95 books like The Poems of Robert Henryson

This is the only ‘whodunnit’ on my list, but it’s so much more. (As are all the best ‘whodunnits’.)

For a start, it’s told from four different points of view. My own books use the early history of the Royal Society, its science, and various of its actual ‘Fellows,’ and this book was undeniably an influence. Pears details the politics and religious turmoil of the time and the excitement of new scientific discoveries.

The mid-17th century’s rigid social structure and manners are shown starkly, as is the misogyny. I found it dark, layered, and although complex, it’s immediately engaging. A very satisfying book indeed!

I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.

It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.  

A Thousand Notable Things was first published in 1579, coincidently the year in which my first Hew Cullan story is set. A miscellany of marvels, magic, myths and medicine, ‘facts’ and household tips designed to entertain rather than instruct, it’s a fascinating glimpse into the sixteenth-century mindset to be taken, like its remedies, with a pinch of salt. Where else can you find, in the space of a heartbeat, that robins will cover dead faces with moss; that a married man made impotent by witchcraft should ‘make water’ through his wedding ring to remove the spell; or that basil causes scorpions to breed inside the brain? "Take heed therefore ye smellers of basil." A thousand times diverting. "This is proved and true."

I first read They Were Defeated over thirty years ago, and recently reread to see if it had the power to move me still today. It does. Set in 1641, in Devonshire and Cambridge at the very brink of the Civil War, it reads like a love letter to a lost world, where the poets and Platonists are illuminated in already fading light, beautifully and tenderly observed. Rose Macaulay wrote that she had done her best "to make no person in this work use in conversation any word, phrase or idiom" not used at the time. "Ghosts of words," she calls them, after Thomas Browne. An astonishing feat in the pre-digital age. Yet the language of her ghosts is clear and true and natural. And the still moment, at the very heart of her heart-breaking story, transcends the factions that surround it and stays fixed for all time. This is… show more.

I want to reveal to people the superb achievement of the medieval Scots Makars who produced arguably the greatest poetry anywhere in Europe or Britain between roughly 1450 to 1550. John Barbour, William Dunbar, Robert Henryson, Gavin Douglas, and Sir David Lyndsay are the greatest of them but there are more excellent exponents of Scots in this, one of its golden ages, and they are all represented here. I quote many of them in my book.

Scabby Queen opens with the death by suicide of Clio Campbell, at different times a popstar, a political activist, a lover of life.

The book stretches back five decades to tell her story, from different perspectives and jumping around between time periods. I really love that such a complicated, strong, and uncompromising woman gets to take centre stage in a story that is both political (poll tax riots, miners’ strikes, Brexit) and personal.

Tom English has produced a series of oral histories (latterly with Peter Burns) which any fan would be advised to read.

The Grudge tells the story of Scotland v England 1990, a game for the Five Nations title that stood for so much more: politics, nationalism, class warfare. It’s a glorious re-telling of an epic game, an upset Scotland win. But I love it for its portrayal of respect between players, of warriors bound by the violent game they play, of friendships across the lines of battle.

Brian Moore emerges a hero: the fearsome “Pitbull” of the England pack, yet a man who fronted up and went drinking with Scots after a crushing defeat. That, to me, is the true spirit of rugby, and the brotherhood it inspires.

This magnificent book made me realize perhaps more than any other by a Scottish female writer that the lives of working-class Scottish women are unique, important, and worth writing/reading about.

The book tells the story of Joy, a woman whose mental health is slowly crumbling before our eyes. Galloway masterfully tells this story in the first person so that we are right inside Joy’s mind. We discover a background of abuse and recent bereavement, leading to issues with alcohol abuse and anorexia.

That should all make for a depressing read, and it is of course heart-breaking at times but it is also ultimately about one woman’s search for what it takes ‘to keep breathing’. Utterly spellbinding writing from one of Scotland’s greatest writers. 

This is an enthralling adventure story that drags the reader across the rugged mountains, glens, and cities of 18th-century Scotland as the hero seeks to recover his stolen inheritance.

The story gallops along with vivid descriptions that transport the reader back to a time when loyalty and honour were really cherished. The character development, as David Balfour and Alan Breck risk all amongst the failed Jacobite uprising, is exceptional. This is another timeless classic that transports the reader to another age.

I love the interplay of real characters and real events with the underlying story, a technique that I use fully in my novels; it adds depth, veracity, and interest. Stevenson’s prose is also exceptional, creating images that make this a compelling and memorable adventure story.

One of my all-time favourites I’ve read this book 3 times now and, after this review, I’m sure I’ll be tempted to indulge myself for a fourth time. Follett is the master of knife-edge thrillers, if you’ve never read him, start now. Full of treachery and violence, twists and revelations. It’s a scary, but utterly brilliant read.