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My work has appeared in theAtlantic, Harper’s, andBest American Essays, among other places. My most recent book is Seventeen and Oh: Miami, 1972, and the NFL's Only Perfect Season. I grew up in Miami and as a writer had always intended to explore that wondrous year in Miami—when I was a nine-year-old fan—and I finally did so for its fiftieth anniversary. I wanted to write about much more than football; I hoped to bring alive the feel of old Miami, and to do so I reread many of my favorite books about South Florida. Here are a few of the best.
In the
1990s, I was captivated by Peter Matthiessen’s three “Mr. Watson” novels, which explored the lawless world of Florida’s fin de siècle Ten Thousand Islands region.
Last year, I
finally reread them in their final form, fused into the magnum opus Shadow Country. In telling the story of the murder of real-life
Florida pioneer and renegade Edgar Watson from many different points of view,
Matthiessen creates a richly textured landscape.
Outlaws, escapees, and
adventurous settlers work, intermarry, and squabble, making a hardscrabble life
among the swamps, the rivers, the mosquitos, and the gators.
Inspired by a near-mythic event of the wild Florida frontier at the turn of the twentieth century, Shadow Country reimagines the legend of the Everglades sugar planter and notorious outlaw E. J. Watson, who drives himself to his own violent end at the hands of his neighbours. Following the story of his son Lucius as he tries to learn the truth about his father, the story tells of devastating events and traverses wild landscapes inhabited by Americans of every provenance and colour. In this new rendering of the Watson trilogy, Matthiessen has consolidated his fictional masterwork into a poetic, compelling…
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I must admit that, over several decades now, I’ve fallen down the rabbit hole. Real life is full of stories that, if told as fiction, would leave readers rolling their eyes in disbelief. The gruesome and cruel don’t interest me. I’m drawn to the storytellers who can capture the worst moments and turn them into finely written, compelling, accurate stories, showing us the complexity of life.
Roughead wrote leisurely, almost Dickensian accounts of UK criminal trials in the 1920s and 1930s. He brought a sharp lawyer’s eye, a flair for the unusual, and a witty, knowledgeable voice to the trials and to the people involved. Madeleine Smith, Constance Kent, and Donald Merritt are among the 12 cases in this sampling from his many collections. Roughead set the bar for literate crime writers who followed.
Dorothy Sayers called William Roughead "the best showman who ever stood before the door of the chamber of horrors," and his true crime stories, written in the early 1900s, are among the glories of the genre. Displaying a meticulous command of evidence and unerring dramatic flair, Roughead brings to life some of the most notorious crimes and extraordinary trials of eighteenth- and nineteenth-century England and Scotland. Utterly engrossing, these accounts of pre-meditated mayhem and miscarried justice also cast a powerful light on the evil that human beings, and human institutions, find both tempting to contemplate and all too easy to…
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I must admit that, over several decades now, I’ve fallen down the rabbit hole. Real life is full of stories that, if told as fiction, would leave readers rolling their eyes in disbelief. The gruesome and cruel don’t interest me. I’m drawn to the storytellers who can capture the worst moments and turn them into finely written, compelling, accurate stories, showing us the complexity of life.
Journalist and award-winning crime writer Val McDermid is known for her gritty novels. In Forensics, she draws on her connections to introduce us to forensic crime fighting around the world. The best part for me: she introduced behind-the-scenes elements to cases I thought I already knew. And she is a novelist. She knows how to tell a good story.
In the course of researching her best-selling books, McDermid has become familiar with many branches of forensics, and now she uncovers the history of this science and the people who make sure that for murderers, there is no hiding place. Forensic scientists can unlock the mysteries of the past and help serve justice using the messages left by a corpse, a crime scene, or the faintest of human traces. Now available in paperback, Forensics goes behind the scenes with some of these top-level professionals and their groundbreaking research, drawing on original interviews and firsthand experience on scene with top forensic…
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I must admit that, over several decades now, I’ve fallen down the rabbit hole. Real life is full of stories that, if told as fiction, would leave readers rolling their eyes in disbelief. The gruesome and cruel don’t interest me. I’m drawn to the storytellers who can capture the worst moments and turn them into finely written, compelling, accurate stories, showing us the complexity of life.
I discovered Texas Monthlymagazine and its in-depth crime reporting when one of my sisters lived in Fort Worth. I was hooked. Writers Skip Hollandsworth, Mimi Swartz, Mark Seal, Gary Cartwright, and others dig into each story. This isn’t “just the facts, ma’am” reporting. It’s whyit happened and how it affected people. Some made international headlines (the military school cadets convicted of an odd love-triangle murder or the cheerleader’s mom who plotted to kill her daughter’s rival). Some could only happen in Texas. All are memorable, well-told tales.
Nobody does it bigger than the state of Texas, whether it is a matter of cattle ranches, pro linebackers...or true crime. From EL Paso, from Dallas from tiny Channelview come tales of murder, mischief, and malice - complete with new epilogues on their dramatic final chapters - that have been torn out of the pages of the award - winning Texas Monthly magazine and still succeed in rocking an almost shockproof nation. Included are true tales of: * Charles Whitman, the University of Texas tower sniper who blew away sixteen lives. * The Cheerleader mum who planned to thwart her…
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I must admit that, over several decades now, I’ve fallen down the rabbit hole. Real life is full of stories that, if told as fiction, would leave readers rolling their eyes in disbelief. The gruesome and cruel don’t interest me. I’m drawn to the storytellers who can capture the worst moments and turn them into finely written, compelling, accurate stories, showing us the complexity of life.
This collection features a range of stories, a range of time and places, written by many of the best true-crime writers. Goodman, himself a master storyteller, has pulled together a wide sampling of all manner of crimes stories, all well-told. Goodman wisely included his own likely solution to one of my favorite unsolved crimes, the Liverpool case of Julia Wallace, which has fascinated novelists from Raymond Chandler to Dorothy L. Sayers and P.D. James.
More than 32 accounts of murder by crime historians and fiction writers as well as analyses of how criminals are brought to justice, of how others get away with it, a section on executions and executioners, the perils of eye-witness evidence and a discussion of what makes a good murder.
My work has appeared in theAtlantic, Harper’s, andBest American Essays, among other places. My most recent book is Seventeen and Oh: Miami, 1972, and the NFL's Only Perfect Season. I grew up in Miami and as a writer had always intended to explore that wondrous year in Miami—when I was a nine-year-old fan—and I finally did so for its fiftieth anniversary. I wanted to write about much more than football; I hoped to bring alive the feel of old Miami, and to do so I reread many of my favorite books about South Florida. Here are a few of the best.
This noir pastiche is one long joke, a
satire on art, art criticism, and art collecting.
James Figueras, a cad
bachelor freelance art critic in 1960s Palm Beach, is tasked with stealing a
painting by the (fictional) French artist Jacques Deberiue.
Deberiue was the
founder of the Nihilistic Surrealism movement who retired after the creation of
one work, No.
One: an
empty frame mounted around a crack in a wall. The trail leads to the dusty
outskirts of Miami and a bloody murder in the Everglades, but the real mystery
surrounds the artist and his art.
And the fun is in the comedy: "The fact
that he used the EnglishNo. One instead of Nombre unemay or may not've influenced Samuel Beckett to
write in French instead of English, as the literary critic Leon Mindlin has
claimed."
The classic neo-noir novel acclaimed as Willeford s best, soon to be a major film
Fast-talking, backstabbing, womanizing, and fiercely ambitious art critic James Figueras will do anything blackmail, burglary, and beyond to make a name for himself. When an unscrupulous collector offers Figueras a career-making chance to interview Jacques Debierue, the greatest living and most reclusive artist, the critic must decide how far he will go to become the art-world celebrity he hungers to be. Will Figueras stop at the opportunity to skim some cream for himself or push beyond morality s limits to a bigger payoff?
I’ve been writing crime stories since I was a child. They entertained me and helped me cope with a lot of family strife. My first novel was published in college and sold to the movies, which got me into screenwriting, leading to writing hundreds of hours of TV and fifty novels to date. The one thing all of my stories share is humor because I believe it’s an essential part of life–and of memorable story-telling. Humor makes characters come alive, revealing shades of personality and depths of emotion you wouldn’t otherwise see. Here are five books that taught me that it’s true and that continue to influence me as a writer.
Creative writing instructors (and later TV showrunners and network executives) taught me that the protagonist in a crime story can be flawed, but he has to be likable, someone you want to spend time with and who you will root for.
They were all wrong. The detective hero of this book borders on repulsive, and the world he lives in is dark, violent, and a touch grotesque…but also very, very funny. The humor not only makes it all palatable but somehow even more vivid and powerful. And entertaining, oh, how entertaining.
There may not be a single likable character in the whole book, and I don’t care. I love every word.
After a brutal day investigating a quadruple homicide, Detective Hoke Moseley settles into his room at the un-illustrious El Dorado Hotel and nurses a glass of brandy. With his guard down, he doesn’t think twice when he hears a knock on the door. The next day, he finds himself in the hospital, badly bruised and with his jaw wired shut. He thinks back over ten years of cases wondering who would want to beat him into unconsciousness, steal his gun and badge, and most importantly, make off with his prized dentures. But the pieces never quite add up to revenge,…
My work has appeared in theAtlantic, Harper’s, andBest American Essays, among other places. My most recent book is Seventeen and Oh: Miami, 1972, and the NFL's Only Perfect Season. I grew up in Miami and as a writer had always intended to explore that wondrous year in Miami—when I was a nine-year-old fan—and I finally did so for its fiftieth anniversary. I wanted to write about much more than football; I hoped to bring alive the feel of old Miami, and to do so I reread many of my favorite books about South Florida. Here are a few of the best.
I re-read this early McGuane as I was
researching my book, looking for details of South Florida life during
the 1972 football season.
The protagonist, Thomas Skelton, comes home to Key
West from Gainesville and sets out to become a fishing guide. It was written
during, and takes place during, the fall of 1972, and Skelton’s dad even
watches football in one scene.
But this Key West native isn’t interested in the
perfect Dolphins—he’s a Packers fan! (This anomaly is explained, though not
excused, by the fact that the author hailed from northern Michigan.)
I was
enthralled, though, by some of McGuane’s best writing, and got this gem about
the lure of South Florida: “…American bad actors who, when the chips are down,
go to Florida with all the gothics and grotesqueries of chrome and
poured-to-form concrete that that implies.”
Tiring of the company of junkies and burn-outs, Thomas Skelton goes home to Key West to take up a more wholesome life. But things fester in America's utter South. And Skelton's plans to become a skiff guide in the shining blue subtropical waters place him on a collision course with Nichol Dance, who has risen to the crest of the profession by dint of infallible instincts and a reputation for homicide. Out of their deadly rivalry, Thomas McGuane has constructed a novel with the impetus of a thriller and the heartbroken humor that is his distinct contribution to American prose.…
I am the author of the DI Winter Meadows series. I love reading and writing crime fiction, especially books set in rural locations. I live in South Wales where I go hiking mountains, exploring caves, and discovering waterfalls. I take inspiration from these remote areas and close-knit communities to create the settings, characters, and plots for my books.
In 1963 13-year-old Alison Carter vanishes from her home. A man is convicted and hung for her murder. Her body is never found. 35 years later Catherine Heathcote is writing a book about the Carter investigation, but she is not prepared for what she is about to discover.
The story is atmospheric with well-drawn characters. The first half of the book follows the investigation in 1963 and gives you an insight into the family of the missing girl. I found myself fully immersed in the tight-knit community. Nothing is as it seems, and this is one book you won’t want to miss.
A riveting psychological thriller from the Number One bestselling Queen of crime fiction - Val McDermid.
In the Peak District village of Scardale, thirteen-year-old girls didn't just run away. So when Alison Carter vanished in the winter of '63, everyone knew it was a murder.
Catherine Heathcote remembers the case well. A child herself when Alison vanished, decades on she still recalls the sense of fear as parents kept their children close, terrified of strangers.
Now a journalist, she persuades DI George Bennett to speak of the hunt for Alison, the tantalizing leads and harrowing dead ends. But when a…
I am a Scottish writer who has published two books, one about poker and plumbing (Bad Beat Hotel) and the other about the treatment of men who sailed in the WW2 Arctic convoys and were unable to continue fighting (Sailor’s Heart). I’m interested in how people work and how they can be “repaired” when they wear out, malfunction, or break. My professional background is in clinical psychology and the study of human behaviour. I chose “cowards who become heroes” as my book theme because I’m constantly amazed by people’s resilience when faced with the most terrible circumstances.
Arkady Renko, a Moscow detective is a true hero, someone regarded as weak and hopeless to all around him, but ultimately redeemed by his principles and by his actions. Martin Cruz Smith is my favourite “cold places” writer, so when I heard that Renko was going to Siberia, I was hooked. (Before he goes, he shoots a bear in Moscow with a tranquilliser dart, but no more plot spoilers…)
He goes to the far, frozen east to record a police confession and to find his lost girlfriend, encountering bullets, corruption, frostbite, and more bears. His boss back in Moscow expects him to fail, as does nearly everyone he meets. But they all underestimate Arkady Renko, a hero underdog.
From the award-winning, bestselling author of Gorky Park and Tatiana comes a breathtaking new novel about investigator Arkady Renko—“one of the most compelling figures in modern fiction” (USA TODAY)—who travels deep into Siberia to find missing journalist Tatiana Petrovna.
Journalist Tatiana Petrovna is on the move. Arkady Renko, iconic Moscow investigator and Tatiana’s part-time lover, hasn’t seen her since she left on assignment over a month ago. When she doesn’t arrive on her scheduled train, he’s positive something is wrong. No one else thinks Renko should be worried—Tatiana is known to disappear during deep assignments—but he knows her enemies all…
