Here are 100 books that The Other Side of Time fans have personally recommended if you like
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I became hooked into science fiction as a kid the day I read an illustrated book of 20,000 Leagues Under the Sea. From then on, science fiction became an important part of my reading repertoire. Having wide-ranging interests, I enjoy military techno-thrillers, Anglo-French naval warfare, Greek/Egyptian/Roman mythology, most sciences, history of religions, with an occasional novel that strays from the norm and adds a sparkle to my reading. Mary Stewart’s The Crystal Cave and The Hollow Hills are very close to my heart. Just shows that I’m different. After all, I must do something when I am not writing my own novels! Although I have an extensive library of modern science fiction works, I am fond of many oldies.
Told by a master storyteller I enjoy reading, this book grabbed me immediately and drew me inexorably into the main character’s life as an eternity technician.
Not a unique theme – man manipulating his future – but I liked the twist when all future is threatened for the love of one woman. I kept turning pages, wanting to know how my hero would reconcile forbidden love at the price of eternity’s end.
This is a thoughtful book that denied me peace until it ended. I liked the technical concepts revealed in the story and how they were woven into very human reactions. A lesson for our modern time?
A spellbinding novel set in the universe of Isaac Asimov’s classic Galactic Empire series and Foundation series
Due to circumstances within our control . . . tomorrow will be canceled.
The Eternals, the ruling class of the Future, had the power of life and death not only over every human being but over the very centuries into which they were born. Past, Present, and Future could be created or destroyed at will.
You had to be special to become an Eternal. Andrew Harlan was special. Until he committed the one unforgivable sin—falling in love.
I became hooked into science fiction as a kid the day I read an illustrated book of 20,000 Leagues Under the Sea. From then on, science fiction became an important part of my reading repertoire. Having wide-ranging interests, I enjoy military techno-thrillers, Anglo-French naval warfare, Greek/Egyptian/Roman mythology, most sciences, history of religions, with an occasional novel that strays from the norm and adds a sparkle to my reading. Mary Stewart’s The Crystal Cave and The Hollow Hills are very close to my heart. Just shows that I’m different. After all, I must do something when I am not writing my own novels! Although I have an extensive library of modern science fiction works, I am fond of many oldies.
This book epitomizes all the qualities a hard science fiction story should have, and which many fail to achieve. I found the theme enthralling - men turning themselves into gods, and the scenario frighteningly plausible.
I love this story because it deals with real characters and doesn’t spare their flaws. I sympathized with the main character, a man prepared to battle heaven for freedom, shunning the mantle of godhood. This novel not only entertained but also forced me to think, something I relished.
Once started, this work is difficult to put down and I nodded with satisfaction when I turned the last page.
Imagine a distant world where gods walk as men, but wield vast and hidden powers. Here they have made the stage on which they build a subtle pattern of alliance, love, and deadly enmity. Are they truly immortal? Who are these gods who rule the destiny of a teeming world?
Their names include Brahma, Kali, Krishna and also he who was called Buddha, the Lord of Light, but who now prefers to be known simply as Sam. The gradual unfolding of the story - how the colonization of another planet became a re-enactment of Eastern mythology - is one of…
I became hooked into science fiction as a kid the day I read an illustrated book of 20,000 Leagues Under the Sea. From then on, science fiction became an important part of my reading repertoire. Having wide-ranging interests, I enjoy military techno-thrillers, Anglo-French naval warfare, Greek/Egyptian/Roman mythology, most sciences, history of religions, with an occasional novel that strays from the norm and adds a sparkle to my reading. Mary Stewart’s The Crystal Cave and The Hollow Hills are very close to my heart. Just shows that I’m different. After all, I must do something when I am not writing my own novels! Although I have an extensive library of modern science fiction works, I am fond of many oldies.
Set in man’s far future and vast in scope, I was plunged into this novel without managing to catch my breath. This is science fiction that epitomizes the best in the genre: a powerful story, strong characters, vast vision, and lots of drama.
It is a hard book to put down, and I did not want to! I enjoyed the intricate tapestry the story weaves and, importantly, entertains. The interaction between the main characters is vividly real, as are genuine emotions vented when it is revealed an alien species manipulated man’s development. I would be kind of sore at that as well. This novel left me appreciating powerful writing and gave me a lot to think about, influencing my own writing.
Pierson's puppeteers, strange, three-legged, two-headed aliens, have discovered an immense structure in a hitherto unexplored part of the universe. Frightened of meeting the builders of such a structure, the puppeteers set about assembling a team consisting of two humans, a puppeteer and a kzin, an alien not unlike an eight-foot-tall, red-furred cat, to explore it. The artefact is a vast circular ribbon of matter, some 180 million miles across, with a sun at its centre - the Ringworld. But the expedition goes disastrously wrong when the ship crashlands and its motley crew faces a trek across thousands of miles of…
I became hooked into science fiction as a kid the day I read an illustrated book of 20,000 Leagues Under the Sea. From then on, science fiction became an important part of my reading repertoire. Having wide-ranging interests, I enjoy military techno-thrillers, Anglo-French naval warfare, Greek/Egyptian/Roman mythology, most sciences, history of religions, with an occasional novel that strays from the norm and adds a sparkle to my reading. Mary Stewart’s The Crystal Cave and The Hollow Hills are very close to my heart. Just shows that I’m different. After all, I must do something when I am not writing my own novels! Although I have an extensive library of modern science fiction works, I am fond of many oldies.
From the first page, I loved the self-centered, egotistic main character full of himself. When his deluded sense of self-worth got him into inevitable trouble, I smiled, thinking he walked into it with eyes open. It came as a pleasant surprise to see the character evolve beyond himself and slowly encompass a wider reality that would benefit Earth and Mars… with considerable risk to himself.
A dash of romance, this powerful story, regrettably short, blew me away. I don’t care that the book is old, but I feel the theme stands the test of time as very enjoyable entertainment. A marker with which I judge every book, and this one shines.
One minute, down-and-out actor Lorenzo Smythe was - as usual - in a bar, drinking away his troubles as he watched his career go down the tubes. Then a space pilot bought him a drink, and the next thing Smythe knew, he was shanghaied to Mars.
Suddenly he found himself agreeing to the most difficult role of his career: impersonating an important politician who had been kidnapped. Peace with the Martians was at stake - failure to pull off the act could result in interplanetary war. And Smythe's own life was on the line - for if he wasn't assassinated,…
In my writing about science, I am always keen to include the artistic and literary dimension that links the science to the broader culture. In Huygens, a product of the Dutch Golden Age, I found a biographical subject for whom it would have been quite impossible not to embrace these riches. This context – including painting, music, poetry, mechanics, architecture, gardens, fashion and leisure – is crucial to understanding the life that Huygens led and the breakthroughs he was able to make.
His earlier and best-known book, The Embarrassment of Riches, may offer a more comprehensive synopsis of the culture of the Dutch Republic’s Golden Age, including everything from the fashions, drinking and dice games that paradoxically thrived amid the strictures of Calvinism to the interpretations placed on passing natural events such as comets in the sky or the appearance of a whale on the beach. But Schama here gives us a loving and humane portrait of its greatest artist, doing in words what Rembrandt did in paint for his subjects, presenting his humanity with truth and dignity enlivened by inimitable splashes of colour and brilliant strokes of the pen. Using the paintings themselves as his window, Schama allows us not only to see back in time to this astonishing period, but to view it as those who lived through it must have seen it.
This dazzling, unconventional biography shows us why, more than three centuries after his death, Rembrandt continues to exert such a hold on our imagination. Deeply familiar to us through his enigmatic self-portraits, few facts are known about the Leiden miller's son who tasted brief fame before facing financial ruin (he was even forced to sell his beloved wife Saskia's grave). The true biography of Rembrandt, as Simon Schama demonstrates, is to be discovered in his pictures. Interweaving of seventeenth-century Holland, Schama allows us to see Rembrandt in a completely fresh and original way.
My mixed media journey began as a kid growing up in a family of scientists and artists. I always loved to combine things, adding unusual objects to my mud sculptures and later mixing things up as a chemistry student. I created some wild concoctions as a bartender and then eventually as an acrylic painter. I began as a traditional oil painter, but I moved on to painting murals on walls, and cutting stones and metalwork. I introduced the other art students to some great construction sites where we would scavenge materials and give them new life. This passion led me to write six books on mixed media.
Color is visual and this book shows you through images how colors interact with each other and what constitutes good color combinations.
She sets the foundation for rules and color strategies, but she moves on to incorporate various color wheels and finished paintings using those selected colors. I love how she categorizes various color wheels from traditional to bold, opaque earth, old masters, and modern palettes.
She also shows paintings using various color combinations from triads to analogous color combinations and all the other possible combos.
I love this book because it is educational and visually beautiful.
Learn how to use color in your own unique and expressive way!
Color is what you make it: sensitive, explosive, dreamlike, atmospheric, somber, cheerful. Nita Leland brings logic and intuition together to create a foundation for color selections that allow you to be more inventive, break out of old habits and experiment with new colors. Her approach eliminates time-wasting trial and error while giving you the freedom to use color in personal, meaningful and exciting ways.
Features:
• Artwork from more than 50 contributing artists that illustrates many personal approaches to color • 85 "Try It" activities that will help…
Stockholm was the first city that I traveled to outside of the U.S. Landing there at Midsommar and visiting the Old Town made an indelible impression. I lived and worked in Sweden for almost 10 years, and had little time for history then, but later found Stockholm in the Gustavian age irresistible as the basis for my first novel. It was a period of cultural flowering, of occult fascinations, social change, and great drama. Readers tend to look further south, in France and Great Britain, for their historical fiction, histories, and biographies, but there are great stories further north as well.
There are so few novels in English that explore Gustavian Stockholm, and this is a thrilling page-turner set in 1793 that explores the dark side of the capital city one year after the assassination of King Gustav III. Mikel Cardell, a watchman with a brutal past in the army, and Cecil Winge, an investigator who is hovering near death himself, team up to find the perpetrator of a heinous murder. Author Niklas Natt och Dag (translates to Night and Day — an old aristocratic name) has written a story steeped in graphic, gory period detail and authentic atmosphere.
'The best historical thriller I've read in twenty years' A.J. Finn
'A thrilling, unnerving, clever and beautiful story. Reading it is like giving a little gift to oneself' Fredrik Backman
The year is 1793, Stockholm. King Gustav of Sweden has been assassinated, years of foreign wars have emptied the treasuries, and the realm is governed by a self-interested elite, leaving its citizens to suffer. On the streets, malcontent and paranoia abound.
A body is found in the city's swamp by a watchman, Mickel Cardell, and the case is handed over to investigator Cecil Winge,…
I’ve been addicted to reading mysteries and crime fiction since I was a kid, and I naturally fell into writing in these genres—I’m currently in the midst of penning my fourth series! There’s nothing better than discovering a new, well-written series and following along with interesting, complicated main characters over several books. These favourite recommendations of mine will take you to Ireland, Scotland, South Africa, Sweden, and my very own Canada without ever having to leave home. Hopefully, you’ll discover some new authors, and their main characters will bring you as much enjoyment as they’ve given me.
Annika Bengtzon is another strong woman reporter working in a man’s world. She’s married to a man very involved in his own career. They have two children and Annika struggles to balance chasing after a story with looking after the kids and keeping house. Most women can relate to her very real pressures and will empathize with all that she goes through on the home front. I liked her tenacity and intelligence and almost reckless pursuit of a killer. Marklund is Swedish and I enjoy learning more about the country—another cold, northern setting. Her character develops over the series with gritty crimes at the centre of the stories.
Seven days. Three killings. And one woman who knows too much...
Crime reporter Annika Bengtzon is woken by a phonecall in the early hours of a wintry December morning. An explosion has ripped apart the Olympic Stadium. And a victim has been blown to pieces.
As Annika delves into the details of the bombing and the background of the victim, there is a second explosion. These chilling crimes could be her biggest news story yet. When her police source reveals they are hot on the heels of the bomber, Annika is guaranteed an exclusive with her name on it.
I'm a life-long horror lover and author of dark fiction. I've been reviewing films and video games for Ravenous Monster ezine for nearly a decade, and my Wattpad horror novel The Hound is currently being adapted for film. My favorite thing is the intersection of the horrifying and fantastic with the mundane, and that's what appeals to me so much about zombies: in all of their multitudinous representations, they've always held up a mirror to humanity. No monster can so easily reflect the many facets of humanity as a zombie. Because, after all, the dead were once just like us – and if we're not careful, we might end up just like them in the end.
Lindqvist already reimagined vampires with Let the Right One In, and Handling the Undead is his answer to the zombie apocalypse. Unlike some of the other books on this list, where the zombie protagonists are sympathetic and mostly retain their humanity, the characters who come back from the dead in this book are deeply unsettling. The main focus is on the still-living family members whose lives are turned upside down by the dead coming to life. Following multiple story threads as many families throughout Stockholm struggle to cope with their newly resurrected loved ones, this book is equal parts heartfelt and utterly chilling.
'Reminiscent of Stephen King at his best. Best read by sunlight' Independent on Sunday Something very peculiar is happening in Stockholm. There's a heatwave on and people cannot turn their lights out or switch their appliances off. Then the terrible news breaks. In the city morgue, the dead are waking up. What do they want? What everybody wants: to come home.
I’ve been a horror fan since I first read The Fog by James Herbert at much too young an age. Being British-born and now Australian, the horror I write is almost always set outside America (and the UK more and more often), and I’m always on the lookout for good horror fiction set in different places. I’m fascinated by cultural folklore and mythology and how people create stories to understand the world. For three years, I was President of the Australasian Horror Writers Association.
I’m often not a huge fan of vampire fiction as it’s been done so much, but occasionally something really different comes along. I love fiction that deals with family, especially when it explores working class people and addresses issues of existential angst and social isolation.
This kind of thing is one of the horrors I enjoy the most, and I loved the way those themes were woven into this novel set in a working-class suburb of Stockholm, Sweden. I found this novel truly disturbing and particularly enjoyed the varied and unpleasant cast of characters.
John Ajvide Lindqvist’s international bestseller Let the Right One In is “a brilliant take on the vampire myth, and a roaring good story” (New York Times bestselling author Kelley Armstrong), the basis for the multi-film festival award-winning Swedish film, the U.S. adaptation Let Me In directed by Matt Reeves (The Batman), and the Showtime TV series.
It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. The body of a teenager is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at…
