spending time with my grandkids, I’m writing stories. As a former teacher, I try to live up to the saying:Writing is painting pictures with words.
I get a kick out of a story that presents a main character who doesn’t fit the expected norms of a hero or heroine. A feisty, middle-aged African-American housekeeper/cook is not your typical amateur sleuth. When her checks bounce because her rich employer fails to pay her, Blanche goes on the lam. Hiding as a maid for a wealthy family, things look bleak when a murder occurs in the home. Blanche calls on her savvy and wit to discover the truth. As the story unfolds, the author uses humor and biting sentences to present a glimpse into the foibles of southern society toward domestic help. This is the first of this cozy mystery series featuring a very memorable character, Balance White. An enjoyable read!
Once you read Blanche on the Lam, I believe you won’t hesitate to search out book two of the series to see what further adventures…
Award-winning author Barbara Neely presents the first in a series of novels featuring Blanche White, bla ck domestic worker extraordinaire and accidental sleuth. '
I’ve devoted my academic career and personal life to the limits and possibilities of white liberal approaches to civil rights reform. Trained in U.S. history and published in American Jewish history, I look closely at how ethnic groups and religious minorities interact with their racial and gender status to create a sometimes-surprising perspective on both history and our current day. At times powerful and at other times powerless, Jews (and other white ethnics) navigate a complex course in civil rights advocacy.
By investigating what white liberal Greensboro meant with the word “civility” against what black activists meant by “civil rights,” Chafe dives deep into the limits of white liberalism, undermining the claim that civil rights could be achieved by following a slow, southern, and civil, approach.
Reveals how whites in Greensboro used the traditional Southern concept of civility as a means of keeping Black protest in check and how Black activists continually devised new ways of asserting their quest for freedom.
