Here are 88 books that Summoning the Winds fans have personally recommended if you like
Summoning the Winds.
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I’ve been a lover of historical mysteries ever since I realized it’s possible to read mystery fiction and learn history at the same time. Every time I pick up a mystery set in the past, whether it’s the ancient past, the more recent past, or somewhere in between, I know I’m going to be intrigued and challenged by a great story and come away with a greater understanding of the people, culture, customs, and events of that time period. It’s a win-win. I write historical mysteries because I want to share with readers what I’ve learned about a particular time or place in a way that’s compelling and engaging.
This first-in-series book is set in Regency London, a place I would love to see via time machine (but only to visit—not to live there—because I like my creature comforts way too much).
The two main characters, Charlotte Sloane and the Earl of Wrexford, are from different sides of the tracks, so to speak, but there is some evidence that Charlotte may have experienced affluence at one time. Charlotte and Wrexford team up to solve a murder for which Wrexford stands accused. Their witty dialogue, disparate strengths, and willingness to overlook the other’s shortcomings make this a great read.
In Regency London, an unconventional scientist and a fearless female artist form an unlikely alliance to expose a cold-hearted killer . . .
The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London’s most popular satirical cartoonist, A.J. Quill, skewers them both. But then the clergyman is found slain in a church—his face burned by chemicals, his throat slashed ear to ear—and Wrexford finds himself…
Most stories about murder in the Victorian era are set in London. Not all the best mysteries, however, take place there as I have discovered as a long-time reviewer for City Book Review. Some are; some are not. In my own writing, the setting must complement and even amplify the murderous doings being depicted. With this in mind, let me take you on a deadly country-wide tour of mystery, with each of our five stops brightened or darkened by one of my favorite murder stories. Each of them engaged me, mystified me, and, above all, entertained me.
Our next stop is Essex for a classic English village mystery. I knew from the moment I read the opening scene—the grisly discovery of a young man entombed in the crypt of the usually murder-free parish church—that I was going to love the story. And I did.
I was delighted to see how the tranquility of the pastoral scenes—the thatched-roof cottages, the earthy smell of horses in the stable, the square, Norman-style church tower overlooking the village green—carried through the story and beautifully counterpointed the skullduggery at the heart of the mystery.
The quaint village atmosphere heightens the tension in this well-constructed first installment of what promises to be an exciting new mystery series.
When the body of a young man is found stuffed into the tomb of a medieval knight, Parish Constable Daniel Haze is tasked with investigating his first solo murder case. Suspicion instantly falls on the only stranger to arrive in the village of Birch Hill just before the crime took place, but the American captain proves to be an unexpected asset. A former soldier and a skilled surgeon, Jason Redmond is not only willing to assist Haze with the investigation but will risk his own safety to apprehend the killer.With no suspects, no motive, and few leads to follow, Redmond…
I’ve been a lover of historical mysteries ever since I realized it’s possible to read mystery fiction and learn history at the same time. Every time I pick up a mystery set in the past, whether it’s the ancient past, the more recent past, or somewhere in between, I know I’m going to be intrigued and challenged by a great story and come away with a greater understanding of the people, culture, customs, and events of that time period. It’s a win-win. I write historical mysteries because I want to share with readers what I’ve learned about a particular time or place in a way that’s compelling and engaging.
This first-in-series book takes place in 1868 in the American West, a place I would visit in my time machine (I wouldn’t stay because I’m not a fan of dust and dirt and there was plenty of that in the early American West, but that’s on me).
Abigail (Abi) MacKay is a Pinkerton detective who has to do her job twice as well as any man to prove she deserves the position. Nat Quinn and Jake Conroy are leaders of the payroll train-robbing gang known as The Innocents. Nat and Jake are supposed to be the sworn enemies of the Pinkertons, but as luck would have it, Abi and the two men are forced to team up after the men save her life and she promises to help them find the person who murdered a friend of theirs.
But once their collaboration is over, what’s going to happen? Abi is…
Pinkerton Detective Abigail MacKay is a master of disguises—and of new crime-solving technology! But she’ll have to move fast to stay a step ahead of Nat Quinn and Jake Conroy.
Nat and Jake are the ringleaders of The Innocents, a western gang that specializes in holding up trains carrying payrolls—and Nat is pretty savvy when it comes to using the new sciences of 1868 in committing his crimes.
Charismatic Nat and handsome Jake are on the run, and they’ve always gotten away before—before Abi. But when Abi is caught by another band of outlaws during the chase, there’s no other…
I’ve been a lover of historical mysteries ever since I realized it’s possible to read mystery fiction and learn history at the same time. Every time I pick up a mystery set in the past, whether it’s the ancient past, the more recent past, or somewhere in between, I know I’m going to be intrigued and challenged by a great story and come away with a greater understanding of the people, culture, customs, and events of that time period. It’s a win-win. I write historical mysteries because I want to share with readers what I’ve learned about a particular time or place in a way that’s compelling and engaging.
I picked up this book because I loved the cover (who says we don’t choose books by their covers?) and shortly thereafter found myself completely immersed in a 17th-century English Restoration mystery. I would visit that era in my time machine provided it’s fully stocked with soap and hand sanitizer (this time period being the one during which the Great Plague took place).
Main character Lucy Campion is a chambermaid in the home of a London magistrate. Her days are filled with the drudgery of servant duties—that is, until a murder claims the life of a servant in the household and someone Lucy holds dear is accused of the crime. Knowing that person can’t possibly be the killer, Lucy sets out to find out whodunit. I don’t want to give away any spoilers, so I’ll stop there.
I learned more about 1660s England reading this book than I ever did…
In Susanna Calkins's atmospheric debut novel, a chambermaid must uncover a murderer in seventeenth-century plague-ridden LondonFor Lucy Campion, a seventeenth-century English chambermaid serving in the household of the local magistrate, life is an endless repetition of polishing pewter, emptying chamber pots, and dealing with other household chores until a fellow servant is ruthlessly killed, and someone she loves is wrongly arrested for the crime. In a time where the accused are presumed guilty until proven innocent, lawyers aren't permitted to defend their clients, and--if the plague doesn't kill them first--public executions draw a large crowd of spectators, Lucy knows she…
There is something about books set in the cold, you know immediately bad things are going to happen! It may be my early childhood in Scotland, or my English upbringing, but I have always been drawn to the dark side of stories, the things under the bed, the monsters in the closet. I still love to be scared by the twists and chills but also am a sucker for a happy ending. In my novels, I always strive to entertain, to scare, and surprise, but ultimately there needs to be an emotional truth beneath everything. And this is true of the books I read as well.
I loved Shea’s previous book and knew I would fall head over heels for this one. The worldbuilding is so incredibly rich and her writing so lyrical, effortlessly taking you to those dark places and always with unexpected twists. I love thrillers and mysteries with heart and supernatural elements, and this book has it all.
Nora is used to the forest, it is her home, and she knows its magic well, but when a boy is reported missing from the camp for Wayward Boys, and the oncoming storm prevents the boy from being found, Nora knows that only she can persuade the forest to reveal the truth. But others who wish to hide the truth will do anything to prevent Nora from finding it, including the missing boy himself. This is a deliciously chilling read, perfect for reading by the fire, and bound to haunt you long afterward.
"Spellbinding." -Stephanie Garber, #1 New York Times bestselling author of the Caraval series "A delectably immersive, eerie experience." -Kirkus Reviews
From New York Times bestselling author of The Wicked Deep comes a haunting romance perfect for fans of Practical Magic, where dark fairy tales and enchanted folklore collide after a boy, believed to be missing, emerges from the magical woods-and falls in love with the witch determined to unravel his secrets.
Be careful of the dark, dark wood...
Especially the woods surrounding the town of Fir Haven. Some say these woods are magical. Haunted, even.
I come from a large family, both immediate and extended. As a result, my writing often includes a spectrum of family relationships, from the functional to the toxic. Nurturing or gaslighting? Supportive or undermining? Fantasy is my genre of choice for playing with these dynamics because its otherworldliness creates a safe space to consider true-to-life patterns, including the default trust we grant to those closest to us, how quickly that crumbles when expectations fall short, and the echo effect our earliest interactions have upon the rest of our lives.
Every time I read this book, I want to strangle basically every character except for Cat—and that’s half the fun! Charmed Lifetaught me that sometimes we can be too close to a situation to recognize its dangers or the safest paths to get away.
Cat assumes his sister is good, and everyone else assumes that he’s wicked because he’s always with her. I find his innocence endearing and I love that, as his understanding of Gwendolyn unfolds, he continues to seek goodness in others around him.
Glorious new rejacket of a Diana Wynne Jones classic award-winning favourite, featuring Chrestomanci - now a book with extra bits!
Everybody says that Gwendolyn Chant is a gifted witch with astonishing powers, so it suits her enormously when she is taken to live in Chrestomanci Castle. Her brother Eric (better known as Cat) is not so keen, for he has no talent for magic at all.
However, life with the great enchanter is not what either of them expects and sparks begin to fly!
I've been fascinated with time travel since I was young, and that's been a few moons. When the idea came to write books that play with time and space and cloak them in a romantic comedy, I got in my favorite writing chair to see who showed up with a story. I want to entice readers to take the journey, ponderingsuppose we could time travel? I think time is malleable, at least in my characters' hands. And they've done an excellent job of keeping me intrigued with their escapades in the past and present. I hope you enjoy the books I chose to recommend as much as I did.
Trapped in Time is the quincentennial weekend escape.
Thanks to a bump on Emma’s head, the story takes you on a time-travel excursion back to the Victorian era, where modern-day Emma suddenly finds herself. With no way back to reality, she navigates and manipulates her way into the arms of the aristocratic John to serve a secret purpose.
But as Emma confronts the struggles of women in this era, she faces critical decisions of mind and heart. This story resonated on many levels to see the hard won progress as women we’ve made and that our path continues with batons held high.
On the day she and her mother escaped her cruel father, Emma Washington vowed to never fall in love.
Now, Emma is a back-to-school PhD student with bigger and better things to worry about. That is, until one night, exhausted, slightly tipsy, and on her way home from a party, the glaring white light of a car comes crashing toward her, changing her life forever. Instead of waking up in a 21st-century hospital, she finds herself waking up in the backwaters of London, Victorian England, 1881…
Trapped in a time where everything she once knew is considered witchcraft, Emma discovers…
I’ve been fascinated by absurdist comedy and ideas for as long as I can remember. At sixteen, I wrote my first book, Mr A, which followed a man who would turn into a superhero after taking LSD and his talking dog. As an adult, I continue to revel in these types of stories. I brought this passion to my chart-topping debut non-fiction book, where I interviewed several people who believe McDonald’s has interdimensional properties. Now, I hold no bars in fiction writing, having authored a ‘genius of a book’ that follows a talking pencil.
Not as outrageous as the other books on this list, but unique all the same. Lanny introduced me to the idea of experimental and literary fiction. In fact, until reading Lanny, I hadn’t written fiction for years. Yet this book swarmed my brain with new ideas poised to push the boundaries of my written ability. Lanny is tender, surprising, sad, poetic, and wholesome.
An entrancing new novel by the author of the prizewinning Grief Is the Thing with Feathers
There’s a village an hour from London. It’s no different from many others today: one pub, one church, redbrick cottages, some public housing, and a few larger houses dotted about. Voices rise up, as they might anywhere, speaking of loving and needing and working and dying and walking the dogs. This village belongs to the people who live in it, to the land and to the land’s past.
It also belongs to Dead Papa Toothwort, a mythical figure…
I have read SF, starting with the classic Jules Verne, since I was a young teenager. Soon I discovered Bradbury, Asimov, Clarke, Ellison, Zelazny, Dick, all of whom lit up my mind with wondrous and sometimes dangerous visions of possible futures. During the COVID shutdown period, when our university went to online instruction, my wife convinced me to try my hand at writing in my favorite genre. Previously I had written a textbook, How Films Tell Stories (listed here at Shepherd), but never any fiction, so I wrote Temporal Gambit, a time-travel adventure combined with themes of first contact, artificial intelligence, and alternate history. I then followed it with a sequel. I hope you enjoy.
Bradbury remains my favorite author of all time, and this collection of short stories contains some of his best work, including my favorite time travel tale, “A Sound of Thunder.”
Imagine an avid hunter given the opportunity to stalk the king of prehistoric beasts, the monstrous T-Rex. Then imagine that things don’t go exactly as planned. The world will never be the same.
I’ve always looked at the world with a sense of wonder. As a child, I was drawn to the magical and the fantastical, but a budding fascination with the scientific method eventually led me to discover the beauty and wonder of the natural world. I assumed science fiction would scratch that itch, but too many genre novels left me feeling empty, like they were missing something essential—what it feels like to be human. Novels that combine a wonder of the world with an intimate concern for character hit just the right spot for me. Maybe they will for you as well.
This book is a literary novel set in part on the Moon. That’s not a sentence you’ll read often, which is a big part of why I love this novel—it’s not what I expected, even though there’s a big hint in the title.
Like many readers, my introduction to Emily St. John Mandel was her post-apocalyptic novel Station Eleven. In that story, the most interesting characters aren’t concerned with simple survival…if they are going to fight to live, they want a culture worth fighting for. When I picked this book up, I deliberately chose not to read the story summary and was completely caught off guard by how the novel unfolded. Typically, stories questioning time and our perception of reality do so by sending the protagonist on a dangerous quest looking for answers.
Like all my favorite novels, the scope is intimate and vast in this one. The story…
NEW YORK TIMES BESTSELLER • The award-winning, best-selling author of Station Eleven and The Glass Hotel returns with a novel of art, time travel, love, and plague that takes the reader from Vancouver Island in 1912 to a dark colony on the moon five hundred years later, unfurling a story of humanity across centuries and space.
One of the Best Books of the Year: The New York Times, NPR, GoodReads
“One of [Mandel’s] finest novels and one of her most satisfying forays into the arena of speculative fiction yet.” —The New York Times
