Fans pick 100 books like The Good Soldiers

I discovered Pat Barker's Regeneration (followed by An Eye Through the Door and the River Road) after reading Wilfred Owen's war poetry. His "Anthem for a Doomed Youth"  spoke to me as I thought of Vietnamese youths fighting and dying in the Cold War. Owen and his mentor, Siegfried Sassoon, describe the war not as a noble cause but as a series of horrifying experiences.

Junger wrote War, about Afghanistan. But as I found the West Point rugby players’ stories wouldn’t leave me alone, so Junger stayed with those he found in Kunar province.

In Tribe, he considers the ties that bind – notably a focus on the “energy of male conflict and male closeness”. Junger “once asked a combat vet if he’d rather have an enemy or another close friend”. The vet looked at Junger like he was crazy. “‘Oh, an enemy, 100%,’ he said. ‘I’ve already got a lot of friends.’

He thought about it a little longer. ‘Anyway, all my best friends I’ve gotten into fights with – knock-down, drag-out fights. Granted we were always drunk, but think about that.’ He shook his head as if even he couldn’t believe it.”

Rather than pick Band of Brothers by Stephen E Ambrose, the World War Two classic, I’m going back to the source.

Henry V is my favourite Shakespeare play, in large part because in 1989 my mum took me to see Ken Branagh’s film. I was hooked. Later, an actual hooker – Brian Moore, of England – described how he used Henry V before epic rugby games with France, “tears of passion running down my cheeks as the Harfleur speech played”.

Harfleur is wonderful but when we think about why we play this stupid, violent sport, I and my rugby brothers and sisters come back to Agincourt on St Crispin’s Day: “We few, we happy few, we band of brothers;/ For he to-day that sheds his blood with me/ Shall be my brother.”)

Tom English has produced a series of oral histories (latterly with Peter Burns) which any fan would be advised to read.

The Grudge tells the story of Scotland v England 1990, a game for the Five Nations title that stood for so much more: politics, nationalism, class warfare. It’s a glorious re-telling of an epic game, an upset Scotland win. But I love it for its portrayal of respect between players, of warriors bound by the violent game they play, of friendships across the lines of battle.

Brian Moore emerges a hero: the fearsome “Pitbull” of the England pack, yet a man who fronted up and went drinking with Scots after a crushing defeat. That, to me, is the true spirit of rugby, and the brotherhood it inspires.

There is a refreshing versatility to the stories in this collection, which touch upon everything from soldiers on the front lines in Iraq, readjustment to the American home front, and a civilian foreign service officer getting stymied at every attempt at humanitarian aid. There is humor, irony, and gutting realism on every page, and the many perspectives offer the insights you hope for in a National Book Award-winning piece of fiction. 

A study of the mechanics of combat in the Napoleonic era, this work is billed As covering the whole gamut of the Napoleonic Wars, but the bulk of the material on which it is based is drawn from the Peninsular War, and so it may be viewed as primarily belonging to the historiography of that conflict. As such, it is excellent, however: if anyone is looking for something that will give them an insight into what the officers and men of the British and French armies went through on the battlefields of Spain and Portugal, this is very much the place to go.

I read this book when I was 16 years old. It was my first military history book and I could not put it down. Up until then I had only read military fiction: War and Peace, Ben Hur – the bigger the books the better. What captivated me most about Fuller's 2 volumes was the battles he chose to describe, starting with Salamis in 480BC, had the outcomes been different the course of world history would have changed significantly. The world in which we live in today would not be the same. This only served to intensify my interest in the detailed descriptions and at the end of each battle I'd try and imagine how history might have been impacted had the outcomes been reversed. 

Keegan popularized a new kind of military history, history focused on the experience of those “at the sharp end” of battle. Generals may as individuals have the most influence on the course of battle, but Keegan argues that, taken together, the men doing the fighting have more influence than the generals. He describes the experiences of men in three famous battles, and shows how tactics evolved but the demands of facing death remained all too familiar. I love this book for using history to find the psychology of men in combat.

The first installment in Erikson’s magnum opus introduces readers to the voracious Malazan Empire and focuses on a military, political, and supernatural battle for the free city of Darujhistan.

It boasts a vast, strange cast of characters and an even vaster, stranger world. However, Erikson demonstrates how every element, from the lowest trader to the mightiest god, can shape the outcomes of events. The free will of each character is shown to be in constant tension with the free wills of others, as well as the wrenching currents of history.

The antagonist of Erikson’s story is not a dark lord, but nihilism—the prospect that there is no moral order or higher meaning to existence—and every one of his characters must face this threat and figure out how to survive it.

The carefree Lotus Huang comes into her own in this volume as she charms her way with wiles through problems and obstacles she and Guo Jing encounter as a couple, including two girls to whom Guo Jing is betrothed against his will. She is not as frivolous as she appears, and she always watches bumbling Guo Jing’s back.

This is the second English volume in Legends of the Condor Heroes, which is a popular novel by Jin Yong that I had read in Chinese as a child and which I recently re-read and still loved. I picked out this volume mainly because I adored the translation of one poetic passage describing the hallucinating “Ode to the Billowing Tide” flute melody played by Apothecary Huang.