Here are 99 books that Christy fans have personally recommended if you like
Christy.
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I love books that entertain and uplift when characters learn and overcome. As a teenager, things happened that threw me into a painful tailspin, ending in a wilderness program for troubled kids. It taught me that I can do hard things and face challenges in life. I’ve lost loved ones, have a special needs child, divorced, been broke, earned my black belt, returned to school as a single mom for a degree, and co-founded a nonprofit to support literacy for kids. None of that was easy, but it increased my compassion and hope. Stories can be powerful reminders of human resilience, and that battle scars make someone more beautiful than before.
I first read this book as a kid, and it’s one of the reasons I became an avid reader. It's set in Puritan New England and features romance, intrigue, and suspense. It has great historical detail, a fun story, and well-written characters.
The protagonist, 16-year-old Kit from Barbados, arrives in the harsh world of early colonial Connecticut and doesn’t fit in—and society punishes her for it! I found myself angry and outraged for her–I just wanted everything to be fair. This story is a light-handed look at how life isn’t fair. Frustration comes from expecting or demanding it to be. There will always be circumstances and people making things difficult. Can it be endured? Yes!
I love the main characters, Kit and Nat (the son of the boat Captain who brought Kit to the colonies). They are cute together. This is still one of my favorite books.
In this Newbery Medal-winning novel, a girl faces prejudice and accusations of witchcraft in seventeenth-century Connecticut. A classic of historical fiction that continues to resonate across the generations.
Sixteen-year-old Kit Tyler is marked by suspicion and disapproval from the moment she arrives on the unfamiliar shores of colonial Connecticut in 1687. Alone and desperate, she has been forced to leave her beloved home on the island of Barbados and join a family she has never met.
Torn between her quest for belonging and her desire to be true to herself, Kit struggles to survive in a hostile place. Just when…
I’m a writer married to a theologian. My husband and I often discuss Augustine and Aquinas, Austen and Tolstoy, Christie and Sayers, and trends in popular fiction—when we’re not discussing Frog and Toad, Elephant and Piggie, baby diapers, and what to make for dinner. Love stories have long been my favorite stories, and I’ve always enjoyed historical settings. My award-winning novel In Pieces, a 1793 Boston-set historical romance with elements of family drama, society drama, and political suspense, combines all these interests. I even managed to sneak in a diaper-changing scene.
I rarely experience “book hangover” after finishing a novel. The Passion of Mary-Margaret was a notable exception. The story centers on a religious sister (nun) and mystic, Mary-Margaret Fischer, who, before taking final vows, gives up religious life in order to marry her troubled childhood friend. The Passion of Mary-Margaretdelves unflinchingly into difficult themes—abuse, prostitution, racism and bigotry, absentee parents, and self-sacrifice—with an eye toward grace. After finishing the book, I thought, “Yes. This is what love looks like.” It was so good, I couldn’t pick up another novel for weeks.
Mary-Margaret yearned to dedicate her life to the Lord. Jesus had another idea.
When Mary-Margaret Fischer met Jude Keller, the lighthouse keeper's son, she was studying at a convent school on a small island off Chesapeake Bay. Destined for a life as a religious sister, she nevertheless felt a pull toward Jude--gorgeous, rebellious, promiscuous Jude. But Jude, driven by demons no one really understood, disappeared into Baltimore's seamy red-light district. Mary-Margaret moved on with her life, preparing to serve God with her sisters as a teacher and artist.
Then Jude comes home--but now he's bitter, dissolute, and diseased. And Mary-Margaret…
I’m a writer married to a theologian. My husband and I often discuss Augustine and Aquinas, Austen and Tolstoy, Christie and Sayers, and trends in popular fiction—when we’re not discussing Frog and Toad, Elephant and Piggie, baby diapers, and what to make for dinner. Love stories have long been my favorite stories, and I’ve always enjoyed historical settings. My award-winning novel In Pieces, a 1793 Boston-set historical romance with elements of family drama, society drama, and political suspense, combines all these interests. I even managed to sneak in a diaper-changing scene.
Few topics rouse people’s ire faster than women’s issues. Within Christianity we find a wide range of theologies, left and right. Lynn Austin’s Fire by Night, about a Civil War nurse, takes up questions of gender roles and woman as man’s “helpmeet” (cf. Genesis 2:18) and threads the needle between the various schools of thought in a faithful, mature, real-to-life way.
Two young women in a land shattered by war test the limits of their strength
Lovely Julia Hoffman has always enjoyed the carefree life of her well-to-do Philadelphia family. But when she fails to attract the attention of Nathaniel Greene, a fierce abolitionist, she shocks her family by becoming a Union nurse. Will that be enough to win Nathaniel's heart?
Phoebe Bigelow, from western Virginia, has always been a misfit, and when her brothers join the Union army, she also enlists--under false pretenses.
Soon, both have their eyes opened to the realities of war and suffering. Neither is quite ready…
I’m a writer married to a theologian. My husband and I often discuss Augustine and Aquinas, Austen and Tolstoy, Christie and Sayers, and trends in popular fiction—when we’re not discussing Frog and Toad, Elephant and Piggie, baby diapers, and what to make for dinner. Love stories have long been my favorite stories, and I’ve always enjoyed historical settings. My award-winning novel In Pieces, a 1793 Boston-set historical romance with elements of family drama, society drama, and political suspense, combines all these interests. I even managed to sneak in a diaper-changing scene.
Biblical allegory is hard to do well. Bible stories themselves have infinite depths, but their allegories are often didactic, especially when author parallels the original story too closely. Stephanie Landem’s In a Far-Off Landis anything butdidactic. Set in 1930s Hollywood, the novel is equal parts Prodigal Son retelling, romance, and murder mystery. By allowing the story to take on a life of its own, Landsem avoids the Sunday School vibe, and in the end, I understood the Prodigal Son archetypal characters better.
“Immersive, enchanting, and gripping, In A Far-Off Land is do-not-miss historical fiction.” —Patti Callahan, NYT Bestselling author of Becoming Mrs. Lewis
It’s 1931 in Hollywood, and Minerva Sinclaire is on the run for a murder she didn’t commit.
As the Great Depression hits the Midwest, Minerva Sinclaire runs away to Hollywood, determined to make it big and save the family farm. But beauty and moxie don’t pay the bills in Tinseltown, and she’s caught in a downward spiral of poverty, desperation, and compromise. Finally, she’s about to sign with a major studio and make up for it all. Instead, she…
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
Each short story is an epic in disguise. They have unique settings, and twists on the predictable beats of a horror genre keep you guessing.
Real life is more frightening than the monsters we imagine, isn't it? Highly original and engaging, I read the book three times in the first year of ownership.
Nathan Ballingrud's Shirley Jackson Award winning debut collection is a shattering and luminous experience not to be missed by those who love to explore the darker parts of the human psyche. Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible. These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they…
Since I began reading, two things have fascinated me the most, that is, history and mystery. My voracious appetite for mystery began with Nancy Drew and Hardy Boys. History has always been my best subject in school. To me, history isn’t about people, achievements, and dates. It’s about lives lived through the tragedies and triumphs that we all face and can relate to. It is the origin of stories. History doesn’t have to be boring. It can be the greatest and most intriguing story that you have ever read. Mystery is history’s great friend—to convert a huge range of readers into history lovers.
The small town of Asheville’s history is upheld by rituals, myths, and strange stone ruins. It beckons you to stay and be unsettled as you read of the gravedigger Abel Cunningham’s tragic story and how breaking one small rule sets off a series of unexplainable happenings that will keep you from sleep. Your heart will break, yet be comforted by Jones’s incredible prose and emotional depth.
Ashville is a town with a secret history. Ancient structures lie hidden in the woods, and strange rituals are performed to keep the dead where they belong. For gravedigger Abel Cunningham, it is also a town filled with regrets. And when Abel is tasked with an unusual burial, he discovers there are more than just corpses in the cemetery.
Set in an unsettling vision of the Old West, Almost Ruth is the new nightmare from the author of Criterium and The Dark Side of the Room.
“Tyler Jones writes with the lyrical complexity and haunting tenderness of masters like Matheson…
Jennifer Bean Bower is an award-winning writer and native Tar Heel. A passionate student of North Carolina history, Bower seeks to document the lesser-known people, places, and events of her state's past. She is the author of four books: North Carolina Aviatrix Viola Gentry: The Flying Cashier; Animal Adventures in North Carolina; Winston & Salem: Tales of Murder, Mystery, and Mayhem; andMoravians in North Carolina.
Nancy Roberts, also known as the “First Lady of American Folklore,” inspired many children—including me—to read. North Carolina Ghosts & Legends recounts stories of “true” ghostly encounters and has sent many readers on ghost hunts of their own. I became fascinated with Roberts’ story of the Little Red Man—a ghost who is said to haunt a historic site in Winston-Salem—and while visiting the site (on a second-grade field trip), I interrupted a tour guide to inquire about his whereabouts. My classmates erupted in giggles and I was reprimanded for the disruption. Nevertheless, many years later, I had the pleasure of working at that historic site; but, I never had the pleasure of meeting the infamous ghost.
Nancy Roberts's Southern Ghost Lore Revival--Exhumed and Improved for Fearless Reader.
Nancy Roberts has often been described to as the "First Lady of American Folklore" and the Title is well deserved. Throughout her decades-long career, Roberts documented supernatural experiences and interviewed hundreds of people about their recollections of encounters with the supernatural.
This nationally renowned writer began her undertaking in this ghostly realm as a freelance writer for the Charlotte Observer. Encouraged by Carl Sandburg, who enjoyed her stories and articles, Roberts wrote her first book in 1958. Aptly called a "custodian of the twilight zone" by Southern Living magazine,…
I’m both a history buff and a criminal defense attorney. I grew up in a small North Carolina town, as the son of two educators who encouraged me to read anything I could get my hands on. My favorite stories were adventures and mysteries, especially courtroom dramas. Clarence Darrow was my historical hero, so I guess it wasn’t surprising that I would attend law school and try my hand at legal practice. I practiced criminal law for about 15 years, long enough to get a feel for how investigations and trials really work. That experience had a major impact on my own writing, and how to pick out a really fascinating true story.
A story of a brutal crime, of a long hunt for justice, and of small-town corruption at its worst. In June 1970, Nancy Morgan was murdered in a remote mountain cove in Madison County, North Carolina. The case lay dormant until 1984, when one of Nancy’s friends was unexpectedly charged with the crime. But the prosecution’s case fell apart at trial, and the author lays out a persuasive theory that the county sheriff—long known for his family’s style of local machine politics—instigated the charges against an innocent man in order to boost his re-election bid, when he knew full well that the real murderer was the son of one of his political supporters. For anyone who has ever posed the question—how bad can politics get?—this story provides a very disturbing answer.
In June of 1970, the body of 24-year-old Nancy Morgan was found inside a government-owned car in Madison County, North Carolina. It had been four days since anyone had heard from the bubbly, hard-working brunette who had moved to the Appalachian community less than a year prior as an organizer for Volunteers in Service to America. At the time of her death, her tenure in the Tar Heel State was just weeks from ending, her intentions set on New York and nursing school and a new life that she would never see. The initial investigation was thwarted by inept police…
I moved from Ohio to southern Appalachia in 1978 to take a temporary job teaching philosophy at the University of Tennessee. I hadn’t planned to stay, but I fell in love with the mountains. Recently I retired after a fruitful 44-year career here. Concern for this land and for my children and grandchildren led me to environmental activism and shifted my teaching and writing from mathematical logic to environmental and intergenerational ethics. Eventually I wrote or edited four books on environmental matters (two specifically on the southern Appalachian environment) in addition to three on logic and (most recently) a tome on the tricky topic of incomparable values.
Camuto’s supple prose draws the reader into a journey toward mountains that no longer exist, although they are named on some old maps: the southern Appalachians not as they are, but as they were before the European invasion. A keen historian and observant naturalist, Camuto walks deep into “what’s left of the backcountry,” documenting the hopeful reintroduction of the nearly extinct red wolf and reflecting on Cherokee place names, culture, and history. "Needless to say,” he confesses, “I never got to the Cherokee Mountains”—and, in sad irony, shortly after the book’s publication the red wolf reintroduction failed. Still, Camuto has succeeded in recording resonant reminiscences of places, peoples, and biotic populations now lost.
The southern Appalachians encompass one of the most beautiful, biologically diverse, and historically important regions of North America. In the widely acclaimed Another Country: Journeying toward the Cherokee Mountains, Christopher Camuto describes the tragic collision of natural and cultural history embedded in the region. In the spirit of Thoreau's "Walking," Camuto explores the Appalachian summit country of the Great Smoky Mountains-the historical home of the Cherokee-searching for access to the nature, history, and spirit of a magnificent, if diminished, landscape.
As the author takes the reader through old-growth forests and ancient myths, he tells of the attempted restoration of Canis…
I grew up in West Virginia and believed you had to leave the region to write. Only after I’d published my first novel did I discover books like these and many more. I have become a wide reader in our literature, with a special interest in novels that both tell the stories of individuals and families and explore the connection between resource extraction and poverty. It’s also a pleasure to read about regional successes as well as losses.
Kentuckian Harriet Arnow married the child of Jewish immigrants and lived much of her life in Michigan.
Her great American novel, Hunter’s Horn, however, is set back in Kentucky. Rich in local color, the novel’s main storyline centers on the hunt for the great fox known as King Devil.
The men’s challenge of catching the fox, though, is just the warp thread for a tapestry of conflict and interplay among industrialization, old folkways, popular culture, and the aspiration to join the larger culture. The novel, which also proves to be strongly feminist, ends with the resounding close of a trap, which is a warning to all of us.
In Hunter's Horn, Arnow has written the quintessential account of Kentucky hill people - the quintessential novel of Southern Appalachian farmers, foxhunters, foxhounds, women, and children. New York Times reviewer Hirschel Brickell declared that Arnow "writes...as effortlessly as a bird sings, and the warmth, beauty, the sadness and the ache of life itself are not even once absent from her pages".
Arnow writes about Kentucky in the way that William Faulkner writes about Mississippi, that Flannery O'Connor writes about Georgia, or that Willa Cather writes about Nebraska - with studied realism, with landscapes and characters that take on mythic proportions,…
