Here are 100 books that The Statue Within fans have personally recommended if you like
The Statue Within.
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I am a psychiatrist and public health doctor, non-fiction writer, and lay and medical editor. For over 12 years, I have taught non-fiction writing for a general audience at Columbia medical and public health schools to physicians, neuroscientists, epidemiologists, psychologists, and other professionals. I have published 14 books and over 500 written articles and videos. I love to write and help others write...well.
I loved this book because it demonstrates we can write about any subject we have a passion for: bowling, the bassoon, the Canary Islands, UFOs, opium, truffles, cats and dogs, evil and good, or cells!
Thomas starts his book by marveling about cells. Vivid imagination, not labor, carries him to subjects like insects, music, language, computers, and medicine. After all, they are interconnected, like we are.
Which means I need only start with one subject* that stirs my wonder or worry and holds meaning for me. I don’t need to hunt for something to write about, it is right in front of my eyes.
*BTW, the author of my book choice #1, Bill Zinsser, covered war, theatre, baseball, music, nonfiction writing, and memoirs. Note to self: One subject will do.
Elegant, suggestive, and clarifying, Lewis Thomas's profoundly humane vision explores the world around us and examines the complex interdependence of all things. Extending beyond the usual limitations of biological science and into a vast and wondrous world of hidden relationships, this provocative book explores in personal, poetic essays to topics such as computers, germs, language, music, death, insects, and medicine. Lewis Thomas writes, "Once you have become permanently startled, as I am, by the realization that we are a social species, you tend to keep an eye out for the pieces of evidence that this is, by and large, good…
I didn’t know anything at all about meteorites (or, really, space in general) until I took a cosmochemistry class during my first semester of a PhD program in geology. As soon as I learned that meteorites captured information about the start of the Solar System – the material we started with, hints about how planets evolve, and how meteorites changed the course of Earth – I was hooked. At the end of that class in 2007, I switched the main topic of my PhD research to studying meteorites and what they can tell us about the past, and I have been doing it ever since.
Like many folks, I am fascinated with the “where we came from” question. And for me, this is the quintessential book to dive into this topic from an evolutionary biology perspective.
Correct or not, I fancy myself someone that knows a decent amount about evolution and the human body, but I was captivated by the parts of the human body that have endured, for good or for bad, the long journey of us crawling out of the ocean and eventually into the office cubicle.
This book isn’t as laugh-out-loud funny as some others I generally like, but it really is a great book, and I had a hard time putting it down.
The paleontologist and professor of anatomy who co-discovered Tiktaalik, the “fish with hands,” tells a “compelling scientific adventure story that will change forever how you understand what it means to be human” (Oliver Sacks).
By examining fossils and DNA, he shows us that our hands actually resemble fish fins, our heads are organized like long-extinct jawless fish, and major parts of our genomes look and function like those of worms and bacteria. Your Inner Fish makes us look at ourselves and our world in an illuminating new light. This is science writing at its finest—enlightening, accessible and told with irresistible…
My passionate scientific interest in cosmology began several decades ago as a Stanford student while moon-lighting as a cloud chamber photo scanner at the Stanford Linear Accelerator Center (SLAC). An initial interest in particle physics merged with an interest in cosmology because the Big Bang theory is about both. Developing a unique cosmology model and collaborating with other cosmologists around the world was a natural extension. Following numerous peer-reviewed scientific publications, our book summarizing them was one, as well. Taking a passionate interest in anything and sharing it with others is an important first step!
I love Stephan Hawking’s A Brief History of Time because it was the first book that inspired me to become a cosmologist. It is a terrific overview of the science behind the modern belief in the Big Bang and what has followed.
It is told with Hawking’s wry sense of humor and unique ability to make complex concepts understandable to the layperson and budding scientist, which I was at the time. It is a fantastic start for my readers of all persuasions.
Was there a beginning of time? Could time run backwards? Is the universe infinite or does it have boundaries? These are just some of the questions considered in an internationally acclaimed masterpiece by one of the world's greatest thinkers. It begins by reviewing the great theories of the cosmos from Newton to Einstein, before delving into the secrets which still lie at the heart of space and time, from the Big Bang to black holes, via spiral galaxies and strong theory. To this day A Brief History of Time remains a staple of the scientific canon, and its succinct and…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I am a doctor who is lucky enough to have worked in many countries with many people. I wanted to do this ever since I read Albert Sweitzer’s biography when I was about thirteen. I enrolled in medicine as a single parent in my thirties, then built up experience in emergency departments, pediatrics, obstetrics, remote area locum work, and a year in a hospice before beginning my career overseas. Being a doctor was, at one and the same time, exhilarating and terrifying, heartbreaking and absolutely filled with joy. The more I was able to connect to my patients, the more I loved every moment of my work. I hope the books on this list will give that same gift to you.
I absolutely loved the simplicity and clarity of this approach.
It’s almost the opposite end of the spectrum to my first selection and a method that I found more and more common over the years of my career: checklists and flowcharts for the serious and frequent presentations in the Emergency Department, in the operating theatre, and at Triage. And Gawande was right: they did and do save lives.
More generally, I used this process all the time when I was training other staff in my posts with Doctors Without Borders. Preventing and avoiding problems with fail-safe systems is so much better than trying to solve them after they occur!
In his latest bestseller, Atul Gawande shows what the simple idea of the checklist reveals about the complexity of our lives and how we can deal with it.
The modern world has given us stupendous know-how. Yet avoidable failures continue to plague us in health care, government, the law, the financial industry—in almost every realm of organized activity. And the reason is simple: the volume and complexity of knowledge today has exceeded our ability as individuals to properly deliver it to people—consistently, correctly, safely. We train longer, specialize more, use ever-advancing technologies, and still we fail. Atul Gawande makes a…
My first novel Five Rivers Met On A Wooded Plain was a collage novel; an interweaving of several voices in order to create a composite portrait of the city of Salisbury, which told several stories as a way of revealing more of the life of that place. Since then I’ve written three more novels, all of them interested in the effects of using different voices to tell different parts of the story. I think that polyphony makes for great books, and these are four examples of that—different ways of weaving multiple tales together.
Calvino, like Perec, was an experimental novelist, interested in imposing games and rules on what he created. Here, he took the convention of the short story collection and used it to dramatise the arrival of the twentieth century into rural Italy—the machine age, but also the fascist age, and the consuming fires of the Second World War. The incremental tension that comes from time passing is a powerful reading experience.
In five elegant autobiographical meditations Calvino delves into his past, remembering awkward childhood walks with his father, a lifelong obsession with the cinema and fighting in the Italian Resistance against the Fascists. He also muses on the social contracts, language and sensations associated with emptying the kitchen rubbish and the shape he would, if asked, consider the world. These reflections on the nature of memory itself are engaging, witty, and lit through with Calvino's alchemical brilliance.
In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
An unforgettable collection of linked stories, Heirlooms follows one Jewish family escaping Holocaust-era St. Malo, France through to present-day America and Israel. Hall depicts with masterful, exquisite prose just what it means to be a refugee, to rebuild a life outside one’s own country, to survive and endure. I recently taught Heirlooms to a class of fiction writing students who deeply appreciated this stunning collection and what they could learn from it about storytelling, and about resilience.
Fiction. Jewish Studies. Montaigne Medal Finalist. Winner of the G. S. Sharat Chandra Prize for Short Fiction, selected by Marge Piercy. HEIRLOOMS begins in the French seaside city of Saint-Malo, in 1939, and ends in the American Midwest in 1989. In these linked stories, the war reverberates through four generations of a Jewish family. Inspired by the author's family stories as well as extensive research, HEIRLOOMS explores assumptions about love, duty, memory and truth.
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I am Emeritus Professor of History and International Relations at George Washington University. Although I trained at Yale to be a college teacher, I spent most of the first twenty years of my career working in and with the military. I served in the Marine Corps in Vietnam and later as a reservist on active duty during the Grenada –Lebanon Operations in the early 1980s and during the Gulf War.. As a civilian, I worked at the U.S. Army Center of Military History and subsequently as Director of Naval History and of the Naval History and Heritage Command. I joined George Washington University in 1990. I am the author of six books about military history, two of which, Eagle Against The Sun: The American War With Japan and In the Ruins of Empire: The Japanese Surrender and the Battle for Postwar Asia are directly about the Asia- Pacific War.
Though less well known than Eugene Sledge’s With the Old Breed or Richard Tregaskis’ Guadalcanal Diary, this is one of the finest memoirs of World War II and one of the few by an enlisted sailor. At his death at 94, Alvin Kernan was a recognized expert on Shakespeare with long years on the faculties of Yale and Princeton but in 1940 he was a seventeen-year-old boy from the mountains of Wyoming who enlisted in the Navy because he was unable to meet a small cash fee connected to his college scholarship.
Kernan was aboard the carrier Hornet when it carried Doolittle's Raiders to Tokyo, during tthe Battle of Midway and when it was lost during the Battle of the Santa Cruz Islands in October 1942. He served aboard two other aircraft carriers and advanced from ordnance-man to aerial gunner and chief petty officer. His descriptions of the dramatic…
In this memoir of life aboard aircraft carriers during World War II, Alvin Kernan combines vivid recollections of his experience as a young enlisted sailor with a rich historical account of the Pacific war.
"One of the most arresting naval autobiographies yet published."-Sir John Keegan
"An honest story of collective courage, evocative, well-written, and fixed before the colors fade."-Kirkus Reviews
"[Kernan] recounts a wonderful and exciting American story about a poor farm boy from Wyoming who enlisted in the Navy. . . .[He] has written eight other books. I will go back and read them all."-John Lehman, Air & Space…
I'm the child of Holocaust survivors. I grew up with parents willing to talk about their survival experiences and do so in a way that wouldn't terrify me. I asked a million questions that my parents willingly answered. I grew up passionate about this history and determined to write their stories and the stories of other survivors. I'm aware that this generation of survivors is aging and passing away. Their "voices" will soon be gone. I feel a responsibility to capture these stories and write them for the next generations. I'm about to have my thirtieth book about the Holocaust published! And I've got more book ideas on the go.
I love the way Jennifer Gold writes. She takes an important historical moment and turns it into a heart-stopping, rollercoaster ride that leaves the reader wanting more! That's how I felt when I read Names in a Jar. The story is an important one, historically. It's set in the Warsaw Ghetto and the Treblinka death camp. There are not many YA novels set in Treblinka, probably because so few prisoners survived that death camp. Jennifer has taken the true story of a real revolt that took place in Treblinka and adapted it for her novel. It's a story filled with courage and with hope.
Twelve-year-old Anna Krawitz is imprisoned in the Warsaw Ghetto with her older sister, Lina, and their father. Happy days spent reading about anatomy and science in Papa’s bookshop are long gone, and the knowledge they have is used to help their neighbors through the illnesses caused by starvation and war.
With no hope in sight and supplies dwindling, Anna finds herself taking care of an orphaned baby. With a courage she didn’t know she had, Anna and the baby leave behind all they know and go into hiding with a Catholic family, changing their names to hide their identity, but…
When I was a child, my mother and I shared and discussed Zane Grey books. I loved his portrayal of the past and read every one. My obsession with historical fiction grew, and I wrote my first draft of Elephant in the Room at age sixteen. I’m stuck in the period between 1875 and 1940 because of the simplicity driving life as well as the complexity of larger events changing the world. Wilder, Steinbeck, Twain, all picked me off my feet and set me down in their shoes. I’m not able to remove them. I write about courageous women because we are, whether it’s expressed or is in waiting.
Set in Italy during WWII, Liliana Nicoletti becomes involved in the partisan cause to save her country from the Germans. When her family encounters an escaped POW, she learns what it means to fight the Fascists who are destroying her community and joins the resistance.
Her mother and sisters shot, mud and blood streaming over her face, she picks up the rifle she hadn’t used in years and vows to find her father. Realistic and horrific, the first half of the tale paints a picture of courage beyond what we imagine possible and of relationships formed from the tangled threads of love and need. After the war, angst mixes with hope as Liliana and James search for the men who slaughtered innocent people. Is justice or revenge driving her?
The author drew me into the story with vivid details and kept me on the edge of my seat with twists and turns. I cared…
Against the backdrop of WWII-ravaged Italy comes a powerful and emotional novel of love, survival, justice, and second chances by the bestselling author of White Rose, Black Forest.
Occupied Italy, 1944. In the mountain regions south of Bologna, Liliana Nicoletti's family finds escaped POW James Foley behind German lines. Committed to the anti-Fascist cause, they deliver him to a powerful band of local partisans. But when the SS launches a brutal attack against the Resistance, Liliana's peaceful community is destroyed. Alone and thrown together by tragedy, James and Liliana fight together as Monte Sole burns. Forging an unbreakable bond, they…
Citizen Scientist begins with this extraordinary statement by the Keeper of Entomology at the London Museum of Natural History, “Study any obscure insect for a week and you will then know more than anyone else on the planet.”
As the author chases the obscure Western red-bellied tiger beetle across New…
After seventeen years of researching media use in the Soviet Union, I found I was hooked for life on the problems of totalitarianism. I went on reading about Stalinist Russia, Nazi Germany, and the East German Stasi and wrote several novels based on what I had read. In 2009, I saw an exhibition of paintings called “Looking for Owners.” Some of the pictures were extremely beautiful works by well-known artists which, I was surprised to learn, had been stolen by the Nazis during World War II. Their rightful owners had never been traced. I knew at once that there was a story in this.
If you want to know about art thefts in Europe during World War II, this is the book to read. This is the Bible!
Lynn Nicolas provides an exhaustive account of why the works were taken, where the looting took place, how it was done, how many artworks were plundered (the answer is in the hundreds of thousands), and what attempts were made after the war to recover the works and restore them to their owners.
I was awed by the extent of her research, which is truly groundbreaking. Before The Rape of Europa was published in 1994, little was known about the means and scale – and even the fact – of Nazi looting.
When the Nazi occupation of Poland, France and the Low Countries, and finally Italy, began a colossal wave of organised and casual pillaging stripped entire countries of their cultural heritage. From the day Hitler came to power, art was a matter of the highest priority to the Reich. He and other Nazis were ravenous collectors, stopping at nothing to acquire paintings and sculpture. Nicholas catalogues this theft and destruction but also shows how the dedicated corps of `Museum Officers', brought to Europe after the Allied victory, spent six years locating and sorting huge repositories of treasure and restoring their contents…
