Here are 35 books that A Murder at Rosamund's Gate fans have personally recommended if you like
A Murder at Rosamund's Gate.
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I’ve always been drawn to stories where women defy expectations and carve out power in a world that seeks to silence them. As a writer of historical mysteries, I love exploring unconventional heroines—women who take risks, uncover secrets, and refuse to conform. The best mysteries blend atmosphere, intelligence, and a touch of rebellion, and I seek out books that do just that. Whether it’s a detective disguising her true identity or a woman outwitting society’s constraints, these stories inspire me. My book was born from this passion, and I hope readers who love fiercely independent heroines and richly layered mysteries will enjoy this list as much as I do.
This book is everything I love—an atmospheric setting, a fiercely independent heroine, and a slow-burning partnership filled with tension and intrigue. Charlotte Sloane’s sharp wit and refusal to conform had me hooked from the start.
I devoured this book in a single weekend, completely absorbed in the richly drawn world of Regency London and the dark secrets lurking beneath its surface. I love mysteries that blend history, strong characters, and intricate plotting, and this one delivered all of that and more.
In Regency London, an unconventional scientist and a fearless female artist form an unlikely alliance to expose a cold-hearted killer . . .
The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London’s most popular satirical cartoonist, A.J. Quill, skewers them both. But then the clergyman is found slain in a church—his face burned by chemicals, his throat slashed ear to ear—and Wrexford finds himself…
Whatever happened to the young Carr heiress who vanished years ago? A scheming uncle with an eye on her fortune persuades a vaudeville performer to impersonate his niece in exchange for a share of the inheritance. Desperate for work, Jessie accepts the role and moves from the tawdry world of…
Most stories about murder in the Victorian era are set in London. Not all the best mysteries, however, take place there as I have discovered as a long-time reviewer for City Book Review. Some are; some are not. In my own writing, the setting must complement and even amplify the murderous doings being depicted. With this in mind, let me take you on a deadly country-wide tour of mystery, with each of our five stops brightened or darkened by one of my favorite murder stories. Each of them engaged me, mystified me, and, above all, entertained me.
Our next stop is Essex for a classic English village mystery. I knew from the moment I read the opening scene—the grisly discovery of a young man entombed in the crypt of the usually murder-free parish church—that I was going to love the story. And I did.
I was delighted to see how the tranquility of the pastoral scenes—the thatched-roof cottages, the earthy smell of horses in the stable, the square, Norman-style church tower overlooking the village green—carried through the story and beautifully counterpointed the skullduggery at the heart of the mystery.
The quaint village atmosphere heightens the tension in this well-constructed first installment of what promises to be an exciting new mystery series.
When the body of a young man is found stuffed into the tomb of a medieval knight, Parish Constable Daniel Haze is tasked with investigating his first solo murder case. Suspicion instantly falls on the only stranger to arrive in the village of Birch Hill just before the crime took place, but the American captain proves to be an unexpected asset. A former soldier and a skilled surgeon, Jason Redmond is not only willing to assist Haze with the investigation but will risk his own safety to apprehend the killer.With no suspects, no motive, and few leads to follow, Redmond…
I’ve been a lover of historical mysteries ever since I realized it’s possible to read mystery fiction and learn history at the same time. Every time I pick up a mystery set in the past, whether it’s the ancient past, the more recent past, or somewhere in between, I know I’m going to be intrigued and challenged by a great story and come away with a greater understanding of the people, culture, customs, and events of that time period. It’s a win-win. I write historical mysteries because I want to share with readers what I’ve learned about a particular time or place in a way that’s compelling and engaging.
I tell anyone who will listen that I am not a fan of anything paranormal, but this series has me hooked. I think Summoning the Winds is the first book I ever read about witches (Hamletdoesn't count), and I loved it. In a nutshell, the series takes the notion of witch trials and turns it on its head with tales of real witches in colonial Connecticut of the 1660s (where, in my time machine, I would view the events in this story from a safe distance).
Yarrow Pickering, the main character and an eighteen-year-old orphan, is spunky and smart. She’s also a witch. She uses her abilities for good and, like her mother, is skilled at creating herbal remedies for illnesses and injuries suffered by the people in the village of Milthorpe. When she attempts to help a young girl who has become ill, the girl’s father becomes…
Witches have been hunted, tried, and executed for centuries. The Colonies are not immune to the fear of sorcery. In the Spring of 1660, the small Connecticut village of Milthorpe abruptly finds itself in the throes of a witch scare. Yarrow Pickering, the village herbal woman and proprietor of the Lanthorne Ordinary struggles to prove an accused woman is innocent but becomes ensnared in the witch hunt. Yarrow can't be sure if her relationship with the Magistrate’s son will harm or help her against her most strident opponents. The trials are beginning...but this time, what will happen when one of…
This is Detective Chief Superintendent Fran Harman's first case in a series of six books. Months from retirement Kent-based Fran doesn't have a great life - apart from her work. She's menopausal and at the beck and call of her elderly parents, who live in Devon. But instead of lightening…
I’ve been a lover of historical mysteries ever since I realized it’s possible to read mystery fiction and learn history at the same time. Every time I pick up a mystery set in the past, whether it’s the ancient past, the more recent past, or somewhere in between, I know I’m going to be intrigued and challenged by a great story and come away with a greater understanding of the people, culture, customs, and events of that time period. It’s a win-win. I write historical mysteries because I want to share with readers what I’ve learned about a particular time or place in a way that’s compelling and engaging.
This first-in-series book takes place in 1868 in the American West, a place I would visit in my time machine (I wouldn’t stay because I’m not a fan of dust and dirt and there was plenty of that in the early American West, but that’s on me).
Abigail (Abi) MacKay is a Pinkerton detective who has to do her job twice as well as any man to prove she deserves the position. Nat Quinn and Jake Conroy are leaders of the payroll train-robbing gang known as The Innocents. Nat and Jake are supposed to be the sworn enemies of the Pinkertons, but as luck would have it, Abi and the two men are forced to team up after the men save her life and she promises to help them find the person who murdered a friend of theirs.
But once their collaboration is over, what’s going to happen? Abi is…
Pinkerton Detective Abigail MacKay is a master of disguises—and of new crime-solving technology! But she’ll have to move fast to stay a step ahead of Nat Quinn and Jake Conroy.
Nat and Jake are the ringleaders of The Innocents, a western gang that specializes in holding up trains carrying payrolls—and Nat is pretty savvy when it comes to using the new sciences of 1868 in committing his crimes.
Charismatic Nat and handsome Jake are on the run, and they’ve always gotten away before—before Abi. But when Abi is caught by another band of outlaws during the chase, there’s no other…
Many years ago, when I’d read my first medieval mystery, I decided I wanted to write my own. But mine would be as realistic as I could manage; I wanted the reader to smell medieval London and to be there with me. A lot had been written about Kings and Queens but not much about ordinary life so that became the center of my academic study leading eventually to my Master's Degree in medieval medicine. As well as my novels I now write popular factual books and I’m pleased to say people have taken the time to say how much they enjoy the fine details I share.
Mel Starr is an American author who deserves to be better known for his Chronicles of Hugh de Singleton set in late fourteenth-century England.
Hugh is a surgeon as well as bailiff of Brampton. In this eleventh tale, Hugh is escorted to Kensington Palace, his expertise required to treat the ailing Black Prince. But I knew things had to get more serious than that and, sure enough, murder is committed.
Mel Starr’s research is impeccable and I found myself in the heart of medieval England, encountering royalty, rogues, and worse villains. But Hugh’s medical knowledge means he can tell an accident from a deliberate killing and there’s no deceiving him when he’s on a murderer’s trail.
'Another delightful and absorbing mystery from Mel Starr, keeping the reader guessing as the corpses pile up in Prince Edward's palace. Hugh de Singleton, of the dry wit and engaging humility, is one of my favourite sleuths.' Penelope Wilcock, British author and blogger
Master Hugh won the Black Prince's favour when he helped to ease the Prince's illness.
Now, in the autumn of 1372, the prince is suffering a relapse and sends to Bampton for Master Hugh to attend him. While at dinner in Kennington Palace, Sir Giles, the knight who escorted Hugh to London, is stricken and dies. Poison!…
Having spent my entire professional life in the art world as a practicing artist, art historian, journalist, curator, and museum director, and as an avid reader of mysteries, I’m excited when I find fiction in which art and crime coincide. Authentic settings, strong characters, and plenty of deception are de rigeur. The occasional dead body is always a plus, though not strictly required. It’s a specialized genre, but it speaks to me and inspires me to write my own series of art-world mysteries, combining fictional characters with real people from my own background and experience.
I had great fun deciphering the period English and Australian slang in this 1938 Inspector Roderick Alleyn mystery. The ingeniously plotted murder is set in a private art school, with a cast of eccentric characters right out of a London music hall revue.
The story works best if you know some of the types (including their prejudices) whom Marsh, a prolific mystery writer, is lampooning. Alleyn and Agatha Troy, the artist who runs the school, are so well imagined that I could feel the sparks flying between them as their romance ignited.
One of Ngaio Marsh's most famous murder mysteries, which introduces Inspector Alleyn to his future wife, the irrepressible Agatha Troy.
It started as a student exercise, the knife under the drape, the model's pose chalked in place. But before Agatha Troy, artist and instructor, returns to the class, the pose has been re-enacted in earnest: the model is dead, fixed for ever in one of the most dramatic poses Troy has ever seen.
It's a difficult case for Chief Detective Inspector Alleyn. How can he believe that the woman he loves is a murderess? And yet no one can be…
A New York Times Notable Book of the Year. The first in a charming, joyful crime series set in 1920s Bangalore, featuring sari-wearing detective Kaveri and her husband Ramu.
When clever, headstrong Kaveri moves to Bangalore to marry handsome young doctor Ramu, she's resigned herself to a quiet life. But…
My parents were avid readers and mysteries were a perennial favorite for all of us. By my early teens I moved from Judy Bolton and Nancy Drew to the Golden Age of mystery writers such as Agatha Christie and Mary Roberts Rinehart. Clearly addicted to mysteries without undue violence or gore, I discovered some wonderful television series as well. It won’t surprise you to learn that my favorite is Murder, She Wrote.
Many of the women in my family worked in domestic service. I do know that their work lives were not easy and their employers were often quite demanding. Still, each time I wander into the Victorian era where Mrs. Jeffries is housekeeper to Inspector Witherspoon of the Metropolitan Police, I imagine that my grandmother or my aunt is one of the household staff who Mrs. Jeffries organizes to do a “behind the scenes” investigation and provide the Inspector with the right clues to solve his cases.
Mrs. Jeffries is back in the New York Times bestselling Victorian Mytery series, perfect for fans of Downton Abbey.
Thomas Mundy checks in to London’s Wrexley Hotel, but he never checks out. The maid finds him on the floor of his room, bludgeoned to death by his own walking stick. Inspector Witherspoon is soon on the case and learns Mundy had a reputation for being polite, charming, and diligent—an unlikely victim for such a violent crime.
But Mrs. Jeffries and the household staff uncover that Mundy was less an amiable businessman and more a duplicitous con man with enemies on…
When I was a practicing journalist, I preferred getting my stories from the back road—“off the beaten path,” as is said. What I’m drawn to is the way a story is told, and since my game is journalism, I like the true ones. My father was a pretty good storyteller. My brother-in-law is wicked good. I hang with my jaw open, waiting on his next word. It’s like being able to tell a good joke. Few can do it. When it comes to True Crime, forget the blood and body count. Anyone can lay out the facts. It takes master storytelling to deliver us to the army of small truths that brought forth the crime—and the humanity that dissolved along the way.
This is the story of a man and his lover who kill the man’s wife in London, then try to escape on a ship to Canada disguised as father and son. Awkward, but doable, unless you have the misfortune of timing your transatlantic cruise with the advent of radio communication.
Thanks to the new "wireless" technology, this couple was unwittingly trapped the moment they stepped aboard. I felt like a bird, hovering above, espying them leaving their quarters to go to dinner, then flapping my wings like mad to get over to the captain and listen in as he reports their movements to authorities on shore. Absolutely captivating.
A true story of love, murder, and the end of the world’s “great hush.”
In Thunderstruck, Erik Larson tells the interwoven stories of two men—Hawley Crippen, a very unlikely murderer, and Guglielmo Marconi, the obsessive creator of a seemingly supernatural means of communication—whose lives intersect during one of the greatest criminal chases of all time.
Set in Edwardian London and on the stormy coasts of Cornwall, Cape Cod, and Nova Scotia, Thunderstruck evokes the dynamism of those years when great shipping companies competed to build the biggest, fastest ocean liners; scientific advances dazzled the public with visions of a world…
Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Try as I might, I can’t get into Marple. But T.E. Kinsey’s Lady Hardcastle series, beginning with the debut A Quiet Life in The Country turns the cozy genre on its head. In this case, the dithering, older busybody is Lady Emily Hardcastle, with her trusty ladies’ maid, Florence Armstrong. As the book and series progress, we find that neither woman is quite the helpless Edwardian female the neighbors believe. Come for the murder mystery and stay for the… knife throwing?
Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life.
But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...
As Lady Hardcastle and Flo delve deeper into rural rivalries…
Arizona Territory, 1871. Valeria Obregón and her ambitious husband, Raúl, arrive in the raw frontier town of Tucson hoping to find prosperity. Changing Woman, an Apache spirit who represents the natural order of the world and its cycle of birth, death, and rebirth, welcomes Nest Feather, a twelve-year-old Apache girl,…
What I look for in a book is something that triggers my serious side. So be it if that removes a whole range of fantasy books or those that merely titillate. Because I’ve traveled a lot, ‘feasible fiction’ is what I write and what I look for in other books. A story might be entirely fictitious, but as long as it’s not far-fetched, has a cast of realistic characters, an international or historic location, and keeps me on my toes to the very end, that’s great. If it’s got some politics and science thrown in, that’s even better. I hope my list lives up to expectations.
C. J. Sansom, a historian, died just recently, but he’s left a legacy of historical crime novels based around the time of Henry VIII. The main character is a charismatic, hunchbacked lawyer called Matthew Shardlake.
If, like me, you like books with strong characters, then, together with Sansom’s skill at weaving in the sights, sounds, smells, political shenanigans, and countless characters of Tudor England, Tombland is a fantastic read. It’s a long book (800 pages), so take your time on it, but I think this is historical crime fiction at its best.
Tudor England is brought vividly to life in Tombland, the seventh novel in C. J. Sansom's number one bestselling Shardlake series, for fans of Hilary Mantel and Philippa Gregory.
'When it comes to intriguing Tudor-based narratives, Hilary Mantel has a serious rival' - Sunday Times 'Sansom has the trick of writing an enthralling narrative. Like Hilary Mantel, he produces densely textured historical novels that absorb their readers in another time' - Andrew Taylor, Spectator
The Sunday Times Number One Bestseller
England, 1549: Two years after the death of Henry VIII, England is sliding into chaos . . .
