Here are 100 books that Classic Crimes fans have personally recommended if you like
Classic Crimes.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
My work has appeared in theAtlantic, Harper’s, andBest American Essays, among other places. My most recent book is Seventeen and Oh: Miami, 1972, and the NFL's Only Perfect Season. I grew up in Miami and as a writer had always intended to explore that wondrous year in Miami—when I was a nine-year-old fan—and I finally did so for its fiftieth anniversary. I wanted to write about much more than football; I hoped to bring alive the feel of old Miami, and to do so I reread many of my favorite books about South Florida. Here are a few of the best.
Edna Buchanan moved from New Jersey to Miami on
a whim in 1965 and found her calling in the journalistic life.
Calvin Trillin
would later write, “In Miami, a few figures are regularly discussed by
first name among people they have never actually met. One of them is Fidel.
Another is Edna.”
She had a nose for the
bizarre and the macabre—as well as for a good lead: “A man wandering along a
Miami Beach street in his undershorts and carrying a blood-stained knife Sunday
morning led police to the scene of a murder.”
In this memoir she recalls zipping
around South Florida from Hollywood to Homestead in her yellow Triumph Spitfire
to produce her almost-daily cataloguing of gruesome crime. The “polite” killer who abducted couples on dates, raped the
woman, and then allowed her to dress before shooting both.
Now in trade paperback, Pulitzer Prize winner Edna Buchanan’s classic nonfiction masterpiece detailing events from her eighteen years writing for The Miami Herald.
Nobody covered love and lunacy, life and death on Miami’s mean streets better than legendary Miami Herald police reporter Edna Buchanan. Winner of a 1986 Pulitzer Prize, Edna has seen it all, including more than 5,000 corpses. Many of them had familiar faces.
Edna Buchanan doesn’t write about cops—she writes about people: the father who murdered his comatose toddler in her hospital crib; fifteen-year-old Charles Cobb—a lethal killer; Gary Robinson, who "died hungry"; the Haitian who was…
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I must admit that, over several decades now, I’ve fallen down the rabbit hole. Real life is full of stories that, if told as fiction, would leave readers rolling their eyes in disbelief. The gruesome and cruel don’t interest me. I’m drawn to the storytellers who can capture the worst moments and turn them into finely written, compelling, accurate stories, showing us the complexity of life.
Journalist and award-winning crime writer Val McDermid is known for her gritty novels. In Forensics, she draws on her connections to introduce us to forensic crime fighting around the world. The best part for me: she introduced behind-the-scenes elements to cases I thought I already knew. And she is a novelist. She knows how to tell a good story.
In the course of researching her best-selling books, McDermid has become familiar with many branches of forensics, and now she uncovers the history of this science and the people who make sure that for murderers, there is no hiding place. Forensic scientists can unlock the mysteries of the past and help serve justice using the messages left by a corpse, a crime scene, or the faintest of human traces. Now available in paperback, Forensics goes behind the scenes with some of these top-level professionals and their groundbreaking research, drawing on original interviews and firsthand experience on scene with top forensic…
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I must admit that, over several decades now, I’ve fallen down the rabbit hole. Real life is full of stories that, if told as fiction, would leave readers rolling their eyes in disbelief. The gruesome and cruel don’t interest me. I’m drawn to the storytellers who can capture the worst moments and turn them into finely written, compelling, accurate stories, showing us the complexity of life.
I discovered Texas Monthlymagazine and its in-depth crime reporting when one of my sisters lived in Fort Worth. I was hooked. Writers Skip Hollandsworth, Mimi Swartz, Mark Seal, Gary Cartwright, and others dig into each story. This isn’t “just the facts, ma’am” reporting. It’s whyit happened and how it affected people. Some made international headlines (the military school cadets convicted of an odd love-triangle murder or the cheerleader’s mom who plotted to kill her daughter’s rival). Some could only happen in Texas. All are memorable, well-told tales.
Nobody does it bigger than the state of Texas, whether it is a matter of cattle ranches, pro linebackers...or true crime. From EL Paso, from Dallas from tiny Channelview come tales of murder, mischief, and malice - complete with new epilogues on their dramatic final chapters - that have been torn out of the pages of the award - winning Texas Monthly magazine and still succeed in rocking an almost shockproof nation. Included are true tales of: * Charles Whitman, the University of Texas tower sniper who blew away sixteen lives. * The Cheerleader mum who planned to thwart her…
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I must admit that, over several decades now, I’ve fallen down the rabbit hole. Real life is full of stories that, if told as fiction, would leave readers rolling their eyes in disbelief. The gruesome and cruel don’t interest me. I’m drawn to the storytellers who can capture the worst moments and turn them into finely written, compelling, accurate stories, showing us the complexity of life.
This collection features a range of stories, a range of time and places, written by many of the best true-crime writers. Goodman, himself a master storyteller, has pulled together a wide sampling of all manner of crimes stories, all well-told. Goodman wisely included his own likely solution to one of my favorite unsolved crimes, the Liverpool case of Julia Wallace, which has fascinated novelists from Raymond Chandler to Dorothy L. Sayers and P.D. James.
More than 32 accounts of murder by crime historians and fiction writers as well as analyses of how criminals are brought to justice, of how others get away with it, a section on executions and executioners, the perils of eye-witness evidence and a discussion of what makes a good murder.
As an ex-police officer, I have experienced many of the things that I write about, albeit in the modern age: I’ve investigated scenes of sudden and violent death, attended post-mortems, and chased the odd suspected criminal through the streets. After a few years on the beat, I left the force and went to university as a mature student, where I received a PhD for my research into early modern law and literature. I now combine my love of all things true crime with my passion for early modern legal history in the books I write about historical crime, murder, and violent death.
Although the trials in this book may be fictional, they are based on true cases from the author’s decades of experience as a high court judge.
I could not help but be immersed in the drama of these murder trials and the gory details one tends to shy away from. Indeed, these stories were so gripping I found each case flew by!
Along the way, I learned a lot about English law, the courts, and the humanity of those embroiled in the criminal justice system.
THE INSTANT SUNDAY TIMES BESTSELLER WINNER OF THE CWA GOLD DAGGER FOR NON-FICTION 2023
'Lifts the lid on what it's like to dispense justice ... a gripping insight ... beautifully crafted ... grim tales lifted by humour and honesty.' The Times
Wendy Joseph's gripping account of the law at work reads like a cliffhanger.' Sunday Times
'Absolutely superb. 5 stars for sheer readability alone. Her Honour entertains as she educates us about murder, about the law and about how we human beings are shaped as we create the culture we live with.' PHILIPPA PERRY, author of THE BOOK YOU WISH…
I am a British writer/producer with a 30-year interest in Richard III (1452-1485). A visit to Bosworth Field, the penultimate battle of the Wars of the Roses changed my life irrevocably. This haunting place captured my imagination and with it the story of the last Plantagenet monarch who died fighting in this small corner of Leicestershire for crown and country.
The murder of the ‘Princes in the Tower’ is the most famous cold case in British history. Matthew Lewis delves into the context of the disappearance and the characters of the suspects and asks a crucial but often overlooked question: what if there was no murder? Lewis provides a rounded and complete assessment of this most fascinating historical mystery.
The murder of the Princes in the Tower is the most famous cold case in British history. Traditionally considered victims of a ruthless uncle, there are other suspects too often and too easily discounted. There may be no definitive answer, but by delving into the context of their disappearance and the characters of the suspects Matthew Lewis examines the motives and opportunities afresh as well as asking a crucial but often overlooked question: what if there was no murder? What if Edward V and his brother Richard, Duke of York survived their uncle's reign and even that of their brother-in-law…
My parents were avid readers and mysteries were a perennial favorite for all of us. By my early teens I moved from Judy Bolton and Nancy Drew to the Golden Age of mystery writers such as Agatha Christie and Mary Roberts Rinehart. Clearly addicted to mysteries without undue violence or gore, I discovered some wonderful television series as well. It won’t surprise you to learn that my favorite is Murder, She Wrote.
Many of the women in my family worked in domestic service. I do know that their work lives were not easy and their employers were often quite demanding. Still, each time I wander into the Victorian era where Mrs. Jeffries is housekeeper to Inspector Witherspoon of the Metropolitan Police, I imagine that my grandmother or my aunt is one of the household staff who Mrs. Jeffries organizes to do a “behind the scenes” investigation and provide the Inspector with the right clues to solve his cases.
Mrs. Jeffries is back in the New York Times bestselling Victorian Mytery series, perfect for fans of Downton Abbey.
Thomas Mundy checks in to London’s Wrexley Hotel, but he never checks out. The maid finds him on the floor of his room, bludgeoned to death by his own walking stick. Inspector Witherspoon is soon on the case and learns Mundy had a reputation for being polite, charming, and diligent—an unlikely victim for such a violent crime.
But Mrs. Jeffries and the household staff uncover that Mundy was less an amiable businessman and more a duplicitous con man with enemies on…
While I love books that reflect strong family values, I don’t like sugary sweetness to the point of unrealism. I prefer to read about real people who can make fun of themselves and the world. That sarcastic and biting edge seems to tap into a deeper honesty about life while making me roll around on the floor and break all my furniture.
Imagine being in a tour group with the most annoying person in the world, Susan. Every tour group has that one person who talks non-stop about things that don’t matter. The difference here is that the tour guide Rowan Rover is an inept hitman who can’t seem to bump Susan off. An added element of fun is that the group is touring England’s most famous murder sites. When I was learning to write mysteries, I had two prominent influences, Sue Grafton and Sharyn McCrumb. Both taught me how to construct a solid mystery. Sue Grafton opened my eyes to the power of connection created by writing in first person. And Sharyn McCrumb showed me the importance of using humor even when talking about dark subjects like murder.
Edgar Award winner Sharyn McCrumb brings you her sixth Elizabeh MacPherson mystery novel. The unsinkable Elizabeth is on tour of England's most famous murder sites, when Rowan Rover, the group leader, is quietly asked to commit murder. He does, of course, but not without misgivings--not the least of which is having Elizabeth MacPherson, canny observer and all-around murder spoiler, on his tail... "Sharyn McCrunb is definitely a rising star in the New Golden Age of mystery fiction. I look forward to reading her for a long time to come." Elizabeth Peters
Having spent my entire professional life in the art world as a practicing artist, art historian, journalist, curator, and museum director, and as an avid reader of mysteries, I’m excited when I find fiction in which art and crime coincide. Authentic settings, strong characters, and plenty of deception are de rigeur. The occasional dead body is always a plus, though not strictly required. It’s a specialized genre, but it speaks to me and inspires me to write my own series of art-world mysteries, combining fictional characters with real people from my own background and experience.
I had great fun deciphering the period English and Australian slang in this 1938 Inspector Roderick Alleyn mystery. The ingeniously plotted murder is set in a private art school, with a cast of eccentric characters right out of a London music hall revue.
The story works best if you know some of the types (including their prejudices) whom Marsh, a prolific mystery writer, is lampooning. Alleyn and Agatha Troy, the artist who runs the school, are so well imagined that I could feel the sparks flying between them as their romance ignited.
One of Ngaio Marsh's most famous murder mysteries, which introduces Inspector Alleyn to his future wife, the irrepressible Agatha Troy.
It started as a student exercise, the knife under the drape, the model's pose chalked in place. But before Agatha Troy, artist and instructor, returns to the class, the pose has been re-enacted in earnest: the model is dead, fixed for ever in one of the most dramatic poses Troy has ever seen.
It's a difficult case for Chief Detective Inspector Alleyn. How can he believe that the woman he loves is a murderess? And yet no one can be…
I’ve been a lover of historical mysteries ever since I realized it’s possible to read mystery fiction and learn history at the same time. Every time I pick up a mystery set in the past, whether it’s the ancient past, the more recent past, or somewhere in between, I know I’m going to be intrigued and challenged by a great story and come away with a greater understanding of the people, culture, customs, and events of that time period. It’s a win-win. I write historical mysteries because I want to share with readers what I’ve learned about a particular time or place in a way that’s compelling and engaging.
I picked up this book because I loved the cover (who says we don’t choose books by their covers?) and shortly thereafter found myself completely immersed in a 17th-century English Restoration mystery. I would visit that era in my time machine provided it’s fully stocked with soap and hand sanitizer (this time period being the one during which the Great Plague took place).
Main character Lucy Campion is a chambermaid in the home of a London magistrate. Her days are filled with the drudgery of servant duties—that is, until a murder claims the life of a servant in the household and someone Lucy holds dear is accused of the crime. Knowing that person can’t possibly be the killer, Lucy sets out to find out whodunit. I don’t want to give away any spoilers, so I’ll stop there.
I learned more about 1660s England reading this book than I ever did…
In Susanna Calkins's atmospheric debut novel, a chambermaid must uncover a murderer in seventeenth-century plague-ridden LondonFor Lucy Campion, a seventeenth-century English chambermaid serving in the household of the local magistrate, life is an endless repetition of polishing pewter, emptying chamber pots, and dealing with other household chores until a fellow servant is ruthlessly killed, and someone she loves is wrongly arrested for the crime. In a time where the accused are presumed guilty until proven innocent, lawyers aren't permitted to defend their clients, and--if the plague doesn't kill them first--public executions draw a large crowd of spectators, Lucy knows she…
