Ever since I stumbled across the story of May Dugas, who the Pinkertons described as “the most dangerous woman in the world,” I’ve been fascinated by women who were born into lowly circumstances and yearned to better themselves. How far were they willing to go to rise above their station? This question takes on added weight for women in earlier eras—when women’s choices and opportunities were limited. So I’ve long been attracted to historical fiction that examines just these questions. And I’ve enjoyed hearing readers’ reactions to May’s story when I visit book clubs. What reader isn’t fascinated by stories of transgression and daring?
The Pinkertons branded her a crafty blackmailer, but to her Dutch Baron husband she was the most glamorous woman to grace Europe’s shores. Was the real May Dugas a cold-hearted enchantress, an able provider for her poor family, or a free-spirited globe-trotter? Parlor Games is based on the true story of the woman who made headlines not only in her Michigan hometown, but also in New York and London.
Maybe it’s because of my working-class roots, but Mary Saunders, an obscure but very real historical figure, is the sort of woman I wanted to root for. After all, it takes initiative, ingenuity, and not a small dose of impetuosity to rise from a lower-class schoolgirl to, well, some higher station. I was saddened to see how Mary’s yearnings to free herself from the shackles of her class forced her into prostitution at a young age. But when she made a dangerous misstep that set her on the run and landed her a position of a household seamstress, I couldn’t help but fear the worst for her. I was glued to the page in Emma Donoghue’s rich and provocative tale of this young girl’s quest for a better life.
Set in London and Monmouth in the late 1700s, this is an extraordinary novel about Mary Saunders, the young daughter of a poor seamstress. Mary hungers greedily for fine clothes and ribbons, as people of her class do for food and warmth. It's a hunger that lures her into prostitution at the age of thirteen. Mary is thrown out by her distraught mother when she gets pregnant and almost dies on the dangerous streets of London. Her saviour is Doll - a prostitute. Mary roams London freely with Doll, selling her body to all manner of 'cullies', dressed whorishly in…
Sarah Waters is a master storyteller, and you can’t go wrong with any of her books, but this is among my favorites. Little orphan Susan Trinder is shuttled off to a Mrs. Sucksby, who is something of a mother figure and commands a household of wee fingersmiths and thieves. I was rooting for Susan to break free of her life of crime and find respectability, but she just may have chosen the wrong person to pave the way—the legendary thief who goes by the moniker Gentleman. Susan and Gentleman develop a scheme to swindle an innocent woman out of her inheritance. But Susan and the woman unexpectedly find common ground, and then the fun begins! I really enjoyed this wild ride of a novel.
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
What could be better than one wily, take-charge woman? How about three? This is Ariel Lawhon’s debut novel, and it is pure fun. (I have enjoyed all her novels, but this one is a real romp.) The story launches one summer night in 1930 when Judge Joseph Crater steps into a New York City cab and is never heard from again. I loved how we learn the judge is a not-so-honorable character, involved with three women: Stella, his fashionable wife, the picture of propriety; Maria, their steadfast maid, indebted to the judge; and Ritzi, his showgirl mistress, willing to seize any chance to break out of the chorus line. This is a tantalizing reimagining of a scandalous mystery that rocked the nation in 1930—Justice Joseph Crater's infamous disappearance—through the eyes of the three women who knew him best. Lawhon has a real knack for finding fascinating characters!
From the New York Times bestselling author of I Was Anastasia comes a “genuinely surprising whodunit” (USA Today)that tantalizingly reimagines a scandalous murder mystery that rocked the nation.
One summer night in 1930, Judge Joseph Crater steps into a New York City cab and is never heard from again. Behind this great man are three women, each with her own tale to tell: Stella, his fashionable wife, the picture of propriety; Maria, their steadfast maid, indebted to the judge; and Ritzi, his showgirl mistress, willing to seize any chance to break out of the chorus line.
This novel created a stir when it first came out in 2010; it seemed everyone was talking about it. After I read it, I had to agree it was worth the buzz. In 1909, Ralph Truitt, a successful businessman in rural Wisconsin, places a notice in a Chicago paper advertising for "a reliable wife." But when Catherine Land steps off the train from Chicago, she's not the "simple, honest woman" that Ralph is expecting. She is both complex and devious, haunted by a terrible past and motivated by greed. She plans to win his devotion, poison him, and leave a wealthy widow. But Truitt has his own secrets and plans, and soon they’re both in over their heads. I love novels like this that take me on an unexpected journey.
COUNTRY BUSINESSMAN SEEKS RELIABLE WIFE. COMPELLED BY PRACTICAL REASONS. REPLY BY LETTER. Rural Wisconsin, 1907. In the bitter cold, Ralph Truitt, a successful industrialist, stands alone on a train platform waiting for the woman who answered his newspaper advertisement. But when Catherine steps of the train she's not the woman that Ralph is expecting. She is both complex and devious. And, haunted by a terrible past, she is motivated by greed. Catherine's plan is simple. She will win Ralph's devotion. Later, she will leave him as a wealthy woman. What Catherine has not counted on however is that Ralph might…
"Reader, I murdered him." Yes, those are among the opening lines of this reimagining of Jane Eyre’s story. I was immediately hooked! Jane Steele is a sensitive orphan who suffers at the hands of a spiteful aunt. I have a weakness for orphans and misfits, and at first Jane put me in mind of Cinderella. But the story quickly turns dark. After fleeing her grim life and making her way by penning criminals’ last confessions, she learns her aunt has died and she may be the heir to the home left behind. But there’s a complication—her childhood home has a new master, Mr. Thornfield, who happens to be seeking a governess. Anxious to know if she is Highgate's true heir, Jane takes the position and falls in love with the mysterious Charles Thornfield. Thus begins a dangerous dance between her and her master. I loved this book!
'Reader, I murdered him.' JANE STEELE is a brilliant Gothic retelling of JANE EYRE from Edgar-nominated Lyndsay Faye, for fans of LONGBOURN and PRIDE AND PREJUDICE AND ZOMBIES.'I loved it' - Elly Griffiths
** JANE STEELE HAS BEEN NOMINATED FOR AN EDGAR AWARD FOR BEST NOVEL 2017 **
Like the heroine of the novel she adores, Jane Steele suffers cruelly at the hands of her aunt and schoolmaster. And like Jane Eyre, they call her wicked - but in her case, she fears the accusation is true. When she flees, she leaves behind the corpses of her tormentors. A fugitive…
In 1662, a man is wrongly executed for signing the death warrant of Charles I. Awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it.
Over four centuries later, Faith and James move to the country to start a new life and a family. They discover their village lives under the curse uttered by the hanged man. Could their arrival be connected? They fear their choice of new home is no coincidence. Unexplained events hint at threats or warnings to leave. They become convinced the village remains cursed despite their friends’ denials. Who can they trust, and who are potential enemies?
In 1660, a man is wrongly executed for signing the death warrant of Charles I. While awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it. Over four centuries later, Faith and James move to the country to start a new life and a family. They learn that their village lives under the curse uttered by the hanged man. Could their arrival be connected? Faith and James fear that their choice of a new home is…
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