Here are 57 books that The Passion of Mary-Margaret fans have personally recommended if you like
The Passion of Mary-Margaret.
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I love books that entertain and uplift when characters learn and overcome. As a teenager, things happened that threw me into a painful tailspin, ending in a wilderness program for troubled kids. It taught me that I can do hard things and face challenges in life. Iāve lost loved ones, have a special needs child, divorced, been broke, earned my black belt, returned to school as a single mom for a degree, and co-founded a nonprofit to support literacy for kids. None of that was easy, but it increased my compassion and hope. Stories can be powerful reminders of human resilience, and that battle scars make someone more beautiful than before.
I first read this book as a kid, and itās one of the reasons I became an avid reader. It's set in Puritan New England and features romance, intrigue, and suspense. It has great historical detail, a fun story, and well-written characters.
The protagonist, 16-year-old Kit from Barbados, arrives in the harsh world of early colonial Connecticut and doesnāt fit ināand society punishes her for it! I found myself angry and outraged for herāI just wanted everything to be fair. This story is a light-handed look at how life isnāt fair. Frustration comes from expecting or demanding it to be. There will always be circumstances and people making things difficult. Can it be endured? Yes!
I love the main characters, Kit and Nat (the son of the boat Captain who brought Kit to the colonies). They are cute together. This is still one of my favorite books.
In this Newbery Medal-winning novel, a girl faces prejudice and accusations of witchcraft in seventeenth-century Connecticut. A classic of historical fiction that continues to resonate across the generations.
Sixteen-year-old Kit Tyler is marked by suspicion and disapproval from the moment she arrives on the unfamiliar shores of colonial Connecticut in 1687. Alone and desperate, she has been forced to leave her beloved home on the island of Barbados and join a family she has never met.
Torn between her quest for belonging and her desire to be true to herself, Kit struggles to survive in a hostile place. Just whenā¦
Iām a writer married to a theologian. My husband and I often discuss Augustine and Aquinas, Austen and Tolstoy, Christie and Sayers, and trends in popular fictionāwhen weāre not discussing Frog and Toad, Elephant and Piggie, baby diapers, and what to make for dinner. Love stories have long been my favorite stories, and Iāve always enjoyed historical settings. My award-winning novel In Pieces, a 1793 Boston-set historical romance with elements of family drama, society drama, and political suspense, combines all these interests. I even managed to sneak in a diaper-changing scene.
Catherine Marshallās masterpiece Christyis revered for a reason. This Edwardian-era coming-of-age story about a young teacher in an impoverished Appalachia village is not only a romantic page-turner, but also theologically rich, psychologically astute, and honest about the effects of poverty, violence, and social injustice. Iāve read Christymultiple times and continue to find it engaging and thought-provoking.
50th Anniversary Edition of the New York Times Bestselling NovelThe train taking nineteen-year-old teacher Christy Huddleston from her home in Asheville, North Carolina, might as well be transporting her to another world. The Smoky Mountain community of Cutter Gap feels suspended in time, trapped by poverty, superstitions, and century-old traditions.But as Christy struggles to find acceptance in her new home, some see her ā and her one-room school ā as a threat to their way of life. Her faith is challenged and her heart is torn between two strong men with conflicting views about how to care for the familiesā¦
Iām a writer married to a theologian. My husband and I often discuss Augustine and Aquinas, Austen and Tolstoy, Christie and Sayers, and trends in popular fictionāwhen weāre not discussing Frog and Toad, Elephant and Piggie, baby diapers, and what to make for dinner. Love stories have long been my favorite stories, and Iāve always enjoyed historical settings. My award-winning novel In Pieces, a 1793 Boston-set historical romance with elements of family drama, society drama, and political suspense, combines all these interests. I even managed to sneak in a diaper-changing scene.
Few topics rouse peopleās ire faster than womenās issues. Within Christianity we find a wide range of theologies, left and right. Lynn Austinās Fire by Night, about a Civil War nurse, takes up questions of gender roles and woman as manās āhelpmeetā (cf. Genesis 2:18) and threads the needle between the various schools of thought in a faithful, mature, real-to-life way.
Two young women in a land shattered by war test the limits of their strength
Lovely Julia Hoffman has always enjoyed the carefree life of her well-to-do Philadelphia family. But when she fails to attract the attention of Nathaniel Greene, a fierce abolitionist, she shocks her family by becoming a Union nurse. Will that be enough to win Nathaniel's heart?
Phoebe Bigelow, from western Virginia, has always been a misfit, and when her brothers join the Union army, she also enlists--under false pretenses.
Soon, both have their eyes opened to the realities of war and suffering. Neither is quite readyā¦
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: āAre his love songs closer to heaven than dying?ā Others wonder how he wrote a song so sad, everyone who heard itā¦
Iām a writer married to a theologian. My husband and I often discuss Augustine and Aquinas, Austen and Tolstoy, Christie and Sayers, and trends in popular fictionāwhen weāre not discussing Frog and Toad, Elephant and Piggie, baby diapers, and what to make for dinner. Love stories have long been my favorite stories, and Iāve always enjoyed historical settings. My award-winning novel In Pieces, a 1793 Boston-set historical romance with elements of family drama, society drama, and political suspense, combines all these interests. I even managed to sneak in a diaper-changing scene.
Biblical allegory is hard to do well. Bible stories themselves have infinite depths, but their allegories are often didactic, especially when author parallels the original story too closely. Stephanie Landemās In a Far-Off Landis anything butdidactic. Set in 1930s Hollywood, the novel is equal parts Prodigal Son retelling, romance, and murder mystery. By allowing the story to take on a life of its own, Landsem avoids the Sunday School vibe, and in the end, I understood the Prodigal Son archetypal characters better.
āImmersive, enchanting, and gripping, In A Far-Off Land is do-not-miss historical fiction.ā āPatti Callahan, NYT Bestselling author of Becoming Mrs. Lewis
Itās 1931 in Hollywood, and Minerva Sinclaire is on the run for a murder she didnāt commit.
As the Great Depression hits the Midwest, Minerva Sinclaire runs away to Hollywood, determined to make it big and save the family farm. But beauty and moxie donāt pay the bills in Tinseltown, and sheās caught in a downward spiral of poverty, desperation, and compromise. Finally, sheās about to sign with a major studio and make up for it all. Instead, sheā¦
When I was nine years old, my first poem was āpublishedā in my elementary schoolās annual creative writing booklet. It was such a thrill to see my poem in print and to know lots of people would be reading it. I was hooked on writing, but it would be many, many years before I was published again. While I know itās never too late to publish a book, I regret how long I waited. Young writers, donāt be afraid to go for it and donāt ever feel youāre not old enough for your words to matter. Readers need your unique, fresh vision.
I love adventures with a plot that has a lasting impact on the protagonist. I like seeing growth and altered viewpoints as characters cope with overwhelming challenges. Fourteen-year-old Aria Edwards is a perfect candidate for change as she busts out of convent life to attend the Keeper Academy, which is all sheās ever dreamed of.
I sympathized as she learned that life isnāt always what she wants it to be, and I cheered her on as she slowly and painfully changed into a girl who earned my respect. Iām sure writing this debut novel was a life-changing experience for its teenage author, too.
Fourteen-year-old Aria Edwards finds life at the convent, in a word, lacking. The days are long, the prayers are longer, and excitement is nonexistent. But after her authoritarian mother finally gives in, Aria gleefully leaves the convent for Saint Garinās Academy, where she can realize her lifelong dream of becoming a Keeper. It sounds almost too good to be true, but before long Aria discovers life as a Keeper is not as noble as she once thought. Surrounded on all sides by evil creatures, powerful enemies and a dark conspiracy that could shake the Kingdom of Tedros to its core,ā¦
I have been fascinated by the lives of women in the Renaissance for as long as I can remember ā growing up I devoured biographies of Lucrezia Borgia, Mary Stuart, and Elizabeth Tudor. Now, as a professor, author, and researcher, I feel lucky to have turned my passion into my profession! Along with writing about Renaissance women, I edit a series dedicated to womenās global history. I love books that explore the richness and complexity of the female experience, and which help us to understand how women in other historical eras dealt with questions of autonomy, power and gender inequality ā issues that are still with us today.
This older, quieter novel by Sarah Dunant has stayed with me over the years. It tells the story of a young Italian woman forced into a convent after a clandestine love affair. This was the fate of thousands of Renaissance women, whether or not they had a religious vocation: convents were repositories for āsurplusā women who couldnāt be respectably married off.
I appreciate how this book focuses on the surprising complexity of the cloister, from the friendships and enmities among the nuns to their incredible knowledge and expertise in music and medicine.
Dunantās books about Renaissance Italy are always well-researched, and she has a flair for integrating small details that bring this hidden world to life.
1570 in the Italian city of Ferrara. Sixteen-year-old Serafina is fipped by her family from an illicit love affair and forced into the convent of Santa Caterina, renowned for its superb music. Serafina's one weapon is her glorious voice, but she refuses to sing. Madonna Chiara, an abbess as fluent in politics as she is in prayer, finds her new charge has unleased a power play - rebellion, ecstasies and hysterias - within the convent. However, watching over Serafina is Zuana, the sister in charge of the infirmary, who understands and might even challenge her incarceration.
Ilsa Krause and her siblings are stunned to discover their father left massive debt behind upon his death. To help pay off their creditors, she takes a job at Beckās Chocolates, the company her father despised. To make matters worse, her boss is Ernst Webber, her high school love whoā¦
Dugan was my grandmotherās maiden name. Her family was from County Wexford, Ireland near Rosslare on the islandās east coast. In recent years I have extensively studied my Irish heritage and have discovered much about my family, and about the DNA running through my own Irish blood. The inquiry has revealed much about my love of storytelling, good conversation, and generally about the way I move through the world. As a writer of several books of personal narrative and fiction, I have tried to write books that capture a certain emotion, and now through my own ancestral discoveries, I understand how those emotions and familial ties are so tightly linked.
This stunning short novel captures everything about the deep ties that both religion and family have on the Irish experience.
As a boy, I remember my grandmotherās deep religious devotion and how it fueled her way of life. The story touches on this, including an affection for the land, love of community, and the power in doing the right thing. Its moodiness reflects both the storyās unspoken depth and its sublime tenderness.
In Small Things Like These, the protagonist struggles with what he should or should not do after hearing rumors about the local convent and the young girls who live there.
Keegan is a master at delivering the below-the-surface emotions that drive men and women through lifeās difficult decisions.
"A hypnotic and electrifying Irish tale that transcends country, transcends time." āLily King, New York Times bestselling author of Writers & Lovers
Small Things Like These is award-winning author Claire Keegan's landmark new novel, a tale of one man's courage and a remarkable portrait of love and family
It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery which forces himā¦
I love reading. Iāve been an avid reader since I was a child. Having been raised in a conservative, Persian family, it was a tool I used to escape and imagine another way of life. Iām always traveling now and searching for ways to better myself, and for topics or places to write about. Iām so inspired when a book just grabs me and pulls me in and makes me think. Whether thatās a romance, or a book about self-actualization, I think of everything I read as a teacher. We can never stop learning, stop growing, or dreaming.
She is the queen of historical romance for a reason. I will never forget reading this book as a teen, and I donāt know how many times Iāve read this as an adult. It has everything you can want - adventure, a crazy kind of love, an alpha male who is hot as hell, and of course, an innocent virgin. Itās a book that made me want to be a romance novelist. I bow to Judith McNaught for life.
The #1 New York Times bestselling author continues her evocative Westmoreland Dynasty Saga with this romance following two defiant hearts clashing over a furious battle of wills in the glorious age of chivalry.
Abducted from her convent school, headstrong Scottish beauty Jennifer Merrick does not easily surrender to Royce Westmoreland, Duke of Claymore. Known as "The Wolf," his very name strikes terror in the hearts of his enemies. But proud Jennifer will have nothing to do with the fierce English warrior who holds her captive, this handsome rogue who taunts her with his blazing arrogance.
I'm a historian of gender in colonial Latin America. I'm always looking for surprises in these stories: men's and women's lives in the past were not narrower than ours, and I love to find their strategies for dealing with a system that was often stacked against them. I enjoy learning that my expectations were wrong, and thinking about the past as a living world. As a researcher who is always stumbling on unusual documents that I have to confront with fresh eyes, I really love a book that challenges me to think about how we can even know about the past, especially in terms of race and gender.
I've always wondered why Latin American colonial cities had so many convents, surely there were not enough nuns to populate them in the sixteenth and seventeenth centuries?
Kathryn Burns not only clears up this mystery but shows us that convents were more or less the banks of their era, taking in funds in the form of nuns' entrance fees and gifts and bequests and then investing and lending them out (at interest) to local notables, often relatives of the women inside.
Convents were not simply homes for religious women, but were places where young women were formed, Spaniards, Indigenous, and Black, for the sake of the new colonial society. I would not have thought I would find the history of convents a page-turner, but I loved the scandals, the race relations, and the unexpected economic history.
In Colonial Habits Kathryn Burns transforms our view of nuns as marginal recluses, making them central actors on the colonial stage. Beginning with the 1558 founding of South America's first convent, Burns shows that nuns in Cuzco played a vital part in subjugating Incas, creating a creole elite, and reproducing an Andean colonial order in which economic and spiritual interests were inextricably fused. Based on unprecedented archival research, Colonial Habits demonstrates how nuns became leading guarantors of their city's social order by making loans, managing property, containing "unruly" women, and raising girls. Coining the phrase "spiritual economy" to analyze theā¦
None of them knew what was coming, and none of them will ever be the same again...
Detective Jelani is a tough, veteran cop. His younger partner, Detective Madigan, is brash and confident. But they were not prepared to become embroiled in a series of cosmic events they could neverā¦
My goal as a writer is to revive lost womenās stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
Mary Lavenās readable academic bookVirgins of Veniceis the definitive resource on the topic of nuns in Renaissance Venice. She explores every aspect of what it was like to be and live as a nun during a roughly two-hundred-year period, when most convents were filled with high-status women of no religious calling, forced to live there by their fathers and the strict social conventions of the time.
A portrait of 16th and 17th century Italian convent life, set in the vibrant culture of late Renaissance Venice. Early 16th century Venice had 50 convents and about 3000 nuns. Far from being places of religious devotion, the convents were often little more than dumping-grounds for unmarried women fron the upper ranks of Venetian society. Often entering a convent at seven years old, these young women remained emotionally and socially attached to their families and to their way of life outside the convent. Supported by their private incomes, the nuns ate, dressed and behaved as gentlewomen. In contravention of theirā¦