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I grew up on Chicago’s home front during WW2. President Roosevelt wanted everyone—adults and children—to do their part for the war effort. So we neighborhood kids formed a Victory club, where we marched around singing, “Let’s Remember Pearl Harbor,” and other patriotic songs. And though we had fun, we understood the meaning of the gold stars in the windows, and knew that terrible things were happening on the other side of the world. There are so many wonderful books set during this time period, and I can never read enough of them. These books, along with my memories, are what inspire me to write historical fiction of my own.
When you open a door, you might find something unexpected on the other side. And that’s what happens to Hannah Stern when she opens the door to welcome Elijah the prophet to her family’s Passover seder, and finds herself back in time to Nazi-occupied Poland. Hannah has heard the stories of her relatives’ lives during the Holocaust, so now, as she and the other Jews of the town are being rounded up and sent away, she knows where they’re going and what awaits them.
In the camp, Hannah experiences the horrors her relatives lived through. And the next door that opens to her brings her back to the present time, with a greater appreciation and understanding of her Jewish heritage, her family, and the importance of remembering.
30th Anniversary edition with a new introduction from the author
Hannah is tired of holiday gatherings−all her family ever talks about is the past. In fact, it seems to her that's what they do every Jewish holiday. But this year's Passover Seder will be different−Hannah will be mysteriously transported into the past . . . and only she knows the unspeakable horrors that await.
Winner of the National Jewish Book Award
"A triumphantly moving book." --Kirkus Reviews, starred review
I'm the child of Holocaust survivors. I grew up with parents willing to talk about their survival experiences and do so in a way that wouldn't terrify me. I asked a million questions that my parents willingly answered. I grew up passionate about this history and determined to write their stories and the stories of other survivors. I'm aware that this generation of survivors is aging and passing away. Their "voices" will soon be gone. I feel a responsibility to capture these stories and write them for the next generations. I'm about to have my thirtieth book about the Holocaust published! And I've got more book ideas on the go.
I love historical fiction that reveals little-known elements of real history. That's why I loved this book so much. It tells the story of the Kindertransport - an initiative to save thousands of Jewish children by sending them to England just before the outbreak of the war. The protagonist of this book is modeled on the real-life story of the author. Irene Watts was only 7 1/2 years old when she was sent to England by Kindertransport. I could feel this young child's fear and uncertainty oozing from every page of this book.
As autumn turns toward winter in 1938 Berlin, life for Marianne Kohn, a young Jewish girl, begins to crumble. First there was the burning of the neighbourhood shops. Then her father, a mild-mannered bookseller, must leave the family and go into hiding. No longer allowed to go to school or even sit in a café, Marianne’s only comfort is her beloved mother. Things are bad, but could they get even worse? Based on true events, this fictional account of hatred and racism speaks volumes about both history and human nature.
I'm the child of Holocaust survivors. I grew up with parents willing to talk about their survival experiences and do so in a way that wouldn't terrify me. I asked a million questions that my parents willingly answered. I grew up passionate about this history and determined to write their stories and the stories of other survivors. I'm aware that this generation of survivors is aging and passing away. Their "voices" will soon be gone. I feel a responsibility to capture these stories and write them for the next generations. I'm about to have my thirtieth book about the Holocaust published! And I've got more book ideas on the go.
This is an older book, but such an important one! It was first published in 1993 when the author was commissioned by the United States Holocaust Memorial Museum (USHMM) to create a book and an exhibit for younger children who would be touring the museum. Carol Matas is really one of the first authors to write about this time in history and to do so in a way this is accessible for young readers. She has paved the way for authors like me to continue telling these important stories. By the way, if you visit the USHMM, you can still see the Daniel's Story exhibit on the main floor of the museum.
Daniel barely remembers leading a normal life before the Nazis came to power in 1933. He can still picture once being happy and safe, but memories of those days are fading as he and his family face the dangers threatening Jews in Hitler's Germany in the late 1930's. No longer able to practice their religion, vote, own property, or even work, Daniel's family is forced from their home in Frankfurt and sent on a long and dangerous journey, first to the Lodz ghetto in Poland, and then to Auschwitz -, the Nazi death camp. Though many around him lose hope…
I'm the child of Holocaust survivors. I grew up with parents willing to talk about their survival experiences and do so in a way that wouldn't terrify me. I asked a million questions that my parents willingly answered. I grew up passionate about this history and determined to write their stories and the stories of other survivors. I'm aware that this generation of survivors is aging and passing away. Their "voices" will soon be gone. I feel a responsibility to capture these stories and write them for the next generations. I'm about to have my thirtieth book about the Holocaust published! And I've got more book ideas on the go.
I love stories that are inspired by real people, and this is one of them; based on a true story about the author's mother who was sent to a concentration camp with her family. Anneke, the young girl of the story, must grapple with the trauma of having left behind the life she once knew. She also faces a terrible choice; standing by her father who is forced to create propaganda that conditions in the camp are good, and her own desperate need to get the truth out. The voice of the young girl is so authentic.
A pampered child used to having her own way, Anneke Van Raalte lives outside Amsterdam, where her father is a cartoonist for the Amsterdam newspaper. Though Anneke's family is Jewish, her religion means little to her. Anneke's life changes in 1942 when the Nazis invade Holland, and she and her family are deported to Theresienstadt, a concentration camp in Czechoslovakia. Not only are conditions in the camp appalling, but the camp is the site of an elaborate hoax: the Nazis are determined to convince the world that Theresienstadt is an idyllic place and that European Jews are thriving under the…
Since I first began to study the events of the Holocaust in 1991, I became deeply engaged and committed to trying to understand why individuals engaged in the abuse and murder of their neighbors, fellow countrymen, and those deemed racially or politically inferior. In exploring this question, I drew in part on my own military experience to think about how a warped organizational culture and corrupted leadership emerged in Nazi Germany in which state-sponsored propaganda and ideological socialization combined to pervert existing moral and ethical norms and led many within the SS, police, and the German military to engage in genocide.
The Holocaust survivor, Richard Glazar, authored a compelling memoir of his imprisonment and escape from the Nazi killing center at Treblinka in occupied Poland, a site at which an estimated one million Jewish men, women, and children perished at the hands of the SS and their Ukrainian auxiliaries.
Glazar provides a first-hand and extended look not only at the process of mass murder at the camp, but he also provides extensive descriptions and analysis of the SS men he encountered in the camp including their daily habits, personalities, and actions.
The memoir exposes the full range of the emotional, psychological, and physical hardship experienced by Glazar in the “death factory” of Treblinka and places perpetrator actions within the context of prisoner experience.
Trap with a Green Fence is Richard Glazar's memoir of deportation, escape, and survival. In economical prose, Glazar weaves a description of Treblinka and its operations into his evocation of himself and his fellow prisoners as denizens of an underworld. Glazar gives us compelling images of these horrors in a tone that remains thoughtful but sober, affecting but simple.
I became interested in the Holocaust and the Second World War during my senior year of high school. I took a literature class entitled “Man’s Inhumanity to Man,” which focused a great deal on the literature that emerged from the Holocaust. At the end of the year, I had the great honor to meet author and Holocaust survivor Elie Wiesel who had actually read my essay (my teacher knew him, and gave it to him to read) and encouraged me to keep writing. I am fascinated by stories of survival and the quiet heroism that characterized women like Ida and Louise Cook.
Berta Geissmar was the Jewish secretary and confidante to legendary German conductor Wilhelm Furtwangler beginning in 1921.
In her memoir, published in 1944, Geissmar describes how the Nazi hierarchy interfered in the world of classical music, purging orchestras of Jewish musicians and banning works by Jewish composers. Although Furtwangler at first refused to do the bidding of the Nazis, he was eventually sidelined. And Geissmar soon became a Nazi target.
They blamed her for the bad publicity that the regime was getting in the classical music world, and seized her passport. Geissmar was eventually allowed to leave the country, and, ended up in London as the secretary of another legendary conductor—Sir Thomas Beecham.
Sarah Sundin’s love for the stories of World War II comes from family members who served during the war on the US Home Front and abroad. Her passion for research and travel has fueled her award-winning novels. The horrors of the war brought out the worst in humanity. Yet they also brought out the best in humanity, and those stories—of people who chose kindness and courage and right in trying times—are the stories that inspire us to choose kindness and courage and right in our own trying times.
This dual timeline novel is expertly researched and woven into a tapestry. In 1940, a German archaeologist is forced to marry an SS officer—and to catalog art stolen from the Jews. In modern times, a young woman with a traumatic past in the neo-Nazi movement works with the Holocaust Museum to fight hate crimes. Their entwining stories show the courage needed to stand up against racism—and the necessity of doing so, no matter the cost.
A young girl, kidnapped on the eve of World War II, changes the lives of a German archaeologist forced into the Nazi Party and―decades later―a researcher trying to overcome her own trauma.
1940. Hanna Tillich cherishes her work as an archaeologist for the Third Reich, searching for the Holy Grail and other artifacts to bolster evidence of a master Aryan race. But when she is reassigned to work as a museum curator in Nuremberg, then forced to marry an SS officer and adopt a young girl, Hanna begins to see behind the Nazi facade. A prayer labyrinth becomes a storehouse…
Gemma is the bestselling author of historical fiction novels, translated into several languages. Set against the backdrop of war in Europe, her fifth book in this genre will be released later this year. She has combined the war experiences of family members in WWI and WWII, information collected during her research and travels, and her academic studies in writing and history, to create the authentic scenes and characters for her books.
The partisan experiences of Primo Levi—chemist, Auschwitz survivor, and writer—are researched and offered in gritty, thorough detail by Luzzatto. Levi, in his writings, alluded to incidents that occurred during his time as a partisan, and Luzzatto delves deeper into the motivations behind these events and the personalities involved. The Resistance in its early days, while being hunted by Nazis and their Italian allies, became a small force of its own making, using collective, military-style decisions and tactics, and meting out its own forms of justice. An important book to gain insight into the complexities of purpose within the Resistance, learn about the crimes and subsequent justice of members of Salò—the puppet government installed in northern Italy—and understand the influences on political alignments and fascism in the period beyond the war.
No other Auschwitz survivor has been as literarily powerful and historically influential as Primo Levi. Yet Levi was not only a victim or a witness. In the fall of 1943, at the very start of the Italian Resistance, he was a fighter, participating in the first attempts to launch guerrilla warfare against occupying Nazi forces. Those three months have been largely overlooked by Levi's biographers; indeed, they went strikingly unmentioned by Levi himself. For the rest of his life he barely acknowledged that autumn in the Alps. But an obscure passage in Levi's The Periodic Table hints that his deportation…
I am a professional historian who has been writing books for more than forty years. Most of the books have been about war and dictatorship in the first half of the twentieth century. My last book, The Bombing War: Europe 1939-1945, developed my long interest in air war history, which goes back to my first major book written in 1980 on air warfare in World War II.
There is a common assumption among a younger generation brought up on the horrors of the Holocaust or Shoah that the Allies waged war to save the Jews. As Aronson shows in this candid and carefully researched volume, nothing could be further from the truth. The war waged by Hitler against the Jews was well-known, but the Allies did very little to try to end or modify the outcome. For anyone interested in the war, understanding the fate of the Jews in both German and Allied terms is bound up with wider issues of strategy and politics. Aronson tells a slice of the wartime narrative that many might want to forget. It is also a reminder that the war and the Holocaust were bound together, not separate histories. This perspective has not won general acceptance, but it should.
This book offers an analysis of the Holocaust as a multiple trap, its origins, and its final stages, in which rescue seemed to be possible. With the Holocaust developing like a sort of a doomsday machine set in motion from all sides, the Jews found themselves between the hammer and various anvils, each of which worked according to the logic created by the Nazis that dictated the behavior of other parties and the relations between them before and during the Holocaust. The interplay between the various parties contributed to the victims' doom first by preventing help and later preventing rescue.…
I have always been interested in what makes people tick – in their unseen inner world. In my twenties, I literally embodied others in my work as an actor. In my thirties, I studied applied psychology and sat alongside others and talked. In my forties, I started my consulting business Changeable, working with group and organizational dynamics. Now in my fifties, I am accessing inner worlds through writing, placing myself imaginatively into other people and places. I have merely scratched the surface. These post-WWII books give a gripping, personal, and scorching window into truth-seeking.
Zable writes of the haunted consciousness of post-conflict generations, in his case, the holocaust.
He argues that great stories must have both terror and beauty, or they merely add to the darkness. It is easy to see the terror, but what of the jewels? I grappled with this question too - how do we rightly remember victims of extreme violence? When I looked to Zable, I found a work imbued with poetry and lyricism.
Jewels and Ashes is a transcendent retracing of the terrain of his parents and grandparents.
In a memoir of a Jewish man's search for his roots, the son of Holocaust survivors returns to his parents' homeland in Poland to rediscover the former glory of East European Jewry.
