Here are 37 books that The Survival of Princes in the Tower fans have personally recommended if you like
The Survival of Princes in the Tower.
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The list reflects my interest in history and my own recollections of the days before the current era of mass tourism and online globalisation. I confess to a feeling of painful nostalgia for a time when we all had a very different worldview, and these books are all of that period. They feature temporal grief for an age that has passed. They are all highly readable books by writers at the top of their game.
This real-life detective story intrigued and perplexed me in equal measure and still does every time I read it.
Was Richard III really the evil monster of Shakespeare’s play who killed the little Princes in the tower or the monarch who, in the three short years of his reign, introduced the bail system, attacked corruption, and set up hospitals?
This clever novel, featuring Tey’s detective hero investigating Richard’s history and character, led me to investigate another mystery, that of the Shakespeare Authorship Question.
_________________________ Josephine Tey's classic novel about Richard III, the hunchback king whose skeleton was famously discovered in a council car park, investigates his role in the death of his nephews, the princes in the Tower, and his own death at the Battle of Bosworth.
Richard III reigned for only two years, and for centuries he was villified as the hunch-backed wicked uncle, murderer of the princes in the Tower. Josephine Tey's novel The Daughter of Time is an investigation into the real facts behind the last Plantagenet king's reign, and an attempt to right what many believe to be the…
I am a British writer/producer with a 30-year interest in Richard III (1452-1485). A visit to Bosworth Field, the penultimate battle of the Wars of the Roses changed my life irrevocably. This haunting place captured my imagination and with it the story of the last Plantagenet monarch who died fighting in this small corner of Leicestershire for crown and country.
This is a compelling and comprehensive study of Richard III’s reign. Annette Carson examines the events as they actually happened, based on the evidence of the original sources. In place of assumptions so beloved of traditional historians, she instead dissects motives and actions in light of the historical facts. Carson dares to investigate areas where historians fear to tread, raising many controversial questions and encouraging readers to think again.
In 2012 Annette Carson formed part of the team that discovered King Richard III's mortal remains, verified in 2013 by forensics including DNA matching. In response to the recent upsurge of interest, her 2009 paperback has been updated with details of the discovery plus new illustrations, and a larger typeface for easier readability. Carson's premise is that for centuries the vision of Richard III has been dominated by the fictional creations of Thomas More and Shakespeare. Many voices, some of them eminent and scholarly, have urged a more reasoned view to replace the traditional black portrait.
I am a British writer/producer with a 30-year interest in Richard III (1452-1485). A visit to Bosworth Field, the penultimate battle of the Wars of the Roses changed my life irrevocably. This haunting place captured my imagination and with it the story of the last Plantagenet monarch who died fighting in this small corner of Leicestershire for crown and country.
Following Edward IV’s death in 1483, his marriage to Elizabeth Woodville was found to be bigamous and their children declared illegitimate. The crown then passed to Edward’s younger brother, Richard III, who was elected king. For centuries the story of Edward IV’s bigamy was believed to be a concoction. In this seminal work, John Ashdown-Hill brings to light the story of Eleanor Talbot, Edward IV’s legal wife.
When Edward IV died in 1483, the Yorkist succession was called into question by doubts about the legitimacy of his sons (the 'Princes in the Tower'). The crown therefore passed to Edward IV's undoubtedly legitimate younger brother, Richard, Duke of Gloucester. But Richard, too, found himself entangled in the web of uncertainly, since those who believed in the legitimacy of Edward IV's children viewed Richard III's own accession with suspicion.
From the day that Edward IV married Eleanor, or pretended to do so, the House of York, previously so secure in its bloodline, confronted a contentious and uncertain future. John…
I am a British writer/producer with a 30-year interest in Richard III (1452-1485). A visit to Bosworth Field, the penultimate battle of the Wars of the Roses changed my life irrevocably. This haunting place captured my imagination and with it the story of the last Plantagenet monarch who died fighting in this small corner of Leicestershire for crown and country.
Domenico Mancini was an Italian visitor to London in 1483 who witnessed Richard III’s rise from Protector to King, and wrote the only genuinely contemporary account. His short narrative, less than 7,000 words, is so important that it’s used and quoted by every commentator who has anything to say about Richard III. This translation renders Mancini up-to-date and accessible for today’s readers.
Annette Carson, a member of the team that found Richard III s grave, has produced this new edition of Mancini s important eyewitness report. Domenico Mancini was an Italian visitor to London in 1483 who witnessed Richard III s rise from Protector to King, and wrote the only genuinely contemporary account. His short narrative, less than 7,000 words, was originally published in the 1930s in an edition that, for modern historians, leaves much to be desired. The title and a number of key passages were mistranslated. In addition, Mancini s misunderstanding of England s laws and governance, and his omission…
I’ve been a lover of historical mysteries ever since I realized it’s possible to read mystery fiction and learn history at the same time. Every time I pick up a mystery set in the past, whether it’s the ancient past, the more recent past, or somewhere in between, I know I’m going to be intrigued and challenged by a great story and come away with a greater understanding of the people, culture, customs, and events of that time period. It’s a win-win. I write historical mysteries because I want to share with readers what I’ve learned about a particular time or place in a way that’s compelling and engaging.
I picked up this book because I loved the cover (who says we don’t choose books by their covers?) and shortly thereafter found myself completely immersed in a 17th-century English Restoration mystery. I would visit that era in my time machine provided it’s fully stocked with soap and hand sanitizer (this time period being the one during which the Great Plague took place).
Main character Lucy Campion is a chambermaid in the home of a London magistrate. Her days are filled with the drudgery of servant duties—that is, until a murder claims the life of a servant in the household and someone Lucy holds dear is accused of the crime. Knowing that person can’t possibly be the killer, Lucy sets out to find out whodunit. I don’t want to give away any spoilers, so I’ll stop there.
I learned more about 1660s England reading this book than I ever did…
In Susanna Calkins's atmospheric debut novel, a chambermaid must uncover a murderer in seventeenth-century plague-ridden LondonFor Lucy Campion, a seventeenth-century English chambermaid serving in the household of the local magistrate, life is an endless repetition of polishing pewter, emptying chamber pots, and dealing with other household chores until a fellow servant is ruthlessly killed, and someone she loves is wrongly arrested for the crime. In a time where the accused are presumed guilty until proven innocent, lawyers aren't permitted to defend their clients, and--if the plague doesn't kill them first--public executions draw a large crowd of spectators, Lucy knows she…
Ever since I stumbled across the story of May Dugas, who the Pinkertons described as “the most dangerous woman in the world,” I’ve been fascinated by women who were born into lowly circumstances and yearned to better themselves. How far were they willing to go to rise above their station? This question takes on added weight for women in earlier eras—when women’s choices and opportunities were limited. So I’ve long been attracted to historical fiction that examines just these questions. And I’ve enjoyed hearing readers’ reactions to May’s story when I visit book clubs. What reader isn’t fascinated by stories of transgression and daring?
Maybe it’s because of my working-class roots, but Mary Saunders, an obscure but very real historical figure, is the sort of woman I wanted to root for. After all, it takes initiative, ingenuity, and not a small dose of impetuosity to rise from a lower-class schoolgirl to, well, some higher station. I was saddened to see how Mary’s yearnings to free herself from the shackles of her class forced her into prostitution at a young age. But when she made a dangerous misstep that set her on the run and landed her a position of a household seamstress, I couldn’t help but fear the worst for her. I was glued to the page in Emma Donoghue’s rich and provocative tale of this young girl’s quest for a better life.
Set in London and Monmouth in the late 1700s, this is an extraordinary novel about Mary Saunders, the young daughter of a poor seamstress. Mary hungers greedily for fine clothes and ribbons, as people of her class do for food and warmth. It's a hunger that lures her into prostitution at the age of thirteen. Mary is thrown out by her distraught mother when she gets pregnant and almost dies on the dangerous streets of London. Her saviour is Doll - a prostitute. Mary roams London freely with Doll, selling her body to all manner of 'cullies', dressed whorishly in…
I write historical fiction some of which is set during the Wars of the Roses - a period that has always fascinated me. My two series, Rebels and Brothers & the Craft of Kings span the whole topic. But underlying the fiction there is a wealth of knowledge because I have studied or taught about this period for the best part of fifty years. I have also produced in recent years over forty podcasts on the subject which have been very well received by listeners – including students currently wrestling with the sometimes labyrinthine complexities of the topic.
There are so many books about these two boys that one could be forgiven for not reading any of them. But, if you are going to read one make it this one. Pollard knows what he is talking about because he has a background of authoritative historical study second to none. What you’ll find in this book is as near as anyone is going to get to a balanced account. Forget all the dark myths and whitewashes of Richard III and just read this book.
Richard III has divided opinion for over 500 years. Traditionally, he has been perceived as a villain, a bloody tyrant and the monstrous murderer of his innocent nephews. To others he was and remains a wronged victim who did his best for kingdom and family, a noble prince and enlightened statesman tragically slain. This work explores the story of Richard III and the tales that have been woven around the historic events, and discusses his life and reign and the disappearance of the princes in the tower. It also assesses the original sources upon which much of the "history" is…
As an academic, I have been researching Canadian police and criminal justice history since the 1980s and I teach courses on the history of policing, crime, drugs and homicide, and capital punishment. In 2014 I began to cover a high-profile murder trial in my region of Canada and ended up writing a best-selling book on the case. The Oland case reinforced my interest in true crime, both as a research topic and a cultural phenomenon. True crime, whether set in the distant past or contemporary times, offers writers and readers alike fascinating forays into specific societies and communities as well as human nature.
This is an amazing book that serves as a template for academic writers seeking to reach a wider readership. Flanders delves into not only Victorian Britain’s obsessive fascination with homicide and its detection, but also how newspaper editors and reporters, playwrights, and novelists benefited from and were influenced by particularly gruesome crimes with compelling victims and perpetrators. The book incorporates academic scholarship and recalls some of the most famous crimes of the era and explores their impact on Charles Dickens, Wilkie Collins, Robert Louis Stevenson, and other cultural producers.
'We are a trading community, a commercial people. Murder is doubtless a very shocking offence, nevertheless as what is done is not to be undone, let us make our money out of it.' Punch
Murder in the 19th century was rare. But murder as sensation and entertainment became ubiquitous - transformed into novels, into broadsides and ballads, into theatre and melodrama and opera - even into puppet shows and performing dog-acts.
In this meticulously researched and compelling book, Judith Flanders - author of 'The Victorian House' - retells the gruesome stories of many different types of murder - both famous…
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I must admit that, over several decades now, I’ve fallen down the rabbit hole. Real life is full of stories that, if told as fiction, would leave readers rolling their eyes in disbelief. The gruesome and cruel don’t interest me. I’m drawn to the storytellers who can capture the worst moments and turn them into finely written, compelling, accurate stories, showing us the complexity of life.
Roughead wrote leisurely, almost Dickensian accounts of UK criminal trials in the 1920s and 1930s. He brought a sharp lawyer’s eye, a flair for the unusual, and a witty, knowledgeable voice to the trials and to the people involved. Madeleine Smith, Constance Kent, and Donald Merritt are among the 12 cases in this sampling from his many collections. Roughead set the bar for literate crime writers who followed.
Dorothy Sayers called William Roughead "the best showman who ever stood before the door of the chamber of horrors," and his true crime stories, written in the early 1900s, are among the glories of the genre. Displaying a meticulous command of evidence and unerring dramatic flair, Roughead brings to life some of the most notorious crimes and extraordinary trials of eighteenth- and nineteenth-century England and Scotland. Utterly engrossing, these accounts of pre-meditated mayhem and miscarried justice also cast a powerful light on the evil that human beings, and human institutions, find both tempting to contemplate and all too easy to…
While I love books that reflect strong family values, I don’t like sugary sweetness to the point of unrealism. I prefer to read about real people who can make fun of themselves and the world. That sarcastic and biting edge seems to tap into a deeper honesty about life while making me roll around on the floor and break all my furniture.
Imagine being in a tour group with the most annoying person in the world, Susan. Every tour group has that one person who talks non-stop about things that don’t matter. The difference here is that the tour guide Rowan Rover is an inept hitman who can’t seem to bump Susan off. An added element of fun is that the group is touring England’s most famous murder sites. When I was learning to write mysteries, I had two prominent influences, Sue Grafton and Sharyn McCrumb. Both taught me how to construct a solid mystery. Sue Grafton opened my eyes to the power of connection created by writing in first person. And Sharyn McCrumb showed me the importance of using humor even when talking about dark subjects like murder.
Edgar Award winner Sharyn McCrumb brings you her sixth Elizabeh MacPherson mystery novel. The unsinkable Elizabeth is on tour of England's most famous murder sites, when Rowan Rover, the group leader, is quietly asked to commit murder. He does, of course, but not without misgivings--not the least of which is having Elizabeth MacPherson, canny observer and all-around murder spoiler, on his tail... "Sharyn McCrunb is definitely a rising star in the New Golden Age of mystery fiction. I look forward to reading her for a long time to come." Elizabeth Peters
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