95 books like The Secret History of Us

Again, the amnesia thing! Imagine waking up in class and realizing six months have lapsed—and you have no idea what happened. Six Months Later reminds me of the high-school version of The Bourne series—suspects are everywhere, people know too much but say too little…you don’t know who to trust but something is majorly off and you have to figure it out—despite not being able to remember…

I think adult readers often write off (pun intended) Young Adult fiction as being juvenile, but some of the best thrillers I’ve read have had high-school/college-age characters. I adore reading books where characters are not merely analytical—they are deeply emotionally intelligent.

Who else loves a good “Fall-guy + I’ve-been-framed-for-murder” suspense novel? Kinda like The Fugitive movie with Harrison Ford? 

Casey Cox has been framed for the murder of her boyfriend and is made the target of a national manhunt. I finished reading If I Run at almost three in the morning—it was that riveting. Though the main plot deals with highly emotional elements (PTSD, living on the run, etc.), the subplots are equally as gut-wrenching. Read this book and you will be left with wide eyes and—possibly—a gaping mouth.

The Discarded Heroes series holds a special place for me, as these books gave me the push I needed to face my fears and finally pursue publishing my writing. The entire Nightshade team was written so authentically, they feel like part of my extended family. I’m recommending book three specifically, because of Canyon and Dani. Their ability to acknowledge their weaknesses, take responsibility for their mistakes, and push through anything to finish their mission still inspires me.

The sole survivor of a train wreck, Autumn Manning lives crippled with guilt. When she meets the husband of one of the women who died in the wreck, sparks fly, and Autumn’s guilt only increases. And, while very likely the saddest book I’ve recommended thus far, Life After paints a beautiful, cathartic picture of grief that few authors have. Grief is part of life, but people don’t like to talk about what happens to our hearts/psyches when it descends. While Life After may elicit a few tears, it is a stunning, beautiful book that I highly recommend.

The Heart of Redness is set in a rural Xhosa village on the Wild Coast of South Africa—a pristine environment threatened by a casino and hotel development. I used to visit this area on holidays as a child and was captivated by the rural way of life, tribal huts, unspoiled beaches, and dreamy lagoons. Mda is a master at capturing the beauty and romance of that coast through his evocative prose. The novel also presents a sober warning about the fragility of these environments and how easily they can be destroyed by unscrupulous development.

Set in Victorian England, this novel is a sinister, gothic tale based on the ability of a young woman to read the souls of man-made objects and the disappearance of a young man drawn to the occult. I loved how this book was grounded in the real Victorian London and yet managed to incorporate gorgeously gothic supernatural elements as well as a love triangle involving well-drawn and believable characters. For me, the writing was what really drew me in and I have to admire anyone who can weave historical and fantastical elements as beautifully as this author. 

The Cocktail Waitress is the last work of total master James M. Cain, posthumously published in 2014. I started this on a hike and did not stop listening until it was done, netting me quite a bit of cardio. This firsthand explanation of a tabloid murder scandal, as told by its prime suspect, is often hilarious, surprisingly feminist, and darkly sinister. As the titular waitress innocently recalls meeting and marrying a much older millionaire and his baffling demise soon after, it’s clear she’s lying through her teeth. But deducing how and why is the fun of the book. Still, the ending is a gut punch. My book hangover was a solid 72 hours (could’ve been the hike though). 

Lily King’s Writers & Lovers is set in Cambridge, Massachusetts in 1997, where my own novel takes place a century earlier. It’s a fictional coming-of-age story of a young woman who tries to write her way into adulthood.

Casey Peabody works as a waitress in Harvard Square, spends time with her aspiring writer friends, walks along the Charles River, and sits for hours at her desk trying to write, all of which I did in those same places at her same age and often with the same sense of longing—and which, incidentally, Victoria Swann does, too, albeit while wearing a floor-length skirt and using a fountain pen.

Casey, Victoria, and I, (and I assume Lily King herself), were not alone: so many people I’ve met over the years have spent time in their twenties hanging out around Harvard Square, anxious and waiting to become the grown-ups we hoped to be.… show more.

I love The Host because it has two female heroes, but one is a parasite inside the other. When a parasitic alien race, the Souls, invades earth, Wanderer is placed in the body of Melanie Stryder. When implanted, Souls are supposed to completely subsume the host, but Melanie Stryder won’t give up her mind or her body that easily. Melanie is a hero because of her strength and willingness to sacrifice anything to maintain her autonomy. Wanderer is a hero because of her empathy and willingness to defy the construct of her society and forge a new path. The book is the most interesting portrayal of the capacity for sentient beings to develop empathy against all odds that I’ve ever read. It’s also a remarkable portrayal of a most imaginative female bond.

John Barth’s first novel, originally published in 1956 and later significantly revised, is a darkly comic philosophical novel whose main character, Todd Andrews, is contemplating suicide.

The novel, along with Barth’s second, The End of the Road, is written in a relatively realistic style, different from the metafictional turn that the author would later take in his subsequent fiction. Nevertheless, these two early books are in some ways consistent with later works like Giles Boat Boy and Lost in the Funhouse, particularly in the passages about metaphor in life and art.

Barth’s musings about metaphors in the real world are relevant to Wiseman’s ability to wrest metaphoric implications from real-world events and objects. Indeed, Wiseman’s films are a veritable floating opera of signifiers.