100 books like The Future of Nostalgia

This book, unique in its construction, gave me a deeper insight into this leading author of the 20th century. We all know and may use the term “Kafkaesque” we don’t necessarily know from whence the term and its experience comes. This biography, drawing from Kafka’s own writings, documents his life in his own words. Glatzer has masterfully edited excerpts from the writer’s diaries, letters, and published works to create an autobiography that Kafka “contemplated but never wrote.” Kafka’s world view, the Kafkaesque, is vividly evoked.

This remarkable biography has been hugely important to me in the understanding of the great German writer and critic Walter Benjamin. His essays, particularly on the 19th century Arcades, were the basis of my study, "A Human Comedy, Physiognomy and Caricature in 19th century Paris". Eiland and Jennings biography, based on enormous research, introduce us to this complex and enigmatic character and his brilliant criticism.

They provide a revealing portrait of his brief life in the shadow of European catastrophe. Their consummate understanding of Benjamin’s complex layered work gives new insight into this highly influential thinker. A scholarly work of the first order, written with wisdom and  compassion.

Paul Mendes-Flohr is a great scholar of modern German Jewish philosophy. A man of extraordinary erudition and humanity, I am always moved by his deeply insightful books. His work means very much to me.

This is a superb biography of the Jewish philosopher Martin Buber, conveying the range of his thought in the context of his life and times. Mendes-Flohr captures the complexities of this influential thinker, who many know for his revolutionary concept of “I and Thou” in religion and human relations.

In this time of violence and rise of racism, authoritarianism, the Holocaust, the question of evil, its sources, its manifestations matter to me, and anyone of conscious. Glatzer lived through the rise of Nazism and Communism, and, as a person of religious faith, had to contend with the question of evil in our world today, and its challenges to religious belief. This book grew out of a course Prof. Glatzer taught over the years to thousands of students.

Job and the problem of evil was a central concern for Glatzer, as a scholar and as a humanist. In this book he compiles modern commentaries on the theme of Job, from Judaic, Christian and general philosophical tradition, including Kierkegaard and Martin Buber. In his lengthy introduction, Glatzer traces the interpretations from the Church Fathers, the medieval rabbis, and classical philosophers. 

When I first read this book as a graduate student, Kathleen Davis’s ability to draw unexpected connections—between political power and temporality, feudalism and imperialism, medieval and postcolonial studies—melted my brain (in a good way). It’s not easy to do justice to her complex argument in a few sentences, but basically she shows how early modern jurists deliberately relegated certain ideas (servility, absolutism, religiosity) both to Europe’s medieval past and the present of the nonwestern world in order to justify imperial expansion, colonial domination, and even chattel slavery. A dense critique of both medieval historiography and postcolonial theory, Periodization and Sovereignty isn’t a breezy read but it’s well worth the effort.     

The British edition of this provocative book has the modest title The Scottish Enlightenment with the subheading The Scots’ Invention of the Modern World. I have the original in-your-face American edition though, which rejoices in a title that no Scot would have the brass neck to come up with: How the Scots Invented the Modern World with the subheading The True Story of How Western Europe’s Poorest Nation Created Our World & Everything in It. It was given to me by a Philipino-Californian surfing lawyer, Jesse Quinsaat, who studied with me at Edinburgh University in the early 1970s and continues his interest in Scottish culture when surf’s not up or the cases are not too demanding! He had bought the book in San Diego, loved it, and passed it on to me during a visit to Edinburgh.

This one is 359 pages and says almost nothing about the 20th century. It is quirky in terms of what it includes and what it leaves out, but reliable in its facts and judgments, and full of insights I haven’t encountered elsewhere. It does not bother with grand theories or overarching narrative, but focuses on what the author finds interesting. Cook is a specialist on the history of Islam, which gives the book an uncommon vantage point. 

This is a collection of essays by Fisher that originally comprised his K-Punk blog and that I return to again and again.

Fisher has a unique voice, a kind of critical conscience for the times that navigates the complexities of what he called "capitalist realism" through the lens of popular culture. These essays are the reason I got into bands on the Ghost Box label, like Pye Corner Audio, The Advisory Circle, and Belbury Poly. They speak to a loss of promised futures in a political context that has increasingly emptied out hope.

I find Fisher’s diagnosis of the culture of late capitalism to be the most compelling out there. His critique of “retro” bands like The Arctic Monkeys is scathing, while his writings on “hauntological” culture are ground-breaking. I’m a big fan of Burial, and Fisher’s reflections on the post-rave come-down are spot on.

Be warned: the collection can… show more.

This is a popular science book, so a little different from the others on this list. It is a beautifully written book that is accessible to people who don’t know much about AI but is simultaneously thought-provoking for experts.

It contains probably the best discussion of "intelligence" that I've read, interesting insights into how Google and other tech giants came to develop their machine learning strategy, and a fascinating chapter that views recommendation engines and their users as parts of a single intelligent organism. It's concise and easy to read.

I've read many popular AI books, which are highly variable in quality, and this criminally underappreciated work is the best by miles. 

Brook uses artifacts portrayed in six paintings by the Dutch Golden Age painter Johannes Vermeer to show how, several centuries before the World Wide Web, the local and the global were intimately connected. He surprises his readers by showing that people and goods and ideas moved around the 17th-century world in ways that – rather like us – their ancestors would have considered impossible. Perhaps because Brook is a Canadian historian of China who is familiar with Europe, he provides a truly global history and almost every page contains a “gee whiz” fact. I also love the idea that “Every picture tells a story.”