72 books like The Repository of Lost Souls

Jackson’s Gothic horror flows like black chiffon over a yawing window. That’s how I felt reading about Hill House. I loved the way the house sneaks up with its psychological weights swinging and jarring. Eleanor possesses a dark ambiance. She desperately needed to belong to something or someone, and I couldn’t let go of that.

Her emotions and fears were right there with me. But it was the romantic underbelly that got me: Eleanor’s romance with Hill House. The statuesque gardens, the light, and shadows, all tempted her into its sinister realm. As it tempted me. I felt deeply for Eleanor, wanting to belong to something extraordinary to replace her dull life. Shirley Jackson is quoted as saying, “I delight in what I fear.” This book proves it.

A book I’d wanted to read for a long time, but it wasn’t until later in life I was able to get it. When I was just on the early stages of my writing career, my now longtime friend, Marty, said he had a spare copy of Cabal laying around and offered to send it to me. Marty was my writing mentor at the time as he’d been writing horror for many years previous, and his work is inspiring. So, knowing I was getting a book in the mail from my mentor, to whom I hadn’t met in person yet, was very exciting. The book itself was a tired secondhand copy (which I was told it was) yet this gave it more special meaning. Even the cover was a little torn and it was a pocket edition. So, I sat back with this little book, which I still have as… show more.

The first in a trilogy from vastly underrated author Susan Price. This is on the surface a charming kids’ book, but moved me more and has haunted me for longer than most 'adult' novels (and is also remarkably dark.) Set in a fairy-tale some-when, somewhere in a blizzard-scoured kingdom, the young witch Chingis seeks to rescue a czarevitch from the tower in which he's imprisoned.
When I first read this book, I cried publicly on a train, it got to me so much. I'm envious of Price's skill at using simple language so exquisitely to conjure vivid, jewel-toned worlds and invoke both deep dread and soaring joy. It's a deceptively simple little tale of freedom, choice, destiny, privilege, responsibility, and love.

In my opinion, one of the finest living writers in the English language, Winterson masterfully spins a tale of historical, poetic, eccentric, dreamy and highly sensual, and gender-bending eroticism involving an androgynous hero during the Napoleonic era, and taking place in the kitchens of the emperor, on the battlefield and along the freezing march into Russia, as well as amid the canals of Venice. Always thought-provoking and rife with magical realism and plain heart-stopping imagery, tension, and poetry, Winterson tells her story in a manner that will—if not change your ideas about everything—certainly challenge them. I always feel inspired to stretch my understanding wider—and I actually fall deeply in love with the world all over again—each time I finish a novel by Winterson.

Far too many foreigners, myself included, have rocked up in Morocco and set to work recording versions of traditional tales for an outside audience. Almost all of them have realized that, what they imagined would be a straightforward exercise, was a near-impossible feat. One of the few European writers who have succeeded, and succeeded exceptionally well, is BBC reporter Richard Hamilton. As I read The Last Storytellers, I marvelled at how well he succeeded where so many others failed. The reason is that Hamilton has two qualities in abundance: patience and sensitivity. Reading the stories he presents takes me to the central square in Marrakech, Jma al Fna. I can see it, feel it, smell it, and, most importantly, I can hear the storytellers there recounting tales that pre-date A Thousand and One Nights.

Written by a disabled, northern author, this magical middle-grade novel has such a warm, compassionate voice, and I loved how it reflected the story’s locations, which are inspired by real places in North East England.

The story is full of magic and features a cast of disabled children who live in a lighthouse by the sea and get caught up in an adventure. I think it’s important for all kids to see themselves in fiction, and this book does a wonderful job of improving disability representation.

Although it’s aimed at children, there’s plenty for adults to enjoy, and I thought this was a beautiful book full of illustrations by a local artist, which helped me to picture the characters and setting.

Another vampire one I’m afraid. But trust me this is so worth your time. 

I read this for the first time when I was in college and well into my Goth phase, this book became my aesthetic afterwards. It’s a different take on vampires, explored through a few different groups of vampires. The characters are wonderfully portrayed and unique but what really hooked me into this book was the setting. It's got depth and feels like you could walk through the book and be in Missing Mile. 

This was the book that made me try Chartreuse.

This story starts with Harper getting kicked out of a foster home before being sent off to the spooky Shadowford Home for Girls in the fictional town of Peachville, Georgia. Things go from bad to worse when a local cheerleader is found dead, and Harper gets sucked into a small-town mystery.

The book reads like a paranormal detective story, with a touch of romance. Harper is no P.I., but she is magic, and the twin mysteries of her origins and the town’s history dovetail nicely as the story progresses.

I particularly sympathized with the heroine’s plight as an outsider at a new school, something I’ve experienced many a time myself. The good thing about it is, it makes for some moving storytelling.

Not all noir fiction are detective stories, and this is one of the best.

Dolly is a thief with a past who has promised to turn over a hard to acquire a magical mask to pay her debts. As she tightens her noose on her mark for the con she’s going to use to pull off the theft, she must face the biggest danger any con artist must face, getting emotionally involved. The price of failure will be more than just her life, but the lives of people she wishes she didn’t care about.

I was on the edge of my seat and couldn’t put this book down.

I related to the bonds the young people have in this book because children have secrets, but sometimes secrets come back to haunt us that only friends understand.  

Natalie K. French brings to life the innocence of youth. They needed each other as they gained their footing in the world. Even though these friends drifted apart, something from their past that they had unleashed, is back and has taken a life of a friend with it.

Chloe thought she was safe. She had hoped it was buried for good, but soon finds herself gathering her friends together to bring an end to the evil they unleashed as children. This book is full of emotions, terror, and the need to survive what had been innocently brought into their reality. 

Anytime I am reading a book with supernatural elements my attention is at full alert. I love a book that keeps me… show more.