92 books like The Corpse Had a Familiar Face

In the 1990s, I was captivated by Peter Matthiessen’s three “Mr. Watson” novels, which explored the lawless world of Florida’s fin de siècle Ten Thousand Islands region.

Last year, I finally reread them in their final form, fused into the magnum opus Shadow Country. In telling the story of the murder of real-life Florida pioneer and renegade Edgar Watson from many different points of view, Matthiessen creates a richly textured landscape.

Outlaws, escapees, and adventurous settlers work, intermarry, and squabble, making a hardscrabble life among the swamps, the rivers, the mosquitos, and the gators.

Roughead wrote leisurely, almost Dickensian accounts of UK criminal trials in the 1920s and 1930s. He brought a sharp lawyer’s eye, a flair for the unusual, and a witty, knowledgeable voice to the trials and to the people involved. Madeleine Smith, Constance Kent, and Donald Merritt are among the 12 cases in this sampling from his many collections. Roughead set the bar for literate crime writers who followed.

Journalist and award-winning crime writer Val McDermid is known for her gritty novels. In Forensics, she draws on her connections to introduce us to forensic crime fighting around the world. The best part for me: she introduced behind-the-scenes elements to cases I thought I already knew. And she is a novelist. She knows how to tell a good story.

I discovered Texas Monthly magazine and its in-depth crime reporting when one of my sisters lived in Fort Worth. I was hooked. Writers Skip Hollandsworth, Mimi Swartz, Mark Seal, Gary Cartwright, and others dig into each story. This isn’t “just the facts, ma’am” reporting. It’s why it happened and how it affected people. Some made international headlines (the military school cadets convicted of an odd love-triangle murder or the cheerleader’s mom who plotted to kill her daughter’s rival). Some could only happen in Texas. All are memorable, well-told tales.

This collection features a range of stories, a range of time and places, written by many of the best true-crime writers. Goodman, himself a master storyteller, has pulled together a wide sampling of all manner of crimes stories, all well-told. Goodman wisely included his own likely solution to one of my favorite unsolved crimes, the Liverpool case of Julia Wallace, which has fascinated novelists from Raymond Chandler to Dorothy L. Sayers and P.D. James.

This noir pastiche is one long joke, a satire on art, art criticism, and art collecting.

James Figueras, a cad bachelor freelance art critic in 1960s Palm Beach, is tasked with stealing a painting by the (fictional) French artist Jacques Deberiue.

Deberiue was the founder of the Nihilistic Surrealism movement who retired after the creation of one work, No. One: an empty frame mounted around a crack in a wall. The trail leads to the dusty outskirts of Miami and a bloody murder in the Everglades, but the real mystery surrounds the artist and his art.

And the fun is in the comedy: "The fact that he used the English No. One instead of Nombre une may or may not've influenced Samuel Beckett to write in French instead of English, as the literary critic Leon Mindlin has claimed."

When Willeford became a friend of my family, around 1979, he was known only by a small cult following.

He hadn't published a book in seven years, and his twelve previous books were out of print. He was teaching at Miami-Dade Community College and reviewing mystery books for The Miami Herald.

Miami Blues, which rescued its author from obscurity, presented a Miami in transition. South Beach is still decrepit and full of old people, but there is a new sense of danger on the streets—a scent of violent desperation among refugees from Latin America and opportunists from the rest of the U.S.

Like Willeford's pulp novels of earlier decades, Miami Blues and the later Hoke Moseley books defy their genre. For detective novels, they have precious little mystery or police procedure.

There is the smattering of Willefordian violence, and each book does have a criminal who gets… show more.

I re-read this early McGuane as I was researching my book, looking for details of South Florida life during the 1972 football season.

The protagonist, Thomas Skelton, comes home to Key West from Gainesville and sets out to become a fishing guide. It was written during, and takes place during, the fall of 1972, and Skelton’s dad even watches football in one scene.

But this Key West native isn’t interested in the perfect Dolphins—he’s a Packers fan! (This anomaly is explained, though not excused, by the fact that the author hailed from northern Michigan.)

I was enthralled, though, by some of McGuane’s best writing, and got this gem about the lure of South Florida: “…American bad actors who, when the chips are down, go to Florida with all the gothics and grotesqueries of chrome and poured-to-form concrete that that implies.” 

One of the best twists I’ve read.

In 1963 13-year-old Alison Carter vanishes from her home. A man is convicted and hung for her murder. Her body is never found. 35 years later Catherine Heathcote is writing a book about the Carter investigation, but she is not prepared for what she is about to discover.

The story is atmospheric with well-drawn characters. The first half of the book follows the investigation in 1963 and gives you an insight into the family of the missing girl. I found myself fully immersed in the tight-knit community. Nothing is as it seems, and this is one book you won’t want to miss. 

Arkady Renko, a Moscow detective is a true hero, someone regarded as weak and hopeless to all around him, but ultimately redeemed by his principles and by his actions. Martin Cruz Smith is my favourite “cold places” writer, so when I heard that Renko was going to Siberia, I was hooked. (Before he goes, he shoots a bear in Moscow with a tranquilliser dart, but no more plot spoilers…)

He goes to the far, frozen east to record a police confession and to find his lost girlfriend, encountering bullets, corruption, frostbite, and more bears. His boss back in Moscow expects him to fail, as does nearly everyone he meets. But they all underestimate Arkady Renko, a hero underdog.