10 books like They Were Defeated

An Instance of the Fingerpost engages with the intellectual world of the seventeenth century in a complex and compelling mystery of misdirection, with multiple shifts of perspective. It’s a way of thinking—and of blindly feeling—through the science of the day, as well as through the shifting layers of plot. And though the focus in this instance is the mind—this is a thinking, not a feeling book—it is quite literally a story of the heart: of the scientific debate about the circulation of the blood.

The ’fingerpost’ is a reference to the typographical marker used in the margins of black letter books to help the reader navigate the text. And it’s a reminder that books, historical or not, look to other books to find their place in history. So Henryson begins with his reading of Chaucer, Lupton quotes from classical and older English works, Macaulay resurrects the ghosts of long-dead words,… show more.

This 19th-century story is all the things, with a saucy illicit undertow it explores identity, love, deception, and heredity.

It’s written in two halves, two voices of the women whose lives are intertwined and ultimately who fall in love. It challenges hetero-patriarchal norms of Victorian England and yes, it is another feminist novel but it’s also erotic, eminently readable, and with a totally satisfying and brilliantly crafted ending.

Fingersmith is an archaic term for a petty thief, but given the content of the story, it is evidently a double entendre. Waters is so clever it makes you want to clap. I burst with admiration whenever I read her. 

"I felt that thread that had come between us, tugging, tugging at my heart - so hard, it hurt me. A hundred times I almost rose, almost went in to her; a hundred times I thought, Go to her! Why are you… show more.

The testament of Cresseid, written in Old Scots in the fifteenth century, was framed as a response to Chaucer’s earlier telling of the Troilus story—the ill-fated love between Troilus and Cressida. Henryson imagines what becomes of Cressida where Chaucer’s version ends. I read this poem at school, together with the fables, and loved it straight away. It was a revelation to find a view of Cresseid sympathetically disposed, in language that was vivid and direct; a telling that was startlingly humane. There is humour, heart and feeling in the fables too. It blew away my preconceptions that Scotland in the past was dour and inaccessible, and the language difficult, and replaced them with a fondness and a familiarity lasting to this day.  

A Thousand Notable Things was first published in 1579, coincidently the year in which my first Hew Cullan story is set. A miscellany of marvels, magic, myths and medicine, ‘facts’ and household tips designed to entertain rather than instruct, it’s a fascinating glimpse into the sixteenth-century mindset to be taken, like its remedies, with a pinch of salt. Where else can you find, in the space of a heartbeat, that robins will cover dead faces with moss; that a married man made impotent by witchcraft should ‘make water’ through his wedding ring to remove the spell; or that basil causes scorpions to breed inside the brain? "Take heed therefore ye smellers of basil." A thousand times diverting. "This is proved and true."

If you doubt poetry’s power to sweep you up and bring you to tears, you must read Burleigh’s deep dive into Langston Hughes’ inspiration for his famous poem, “The Negro Speaks of Rivers”. You’ll take this story to heart and keep it there. I got the chills from the author’s note, which explains that Burleigh’s goal was to explore “the moment when Langston Hughes came to believe in himself as a writer” – and have that moment inspire others. In vibrant, poetic prose perfect for reading aloud, Burleigh begins with Hughes celebrating his first book.

In a flashback, Hughes, on a train, muses over his personal history. As the train crosses the Mississippi, he reaches further back into his people’s history, until he entwines those strands into one gorgeous, resonant work of art.

Bolaño’s masterpiece follows two fictional poets (one of whom is closely modelled on the author himself) from their youthful heyday in 1970s Mexico through twenty years of wandering the globe. Narrated in a polyphonic array of voices, the novel is a funny, sexy, playful, surreal and deeply moving vision of the wasting away of youthful potential and the joys and agonies of devoting one’s life entirely to literature.

I’m hooked when authors get to the heart of how someone finds their passion. That’s what Don Tate does as he spins the tale of how an enslaved boy, forbidden to learn to read and write, became a sought-after poet. Children will cheer for George as he teaches himself to read and becomes a published poet. They will hold their breath as George returns to his enslaver, and they will share his joy at his eventual freedom. Tate’s storytelling — this picture book biography brilliantly encompasses the hope, tension, and satisfaction of a story — shows that George’s physical bondage could not imprison his dreams. Through George’s fascinating story, children surely will be inspired to follow their own dreams.

I love this book despite feeling frustrated by the excessive detail. Turner brings Chaucer’s cosmopolitan world and diverse literary works to life by focusing on places and spaces significant to him. I especially enjoyed the chapter on Households, where Chaucer was sent to serve in his adolescence, like many of his contemporaries, as page-boy, valet, entertainer, general factotum. I also learnt about his international travels, as a diplomat, prisoner of war, member of Parliament, and the sadness of his unfulfilled private life.

The last two chapters recount Chaucer’s final year living in the precincts of Westminster Abbey, his sudden death, relatively obscure burial, subsequent reburial in Poet’s Corner, and elevation as Father of English Literature, which Turner controversially challenges, placing him in a European cultural background.

Monica Brown’s picture book biography of Pablo Neruda is a wonderfully written account of his life and the creation of his beautiful writing and poems that sing, even under the weight of tremendous struggles. The lyrical text soars on the page while Julie Paschkis’ colorful illustrations capture the heart and soul of the poet of the people. This is a must-read!

From childhood through college and a burgeoning career, the author’s honest and unambiguous voice matures as he paints a vivid picture of growing up poor, Black, and gay. Despite societal and familial challenges, having a loving single mother committed to his education helped him to navigate to success. Page after page, readers will find something relatable in unexpected ways.