Here are 66 books that The Practice of Oil Painting and Drawing fans have personally recommended if you like
The Practice of Oil Painting and Drawing.
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In the “meme-ification” of the world, the long-form version of learning and practicing skills is getting lost. True discovery happens after a thorough and deep understanding of the subject. Truth is a multilayered, complex exploration that is hard to sum up in a single sentence.
Vanderpoel was JC Leyendecker‘s teacher in Chicago. You can’t go wrong by going back to the source. Underneath JC’s style, is rock solid form and structure. With slightly archaic language that takes a while to understand, this book offers huge insight into the structural thinking of how to draw and interpret the human figure.
This great classic is still unrivalled for its clear, detailed presentation of thousands of fundamental features of the human figure. Every element of the body (such as the overhang of the upper lip; the puckering at the corners of the mouth; the characteristic proportions of the head, trunk, limbs, etc.; the tension between connected portions of the body; etc.) is carefully and concisely pointed out in the text. Even more helpful are the 430 pencil and charcoal drawings that illustrate each feature so that you are, in effect, shown what to look for by a master teacher. The result is…
In the “meme-ification” of the world, the long-form version of learning and practicing skills is getting lost. True discovery happens after a thorough and deep understanding of the subject. Truth is a multilayered, complex exploration that is hard to sum up in a single sentence.
The Practice and Science of Drawing is one of the few books worth reading every page of. I thumbed through it for years before finally reading it. The author breaks down drawing into two major categories, that of line and that of mass, and how they are distinct from one another, yet how they are intertwined in their ability to render form. An awareness of both concepts is crucial to a full education of the artist.
Much of the learning to practice as well as to appreciate art is concerned with understanding the basic principles. One of these principles is what Harold Speed calls "dither," the freedom that allows realism and the artistic vision to play against each other. Very important to any artist or work of art, this quality separates the scientifically accurate from the artistically accurate. Speed's approach to this problem is now considered a classic, one of the few books from the early years of this century that has continued to be read and recommended by those in the graphic arts. In this…
In the “meme-ification” of the world, the long-form version of learning and practicing skills is getting lost. True discovery happens after a thorough and deep understanding of the subject. Truth is a multilayered, complex exploration that is hard to sum up in a single sentence.
Hale’s book uses master drawings as the basis for his analysis. He shows the critical thinking that went behind the draftsmanship and offers a few choice words on conceiving a solid shape before trying to render it. Style is great but style without understanding is just a bad xerox of an idea. Hale offers a deeper dive into understanding what all those bumps and lumps are and more importantly, the hierarchy to where they sit and what to emphasize. Mindless rendering never helped anyone.
A book whose sales have not diminished but rather increased dramatically since its publication 45 years ago, this bestselling classic is the ultimate manual of drawing taught by the late Robert Beverly Hale, who's famed lectures and classes at New York City's Art Student League captivated artists and art educators from around the world.
Faithfully producing and methodically analyzing 100 master drawings-including works of Michelangelo, Leonardo da Vinci, Rodin, Goya, and Rembrandt among others-Hale shows how these artists tackled basic problems such as line, light and planes, mass, position and thrust, and anatomy. With detailed analytical captions and diagrams, every…
In the “meme-ification” of the world, the long-form version of learning and practicing skills is getting lost. True discovery happens after a thorough and deep understanding of the subject. Truth is a multilayered, complex exploration that is hard to sum up in a single sentence.
A photo book that breaks down composition into a very simple workman-like manner not relying on formula. Too many times composition is taught as a formula or “rules of thirds,” which simply scratches the surface as to what composition can and should be doing for the artist. The author offers a different perspective than that of a painter but just as valid.
With the aid of photographs and diagrams, this text concisely presents concepts and techniques of motion picture camerawork and the allied areas of film-making with which they interact with and impact. Included are discussions on: cinematic time and space; compositional rules; and types of editing.
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
Speed's book on painting builds on his drawing book, offering painting instruction as it was practiced in the Royal Academy. Although not everyone will agree with his views on modern art, his advice on tone, color, and edges is concise and inspiring, and his analysis of the old masters benefits from the insights of a skilled practitioner.
"In any exhibition of amateur work . . . it is not at all unusual to find many charming water-colour drawings, but . . . it is very rarely that the work in the oil medium is anything but dull, dead, and lacking in all vitality and charm." — Harold Speed Such provocative assertions are characteristic of this stimulating and informative guide, written in a highly personal and unique style by a noted painter and teacher. Brimming with pertinent insights into the technical aspects and painting in oils, it is also designed to help students perfect powers of observation and…
I spent two years researching and creating the graphic novel Black Dog: The Dreams of Paul Nash for the 14-18Now Foundations WW1 centenary art commissions, and then touring a live permanence work evolved from the book. We grew up a few miles from each other, and he convalesced after the war where I live now, and I share his sense of place, and we appear to have shared many life experiences, with the obvious exception being his time in the trenches - that was the huge black hole I tried to understand with this work.
More than any other book, this volume of letters between friends, and the unguarded insight they allow, gave me a sense of the man, his rhythms of speech, his manner of expression and his character. Career details and everyday mundanities mix with deeper concerns and the kind of excavation of ideas only really close and respectful friends can express.
This book bears witness to the staying power of Pre-Raphaelitism & illuminates the ambivalent, relatively uncritical response in England to the modern movement.
I absolutely love the Pre-Raphaelites, they are my utter passion and these books are the fuel for that fire. Who wouldn't want to be a Pre-Raphaelite woman? Smart, talented, resourceful, these women define what it is to make a mark and great some of the most ground-breaking art in history. I'm particularly obsessed with Pre-Raphaelite women, the artists and muses who created the art we love so much today. After spending almost 30 years researching their lives and loves, it's now my absolute pleasure in telling everyone about these astonishing women, and why we should love them and learn from them.
The first time I saw a Pre-Raphaelite painting, I was immediately besotted and this was the first book I could find on the subject. Despite being over half a century old, this is the best starting book, filled with images and engagingly written, which will lead to a life-long passion for the subject. It's a handy size and like all the T&H World of Art books, it's an essential part of your Pre-Raphaelite library.
The works of the Pre-Raphaelites are among the best known and best loved of all English paintings, and yet there has long been a tendency to dismiss them as mere Victoriana, and to deny them their proper status as works of art. This pioneering critical history places the movement in its historical setting, relating the individual painters and their art to the larger concerns of 19th-century society. Virtually every Pre-Raphaelite painting is discussed in detail and illustrated here, including works by the best known - Holman Hunt, Rossetti and Millais - and the movement's many minor talents.
I’m a historian and writer who strives to combine the history of science and medicine, the study of visual culture, and cultural history in my work. Although I hated being dragged round art galleries and museums as a child, something must have stuck, laying the foundations for my interest in using images and artefacts to understand both the past and the present. Since the early 1990s I’ve been writing about portraits, how they work, and why they are important—I remain gripped by the compelling ways they speak to identity. It was a privilege to serve as a trustee of the National Portrait Gallery in London between 2001 and 2009.
Passionate as I am about all forms of visual culture, ‘art’ remains important. There are some artists that I just can’t help returning to time and time again. One of them is the eighteenth-century French master Chardin. Exhibition catalogues are generally expensive, but they represent the state of the art, with reliable text and excellent illustrations—this one is no exception. It’s a work of art in its own right. The subject matter of Chardin’s work was diverse, and exquisitely rendered, whether a still life, a scene from everyday life, or a self-portrait. Words such as delicate, soft, and ravishing come to mind. It’s hard to explain why we are beguiled by some artists and not others. These hefty catalogues are so valuable, especially for those who can’t travel.
Widely acknowledged in his time as a premier painter of still life and genre scenes, Jean-Baptiste-Simeon Chardin (1699-1779) created unsentimentalized works that appeal to viewers today for their richness of feeling and simplicity of composition. This sumptuously illustrated book reproduces in full color 99 of Chardin's works and arranges them around five themes: Chardin's Beginnings and His First Still Lifes, Utensils and Household Objects, Genre Scenes, Chardin's Return to Still Life, and Pastels.
The contributors to the volume explore Chardin's work from many different angles, including the latest thinking on such lesser-known facets of his life and work as his…
I have been drawing fantasy creatures and characters for over thirty years now, and have collected hundreds of fantasy, art, and art instruction books over the decades. Both drawing and reading are a passion of mine, so I am happy to share some of my favorite fantasy art books that I have in my own personal library.
This book is full of beautiful illustrations and great advice on creating your own fantastic scenes. It goes into great detail on how to visualize your piece. While there is a full chapter specifically dedicated to drawing, there is also a section that looks at other mediums such as ink and watercolor and what techniques you can incorporate into your art using these materials. It is full of wonderful tips and advice, and is also a pleasure just to flip through.
Here is a heavily illustrated, highly detailed instruction manual for art students seeking professional entry in the fantasy art field. The author guides students from conception of an art idea to publication of the finished work, emphasizing methods for creating magical, mythical, and monstrous characters who inhabit worlds of fantasy and wonder. He starts with practical considerations--setting up a workspace and mastering drawing media, painting media, and digital techniques. Next comes advice on visualizing the details in a story concept, with special attention to. . .
Costumes, landscapes, and interiors
Subjects taken from history and well-known legends
Methods of depicting…
I have been drawing fantasy creatures and characters for over thirty years now, and have collected hundreds of fantasy, art, and art instruction books over the decades. Both drawing and reading are a passion of mine, so I am happy to share some of my favorite fantasy art books that I have in my own personal library.
John Howe is a renowned Canadian Illustrator and artist best known for his artwork depicting Tolkien’s Middle Earth. While this is not a typical how-to or step-by-step art instruction book, it is nonetheless a must-have book full of tips on creating fantasy creatures, scenes, and landscapes, with many case studies showing some of the steps he followed when creating his masterpieces.
This is the premise behind John Howe's first practical exploration of his artistic inspirations, approaches and techniques. This title will appeal to practical artists and fans of John Howe's work by providing step-by-step demonstrations, sketches and oustanding finished paintings, some designed specifically for this book. It covers a wide range of subjects essential to any aspiring fantasy artist, including materials and the creative process, and drawing and painting humans, beasts, landscapes and architecture. The final section of the book provides further inspiration and guidance on presenting work in various forms including film work,…
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