100 books like The Wolf and the Watchman

I fell in love with historical novels as a kid after I began reading books by French authors Alexandre Dumas, the father and the son. I was the kind of kid who read for days and even nights to finish a story. Books moved me, inspired me, and gave me the strength and wisdom that I have today. I cannot imagine a world without them. 

Stockholm was the first city that I traveled to outside of the U.S. Landing there at Midsommar and visiting the Old Town made an indelible impression. I lived and worked in Sweden for almost 10 years, and had little time for history then, but later found Stockholm in the Gustavian age irresistible as the basis for my first novel. It was a period of cultural flowering, of occult fascinations, social change, and great drama. Readers tend to look further south, in France and Great Britain, for their historical fiction, histories, and biographies, but there are great stories further north as well. 

Stockholm was the first city that I traveled to outside of the U.S. Landing there at Midsommar and visiting the Old Town made an indelible impression. I lived and worked in Sweden for almost 10 years, and had little time for history then, but later found Stockholm in the Gustavian age irresistible as the basis for my first novel. It was a period of cultural flowering, of occult fascinations, social change, and great drama. Readers tend to look further south, in France and Great Britain, for their historical fiction, histories, and biographies, but there are great stories further north as well. 

I have been fascinated by Napoleon and the French Revolution since I was a teenager. Novels that capture the essence of the struggles of the French people – and especially those that feature Napoleon as a highly layered character – have always called to me. As a Jewish author, I am particularly drawn to a fair representation of Jewish characters in these tales – which frankly, Georgette Heyer does not, as she adheres to stereotypes in describing any Jewish characters. (I only forgive her because her books are so brilliant.)

As a former journalist, I was trained to look at all sides of a story. When I read, I am drawn to books that have multiple characters with their own narratives. Sometimes the stories intersect with an “aha!” moment, and sometimes they’re told side-by-side inside each character’s head. Either way, it’s intriguing to have different perspectives—especially in a mystery or thriller. That’s why I use the points of view of three wives in An Inconvenient Wife to give my readers insight into each of these fascinating women.

I’m a mystery/thriller author fascinated by how and why people, especially black women, go missing. I’ve probably watched every episode of Unsolved Mysteries, Dateline, and Forensic Files. For me, the questions are always the same. What led up to their disappearance? And more importantly, who were these women? What’s their backstory? So often, the lives of the missing get lost in the circumstances and details surrounding their disappearances. These five books show how the media ignores missing marginalized women. I hope that these excellent thrillers give readers some much-needed food for thought.

The uncanny slips into the gaps between the objective world and the world of human experience with all its dreams, apprehensions, and intuitions. This intermediate space is the habitat of ghosts and also the zone where my mind does its wanderings. It's where my books come, and explorations of that space in other peoples' books draw me in, deeply and inescapably.

I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.

I am a writer whose passion for Dark Academia developed in the academic world, teaching and studying at universities, as well as working in libraries and archives across the U.S. and Europe. I hold a master’s degree and Ph.D. in History from the University of St Andrews, Scotland, and an MFA in Creative Writing from New York University. The hallowed halls of historic universities provide an ideal backdrop to explore ruthless competition and the relentless drive for intellectual supremacy, which is integral to the Academy. It’s a happy coincidence to me that Dark Academia books have become so popular recently. Fun fact: The Bequest was written before I had ever heard the term! 

It took years of being an undercover writer turned book blogger for me to realize just how much of what's considered African fiction is Western publishers' profiteering efforts to churn out novels centered on colonial trauma after postcolonial trauma tailored to white audiences. When does the African reader get a break? When do we read books that aren't geared towards African pain? When I set out to write my book, I wanted to write a novel that documented the rot in publishing and how commercialisation of the post-colonial trauma trend has been to the detriment of not just the African reader but African writers as well.