100 books like Concerning the Spiritual in Art

In this book, I loved the way the author explains the creative process and what it takes to engage your muse and catch ideas. In a different way from The War Of Art, I learned what holds us back from expressing ourselves creatively and how we can overcome this fear of being seen.

Elizabeth Gilbert shares stories and philosophies about how to be more creative every day in a funny and optimistic way.

As I read this book, I felt like the author was looking into my soul. I loved the short, punchy observations and challenges to anyone seeking to share their creativity. The Resistance is a force universal to everyone who is trying to share a little piece of themselves, and I love the way that it is broken down in this book.

I realized that when I could see what was holding me back from expressing myself, I was able to find strategies to mitigate that fear. This book was instrumental in my ability to express myself as an author and speaker. 

In this book, Shlain reveals his unusual take on the power of images throughout history. His discussion using contemporary ideas about our creative right-brain side brings interesting connections between the Goddess, images, and feminine values. Shlain's earlier book, Art & Physics was very popular expressing his breakthrough theory, ad revealing an astonishing parallel with these two seemingly different topics. I find that books like this, not dedicated to learning specific painting techniques, end up being more helpful towards how I think as an artist. A good writer, it is easy to read and very inspiring.

While this book is not written for artists or even about art, I found it very helpful for me as a painter. To achieve the best for my paintings, I realize I need to trust my intuition over intellect. If I get too intellectual about any of my ideas for a painting, the end result is not as fulfilling if instead, I follow my intuition or inner voice. Braden goes into depth in this book about having two sources of intelligence – the brain and the heart. I like his take on this which can also be thought of as right and left brain or intellect vs intuition. By thinking about Braden's ideas on our powerful heart-brain connection, I am able to tap into deeper modalities on what it is that I am painting about. Very interesting read that sticks with you for a long time and easily becomes a… show more.

This is the grand exhibition catalogue that burst through the professional art world’s wall of denial that modern, especially abstract, art would have any spiritual content. The extensive exhibition this book accompanied opened at the Los Angeles County Museum of Art in 1986 and then travelled to The Hague, where it influenced young European art historians (though was largely ignored in the United States). This catalogue contains excellent articles by 17 noted “rebellious” art historians, including an overview by the head curator of the exhibition, Maurice Tuchman. The many color plates are stunning. This book is indispensable for anyone seeking to learn about the subject.

Martin Kemp is the world's leading expert on the use of perspective, optical tools, and scientific knowledge in art. This encyclopaedic book follows developments from the Italian Renaissance to the nineteenth century, with a great wealth of illustrations, from Brunelleschi and Alberti to the colour theories of Goethe and Chevreul. I re-read and refer to this book repeatedly - as I am sure do many others - and am always finding new insights. Kemp's explanations are always clear and penetrating, even when the writers and artists he is writing about are not.

David Hockney believes, rightly in my opinion, that European artists since the Renaissance have used optical aids - mirrors of different types, the camera obscura, the camera lucida - much more often than conventional art history has allowed. I like and admire this book for the wonderful choice of illustrations, and the deep knowledge and understanding of painting methods that Hockney betrays, with wit and elegance, in the text. His arguments are highly subversive and involve a complete re-thinking of the role of optics in Western art, before photography. I don't go along with all of Hockney's theories. But he has overturned the subject, and has got art historians thinking again.

I first read this book when I was going through a bad period in my life when I felt my work as an academic was going nowhere.

The sprawling, absorbing plot of The Improbability of Love took me to another place. The novel is set in London, a city that I know well, and it has a huge variety of characters from all walks of life. Some of writing is very funny, which cheered me enormously.

The painting in question is by Antoine Watteau, and it was found by our heroine Annie in a junk shop. 

I really enjoyed this story even though it isn’t exactly the kind of mystery I normally choose. At the center is a rather eerie vein of darkness, but the beautiful winter scenes of Minnesota, neighbors who care about one another, and a budding romance, tend to lessen the impact. It’s rather a heartwarming story with a ghoulish murder mystery attached.

A woman returns to her hometown to open a bed-and-breakfast in the old mansion that has been in her family for generations. One wing of the house is blocked off and she wants to open it up for her personal living quarters. Cue scary noises and sudden chilly drafts.

This story is also set by Lake Superior in winter, and you get an authentic taste of Northern Minnesota Nice, but inside, the house has a sinister presence that needs Tess to know what happened fifty years ago.

This book is full of beautiful illustrations and great advice on creating your own fantastic scenes.  It goes into great detail on how to visualize your piece. While there is a full chapter specifically dedicated to drawing, there is also a section that looks at other mediums such as ink and watercolor and what techniques you can incorporate into your art using these materials. It is full of wonderful tips and advice, and is also a pleasure just to flip through.