73 books like Confident Color

Abstract Explorations has many projects that will take you from start to finish.

She has a limited number of products to use, and her compositions are strong and consistent throughout the book. I think the strengths are the creative ways she shows you how to use traditional tools like stencils, stamps, and pens.

The idea of beginning a painting with a black background and adding resist lines before adding color lends itself to a powerful value range.

There are beautiful color combinations that you will want to try and the compositions are fresh and energized.

Acrylic Revolution introduces the artist to an assortment of tools, products, and techniques to help you understand the many possibilities of using acrylic paint.

It is a book you want to keep handy as you explore what acrylic paint can do. Nancy provides an extensive list of tips, tools, materials, and a handy glossary.

The book has steps to take you through everything from gluing, creating textures to how to change your paint to act like other mediums. The technique steps have helpful photos but limited finished art.

However, there are many beautiful pieces at the end of the book with handy page references to go back and see the techniques that were used to create them.

This is a great book for someone starting out in the acrylic painting.

Patti’s book is a visual feast.

She features several artists working in a wide range of styles. This really shows the dynamic range that can be achieved with acrylic.

She begins with a comprehensive introduction to acrylic paints, even how they are made. If you really like details this book has so many tidbits and treasures but first you have to pull your eyes away from the colorful artwork and actually read.

I discovered many helpful solutions to issues after I sat down one day and read it cover to cover. I love seeing the finished art and it will jump-start your imagination.

Jean’s book has a novel format for teaching that I love.

She does begin with an introduction to acrylics but then she breaks down various components with examples and then a featured artist to explore that technique. She shows how collage, texture, drawing, and different styles can turn out so different using the same materials.

Jean is a brilliant figurative mixed media artist and she abstracts the figure in a way that invites even nonobjective painters to want to try a new subject manner. She has some fun composition ideas and even a roadmap of when to add other materials.

A visually beautiful book that will inspire your work no matter what your genre.

I could not put down Woman on Fire by Lisa Barr.

This book is a captivating tale of passion, history, and mystery. Set against the backdrop of 1940s Chicago and war-torn Europe, the novel follows the journey of a resilient journalist navigating love and espionage.

Barr's evocative prose and meticulous research transport readers to a bygone era, creating a rich tapestry of emotions. The intricate blend of romance and suspense ensures a thrilling reading experience perfectly suited for the transient nature of air travel.

As you glide through the clouds, let the pages of this book transport you to a riveting tale of love, courage, and intrigue, making your journey truly unforgettable. 

I first read this book when I was going through a bad period in my life when I felt my work as an academic was going nowhere.

The sprawling, absorbing plot of The Improbability of Love took me to another place. The novel is set in London, a city that I know well, and it has a huge variety of characters from all walks of life. Some of writing is very funny, which cheered me enormously.

The painting in question is by Antoine Watteau, and it was found by our heroine Annie in a junk shop. 

The book covers basic principles, such as variety, shape, silhouette, edges, unity, rhythm, color, and texture. But his coverage of these familiar ideas is fresh and original, and he provides lots of examples. He avoids laying down rules or laws, because one generation of artists breaks the rules of the previous generation. All of the basic principles are universal enough to have remained in place despite the changing styles throughout history.

This book offers the technical breakdown of painting in grisaille. I only know of a few books that cover it and this one was written by an amazing painter! This was the common practice of Bouguereau and Gerome and is thoroughly explained in this particular volume as well and the rendering of planar “facets.” The practice of grisaille is an important phase in painting. The separation of color and form is partly why so many of the “masters” had such control over form and value.

This book is an absolute must-read for all painters. Kandinsky is known as the father of modern art who brought abstract painting into the realms of art history. As an important aside, there is now controversy over his title, as new information has come up about a woman painter Hilma af Klint, that preceded Kandinsky for abstract painting ideas. Even so, Kandinsky was the first to write about spirituality and art for painters. His ideas still feel fresh on how color plays an integral role to express emotion in painting. He originally wrote this book in German, and so the translation to English along with his determination to express inner motivation for painters, makes this read a bit of a challenge. A worthy task guaranteed to surprise even the savviest painter, on how Kandinsky points out our inner thoughts as contemporary painters, but more than a century ago.

Joy McCullough’s Blood Water Paint is historical fiction that tells the story of Artemisia Gentileschi, a Renaissance painter who survived a sexual assault and persevered to see her assailant convicted in an Italian court. If the true aspects of the story weren’t compelling enough, McCullough contrasts her fictional character with the biblical heroines Judith and Susanna, using prose and verse strategically to weave the stories with their counter-narratives. McCullough’s experience as a playwright shines through here and her poetic devices are downright Shakespearean, revealing clues to her characters’ emotional truths through the deceptively simple arrangement of words on the page. This book is astonishingly good and a must-read for anyone intrigued by novels in verse.