Here are 100 books that The Stranger's Child fans have personally recommended if you like
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I write historical crime fiction, and my latest novel is set in a hospital, a real place, now closed. The South London Hospital for Women and Children (1912–1985) was set up by pioneering suffragists and women surgeons Maud Chadburn and Eleanor Davies-Colley (the first woman admitted to the Royal College of Surgeons) and I recreate the now almost-forgotten hospital in my book. Events take place in 1946 when wartime trauma still impacts upon a society exhausted by conflict, and my book choices also reflect this.
I loved this book for its humanity and compassion, as well as its consideration of the impact of war on the individual combatants and those who choose to try and heal them.
Another wartime novel, this time World War One, it is set in Craiglockhart Hospital in Edinburgh, a real place, with many real, historical characters. Its central relationship is between the poet Siegried Sassoon and his psychiatrist, W. H. R Rivers, a British neurologist who experimented with treating post-traumatic stress disorder. Sassoon’s publicly stated reservations about war echo those of Rivers, who struggles with healing patients only to send them back to the front.
It raises questions about masculinity and manliness, honour and truth, and does so without seeming doctrinaire or didactic. It shows a society, as well as individuals, traumatized by war. I will read it and the subsequent novels in the trilogy again.
"Calls to mind such early moderns as Hemingway and Fitzgerald...Some of the most powerful antiwar literature in modern English fiction."-The Boston Globe
The first book of the Regeneration Trilogy-a Booker Prize nominee and one of Entertainment Weekly's 100 All-Time Greatest Novels.
In 1917 Siegfried Sasson, noted poet and decorated war hero, publicly refused to continue serving as a British officer in World War I. His reason: the war was a senseless slaughter. He was officially classified "mentally unsound" and sent to Craiglockhart War Hospital. There a brilliant psychiatrist, Dr. William Rivers, set about restoring Sassoon's "sanity" and sending him back…
When I was fourteen years old, my family moved from Texas to London for a year, and I started going to a little second-hand book shop around the corner. It was run by a long-haired Canadian, who always smoked a pipe. There were only three or four aisles, plus a cluttered backroom. You could pick up a 19th-century edition of the complete works of Shelley, with uncut pages, for two pounds. One volume led to another, in the same way that one friendship can lead to another, or introduce you to a new circle of people. Twenty-odd years later, I decided to write a novel about some of these writers.
How much would you be willing to give up for fame and greatness?
By 1895, Henry James had written a number of all-time classics, including Daisy Miller and The Portrait of a Lady, but had never achieved the kind of commercial or popular success he thought he deserved. So in his fifties, he started writing for the theater, hoping to break through.
The Master begins with the London opening of his play Guy Domville, which turns out to be a flop, and follows James as he comes to terms with this failure, and all the other sacrifices he has to make – in his personal and sexual life, too – in order to become the writer he wants to be.
Nineteenth-century writer Henry James is heartbroken when his first play performs poorly in contrast to Oscar Wilde's "The Importance of Being Earnest" and struggles with subsequent doubts about his sexual identity.
When I was fourteen years old, my family moved from Texas to London for a year, and I started going to a little second-hand book shop around the corner. It was run by a long-haired Canadian, who always smoked a pipe. There were only three or four aisles, plus a cluttered backroom. You could pick up a 19th-century edition of the complete works of Shelley, with uncut pages, for two pounds. One volume led to another, in the same way that one friendship can lead to another, or introduce you to a new circle of people. Twenty-odd years later, I decided to write a novel about some of these writers.
One of my favorite plays. Set in an English country house across two centuries, it tells the story of Thomasina Coverly, a precocious schoolgirl in 1809 who falls in love with her eccentric tutor, Septimus Hodge.
Along the way she discovers a version of the 2nd law of thermodynamics – the fact that everything over time becomes messier. Because of sex, she jokes, apart from anything else. Byron makes a brief appearance and Stoppard manages to make him almost as witty on the stage as he was in life.
It’s a very funny, very clever play, but also incredibly moving, as a brilliant young woman briefly sees the world opening up to her remarkable understanding, before life gets in the way.
In a large country house in Derbyshire in April 1809 sits Lady Thomasina Coverly, aged thirteen, and her tutor, Septimus Hodge. Through the window may be seen some of the '500 acres inclusive of lake' where Capability Brown's idealized landscape is about to give way to the 'picturesque' Gothic style: 'everything but vampires', as the garden historian Hannah Jarvis remarks to Bernard Nightingale when they stand in the same room 180 years later.
Bernard has arrived to uncover the scandal which is said to have taken place when Lord Byron stayed at Sidley Park.
When I was fourteen years old, my family moved from Texas to London for a year, and I started going to a little second-hand book shop around the corner. It was run by a long-haired Canadian, who always smoked a pipe. There were only three or four aisles, plus a cluttered backroom. You could pick up a 19th-century edition of the complete works of Shelley, with uncut pages, for two pounds. One volume led to another, in the same way that one friendship can lead to another, or introduce you to a new circle of people. Twenty-odd years later, I decided to write a novel about some of these writers.
Simone de Beauvoir met Nelson Algren in Chicago in 1947.
A couple of years later, his novel The Man with the Golden Arm won the National Book Award, and a few years after that De Beauvoir won the prestigious Prix Goncourt for her novel The Mandarins, which featured a character based on Algren. They became famous literary lovers, involved in a complicated triangle with De Beauvoir’s long-time partner Sartre.
But Cowie’s novel brings to life the ordinary intimacies and misunderstandings of their love affair – the title comes from de Beauvoir’s confusion about the time difference between Paris and Chicago. Caught up in the details of day-to-day life, people, even brilliant writers, don’t always have the time or vision to make real decisions about how they want to live, or who they want to love. It’s a brilliant book.
Sharp and intimate, Douglas Cowie’s reimagining of the turbulent love affair between Simone de Beauvoir and Nelson Algren asks what it means to love and be loved by the right person at the wrong time. Chicago, 1947: on a freezing February night, France’s feminist icon Simone de Beauvoir calls up radical resident novelist Nelson Algren, asking him to show her around. After a whirlwind tour of dive bars, cabarets and the police lockup, the pair return to his apartment on Wabansia Avenue. Here, a passion is sparked that will last for the next two decades. Their relationship intensifies during intoxicating…
I’ve been fascinated by the world of fashion for more than a decade. Back in 2012, a serious bike accident left me incapacitated for the best part of six months. By the time I recovered from my injuries, a chance encounter with a Russian dressmaker would change everything; I decided to learn how to sew. I sat in front of my sewing machine, made my own clothes, and expanded into making dresses for my friends. Since I’ve always enjoyed reading gritty mysteries, it was only natural for me to incorporate my art into my writing. Cold Dresses was born out of a passion for fashion and dark thrillers.
It has a great plot and wonderful scenery and is definitely not as ‘twisted’ as the other four on the list. Saying that I had to mention it because the writing is so beautifully descriptive, and the mystery about the "eight dresses" got me hooked until the very end.
Set in 1950s Paris and London in 2017, the novel is as gorgeous as the exquisite dresses and an absolutely worthwhile read.
The secret is hidden within a collection of Dior dresses...
London, 2017. There’s no one Lucille adores more than her grandmother. So when her beloved Granny Sylvie asks for Lucille’s assistance with a small matter, she’s happy to help. The next thing she knows, Lucille is on a train to Paris, tasked with retrieving a priceless Dior dress. But not everything is as it seems, and what Lucille finds in a small Parisian apartment will have her scouring the city for answers to a question that could change her entire life.
Paris, 1952. Postwar France is full of glamour and…
I’ve admired old buildings, hotels in particular, for many years. When immersed in a historic building, I find myself leaning in to discover what the walls might tell me if only I could listen closely enough. When I began writing The Hotel Hamilton series, I scoured the archives for historic hotels, learning how they came to be and how they've evolved through the years. One of the most fascinating aspects of hotel life for me is the juxtaposition of experiences felt by the guests versus those of the hotel staff. The upstairs/downstairs vibe of hotel life is ripe for creating tension within a novel, and that always intrigues me.
I have never been to the Hotel del Coronado, but after reading this novel, I feel as though I not only stayed at the hotel, but also got to hang out with the cast and crew of Some Like It Hot.
I am also a bit of a sucker for a story that boasts a ghost, and this book happily scratched that itch for me. Intriguing and fun, this story features a family mystery and a budding romance where everything comes together to deliver a great summer read.
A legendary hotel on the Pacific becomes a haven where dreams, love, and a beguiling mystery come alive.
1958. Kate Morgan, tethered to her family's failing San Francisco restaurant, is looking for an escape. She gets her chance by honoring a cryptic plea from her grandfather: find the beautiful stranger. The search takes her to Hotel del Coronado, the beachfront landmark on the Southern California coast where filming is underway on the movie Some Like It Hot.
For a movie lover like Kate, it's a fantasy come true. So is the offer of a position at the glamorous hotel. And…
In life and writing I’m torn between a desire for solitude and for connection with people. As a young woman I lived in a cottage miles from friends, working from home while my husband was at work, bringing up our first child. No email, no texting, few visitors. It was idyllic, and I was desperately lonely; that’s when I began to write. We moved, I found friends. But still I dream of solitude. Could I handle it now? It’s surely why I found myself writing a novel about a young woman who finds herself suddenly alone in the wild, with no friends – doesn’t everyone write about the things they fear?
I’ve just reread the opening of Our Endless Numbered Days and whoosh – I’m back in the story, with so many questions, prime among them why the narrator’s father – the liar, the north London survivalist – is removed from all photographs but this last, hidden one that she cuts and conceals under her breast.
Fuller’s story is a page-turner in all the best ways, going back in time to follow nine-year-old Peggy and her father as they run from their family home to a remote cabin in a European forest and a life of barely surviving despite all his plans.
Why? Who is the strange man on the mountain? And how does she get back home? Maybe that isolated mountain hut wasn’t so idyllic after all?
'Fuller handles the tension masterfully in this grown-up thriller of a fairytale, full of clues, questions and intrigue.' - The Times
'Extraordinary...From the opening sentence it is gripping' - Sunday Times
1976: Peggy Hillcoat is eight. She spends her summer camping with her father, playing her beloved record of The Railway Children and listening to her mother's grand piano, but her pretty life is about to change.
Her survivalist father, who has been stockpiling provisions for the end which is surely coming soon, takes her from London to a cabin in a remote…
I was born in the suburbs to the east of London and moved to California for adventure, only to end up living in the suburbs to the east of Los Angeles. Perhaps it’s because life is ultimately cyclical, or maybe I’m fated to live life inside a white picket fence. I suspect the real reason I’m here is because I secretly love it. Renegade sprinkler settings, trash day meltdowns, neighbor drama. For a writer, it’s all rich pickings. So far, the burbs have been where I’ve set all my novels and it’s also been fertile soil for the authors below.
In England, we have the Queen who opens Parliament and then we have the Queen of Domestic Suspense and that is Lisa Jewell. Lisa has written a slew of phenomenal novels but The House We Grew Up In always comes first to mind whenever I think of her work. The quality of descriptive detail in this book means that years after I first read it, I can still picture every room inside the Bird house and recall every twist and turn in Lorelei Bird’s journey as she transitions from a normal mother in a messy home to a toothless hoarder living out of a depilated den. A fascinating read packed around secrets and lies and an examination of family dynamics. All that glitters isn’t foil-wrapped gold in this one.
I am an author and a reader, and there is little I love more than falling deep into an atmospheric mystery. One that has the texture of dark velvet—something so rich, vivid, and experiential I can almost wrap it around me—and has just the right amount of suspense to keep me turning pages. As an author of historical fiction and mysteries, capturing that immersive, atmospheric sense of place is so important to me. When I see this done well, I want to savor it, study it—and try to get you to read it, too.
The Secret Keeper is a master class in atmospheric mystery storytelling. Kate Morton always writes the most gorgeous, sweeping novels with epic twists and such strong senses of place.
Whenever someone asks for a book that made me gasp or had a twist I never saw coming, this is the first book that always comes to mind. Morton became an auto-buy author for me after this one, with her ethereal prose, her lush manor settings, and her time slips between rich historical flashbacks and present day.
This book is one that’s best read on a wraparound porch spattered with summer shadows and holding a glass of iced tea.
Kate Morton's heartbreaking novel, The Secret Keeper, is a spellbinding story of mysteries and secrets, murder and enduring love, moving between the 1930s, the 1960s and the 2010s.
1961: On a sweltering summer's day, while her family picnics by the stream on their Suffolk farm, sixteen-year-old Laurel hides out in her childhood tree-house dreaming of a boy called Billy, a move to London, and the bright future she can't wait to seize. But before the idyllic afternoon is over, Laurel will have witnessed a shocking crime that changes everything.
2011: Now a much-loved actress, Laurel finds herself overwhelmed by shades…
I started writing my debut novel Kismet during the 2020 covid lockdown. I was quarantining in my small NYC apartment and, like many, wishing I could be anywhere else. Enter: the power of books. I’ve always loved reading for how it transports you around the world. My novel takes place in the eponymous sun-soaked beach town of Kismet, Fire Island, and writing it offered an escape. It reminded me of how reading books like below felt like embarking on my very own magical getaway, from Positano or London, to Alaska or Palm Springs, all from the comfort of home. I hope you find similar adventure in these novels’ pages.
I read Sarah Jio’s latest novel, With Love from London,during the height of the covid lockdown, but it truly felt like I had transported from my NYC apartment to the charming streets of London’s Primrose Hill.
Alternating between dual timelines, we follow the story of a woman inheriting her estranged mother’s bookstore, punctuated by flashbacks with what inspired her mother to open the bookstore in the first place.
It is a story of love, family, destiny, and the duty we have not only to ourselves but also to each other. Filled with book-lover flair and London quirks, Jio paints a moving portrait of complicated family dynamics, offering ultimately a way to find our way back to love.
It left my cheeks wet and my heart yearning for a trip to London.
When librarian Valentina Baker was a teenager, her mother, Eloise, unexpectedly fled to her native London, leaving Val and her father on their own. Now in her thirties and fresh out of a failed marriage, Val feels a nagging disenchantment with her life — and knows she is still heartbroken over her mother’s abandonment.
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