Here are 100 books that The Surrender Tree/El Árbol de la Rendición fans have personally recommended if you like
The Surrender Tree/El Árbol de la Rendición.
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I’m a part-time professor of English and a full-time admirer of history, fairy tales, and people who fight oppression. I’ve loved stories my whole life, and I believe that the right words can have the power to change the world. That’s certainly an important message in my debut novel, The Story That Cannot Be Told, which is set during the Romanian Revolution of 1989. I primarily write historical fiction for middle grade readers, in large part because I love researching history, but my work also often includes folklore, fairy tales, or the supernatural—and of course, there’s always an adventure on the horizon.
In late 1800s Lithuania, young Audra gets caught up in an underground network of book smugglers while fleeing from Russian Cossack soldiers and attempting to save her family. Many of Nielsen’s novels would fit well on this list, but I particularly adore the message in this book about the power of words and storytelling when fighting oppression.
Audra lives on a quiet farm in Lithuania, but she understands that danger is never far away. Her parents warn her to stay close to home and avoid the patrolling Russian Cossack soldiers. The Russians, who occupy Lithuania, insist that everyone there must become Russian-they have banned Lithuanian books, religion, culture, and even the language. When Cossacks arrive abruptly at their door, Audra's parents insist that she flee, taking with her an important package and instructions for where to deliver it. In hopes of rescuing her parents, she becomes caught up in a growing resistance movement, Lithuanians intent on preserving…
I’m passionate about this topic because my own great-grandmother escaped a war, the Mexican Revolution of 1913, at the age of nine years old. Family stories described her journey of marching across the desert, almost dying, determined to reach the United States. I am also an immigrant myself and I enjoy relating to stories that depict the immigrant experience.
My favorite part of this book is that it is three stories that are narrated and each one is very unique. However, the dreams, hopes and fears parallel one another making the reader understand that these journeys are universal.
You also learn that history repeats itself because each story is set in a different era.
This action-packed novel tackles topics both timely and timeless: courage, survival, and the quest for home.
JOSEF is a Jewish boy living in 1930s Nazi Germany. With the threat of concentration camps looming, he and his family board a ship bound for the other side of the world . . .
ISABEL is a Cuban girl in 1994. With riots and unrest plaguing her country, she and her family set out on a raft, hoping to find safety in America . . .
MAHMOUD is a Syrian boy in 2015. With his homeland torn apart by violence and destruction, he…
I’m passionate about this topic because my own great-grandmother escaped a war, the Mexican Revolution of 1913, at the age of nine years old. Family stories described her journey of marching across the desert, almost dying, determined to reach the United States. I am also an immigrant myself and I enjoy relating to stories that depict the immigrant experience.
I enjoyed reading about the courage the young protagonist, Annemarie, had and her determination to keep her best friend safe.
Lowry’s lyrical words put you in the moment and make you feel part of that world. I learned a lot about what WWII looked outside Germany, how people reacted to it, and how many outwitted the enemy.
A powerful story set in Nazi occupied Denmark in 1943. Ten-year-old Annemarie Johansen is called upon for a selfless act of bravery to help save her best-friend, Ellen - a Jew.
It is 1943 and for ten-year-old Annemarie Johansen life is still fun - school, family, sharing fairy stories with her little sister. But there are dangers and worries too - the Nazis have occupied Copenhagen and there are food shortages, curfews and the constant threat of being stopped by soldiers. And for Annemarie the dangers become even greater... her best-friend Ellen is a Jew. When Ellen's parents are taken…
I’m a part-time professor of English and a full-time admirer of history, fairy tales, and people who fight oppression. I’ve loved stories my whole life, and I believe that the right words can have the power to change the world. That’s certainly an important message in my debut novel, The Story That Cannot Be Told, which is set during the Romanian Revolution of 1989. I primarily write historical fiction for middle grade readers, in large part because I love researching history, but my work also often includes folklore, fairy tales, or the supernatural—and of course, there’s always an adventure on the horizon.
Set during WWII, this novel follows a Ukrainian girl who, with other children, is forced to make bombs for the German army. The story is captivating and fast-paced, and it’s hard not to admire the protagonist, Lida, who risks everything in her fight to do what she believes is right. I think books like this are so important because they ask readers to think hard about what they would do in similar situations.
For readers who were enthralled by Alan Gratz's Prisoner B-3087 comes a gripping novel about a lesser-known part of WWII.
Lida thought she was safe. Her neighbors wearing the yellow star were all taken away, but Lida is not Jewish. She will be fine, won't she?But she cannot escape the horrors of World War II.Lida's parents are ripped away from her and she is separated from her beloved sister, Larissa. The Nazis take Lida to a brutal work camp, where she and other Ukrainian children are forced into backbreaking labor. Starving and terrified, Lida bonds with her fellow prisoners, but…
Carrie Gibson is a London-based writer who grew up in the US and spends as much time as she can in Latin America and the Caribbean. She started out as a journalist, working at UK newspapers, including the Guardian and the Observer, before diving into a PhD and historical research on European colonialism and its legacy in the Americas. She is the author of two books and continues to contribute to media outlets in the UK and US.
José Martí was a poet and writer who became the leader of Cuba’s final independence movement from Spain. He died in battle in 1895 and is the island’s best-known hero – images and statues of him can be found in almost every town in Cuba. He spent much of his life in exile, including in the United States. He was a prolific journalist, and his essay ‘Nuestra América’ (Our America, 1881) is one of his most-cited works. His observations about the US and the rest of the Americas were astute, and his work continues to offer insights that are applicable to the present day.
“[Martí] added a social agenda to the historic program of national liberation and instantly converted a movement devoted to the establishment of a new nation into a force dedicated to shaping a new society. Martí transformed rebellion into revolution. . . . Like a master weaver, Martí pulled together all the separate threads of Cuban discontent—social, economic, political, racial, historical—and wove them into a radical movement of enormous force.”—Louis A. Pérez Jr, author of José Martí in the United States
“Oh Cuba! . . . the blood of Martí was not yours alone; it belonged to an entire race, to…
Extensive research on cultural production by Latin American authors of Asian ancestry has given me a comprehensive understanding of the development of Transpacific studies. For the last decade, my research has focused, for the most part, on South-South intercultural exchanges and cultural production by and about Latin American authors of Asian descent. I have written five books dealing with these topics: 2008 Imaging the Chinese in Cuban Literature and Culture (2009), The Affinity of the Eye: Writing Nikkei in Peru (2013), Dragons in the Land of the Condor: Writing Tusán in Peru (2014), Japanese Brazilian Saudades: Diasporic Identities and Cultural Production (2019), and The Mexican Transpacific: Nikkei Writing, Visual Arts, Performance (forthcoming).
Between Empires compares the anti-imperial literature and history of two former Spanish colonies, Cuba and the Philippines, but this time focusing on the late-nineteenth-century “intercolonial alliance” and, more specifically, on the oeuvres of two nationalist authors and national heroes: the Cuban José Martí and the Filipino José Rizal. Hagimoto explores a transpacific collective consciousness of resistance as well as the shared historical ties between Latin America and the Philippines. What I found more exciting about this book was that it reveals how, led by two national heroes and martyrs, there was still, well after the end of the Manila Galleon transpacific route, an end-of-nineteenth-century anti-colonial alliance between two far-away countries united by a shared history of colonial domination and oppression.
In 1898, both Cuba and the Philippines achieved their independence from Spain and then immediately became targets of US expansionism. This book presents a comparative analysis of late-nineteenth-century literature and history in Cuba and the Philippines, focusing on the writings of Jose Marti and Jose Rizal to reveal shared anti-imperial struggles.
As the eldest daughter raised in an Evangelical home in rural Pennsylvania, I was immersed in normative, Anglo notions of gender and the family. I built on this embodied experience to cultivate expertise in discourse about the family and labor in early revolutionary Cuba. Perhaps surprisingly, the celebration of patriarchy, monogamy, and heterosexuality that bracketed my youth was also an important element of Cuban revolutionary discourse of the 1960s—albeit within a very different context. I received my PhD in Latin American and Caribbean History from the University of North Carolina, Chapel Hill and was an Andrew W. Mellon Postdoctoral Fellow at Dartmouth College. I am now an independent scholar.
This refreshing book uncovers the reality behind Cuba’s so-called raceless Revolution. Benson traces early, state-led campaigns against racism, both their accomplishments and missteps. She reveals that in response to the new government’s claims to have eradicated racial discrimination, some Afro-Cubans rejected this Pollyanna rhetoric and mobilized for true racial equality. But Benson doesn’t just examine domestic racial policies and debates; she also delves into transnational exchanges between Cubans, exiled Cubans, and African Americans—rightfully situating Afro-Cubans within postcolonial, global movements against anti-Blackness.
Analyzing the ideology and rhetoric around race in Cuba and south Florida during the early years of the Cuban revolution, Devyn Spence Benson argues that ideas, stereotypes, and discriminatory practices relating to racial difference persisted despite major efforts by the Cuban state to generate social equality. Drawing on Cuban and U.S. archival materials and face-to-face interviews, Benson examines 1960s government programs and campaigns against discrimination, showing how such programs frequently negated their efforts by reproducing racist images and idioms in revolutionary propaganda, cartoons, and school materials.
Building on nineteenth-century discourses that imagined Cuba as a raceless space, revolutionary leaders embraced…
I’ve been researching and writing with my co-author husband Jared Brown about spirits and mixed drinks for three decades. After writing more than three dozen books plus hundreds of articles about the history and origins of alcoholic beverages, you could say I am addicted to the topic in a big way. While we’ve travelled and tasted drinks around the world we’ve also amassed a few thousand books on the subject. It’s served as a launch point of our secondary careers as drinks consultants and master distillers for global spirits brands. I'm currently finishing my doctoral thesis on early-modern English brewing at the University of Bristol to put a feather on the cap of my long career.
Privately published in 1928 by Horace Liveright, British playwright and journalist Basil Woon captured the energy that took hold of Havana during Prohibition in the USA, as Americans flocked by the thousands to drink, gamble, and party served by hundreds of Cuban and self-exiled American bartenders amid the tropical beauty that is Cuba. This book opened my eyes to clues that helped me sort out the true origins of the Mary Pickford, the Mojito, and the El Presidente. While my husband and I travelled to Havana once a year for ten years, this book guided us to the places we wanted to visit to capture the spirit and essence of Cuban cocktails.
I was weaned on Cuban stories by my Havana-born mother and first visited the island in 1998. Since then, I earned a PhD in history from the Graduate Center, City University of New York–where I studied twentieth-century Cuban politics. While conducting research in Havana and Miami, I confirmed that legends were imbibed with the same fervor as café cubano.All histories are marked by tall tales, but Cubans are governed by theirs, inside and out, more than most.
José Martí is Cuba’s secular saint who represents all things to all Cubans. He was the idol of Cuba’s first generation to come of age in independent Cuba, during the 1920s, who were taught he was a Christ-like figure who sacrificed himself for Cuban independence. Fulgencio Batista adored him, Fidel Castro revered him, and anti-communist Cuban exiles worshiped him. Even so, Martí was largely unknown on the island during his lifetime and at the time of his death in 1895. This biography of Martí depicts him as a human as well as a hero.
Jose Marti (1853-1895) was the founding hero of Cuban independence. In all of modern Latin American history, arguably only the "Great Liberator" Simon Bolivar rivals Marti in stature and legacy. Beyond his accomplishments as a revolutionary and political thinker, Marti was a giant of Latin American letters, whose poetry, essays, and journalism still rank among the most important works of the region. Today he is revered by both the Castro regime and the Cuban exile community, whose shared veneration of the "apostle" of freedom has led to his virtual apotheosis as a national saint.
When in the summer of 1991, I stood with the crowds at Moscow’s White House during the attempted coup against Gorbachev, I had the sense that I was living through and in a small, but not unimportant way, making history. I left Moscow fascinated by the questions of how big historical events shape individuals’ lives and how personal circumstances influence public action and commitments. My books explore how children experienced and made sense of the Russian Revolution; how survivors of the World War II blockade of Leningrad interacted with official state commemorations of the war; and how international communists explained and remembered their participation in the Spanish Civil War.
In 1968, Margaret Randall, an American radical fleeing political repression in Mexico, moved to Cuba with her children. She remained there until 1980. Her memoir of her years in Cuba provides insight into the lived experience of revolutionary change. She charts her everyday life and struggles and offers a compelling picture of the broader political and economic context. A pioneering feminist, oral historian, and photographer, Randall, with the permission of the Cuban government, interviewed women throughout the country about how the revolution shaped their lives. Acknowledging the revolution’s failures, blind spots, and shortcomings, she remains committed to changing the world.
In To Change the World, the legendary writer and poet Margaret Randall chronicles her decade in Cuba from 1969 to 1980. Both a highly personal memoir and an examination of the revolution's great achievements and painful mistakes, the book paints a portrait of the island during a difficult, dramatic, and exciting time.
Randall gives readers an inside look at her children's education, the process through which new law was enacted, the ins and outs of healthcare, employment, internationalism, culture, and ordinary people's lives. She explores issues of censorship and repression, describing how Cuban writers and artists faced them. She recounts…
