100 books like Primo Levi's Resistance

I’ve chosen this book not just for the incredible picture it paints of German occupation, but for the story of its survival. Irène Némirovsky was a Ukrainian-Jewish author living in Paris with her young family until she was denied French citizenship and forced to flee to the French countryside. In July 1942 she was arrested during a period of vicious roundups by the Germans and transported to Auschwitz, where she died a month later from typhus. Irène’s two daughters were amongst the crowd that gathered daily outside the Hotel Lutetia in Paris, where returnees from concentration camps were processed after the liberation of France. Her daughter Denise kept the notebook containing Suite Française for fifty years before realising what it contained, and Irène’s masterpiece was finally published in 2004.

Mr. Lowe’s meticulous research of post-WWII Europe gives startling insight into how devastated the continent was after the war.

He paints a picture of lawlessness and depravity, arguably as bad as battle conditions had been. In some cases, it might have been worse. Revenge killings, rapes, and starvation were among the horrors. It begs the question, when did WWII really end? 

Just like Api’s diary, A Woman in Berlin begins on April 20, 1945, and she, too, writes daily to maintain her sanity in a world of chaos and death. The author, who wanted to remain anonymous, gives a clear-eyed perspective of a woman alone, trapped in Berlin, fighting starvation and the terrors of Soviet invasion. For women above all this meant rape. They tried to hide in the ruins, make themselves look old, dress up as men. Nevertheless, Soviet soldiers raped over 100,000 women. I read in Api’s diary that Berlin doctors soon began to perform then illegal abortions for victims who begged them for one. 

The author’s unflinching and courageous account is “among the most chilling indictments of war I have ever read” (Arundhati Roy).

This 900-page history is a vivid account of WWII across all fronts. Though the research is meticulous and covers the length of the war, the explanations are clear and fascinating and the chronology makes it feel like a guided tour through time. Along the way, Gilbert interposes a human face and a very personal account, revealing upheaval and atrocities, but ensuring that there is a permanent record of those civilians, particularly Jews, who died without just cause. And the examples and conditions endured are at times difficult to read and heartbreaking. The book covers all aspects, from battle lines to partisan attacks, to numbers killed, to firsthand accounts, to Hitler’s inners circle, and more. This is an outstanding read and this book is just one of Gilbert’s many significant contributions as a historian.

Gino Bartali was a world-famous champion cyclist from Italy. But the world only learned many years later that he was also secretly working for the Italian resistance during WWII to help save the lives of hundreds of Jewish men, women, and children. He acted as a courier, delivering crucial identity papers and other documents that he had rolled up and hidden in the frame of his bike. Everybody recognized the champion and cheered him on as he raced by. They assumed he was in training. They had no idea that he was using his skills to help battle the enemy and save lives. 

This picture book pops with jaunty graphics and eye-catching illustrations that have a retro feel. The story is exciting and rich with detail.

Elsa Thon recounts her war experiences in a cinematic tale with the eye of an artist. A teenager in Poland who had apprenticed in photo retouching, she was recruited by the Jewish underground. She left her family behind in the Warsaw Ghetto, ending up in Krakow with false papers. This was difficult for her, a deeply honest person. She writes, “I lied all the time.” She takes the reader with her on her dangerous journey, the degradation of a labour camp, and a forced march. Elsa was also a student in my seniors writing class and I found her to be generous and good-humoured, despite her painful past. She lost her whole family in the Holocaust but she writes that it was her “destiny” to survive. 

The famous Hannah Arendt coined “the banality of evil." Not monsters, but ordinary people were able to follow Hitler’s murderess ideology. Ordinary Men clearly shows how men and women from all walks of life were capable of becoming cold-blooded killers. Ordinary Men were the Nazi mobile gas units and death squads responsible for the murder of 1.5 million Jews in Eastern Poland & Ukraine.   

I love the way Jennifer Gold writes. She takes an important historical moment and turns it into a heart-stopping, rollercoaster ride that leaves the reader wanting more! That's how I felt when I read Names in a Jar. The story is an important one, historically. It's set in the Warsaw Ghetto and the Treblinka death camp. There are not many YA novels set in Treblinka, probably because so few prisoners survived that death camp. Jennifer has taken the true story of a real revolt that took place in Treblinka and adapted it for her novel. It's a story filled with courage and with hope.

There is a common assumption among a younger generation brought up on the horrors of the Holocaust or Shoah that the Allies waged war to save the Jews. As Aronson shows in this candid and carefully researched volume, nothing could be further from the truth. The war waged by Hitler against the Jews was well-known, but the Allies did very little to try to end or modify the outcome. For anyone interested in the war, understanding the fate of the Jews in both German and Allied terms is bound up with wider issues of strategy and politics. Aronson tells a slice of the wartime narrative that many might want to forget. It is also a reminder that the war and the Holocaust were bound together, not separate histories. This perspective has not won general acceptance, but it should. 

Berta Geissmar was the Jewish secretary and confidante to legendary German conductor Wilhelm Furtwangler beginning in 1921.

In her memoir, published in 1944, Geissmar describes how the Nazi hierarchy interfered in the world of classical music, purging orchestras of Jewish musicians and banning works by Jewish composers. Although Furtwangler at first refused to do the bidding of the Nazis, he was eventually sidelined. And Geissmar soon became a Nazi target.

They blamed her for the bad publicity that the regime was getting in the classical music world, and seized her passport. Geissmar was eventually allowed to leave the country, and, ended up in London as the secretary of another legendary conductor—Sir Thomas Beecham.