100 books like The Statue Within

I loved this book because it demonstrates we can write about any subject we have a passion for: bowling, the bassoon, the Canary Islands, UFOs, opium, truffles, cats and dogs, evil and good, or cells!

Thomas starts his book by marveling about cells. Vivid imagination, not labor, carries him to subjects like insects, music, language, computers, and medicine. After all, they are interconnected, like we are. 

Which means I need only start with one subject* that stirs my wonder or worry and holds meaning for me. I don’t need to hunt for something to write about, it is right in front of my eyes. 

*BTW, the author of my book choice #1, Bill Zinsser, covered war, theatre, baseball, music, nonfiction writing, and memoirs. Note to self: One subject will do.

I can’t think of a better tale of discovery written by a scientist than Shubin’s engaging account of the unearthing of Tiktaalik, the first fish to walk on land.

I remember reading about the find on the front page of The New York Times, and this book is the backstory. By weaving his own boots-on-the-ground experience as a paleontologist with a highly approachable background on the relevant biology, Shubin us a front row seat to one of the most important events in evolution. 

I love Stephan Hawking’s A Brief History of Time because it was the first book that inspired me to become a cosmologist. It is a terrific overview of the science behind the modern belief in the Big Bang and what has followed.

It is told with Hawking’s wry sense of humor and unique ability to make complex concepts understandable to the layperson and budding scientist, which I was at the time. It is a fantastic start for my readers of all persuasions.

I absolutely loved the simplicity and clarity of this approach.

It’s almost the opposite end of the spectrum to my first selection and a method that I found more and more common over the years of my career: checklists and flowcharts for the serious and frequent presentations in the Emergency Department, in the operating theatre, and at Triage. And Gawande was right: they did and do save lives.

More generally, I used this process all the time when I was training other staff in my posts with Doctors Without Borders. Preventing and avoiding problems with fail-safe systems is so much better than trying to solve them after they occur!

Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.

The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.

Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.

It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing. 

This is an exceptionally good middle grade book! It tells what really happened to British children who were evacuated from the cities to the countryside during WWII. It caused me to question my English grandparents about their experiences during WWII. Imagine how people would react today if the government ordered them to put their children on a train to go live with strangers in some other part of the country.

Boll, a Second World War veteran, tells this episodic story from the perspective of a German soldier during the last year of the war. Loosely episodic and propelled by a kind of grim, fatalistic absurdity, it follows the hapless infantryman Feinhals as he lurches from misadventure to misadventure on the Eastern Front. What really stuck with me is the awfulness of the predicaments Feinhals finds himself in, such as the moment when a soldier sets out to surrender a hospital full of wounded men, only to accidentally set off a dud shell beside the hospital’s cesspool. The Soviets, thinking they have been attacked, respond by levelling the place. "This war’s a load of shit," says one cynical character, and with a magnificent kaboom, that statement becomes literal. 

Technically about World War II, this work covers Chim’s work depicting culture, politics, and life before and after the war, so the circumstances leading to conflict and its aftermath. Chim was the co-founder of Magnum Photos, so his contribution to photojournalism is immense, and his photos are beautifully lit and composed even as they capture fleeting moments: Polish school children waiting for a bus in the rain, a baby reaching for bread at a displaced person’s camp or a boy playing in the ruins of a bombed building. The book also includes later photos of celebrities and movie stars, which, when seen alongside his earlier work creates an interesting narrative of a world putting itself back together and once again seeking out joy and beauty.

Though less well known than Eugene Sledge’s With the Old Breed or Richard Tregaskis’ Guadalcanal Diary, this is one of the finest memoirs of World War II and one of the few by an enlisted sailor. At his death at 94, Alvin Kernan was a recognized expert on Shakespeare with long years on the faculties of Yale and Princeton but in 1940 he was a seventeen-year-old boy from the mountains of Wyoming who enlisted in the Navy because he was unable to meet a small cash fee connected to his college scholarship. 

Kernan was aboard the carrier Hornet when it carried Doolittle's Raiders to Tokyo,  during tthe Battle of Midway and when it was lost during the Battle of the Santa Cruz Islands in October 1942. He served aboard two other aircraft carriers and advanced from ordnance-man to aerial gunner and chief petty officer. His descriptions of the dramatic… show more.

I love the way Jennifer Gold writes. She takes an important historical moment and turns it into a heart-stopping, rollercoaster ride that leaves the reader wanting more! That's how I felt when I read Names in a Jar. The story is an important one, historically. It's set in the Warsaw Ghetto and the Treblinka death camp. There are not many YA novels set in Treblinka, probably because so few prisoners survived that death camp. Jennifer has taken the true story of a real revolt that took place in Treblinka and adapted it for her novel. It's a story filled with courage and with hope.