Here are 100 books that Richard III and the Princes in the Tower fans have personally recommended if you like
Richard III and the Princes in the Tower.
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A boyhood fascination with knights and castles, plus the inevitable influence of Tolkien’s world, drew me into medieval history, especially its warring side. An MA and a PhD in medieval warfare consolidated my enthusiasm, with my first three books being on that topic (what I call my Blood and Guts trilogy). I remain fascinated by the all-encompassing influence of medieval warfare on society and its unforgiving impact on warriors and non-combatants alike. Writing, lecturing, and public talks on these have led me into other interesting fields, including two TV documentaries.
Prof Gillingham was my first PhD supervisor. (I got through a couple or more!) I have always tried to emulate not only the clarity of his writing but also his dry touches of humour and his eminent common sense; not for him the clever-silliness of many academics. All these virtues are on display here in this highly readable account of The Wars of the Roses, in which a complex conflict is rendered enjoyably accessible.
Frequently remembered as a period of military history which both saw the French beat the English and then the English fight amongst themselves, traditional military historians have tended to pass over the period hastily, regarding it as an episode that wrecked England's military greatness. John Gillingham's highly readable history separates the myth from the reality. He argues that, paradoxically, the Wars of the Roses demonstrate how peaceful England in fact was. From the accession of the infant Henry VI to the thrones of England and France in 1422 to the accession of Henry VII following the Battle of Bosworth in…
I write historical fiction some of which is set during the Wars of the Roses - a period that has always fascinated me. My two series, Rebels and Brothers & the Craft of Kings span the whole topic. But underlying the fiction there is a wealth of knowledge because I have studied or taught about this period for the best part of fifty years. I have also produced in recent years over forty podcasts on the subject which have been very well received by listeners – including students currently wrestling with the sometimes labyrinthine complexities of the topic.
Like Gillingham’s book, it was published decades ago yet it is still the best overall work on Edward IV. Ross manages to give the reader a clear picture of this king and the tumultuous events in which he played a pivotal role. It is a balanced, thoughtful account which is ideal for a newcomer to the subject.
In his own time Edward IV was seen as an able and successful king who rescued England from the miseries of civil war and provided the country with firm, judicious, and popular government. The prejudices of later historians diminished this high reputation, until recent research confirmed Edward as a ruler of substantial achievement, whose methods and policies formed the foundation of early Tudor government. This classic study by Charles Ross places the reign firmly in the context of late medieval power politics, analyzing the methods by which a usurper sought to retain his throne and reassert the power of a…
I write historical fiction some of which is set during the Wars of the Roses - a period that has always fascinated me. My two series, Rebels and Brothers & the Craft of Kings span the whole topic. But underlying the fiction there is a wealth of knowledge because I have studied or taught about this period for the best part of fifty years. I have also produced in recent years over forty podcasts on the subject which have been very well received by listeners – including students currently wrestling with the sometimes labyrinthine complexities of the topic.
Despite the prominence of the Woodville family throughout the Wars of the Roses, there are few books about any of them. Often references to them are lifted from dubious and unsubstantiated sources and repeated on the internet and, I’m afraid, elsewhere too, as fact. Few scholars of the period have really given the family close scrutiny but that is what Susan Higginbotham has done. She has truly lifted a veil from the Woodvilles and her book is essential reading for anyone who wants an unbiased take on this very important group of people.
In 1464, the most eligible bachelor in England, Edward IV, stunned the nation by revealing his secret marriage to Elizabeth Woodville, a beautiful, impoverished widow whose father and brother Edward himself had once ridiculed as upstarts. Edward's controversial match brought his queen's large family to court and into the thick of the Wars of the Roses.
This is the story of the family whose fates would be inextricably intertwined with the fall of the Plantagenets and the rise of the Tudors: Richard, the squire whose marriage to a duchess would one day cost him his head; Jacquetta, mother to the…
I write historical fiction some of which is set during the Wars of the Roses - a period that has always fascinated me. My two series, Rebels and Brothers & the Craft of Kings span the whole topic. But underlying the fiction there is a wealth of knowledge because I have studied or taught about this period for the best part of fifty years. I have also produced in recent years over forty podcasts on the subject which have been very well received by listeners – including students currently wrestling with the sometimes labyrinthine complexities of the topic.
The Battle of Bosworth was a defining point – arguably, the defining point of the period and there have been many books written about it. This is as good as any and better than most. Skidmore gives a comprehensive context for and account of the battle. The book was published in 2013 so it takes into account much of the recent archaeological work which has been done to locate and describe the battlefield itself. It is a very useful guide indeed because, though Skidmore analyses possibilities where evidence is hard to come by, he does not stray into the realms of fantasy.
Richard III and Henry Tudor's legendary battle: one that changed the course of English history.
On the morning of 22 August 1485, in fields several miles from Bosworth, two armies faced each other, ready for battle. The might of Richard III's army was pitted against the inferior forces of the upstart pretender to the crown, Henry Tudor, a 28-year-old Welshman who had just arrived back on British soil after 14 years in exile. Yet this was to be a fight to the death - only one man could survive; only one could claim the throne.
I am a British writer/producer with a 30-year interest in Richard III (1452-1485). A visit to Bosworth Field, the penultimate battle of the Wars of the Roses changed my life irrevocably. This haunting place captured my imagination and with it the story of the last Plantagenet monarch who died fighting in this small corner of Leicestershire for crown and country.
The murder of the ‘Princes in the Tower’ is the most famous cold case in British history. Matthew Lewis delves into the context of the disappearance and the characters of the suspects and asks a crucial but often overlooked question: what if there was no murder? Lewis provides a rounded and complete assessment of this most fascinating historical mystery.
The murder of the Princes in the Tower is the most famous cold case in British history. Traditionally considered victims of a ruthless uncle, there are other suspects too often and too easily discounted. There may be no definitive answer, but by delving into the context of their disappearance and the characters of the suspects Matthew Lewis examines the motives and opportunities afresh as well as asking a crucial but often overlooked question: what if there was no murder? What if Edward V and his brother Richard, Duke of York survived their uncle's reign and even that of their brother-in-law…
As an academic, I have been researching Canadian police and criminal justice history since the 1980s and I teach courses on the history of policing, crime, drugs and homicide, and capital punishment. In 2014 I began to cover a high-profile murder trial in my region of Canada and ended up writing a best-selling book on the case. The Oland case reinforced my interest in true crime, both as a research topic and a cultural phenomenon. True crime, whether set in the distant past or contemporary times, offers writers and readers alike fascinating forays into specific societies and communities as well as human nature.
This is an amazing book that serves as a template for academic writers seeking to reach a wider readership. Flanders delves into not only Victorian Britain’s obsessive fascination with homicide and its detection, but also how newspaper editors and reporters, playwrights, and novelists benefited from and were influenced by particularly gruesome crimes with compelling victims and perpetrators. The book incorporates academic scholarship and recalls some of the most famous crimes of the era and explores their impact on Charles Dickens, Wilkie Collins, Robert Louis Stevenson, and other cultural producers.
'We are a trading community, a commercial people. Murder is doubtless a very shocking offence, nevertheless as what is done is not to be undone, let us make our money out of it.' Punch
Murder in the 19th century was rare. But murder as sensation and entertainment became ubiquitous - transformed into novels, into broadsides and ballads, into theatre and melodrama and opera - even into puppet shows and performing dog-acts.
In this meticulously researched and compelling book, Judith Flanders - author of 'The Victorian House' - retells the gruesome stories of many different types of murder - both famous…
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I must admit that, over several decades now, I’ve fallen down the rabbit hole. Real life is full of stories that, if told as fiction, would leave readers rolling their eyes in disbelief. The gruesome and cruel don’t interest me. I’m drawn to the storytellers who can capture the worst moments and turn them into finely written, compelling, accurate stories, showing us the complexity of life.
Roughead wrote leisurely, almost Dickensian accounts of UK criminal trials in the 1920s and 1930s. He brought a sharp lawyer’s eye, a flair for the unusual, and a witty, knowledgeable voice to the trials and to the people involved. Madeleine Smith, Constance Kent, and Donald Merritt are among the 12 cases in this sampling from his many collections. Roughead set the bar for literate crime writers who followed.
Dorothy Sayers called William Roughead "the best showman who ever stood before the door of the chamber of horrors," and his true crime stories, written in the early 1900s, are among the glories of the genre. Displaying a meticulous command of evidence and unerring dramatic flair, Roughead brings to life some of the most notorious crimes and extraordinary trials of eighteenth- and nineteenth-century England and Scotland. Utterly engrossing, these accounts of pre-meditated mayhem and miscarried justice also cast a powerful light on the evil that human beings, and human institutions, find both tempting to contemplate and all too easy to…
Many years ago, when I’d read my first medieval mystery, I decided I wanted to write my own. But mine would be as realistic as I could manage; I wanted the reader to smell medieval London and to be there with me. A lot had been written about Kings and Queens but not much about ordinary life so that became the center of my academic study leading eventually to my Master's Degree in medieval medicine. As well as my novels I now write popular factual books and I’m pleased to say people have taken the time to say how much they enjoy the fine details I share.
Mel Starr is an American author who deserves to be better known for his Chronicles of Hugh de Singleton set in late fourteenth-century England.
Hugh is a surgeon as well as bailiff of Brampton. In this eleventh tale, Hugh is escorted to Kensington Palace, his expertise required to treat the ailing Black Prince. But I knew things had to get more serious than that and, sure enough, murder is committed.
Mel Starr’s research is impeccable and I found myself in the heart of medieval England, encountering royalty, rogues, and worse villains. But Hugh’s medical knowledge means he can tell an accident from a deliberate killing and there’s no deceiving him when he’s on a murderer’s trail.
'Another delightful and absorbing mystery from Mel Starr, keeping the reader guessing as the corpses pile up in Prince Edward's palace. Hugh de Singleton, of the dry wit and engaging humility, is one of my favourite sleuths.' Penelope Wilcock, British author and blogger
Master Hugh won the Black Prince's favour when he helped to ease the Prince's illness.
Now, in the autumn of 1372, the prince is suffering a relapse and sends to Bampton for Master Hugh to attend him. While at dinner in Kennington Palace, Sir Giles, the knight who escorted Hugh to London, is stricken and dies. Poison!…
While I love books that reflect strong family values, I don’t like sugary sweetness to the point of unrealism. I prefer to read about real people who can make fun of themselves and the world. That sarcastic and biting edge seems to tap into a deeper honesty about life while making me roll around on the floor and break all my furniture.
Imagine being in a tour group with the most annoying person in the world, Susan. Every tour group has that one person who talks non-stop about things that don’t matter. The difference here is that the tour guide Rowan Rover is an inept hitman who can’t seem to bump Susan off. An added element of fun is that the group is touring England’s most famous murder sites. When I was learning to write mysteries, I had two prominent influences, Sue Grafton and Sharyn McCrumb. Both taught me how to construct a solid mystery. Sue Grafton opened my eyes to the power of connection created by writing in first person. And Sharyn McCrumb showed me the importance of using humor even when talking about dark subjects like murder.
Edgar Award winner Sharyn McCrumb brings you her sixth Elizabeh MacPherson mystery novel. The unsinkable Elizabeth is on tour of England's most famous murder sites, when Rowan Rover, the group leader, is quietly asked to commit murder. He does, of course, but not without misgivings--not the least of which is having Elizabeth MacPherson, canny observer and all-around murder spoiler, on his tail... "Sharyn McCrunb is definitely a rising star in the New Golden Age of mystery fiction. I look forward to reading her for a long time to come." Elizabeth Peters
I have been reading cozy mysteries since I was 8 years old. That’s over fifty years now, and I love, love, love them. Partly it’s the history: the setting and era so different from my own, and partly it’s the mystery element, I love to try to get to the answer before the sleuth, so that I can nod sagely and say, ‘I thought so.’ It’s also about people going through tough times, and seeing how those times can make or break them. I relate so much to their struggles with everyday life, and trying to fit an investigation around romance or vice versa, often during wartime.
I always like to get in at the beginning of an ongoing romance/relationship and this is the one where Alleyn meets Troy, the artist and his future wife. Actually, no I take that back, it’s a spoiler, don’t pay any attention. What if she’s the killer? Then where would the rest of these books be?
You might think Marsh’s characters seem no different than Sayers’, Christie’s, etc well-to-do detectives and their privileged suspects, but there is a difference here. There is tension between Alleyn, his traditional outlook, his job, and Troy’s more liberal leanings. But like any great couple, together they make a great, if not very romantic, combination.
One of Ngaio Marsh's most famous murder mysteries, which introduces Inspector Alleyn to his future wife, the irrepressible Agatha Troy.
It started as a student exercise, the knife under the drape, the model's pose chalked in place. But before Agatha Troy, artist and instructor, returns to the class, the pose has been re-enacted in earnest: the model is dead, fixed for ever in one of the most dramatic poses Troy has ever seen.
It's a difficult case for Chief Detective Inspector Alleyn. How can he believe that the woman he loves is a murderess? And yet no one can be…
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