I played rugby union for Durham University and at Rosslyn Park FC in London. Then I became a reporter and editor, for Rugby News magazine and on Fleet Street sports desks. In March 2002, six months after 9/11 and a year before the invasion of Iraq, my Park team played against the cadets of the United States Military Academy. Years later, settled in New York, I decided to find out what happened to those West Point rugby players in the 9/11 wars, and what their experiences might tell us about sports, war, brotherhood, loss, and remembrance.
Before 9/11, the West Point rugby team learned to bond in sports. This is what happened when those 15 young men became leaders in war. This is the story of a unique brotherhood. It is a story of American rugby and the US Army, created through intimate portraits of men shaped by West Point’s motto: “Duty, Honor, Country.” Some of the players deployed to Afghanistan and Iraq. Some became infantry, others became fliers. Some saw action. One gave his life in Baghdad when his convoy was hit with an IED. Two died away from the battlefield but no less tragically. Martin Pengelly, a former rugby player, was given extraordinary access to tell this story, a story of a brutal sport and even more brutal warfare.
Rather than pick Band of Brothers by Stephen E Ambrose, the World War Two classic, I’m going back to the source.
Henry V is my favourite Shakespeare play, in large part because in 1989 my mum took me to see Ken Branagh’s film. I was hooked. Later, an actual hooker – Brian Moore, of England – described how he used Henry V before epic rugby games with France, “tears of passion running down my cheeks as the Harfleur speech played”.
Harfleur is wonderful but when we think about why we play this stupid, violent sport, I and my rugby brothers and sisters come back to Agincourt on St Crispin’s Day: “We few, we happy few, we band of brothers;/ For he to-day that sheds his blood with me/ Shall be my brother.”)
The authoritative edition of William Shakespeare's historic play Henry V from the Folger Shakespeare Library, the trusted and widely used Shakespeare series for both students and general readers.
Henry V is Shakespeare's most famous "war play"; it includes the storied English victory over the French at Agincourt. Some of it glorifies war, especially the choruses and Henry's speeches urging his troops into battle. But we also hear bishops conniving for war to postpone a bill that would tax the church, and soldiers expecting to reap profits from the conflict. Even in the speeches of Henry and his nobles, there are…
Finkel, of The Washington Post, surpassed most Iraq reportage with his account of his time in Baghdad in 2007 with 2nd Battalion, 16th Infantry Regiment, 4th Infantry Brigade Combat Team, 1st Infantry Division – the 2-16 Rangers for short.
Embedded with soldiers on the shifting front lines of a savage war, what he showed was neither good nor bad: it just was.
Finkel’s title echoes The Good Soldier Svejk, Jaroslav Hašek’s first world war satire. There’s satire in Finkel, about American notions of Iraq and war that deepened with a home-front sequel, Thank You For Your Service. But there is also simple acceptance of these soldiers as human beings, placed in savage extremis. I carried Finkel’s example into every conversation about the West Point players’ experiences, losses, and lives.
In January 2007, the young and optimistic soldiers of the 2-16, the American infantry battalion known as the Rangers, were sent to Iraq as part of the surge. Their job would be to patrol one of the most dangerous areas of Baghdad.
For fifteen months, Pulitzer Prize-winning reporter David Finkel was with them, following them almost every grueling step of the way. The resulting account of that time, The Good Soldiers, is a searing, shattering portrait of the face of modern war. In telling the story of these soldiers, both the heroes and the ruined, David Finkel has also written…
Junger wrote War, about Afghanistan. But as I found the West Point rugby players’ stories wouldn’t leave me alone, so Junger stayed with those he found in Kunar province.
In Tribe, he considers the ties that bind – notably a focus on the “energy of male conflict and male closeness”. Junger “once asked a combat vet if he’d rather have an enemy or another close friend”. The vet looked at Junger like he was crazy. “‘Oh, an enemy, 100%,’ he said. ‘I’ve already got a lot of friends.’
He thought about it a little longer. ‘Anyway, all my best friends I’ve gotten into fights with – knock-down, drag-out fights. Granted we were always drunk, but think about that.’ He shook his head as if even he couldn’t believe it.”
From the author of THE PERFECT STORM and WAR comes a book about why men miss war, why Londoners missed the Blitz, and what we can all learn from American Indian captives who refused to go home.
Tribe is a look at post-traumatic stress disorder and the challenges veterans face returning to society. Using his background in anthropology, Sebastian Junger argues that the problem lies not with vets or with the trauma they've suffered, but with the society to which they are trying to return.
One of the most puzzling things about veterans who experience PTSD is that the majority…
Pat Barker’s prize-winning 1991 novel is a devastating portrait of the horrors of the trenches of World War One but also a meditation on why men fight, how they suffer and recover, how they live for the men they fight with.
I came to Regeneration young, and to the poems of Wilfred Owen, Robert Graves, and Siegfried Sassoon, all of whom appear in Barker’s novel. Sassoon’s declaration against the war is well known, as is his decision to return to it, to be with his men. Owen was killed in action.
There is also a character Barker creates: Billy Prior, a working-class figure John Mullan called “an interloper, angrily observing the snobbery and smugness of the officer class”. Regeneration shows fiction can complement reportage when considering how brotherhood works.
"Calls to mind such early moderns as Hemingway and Fitzgerald...Some of the most powerful antiwar literature in modern English fiction."-The Boston Globe
The first book of the Regeneration Trilogy-a Booker Prize nominee and one of Entertainment Weekly's 100 All-Time Greatest Novels.
In 1917 Siegfried Sasson, noted poet and decorated war hero, publicly refused to continue serving as a British officer in World War I. His reason: the war was a senseless slaughter. He was officially classified "mentally unsound" and sent to Craiglockhart War Hospital. There a brilliant psychiatrist, Dr. William Rivers, set about restoring Sassoon's "sanity" and sending him back…
Tom English has produced a series of oral histories (latterly with Peter Burns) which any fan would be advised to read.
The Grudge tells the story of Scotland v England 1990, a game for the Five Nations title that stood for so much more: politics, nationalism, class warfare. It’s a glorious re-telling of an epic game, an upset Scotland win. But I love it for its portrayal of respect between players, of warriors bound by the violent game they play, of friendships across the lines of battle.
Brian Moore emerges a hero: the fearsome “Pitbull” of the England pack, yet a man who fronted up and went drinking with Scots after a crushing defeat. That, to me, is the true spirit of rugby, and the brotherhood it inspires.
Murrayfield, the Calcutta Cup, March 1990. England vs. Scotland - winner-takes-all for the Five Nations Grand Slam, the biggest prize in northern hemisphere rugby. Will Carling's England are the very embodiment of Margaret Thatcher's Britain - snarling, brutish and all-conquering. Scotland are the underdogs - second-class citizens from a land that's become the testing ground for the most unpopular tax in living memory: Thatcher's Poll Tax. In Edinburgh, nationalism is rising high - what happens in the stadium will resound far beyond the pitch.
The Grudge brilliantly recaptures a day that has gone down in history when a rugby match…
I’m a professional historian and life-long lover of early American history. My fascination with the American Revolution began during the bicentennial in 1976, when my family traveled across the country for celebrations in Williamsburg and Philadelphia. That history, though, seemed disconnected to the place I grew up—Arkansas—so when I went to graduate school in history, I researched in French and Spanish archives to learn about their eighteenth-century interactions with Arkansas’s Native nations, the Osages and Quapaws. Now I teach early American history and Native American history at UNC-Chapel Hill and have written several books on how Native American, European, and African people interacted across North America.
A magisterial history of Indigenous North America that places the power of Native nations at its center, telling their story from the rise of ancient cities more than a thousand years ago to fights for sovereignty that continue today
Long before the colonization of North America, Indigenous Americans built diverse civilizations and adapted to a changing world in ways that reverberated globally. And, as award-winning historian Kathleen DuVal vividly recounts, when Europeans did arrive, no civilization came to a halt because of a few wandering explorers, even when the strangers came well armed.
A millennium ago, North American cities rivaled urban centers around the world in size. Then, following a period of climate change and instability, numerous smaller nations emerged, moving away from rather than toward urbanization. From this urban past, egalitarian government structures, diplomacy, and complex economies spread…
