Here are 100 books that The Surrender Tree/El Árbol de la Rendición fans have personally recommended if you like
The Surrender Tree/El Árbol de la Rendición.
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I’m a part-time professor of English and a full-time admirer of history, fairy tales, and people who fight oppression. I’ve loved stories my whole life, and I believe that the right words can have the power to change the world. That’s certainly an important message in my debut novel, The Story That Cannot Be Told, which is set during the Romanian Revolution of 1989. I primarily write historical fiction for middle grade readers, in large part because I love researching history, but my work also often includes folklore, fairy tales, or the supernatural—and of course, there’s always an adventure on the horizon.
In late 1800s Lithuania, young Audra gets caught up in an underground network of book smugglers while fleeing from Russian Cossack soldiers and attempting to save her family. Many of Nielsen’s novels would fit well on this list, but I particularly adore the message in this book about the power of words and storytelling when fighting oppression.
Audra lives on a quiet farm in Lithuania, but she understands that danger is never far away. Her parents warn her to stay close to home and avoid the patrolling Russian Cossack soldiers. The Russians, who occupy Lithuania, insist that everyone there must become Russian-they have banned Lithuanian books, religion, culture, and even the language. When Cossacks arrive abruptly at their door, Audra's parents insist that she flee, taking with her an important package and instructions for where to deliver it. In hopes of rescuing her parents, she becomes caught up in a growing resistance movement, Lithuanians intent on preserving…
I’m passionate about this topic because my own great-grandmother escaped a war, the Mexican Revolution of 1913, at the age of nine years old. Family stories described her journey of marching across the desert, almost dying, determined to reach the United States. I am also an immigrant myself and I enjoy relating to stories that depict the immigrant experience.
My favorite part of this book is that it is three stories that are narrated and each one is very unique. However, the dreams, hopes and fears parallel one another making the reader understand that these journeys are universal.
You also learn that history repeats itself because each story is set in a different era.
This action-packed novel tackles topics both timely and timeless: courage, survival, and the quest for home.
JOSEF is a Jewish boy living in 1930s Nazi Germany. With the threat of concentration camps looming, he and his family board a ship bound for the other side of the world . . .
ISABEL is a Cuban girl in 1994. With riots and unrest plaguing her country, she and her family set out on a raft, hoping to find safety in America . . .
MAHMOUD is a Syrian boy in 2015. With his homeland torn apart by violence and destruction, he…
I’m passionate about this topic because my own great-grandmother escaped a war, the Mexican Revolution of 1913, at the age of nine years old. Family stories described her journey of marching across the desert, almost dying, determined to reach the United States. I am also an immigrant myself and I enjoy relating to stories that depict the immigrant experience.
I enjoyed reading about the courage the young protagonist, Annemarie, had and her determination to keep her best friend safe.
Lowry’s lyrical words put you in the moment and make you feel part of that world. I learned a lot about what WWII looked outside Germany, how people reacted to it, and how many outwitted the enemy.
A powerful story set in Nazi occupied Denmark in 1943. Ten-year-old Annemarie Johansen is called upon for a selfless act of bravery to help save her best-friend, Ellen - a Jew.
It is 1943 and for ten-year-old Annemarie Johansen life is still fun - school, family, sharing fairy stories with her little sister. But there are dangers and worries too - the Nazis have occupied Copenhagen and there are food shortages, curfews and the constant threat of being stopped by soldiers. And for Annemarie the dangers become even greater... her best-friend Ellen is a Jew. When Ellen's parents are taken…
I’m a part-time professor of English and a full-time admirer of history, fairy tales, and people who fight oppression. I’ve loved stories my whole life, and I believe that the right words can have the power to change the world. That’s certainly an important message in my debut novel, The Story That Cannot Be Told, which is set during the Romanian Revolution of 1989. I primarily write historical fiction for middle grade readers, in large part because I love researching history, but my work also often includes folklore, fairy tales, or the supernatural—and of course, there’s always an adventure on the horizon.
Set during WWII, this novel follows a Ukrainian girl who, with other children, is forced to make bombs for the German army. The story is captivating and fast-paced, and it’s hard not to admire the protagonist, Lida, who risks everything in her fight to do what she believes is right. I think books like this are so important because they ask readers to think hard about what they would do in similar situations.
For readers who were enthralled by Alan Gratz's Prisoner B-3087 comes a gripping novel about a lesser-known part of WWII.
Lida thought she was safe. Her neighbors wearing the yellow star were all taken away, but Lida is not Jewish. She will be fine, won't she?But she cannot escape the horrors of World War II.Lida's parents are ripped away from her and she is separated from her beloved sister, Larissa. The Nazis take Lida to a brutal work camp, where she and other Ukrainian children are forced into backbreaking labor. Starving and terrified, Lida bonds with her fellow prisoners, but…
Carrie Gibson is a London-based writer who grew up in the US and spends as much time as she can in Latin America and the Caribbean. She started out as a journalist, working at UK newspapers, including the Guardian and the Observer, before diving into a PhD and historical research on European colonialism and its legacy in the Americas. She is the author of two books and continues to contribute to media outlets in the UK and US.
José Martí was a poet and writer who became the leader of Cuba’s final independence movement from Spain. He died in battle in 1895 and is the island’s best-known hero – images and statues of him can be found in almost every town in Cuba. He spent much of his life in exile, including in the United States. He was a prolific journalist, and his essay ‘Nuestra América’ (Our America, 1881) is one of his most-cited works. His observations about the US and the rest of the Americas were astute, and his work continues to offer insights that are applicable to the present day.
“[Martí] added a social agenda to the historic program of national liberation and instantly converted a movement devoted to the establishment of a new nation into a force dedicated to shaping a new society. Martí transformed rebellion into revolution. . . . Like a master weaver, Martí pulled together all the separate threads of Cuban discontent—social, economic, political, racial, historical—and wove them into a radical movement of enormous force.”—Louis A. Pérez Jr, author of José Martí in the United States
“Oh Cuba! . . . the blood of Martí was not yours alone; it belonged to an entire race, to…
Extensive research on cultural production by Latin American authors of Asian ancestry has given me a comprehensive understanding of the development of Transpacific studies. For the last decade, my research has focused, for the most part, on South-South intercultural exchanges and cultural production by and about Latin American authors of Asian descent. I have written five books dealing with these topics: 2008 Imaging the Chinese in Cuban Literature and Culture (2009), The Affinity of the Eye: Writing Nikkei in Peru (2013), Dragons in the Land of the Condor: Writing Tusán in Peru (2014), Japanese Brazilian Saudades: Diasporic Identities and Cultural Production (2019), and The Mexican Transpacific: Nikkei Writing, Visual Arts, Performance (forthcoming).
Between Empires compares the anti-imperial literature and history of two former Spanish colonies, Cuba and the Philippines, but this time focusing on the late-nineteenth-century “intercolonial alliance” and, more specifically, on the oeuvres of two nationalist authors and national heroes: the Cuban José Martí and the Filipino José Rizal. Hagimoto explores a transpacific collective consciousness of resistance as well as the shared historical ties between Latin America and the Philippines. What I found more exciting about this book was that it reveals how, led by two national heroes and martyrs, there was still, well after the end of the Manila Galleon transpacific route, an end-of-nineteenth-century anti-colonial alliance between two far-away countries united by a shared history of colonial domination and oppression.
In 1898, both Cuba and the Philippines achieved their independence from Spain and then immediately became targets of US expansionism. This book presents a comparative analysis of late-nineteenth-century literature and history in Cuba and the Philippines, focusing on the writings of Jose Marti and Jose Rizal to reveal shared anti-imperial struggles.
Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.
This novel is both sexy and chilling. It is the journey of a young woman, about her lovers, the intimacy of friendship, and her alluring social life in Havana, Cuba. With each page you sip the intensity of youth and political drama on the island. After traveling to Cuba to protest the US embargo in the 1990s and living for so many years in Miami with friends in the Cuban diaspora, Cuban's transnational socio-cultural complex frames how I think about islands. I relish how Portela writes, she is the friend who coaxes you out, keeps you up all night, with the promises of thrill, excitement, and a bit of danger.
One Hundred Bottles, with its intersecting characters and unresolved whodunits, can be read as a murder mystery. But it's really a survivor's story. In a voice that blends gossip, storytelling, and literature, Z-the vivacious heroine of Portela's award-winning novel-relates her rum-soaked encounters with the lesbian underground, the characters carving up her home, and the terrifying-but-irresistible Moises. As entertaining as any detective drama, One Hundred Bottles is ultimately made real by very rough love, intense friendship, and something small that decides to live.
Van Gosse, Professor of History at Franklin & Marshall College, is the author ofWhere the Boys Are: Cuba, Cold War America, and the Making of a New Left, published in 1993 and still in print, a classic account of how "Yankees" engaged with the Cuban Revolution in its early years. Since then he has published widely on solidarity with Latin America and the New Left; for the past ten years he has also taught a popular course, "Cuba and the United States: The Closest of Strangers."
“Gitmo” is where the relationship between these nations gets concrete, through the protectorate (1902-1934), republican (1934-1959), and revolutionary eras (1959-present). This fine study gets down into the nitty-gritty of who labors for whom (Cubans for the U.S. military), who controls the physical space in and around a foreign military base (and the foreign military based in it), and the steadily growing class conflict in this flashpoint of empire leading up to the Revolution, followed by an odd stasis since then.
Guantanamo has become a symbol of what has gone wrong in the War on Terror. Yet Guantanamo is more than a U.S. naval base and prison in Cuba, it is a town, and our military occupation there has required more than soldiers and sailors - it has required workers. This revealing history of the women and men who worked on the U.S. naval base in Guantanamo Bay tells the story of U.S.-Cuban relations from a new perspective, and at the same time, shows how neocolonialism, empire, and revolution transformed the lives of everyday people.Drawing from rich oral histories and little-explored…
I’m passionate about spying. It was an absolute privilege for me to have been able to spend my life in the shadows, so to speak. I was undercover my entire career doing espionage and covert action operations for our country and the CIA. I discovered very early on that I had a particular fascination for the arcane and Byzantine subspecialty of counterintelligence. It’s hard to describe the exhilaration I felt when we nabbed an American traitor and brought him or her to justice. It doesn’t get any better than that.
This book is the best example I can come up with of how good counterintelligence must be patient and tenacious. Ana Montes was the senior analyst on Cuba for the Defense Intelligence Agency---and also a spy for Cuban intelligence. Scott Carmichael led the DIA’s investigative team, which overcame countless delays and roadblocks to get the job done and eventually caught her. This was US counterintelligence at its best.
Ana Montes appeared to be a model employee of the Defense Intelligence Agency (DIA), advancing quickly through the ranks to become its top analyst on Cuban affairs.
But for sixteen years Montes sent Castro some of America's most closely guarded secrets and at the same time influenced what the United States thought it knew about Cuba. She is the only member of the U.S. intelligence community ever convicted of espionage for the Cuban government, yet her arrest ten days after 9/11 went largely unnoticed.
This book calls attention to the grave damage Montes inflicted on U.S. security--Carmichael even implicates her…
Technology advances, scenery changes, but the human heart remains the same. As a writer, I hope to honor lives unnoticed or forgotten and have found that writing in verse affords me the truest, most uncorrupted pathway into the human heart. Each of the verse novels I’ve written or recommended here is spun from the strongest threads of time, place, and character. My hope is that the spare words within each book will build bridges across time and culture, and that those of us willing to open our hearts and cross these bridges will help create a more tolerant and peaceful world.
The Firefly Letterswas another early read. There is nothing that Margarita has written that I’ve not loved, but since this was the first of her books that I read, it has remained a favorite. Her poetic portrait of the early suffragette, Fredrika Bremer, reminded me that when hearts and minds are open, bonds of sisterhood transcend societal restrictions. It is a powerful book whose message continues to resonate.
The freedom to roam is something that women and girls in Cuba do not have. Yet when Fredrika Bremer visits from Sweden in 1851 to learn about the people of this magical island, she is accompanied by Cecilia, a young slave who longs for her lost home in Africa. Soon Elena, the wealthy daughter of the house, sneaks out to join them. As the three women explore the lush countryside, they form a bond that breaks the barriers of language and culture.
In this quietly powerful new book, award-winning poet Margarita Engle paints a portrait of early women's rights pioneer…
