Here are 23 books that Mrs. Jeffries Rights a Wrong fans have personally recommended if you like
Mrs. Jeffries Rights a Wrong.
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During a time of turmoil in my life, I discovered the soul-calming world of the cozy when I happened upon the Thrush Green series by Miss Read (Doris Saint). A former fan of thrillers, my time spent in these rural British villages was a revelation. Who knew how peaceful the mundane could be when seasoned with a pinch of humor and common sense? I expanded my reading to include cozy mysteries like the ones I’ve recommended. Having reached the age of many of the ladies in these books, I appreciate even more their determination to continue to make a difference by using their unique experiences and skills.
What could be more unexpected than for a New Jersey widow in her sixties to become a CIA agent? Especially during the Cold War era?
Perhaps it is this unexpected nature of the circumstances that helps this incurable optimist to turn every near disaster into a triumph of good over evil. I love Mrs. P.’s indomitable spirit and seeing all the far-flung places her adventures take her through her eyes. Having lived through the 1960’s, I can relate to the authentic attitudes of the time.
Mrs Emily Pollifax is a 60-ish widow wanting more from life than teas and garden club meetings. In search of adventure, she decides to offer her services to the CIA - who, after all, would spot a suburban grandmother as a cold war secret agent? - and adventure she finds. Her first assignment, in Mexico City, doesn't sound dangerous until something goes wrong. She suddenly finds herself abducted across the world, embroiled in quite a hot Cold War... and her abductors find themselves entangled with one unbelievably feisty lady. Armed with only an open mind and a little karate, Mrs…
My parents were avid readers and mysteries were a perennial favorite for all of us. By my early teens I moved from Judy Bolton and Nancy Drew to the Golden Age of mystery writers such as Agatha Christie and Mary Roberts Rinehart. Clearly addicted to mysteries without undue violence or gore, I discovered some wonderful television series as well. It won’t surprise you to learn that my favorite is Murder, She Wrote.
Getting Old is Criminal by Rita Lakin is the third of seven books in the Gladdy Gold series and my personal favorite. How can I not love an amateur detective whose motto is “Never trust anyone under seventy-five”? One minute Gladdy is soaking in a hot tub on a romantic getaway with her new boyfriend, the next she is called to the bedside of a sick friend, who is not so sick after all and in a flash someone hires her to investigate the man he believes may have killed his mother. During the investigation, Gladdy’s sister Evvie begins to fall for the suspected killer. Now, aren’t you dying to know more?
"The Golden Girls play Nancy Drew in their own funny and creative ways...colorful and Meshugeneh.”—Mystery Scene
Gladdy Gold’s exotic vacation has reached a pinnacle: a romantic soak in a hot tub with the man she adores, far from Florida and her nosy neighbors…until an urgent message concerning the safety of her best friends sends her running home. Now, her idyll is ony a memory, her would-be-beau, Jack, is furious, and not only are the girls of the Gladdy Gold Detective Agency alive and well—they’re onto a hot new murder case.
My parents were avid readers and mysteries were a perennial favorite for all of us. By my early teens I moved from Judy Bolton and Nancy Drew to the Golden Age of mystery writers such as Agatha Christie and Mary Roberts Rinehart. Clearly addicted to mysteries without undue violence or gore, I discovered some wonderful television series as well. It won’t surprise you to learn that my favorite is Murder, She Wrote.
Lori Shepherd’s mother had a life-long friend, Dimity Westwood. Lori was at a personal crossroads when Dimity died and left Lori a cottage in the Cotswolds. But the biggest surprise for Lori (and for me!) is when she discovers that she and Dimity can write notes to each other. Don’t we all need a friend who can steer us in the right direction? When a valuable painting is stolen Lori must rely on Dimity to guide her to set things right.
The gentle spirit's sixteenth adventure is a New York Times bestseller and as "cozy and charming as a cup of Earl Grey" (Bookpage.com). And watch out for Nancy Atherton's latest, Aunt Dimity and the King's Ransom, coming in July 2018 from Viking!
After a dizzying time Down Under, Lori Shepherd returns to Finch and finds that her wealthy father-in-law, William Willis, Sr., has just purchased a splendid ten-acre estate nearby. While William fends off local ladies intent on romance, Lori oversees the painstaking restoration of a peculiar painting found during renovations. It's nothing Lori can't handle-until moving furniture, strange sounds,…
My parents were avid readers and mysteries were a perennial favorite for all of us. By my early teens I moved from Judy Bolton and Nancy Drew to the Golden Age of mystery writers such as Agatha Christie and Mary Roberts Rinehart. Clearly addicted to mysteries without undue violence or gore, I discovered some wonderful television series as well. It won’t surprise you to learn that my favorite is Murder, She Wrote.
My first grown-up job was as an assistant in the Investment Review Department of a major bank, so I was over the moon when I discovered this series. John Putnam Thatcher, Senior Vice President in charge of the Trust Department of The Sloan, often found that finance and crime meshed. I would look at the stuffy Vice Presidents that I worked with and I didn’t believe any of them would have the curiosity and the deductive reasoning to solve a numerical discrepancy much less a murder. John Putnam Thatcher, who is always a banker and a detective as required, was my dream boss.
New fully edited version and afterword. 3rd of 37 best selling Emma Lathen mysteries featuring SVP of the Sloan Guaranty Trust, John Putnam Thatcher, who gets to the bottom of things by cutting through various business goings on, a famous accountant who swooped down on a company to examine the books, dissident shareholders, community groups, and others to examine the financial motives in order to nail the killer. A humorous romp for those who like humor and good writing in their mysteries. Called the American Agatha Christie and Nero Wolfe with Portfolio by the New York Times.
Having spent my entire professional life in the art world as a practicing artist, art historian, journalist, curator, and museum director, and as an avid reader of mysteries, I’m excited when I find fiction in which art and crime coincide. Authentic settings, strong characters, and plenty of deception are de rigeur. The occasional dead body is always a plus, though not strictly required. It’s a specialized genre, but it speaks to me and inspires me to write my own series of art-world mysteries, combining fictional characters with real people from my own background and experience.
I had great fun deciphering the period English and Australian slang in this 1938 Inspector Roderick Alleyn mystery. The ingeniously plotted murder is set in a private art school, with a cast of eccentric characters right out of a London music hall revue.
The story works best if you know some of the types (including their prejudices) whom Marsh, a prolific mystery writer, is lampooning. Alleyn and Agatha Troy, the artist who runs the school, are so well imagined that I could feel the sparks flying between them as their romance ignited.
One of Ngaio Marsh's most famous murder mysteries, which introduces Inspector Alleyn to his future wife, the irrepressible Agatha Troy.
It started as a student exercise, the knife under the drape, the model's pose chalked in place. But before Agatha Troy, artist and instructor, returns to the class, the pose has been re-enacted in earnest: the model is dead, fixed for ever in one of the most dramatic poses Troy has ever seen.
It's a difficult case for Chief Detective Inspector Alleyn. How can he believe that the woman he loves is a murderess? And yet no one can be…
Many years ago, when I’d read my first medieval mystery, I decided I wanted to write my own. But mine would be as realistic as I could manage; I wanted the reader to smell medieval London and to be there with me. A lot had been written about Kings and Queens but not much about ordinary life so that became the center of my academic study leading eventually to my Master's Degree in medieval medicine. As well as my novels I now write popular factual books and I’m pleased to say people have taken the time to say how much they enjoy the fine details I share.
Mel Starr is an American author who deserves to be better known for his Chronicles of Hugh de Singleton set in late fourteenth-century England.
Hugh is a surgeon as well as bailiff of Brampton. In this eleventh tale, Hugh is escorted to Kensington Palace, his expertise required to treat the ailing Black Prince. But I knew things had to get more serious than that and, sure enough, murder is committed.
Mel Starr’s research is impeccable and I found myself in the heart of medieval England, encountering royalty, rogues, and worse villains. But Hugh’s medical knowledge means he can tell an accident from a deliberate killing and there’s no deceiving him when he’s on a murderer’s trail.
'Another delightful and absorbing mystery from Mel Starr, keeping the reader guessing as the corpses pile up in Prince Edward's palace. Hugh de Singleton, of the dry wit and engaging humility, is one of my favourite sleuths.' Penelope Wilcock, British author and blogger
Master Hugh won the Black Prince's favour when he helped to ease the Prince's illness.
Now, in the autumn of 1372, the prince is suffering a relapse and sends to Bampton for Master Hugh to attend him. While at dinner in Kennington Palace, Sir Giles, the knight who escorted Hugh to London, is stricken and dies. Poison!…
I’ve been a lover of historical mysteries ever since I realized it’s possible to read mystery fiction and learn history at the same time. Every time I pick up a mystery set in the past, whether it’s the ancient past, the more recent past, or somewhere in between, I know I’m going to be intrigued and challenged by a great story and come away with a greater understanding of the people, culture, customs, and events of that time period. It’s a win-win. I write historical mysteries because I want to share with readers what I’ve learned about a particular time or place in a way that’s compelling and engaging.
I picked up this book because I loved the cover (who says we don’t choose books by their covers?) and shortly thereafter found myself completely immersed in a 17th-century English Restoration mystery. I would visit that era in my time machine provided it’s fully stocked with soap and hand sanitizer (this time period being the one during which the Great Plague took place).
Main character Lucy Campion is a chambermaid in the home of a London magistrate. Her days are filled with the drudgery of servant duties—that is, until a murder claims the life of a servant in the household and someone Lucy holds dear is accused of the crime. Knowing that person can’t possibly be the killer, Lucy sets out to find out whodunit. I don’t want to give away any spoilers, so I’ll stop there.
I learned more about 1660s England reading this book than I ever did…
In Susanna Calkins's atmospheric debut novel, a chambermaid must uncover a murderer in seventeenth-century plague-ridden LondonFor Lucy Campion, a seventeenth-century English chambermaid serving in the household of the local magistrate, life is an endless repetition of polishing pewter, emptying chamber pots, and dealing with other household chores until a fellow servant is ruthlessly killed, and someone she loves is wrongly arrested for the crime. In a time where the accused are presumed guilty until proven innocent, lawyers aren't permitted to defend their clients, and--if the plague doesn't kill them first--public executions draw a large crowd of spectators, Lucy knows she…
When I was a practicing journalist, I preferred getting my stories from the back road—“off the beaten path,” as is said. What I’m drawn to is the way a story is told, and since my game is journalism, I like the true ones. My father was a pretty good storyteller. My brother-in-law is wicked good. I hang with my jaw open, waiting on his next word. It’s like being able to tell a good joke. Few can do it. When it comes to True Crime, forget the blood and body count. Anyone can lay out the facts. It takes master storytelling to deliver us to the army of small truths that brought forth the crime—and the humanity that dissolved along the way.
This is the story of a man and his lover who kill the man’s wife in London, then try to escape on a ship to Canada disguised as father and son. Awkward, but doable, unless you have the misfortune of timing your transatlantic cruise with the advent of radio communication.
Thanks to the new "wireless" technology, this couple was unwittingly trapped the moment they stepped aboard. I felt like a bird, hovering above, espying them leaving their quarters to go to dinner, then flapping my wings like mad to get over to the captain and listen in as he reports their movements to authorities on shore. Absolutely captivating.
A true story of love, murder, and the end of the world’s “great hush.”
In Thunderstruck, Erik Larson tells the interwoven stories of two men—Hawley Crippen, a very unlikely murderer, and Guglielmo Marconi, the obsessive creator of a seemingly supernatural means of communication—whose lives intersect during one of the greatest criminal chases of all time.
Set in Edwardian London and on the stormy coasts of Cornwall, Cape Cod, and Nova Scotia, Thunderstruck evokes the dynamism of those years when great shipping companies competed to build the biggest, fastest ocean liners; scientific advances dazzled the public with visions of a world…
Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Try as I might, I can’t get into Marple. But T.E. Kinsey’s Lady Hardcastle series, beginning with the debut A Quiet Life in The Country turns the cozy genre on its head. In this case, the dithering, older busybody is Lady Emily Hardcastle, with her trusty ladies’ maid, Florence Armstrong. As the book and series progress, we find that neither woman is quite the helpless Edwardian female the neighbors believe. Come for the murder mystery and stay for the… knife throwing?
Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life.
But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...
As Lady Hardcastle and Flo delve deeper into rural rivalries…
What I look for in a book is something that triggers my serious side. So be it if that removes a whole range of fantasy books or those that merely titillate. Because I’ve traveled a lot, ‘feasible fiction’ is what I write and what I look for in other books. A story might be entirely fictitious, but as long as it’s not far-fetched, has a cast of realistic characters, an international or historic location, and keeps me on my toes to the very end, that’s great. If it’s got some politics and science thrown in, that’s even better. I hope my list lives up to expectations.
C. J. Sansom, a historian, died just recently, but he’s left a legacy of historical crime novels based around the time of Henry VIII. The main character is a charismatic, hunchbacked lawyer called Matthew Shardlake.
If, like me, you like books with strong characters, then, together with Sansom’s skill at weaving in the sights, sounds, smells, political shenanigans, and countless characters of Tudor England, Tombland is a fantastic read. It’s a long book (800 pages), so take your time on it, but I think this is historical crime fiction at its best.
Tudor England is brought vividly to life in Tombland, the seventh novel in C. J. Sansom's number one bestselling Shardlake series, for fans of Hilary Mantel and Philippa Gregory.
'When it comes to intriguing Tudor-based narratives, Hilary Mantel has a serious rival' - Sunday Times 'Sansom has the trick of writing an enthralling narrative. Like Hilary Mantel, he produces densely textured historical novels that absorb their readers in another time' - Andrew Taylor, Spectator
The Sunday Times Number One Bestseller
England, 1549: Two years after the death of Henry VIII, England is sliding into chaos . . .
