Here are 100 books that The Future of Nostalgia fans have personally recommended if you like
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I am an art historian and was professor of art history at MIT, Tufts, Harvard, and elsewhere. As an undergraduate I studied Jewish history and philosophy and subsequently was assistant editor at Schocken Books focusing on art history and history of ideas. My graduate work was in art history, first in medieval manuscripts and then 19th century French art. I’ve written four books, edited four others, and made 30 documentaries, mostly on art. The French government knighted me “Chevalier dans l’ordre des arts et des lettres.”
This book, unique in its construction, gave me a deeper insight into this leading author of the 20th century. We all know and may use the term “Kafkaesque” we don’t necessarily know from whence the term and its experience comes. This biography, drawing from Kafka’s own writings, documents his life in his own words. Glatzer has masterfully edited excerpts from the writer’s diaries, letters, and published works to create an autobiography that Kafka “contemplated but never wrote.” Kafka’s world view, the Kafkaesque, is vividly evoked.
I am an art historian and was professor of art history at MIT, Tufts, Harvard, and elsewhere. As an undergraduate I studied Jewish history and philosophy and subsequently was assistant editor at Schocken Books focusing on art history and history of ideas. My graduate work was in art history, first in medieval manuscripts and then 19th century French art. I’ve written four books, edited four others, and made 30 documentaries, mostly on art. The French government knighted me “Chevalier dans l’ordre des arts et des lettres.”
This remarkable biography has been hugely important to me in the understanding of the great German writer and critic Walter Benjamin. His essays, particularly on the 19th century Arcades, were the basis of my study, "A Human Comedy, Physiognomy and Caricature in 19th century Paris". Eiland and Jennings biography, based on enormous research, introduce us to this complex and enigmatic character and his brilliant criticism.
They provide a revealing portrait of his brief life in the shadow of European catastrophe. Their consummate understanding of Benjamin’s complex layered work gives new insight into this highly influential thinker. A scholarly work of the first order, written with wisdom and compassion.
Walter Benjamin is one of the twentieth century's most important intellectuals, and also one of its most elusive. His writings-mosaics incorporating philosophy, literary criticism, Marxist analysis, and a syncretistic theology-defy simple categorization. And his mobile, often improvised existence has proven irresistible to mythologizers. His writing career moved from the brilliant esotericism of his early writings through his emergence as a central voice in Weimar culture and on to the exile years, with its pioneering studies of modern media and the rise of urban commodity capitalism in Paris. That career was played out amid some of the most catastrophic decades of…
I am an art historian and was professor of art history at MIT, Tufts, Harvard, and elsewhere. As an undergraduate I studied Jewish history and philosophy and subsequently was assistant editor at Schocken Books focusing on art history and history of ideas. My graduate work was in art history, first in medieval manuscripts and then 19th century French art. I’ve written four books, edited four others, and made 30 documentaries, mostly on art. The French government knighted me “Chevalier dans l’ordre des arts et des lettres.”
Paul Mendes-Flohr is a great scholar of modern German Jewish philosophy. A man of extraordinary erudition and humanity, I am always moved by his deeply insightful books. His work means very much to me.
This is a superb biography of the Jewish philosopher Martin Buber, conveying the range of his thought in the context of his life and times. Mendes-Flohr captures the complexities of this influential thinker, who many know for his revolutionary concept of “I and Thou” in religion and human relations.
From the prizewinning Jewish Lives series, the first major biography in English in over thirty years of the seminal modern Jewish thinker Martin Buber
"A scrupulously researched, perceptive biography."-Robert Alter, New York Times Book Review
An authority on the twentieth-century philosopher Martin Buber (1878-1965), Paul Mendes-Flohr offers the first major biography in English in thirty years of this seminal modern Jewish thinker. The book is organized around several key moments, such as his sudden abandonment by his mother when he was a child of three, a foundational trauma that, Mendes-Flohr shows, left an enduring mark on Buber's inner life, attuning…
I am an art historian and was professor of art history at MIT, Tufts, Harvard, and elsewhere. As an undergraduate I studied Jewish history and philosophy and subsequently was assistant editor at Schocken Books focusing on art history and history of ideas. My graduate work was in art history, first in medieval manuscripts and then 19th century French art. I’ve written four books, edited four others, and made 30 documentaries, mostly on art. The French government knighted me “Chevalier dans l’ordre des arts et des lettres.”
In this time of violence and rise of racism, authoritarianism, the Holocaust, the question of evil, its sources, its manifestations matter to me, and anyone of conscious. Glatzer lived through the rise of Nazism and Communism, and, as a person of religious faith, had to contend with the question of evil in our world today, and its challenges to religious belief. This book grew out of a course Prof. Glatzer taught over the years to thousands of students.
Job and the problem of evil was a central concern for Glatzer, as a scholar and as a humanist. In this book he compiles modern commentaries on the theme of Job, from Judaic, Christian and general philosophical tradition, including Kierkegaard and Martin Buber. In his lengthy introduction, Glatzer traces the interpretations from the Church Fathers, the medieval rabbis, and classical philosophers.
The contributors are: Leo Baeck, Martin Buber, Yehezkel Kaufmann, Leon Roth, Robert Gordis, Margarete Susman, Hans Ehrenberg, Jean Danielou, Ernest Renan, H. H. Rowley, Leonard Ragaz, Robert Lowth, J. G. Herder, Josiah Royce, Horace M. Kallen, Paul Weiss, Gilbert Murray, Arthur S. Peake, Emil G. Kraeling, W. O. E. Oesterley, T. H. Robinson, Hayim Greenberg, Rudolph Otto, G. K. Chesterton, Walter Kaufmann, H. Wheeler Robinson, James B. Conant, G. W. F. Hegel, Soren Kierkegaard, Seton Pollock, William Barrett, Marvin H. Pope, Archibald MacLeish.
I teach history at The Ohio State University. This project began when I listened in 1976 to a radio broadcast in which Jack Eddy, a solar physicist, speculated that a notable absence of sunspots in the period 1645-1715 contributed to the “Little Ice Age”: the longest and most severe episode of global cooling recorded in the last 12,000 years. The Little Ice Age coincided with a wave of wars and revolution around the Northern Hemisphere, from the overthrow of the Ming dynasty in China to the beheading of Charles I in England. I spent the next 35 years exploring how the connections between natural and human events created a fatal synergy that produced human mortality on a scale seldom seen before – and never since.
Brook uses artifacts portrayed in six paintings by the Dutch Golden Age painter Johannes Vermeer to show how, several centuries before the World Wide Web, the local and the global were intimately connected. He surprises his readers by showing that people and goods and ideas moved around the 17th-century world in ways that – rather like us – their ancestors would have considered impossible. Perhaps because Brook is a Canadian historian of China who is familiar with Europe, he provides a truly global history and almost every page contains a “gee whiz” fact. I also love the idea that “Every picture tells a story.”
From the epicentre of Delft in the Netherlands Brook takes the paintings of Johannes Vermeer and uses details of them as a series of entry points to the widest circles of world trade and cultural exchange in the seventeenth century. An officer's beaver hat in 'Officer and the Laughing Girl' opens up the story of Champlain's dealing with the native peoples of Canada and the beaver trade. A china dish on a table in another painting uncovers the story of the Chinese porcelain trade. Moving outwards from Vermeer's studio Brook traces the web of trade that was spreading across the…
There is a saying that you can take the girl out of Scotland but not Scotland out of the girl. I am that girl. Born and raised in Scotland, I earned an MA from Edinburgh University and a M.Litt from Oxford. I met my husband during the summer at Dartmouth College and the rest, as they say, is history. Or, at least it would be, except for the hankering back to Scotland that never leaves. My novel set in Scotland was published by Simon & Schuster.
I value this book because, since joining the United Kingdom in 1707, much of Scottish history has been disregarded. Even though I studied history in my Scottish school to a high level, the details of our past were replaced with English history. Well-known radio personality, Billy Kay, brings together a wealth of information about Scotland’s outside influence through the ages. Scotland was one of the first countries to see the benefit of an educated working class, and in the countries to which they emigrated, their learning stood them in good stead. Scottish culture, over hundreds of years before it was incorporated into the United Kingdom, had well-established cultural centers throughout Europe and even as far as Russia.
'Thaim wi a guid Scots tongue in their heid are fit tae gang ower the warld'
In The Scottish World, renowned broadcaster Billy Kay takes us on a global journey of discovery, highlighting the extraordinary influence the Scots have had on communities and cultures on almost every continent.
While others have questioned the self-confidence of the Scots, Kay has travelled the world from Bangkok to Brazil, Warsaw to Waikiki and found ringing endorsements for the integrity and intellect, the poetry and passion of the Scottish people in every country he has visited.
I'm a professor of rhetoric at the University of Houston – Downtown. In addition to my academic research, I write political and cultural commentary for a variety of right-of-center online publications. Much of my own work focuses on how individuals come to be persuaded about who they are. I argue that much of the frustration people feel when searching for their authentic identity is due to the fact that the existence of the hidden ‘true self’ is an illusion. The quest for authenticity is never complete. The good news, though, is that you can put an end to the suffering… only if you’re willing to give up the fevered pursuit of the “true self.”
While Trueman reviews some of the ideas covered by other thinkers on this list, his new book is notable because it focuses on how personal sexual identity (sexual orientation, gender, desire, etc.) came to be the most important site for the expression of individualism. His analysis underscores the threat that a radically subjectivized sexual ethic posed to longstanding social norms and cultural traditions. This one also includes a gushing foreword by best-selling author Rod Dreher of The American Conservative magazine.
Carl Trueman traces the historical roots of many hot-button issues such as transgenderism and homosexuality, offering thoughtful biblical analysis as he uncovers the profound impact of the sexual revolution on modern human identity.
I’m a Professor of Cultural Sociology at Edinburgh, UK, and have written extensively on contemporary culture and particularly technological mediations of popular music. I have undertaken empirical research on cultures of popular music in places like Iceland, Japan, and the UK, and I have supervised around 25 doctoral students to successful completion. My work is widely cited in the field of cultural sociology, and I am regularly interviewed by national broadcasters and the press. I’m also an amateur musician, making homespun electronic music in my bedroom and releasing it under the monikers Sponge Monkeys and Triviax.
This is a collection of essays by Fisher that originally comprised his K-Punk blog and that I return to again and again.
Fisher has a unique voice, a kind of critical conscience for the times that navigates the complexities of what he called "capitalist realism" through the lens of popular culture. These essays are the reason I got into bands on the Ghost Box label, like Pye Corner Audio, The Advisory Circle, and Belbury Poly. They speak to a loss of promised futures in a political context that has increasingly emptied out hope.
I find Fisher’s diagnosis of the culture of late capitalism to be the most compelling out there. His critique of “retro” bands like The Arctic Monkeys is scathing, while his writings on “hauntological” culture are ground-breaking. I’m a big fan of Burial, and Fisher’s reflections on the post-rave come-down are spot on.
Edited by Darren Ambrose and with a foreword by Simon Reynolds, this comprehensive collection brings together the work of acclaimed blogger, writer, political activist and lecturer Mark Fisher (aka k-punk). Covering the period 2004 - 2016, the collection will include some of the best writings from his seminal blog k-punk; a selection of his brilliantly insightful film, television and music reviews; his key writings on politics, activism, precarity, hauntology, mental health and popular modernism for numerous websites and magazines; his final unfinished introduction to his planned work on "Acid Communism"; and a number of important interviews from the last decade.
I'm a professor of rhetoric at the University of Houston – Downtown. In addition to my academic research, I write political and cultural commentary for a variety of right-of-center online publications. Much of my own work focuses on how individuals come to be persuaded about who they are. I argue that much of the frustration people feel when searching for their authentic identity is due to the fact that the existence of the hidden ‘true self’ is an illusion. The quest for authenticity is never complete. The good news, though, is that you can put an end to the suffering… only if you’re willing to give up the fevered pursuit of the “true self.”
If you want to learn about the history of the concept of authenticity and how it is understood in the western world, this is probably the best book to read (after my book, of course!). Charles Taylor is one of the most prominent living philosophers of selfhood, and this book (topping out at only a little over 100 pages) is an easy-to-read digestion of the ideas that he elaborated in his much-longer book Sources of the Self. Taylor is ambivalent about whether personal authenticity is a good or a bad thing in our era. He recognizes the harms imposed by some of the debased forms that it takes in modern society, but Taylor also tries to articulate an ethics that could rehabilitate authenticity in a way that affirms the dignity of and respect for each individual. I don’t like the fence-sitting, but this remains required reading.
Everywhere we hear talk of decline, of a world that was better once, maybe fifty years ago, maybe centuries ago, but certainly before modernity drew us along its dubious path. While some lament the slide of Western culture into relativism and nihilism and others celebrate the trend as a liberating sort of progress, Charles Taylor calls on us to face the moral and political crises of our time, and to make the most of modernity's challenges.
"The great merit of Taylor's brief, non-technical, powerful book...is the vigor with which he restates the point which Hegel (and later Dewey) urged against…
I am an international political and critical theorist interested in the way that key events and experiences from the past continue to affect politics in the present. I was born in the US but moved back to Slovenia when I was in high school, before returning to the states to attend Dartmouth College as an undergraduate, and Yale University for my doctoral studies in political science. This international, bi-continental background – as well as my own family’s history of migration following World War II – has fueled my interest in twentieth-century European history, collective memory and European integration.
Hannah Arendt is the most important political thinker of the post-totalitarian moment. While her 1951 Origins of Totalitarianism is more well-known and became a bestseller again after the election of President Donald Trump, in this collection of essays she lays out her ideas about the way that the past helps us to locate ourselves in the present by imagining and reimagining our futures. This book was hugely influential for me during my graduate studies at Yale. Unlike so many political theorists, Arendt is also a wonderfully accessible and engaging writer.
From the author of Eichmann in Jerusalem and The Origins of Totalitarianism, “a book to think with through the political impasses and cultural confusions of our day” (Harper’s Magazine)
Hannah Arendt’s insightful observations of the modern world, based on a profound knowledge of the past, constitute an impassioned contribution to political philosophy. In Between Past and Future Arendt describes the perplexing crises modern society faces as a result of the loss of meaning of the traditional key words of politics: justice, reason, responsibility, virtue, and glory. Through a series of eight exercises, she shows how we can redistill the vital…
