88 books like The Extraordinary Deaths of Mrs. Kip

This is one of my favorite book covers of all time, and the story is pretty spectacular, too. I adore New York City, and Fiona Davis’ novels featuring historic buildings throughout the city are some of my most enjoyable reads.

Before picking up this novel, I knew nothing about the Barbizon Hotel for women in the 1950s. I was intrigued by the lifestyle of the hotel’s occupants and the building’s character. But it was the layer upon layer of secrets that kept me reading into the wee hours of the night. A definite must-read!

The gold standard of recovery books. I found this gem literally in the gutter when I was homeless. Changed my life by showing me if I could get my shit together, I, too, could write a book about my experience, and, in the process, maybe help someone else who was suffering as well.

I love how, as with my novel, the writer weaves together the stories of two women who lived in entirely different eras. I also appreciate how she brought real-world people and events, like JFK and the 1906 earthquake, into her fictional world. But what I found most evocative about The Obituary Writer were the author’s portrayal of the institution of marriage and how her “older” protagonist—the one dating further back in history—dedicated her life to helping others deal with grief and loss. This altruistic passion was similar to one that my historical protagonist discovered on her journey of personal growth.

For many Greeks and Greek-Americans, Eleni is a literary north star, especially in the world of non-fiction. On one hand, it’s an urgent and imperative testimony to a brutal and tragic event that the world and history at large have over-looked and forgotten, and on the other, and a more personal level, it’s a poignant and devastatingly powerful testament of a son’s love for his mother. Revenge and forgiveness are constantly at odds and at the forefront of this journey, which also doubles as an important and specific type of immigrant story and experience. Which one will ultimately win out: revenge or forgiveness? In the end, it’s the reader who wins, because the story of Eleni Gatzoyiannis and her son Nikolaos is timeless, unforgettable, and will leave all who read it forever changed.

Robin Robertson’s noir narrative The Long Take might seem like an unusual choice for this list.

Essentially a long noir poem, The Long Take concerns Walker, a Canadian veteran of D-Day with acute PTSD who finds life unraveling in the urban landscapes he inhabits after the war.

With a poet’s precision, Robertson follows Walker as he moves from city to city, taking it all in. Homelessness, crime, race—nothing is spared.

Why, you’d think you were in a 40s film noir, reading about it all, and then you find Walker on the streets of LA in 1948 seeing some of those very films being shot, films like Act of Violence and Criss Cross.

An outstanding achievement, The Long Take is a wholly original work of art.

Edna Buchanan moved from New Jersey to Miami on a whim in 1965 and found her calling in the journalistic life.

Calvin Trillin would later write, “In Miami, a few figures are regularly discussed by first name among people they have never actually met. One of them is Fidel. Another is Edna.”

She had a nose for the bizarre and the macabre—as well as for a good lead: “A man wandering along a Miami Beach street in his undershorts and carrying a blood-stained knife Sunday morning led police to the scene of a murder.”

In this memoir she recalls zipping around South Florida from Hollywood to Homestead in her yellow Triumph Spitfire to produce her almost-daily cataloguing of gruesome crime. The “polite” killer who abducted couples on dates, raped the woman, and then allowed her to dress before shooting both.

The hand grenade thrown… show more.

With polished language and measured pace, Blow tells a fascinating coming-of-age story of growing up in a small Louisiana town. As the youngest in a family of five boys raised by a schoolteacher mother, with the help of her extended family, he unveils his struggles with sexual identity and masculinity.

Daisy has solved 23 murder mysteries so far. These Christie-esque plots are set in London, at posh country estates, and in other parts of the British landscape. Daisy works as a journalist—an unusual job for a young woman in the ‘20s, especially one who is aristocratic and wealthy and, therefore, shouldn’t be working at all. Her assignments and social connections inevitably entangle her in murder investigations, which she solves with the help of a competent Scotland Yard inspector who in later books becomes her husband. 

I love the way that Grant has written this book as part American political conspiracy theory, part zombie apocalypse. It certainly takes the political drama into a whole new place!

I liked the mechanics of how the world came to be infected with zombies and the “living with Zombies” society Grant has constructed, which I found to be well thought-out, researched, and believable. I loved the surprises in this book, the unusual relationships that Georgia Mason has with her brother and with their parents, and the general quirks and habits of her and her brother Shaun.

I enjoyed the criticisms that the book makes, particularly around journalism, religion, social media, and politics, and perhaps on the American psyche of distrust towards authority, while appreciated that it did not descend into full-blown conspiracy theory paranoia.

Although he instructed that no one should write his biography, Orwell has had many superb biographers including Taylor (2003) and Bowker (2003), and his close friends Richard Rees, Fugitive from the Camp of Victory (1961), and George Woodcock, The Crystal Spirit (1966).  John Rodden has written widely on Orwell’s reputation. However, the best full-scale biography remains the first, by Bernard Crick. Sonia commissioned it, then rejected it, but I like it because Crick knows more about politics than the others and, in the end, Orwell was a political writer.