63 books like Mystery in White

An eccentric philanthropist calls a group of friends and acquaintances together for Christmas in his ancient mansion. It isn’t long before someone dressed as Father Christmas turns up dead beneath the Christmas tree. Among the crowd of mismatched suspects is Mordecai Tremaine, one-time tobacconist, fan of romantic fiction, and occasional crime-solver. Tremaine is an unusual sleuth with a touch of Sherlock Holmes’s eccentricity but an optimistic spirit that guides him through the case. There’s a truly clever twist in the finale and, of course, plenty of snow! This is another book that feels very much neglected and deserves rediscovery.

This one is actually a bit of a cheat as it’s not really set at Christmas, although it is suitably snowy. In fact, it was originally published as “Another Little Murder” but has been renamed by canny publishers. I’ve included it anyway because it is such a fun book and, with its isolated, country-house setting, it certainly feels cosy enough for this time of year.

Published in 1947, it features an exceptionally likable detective called Dilys Hughes. She’s a witty, quirky, and determined protagonist who finds herself at the wonderfully named manor of Wintry Wold, just in time to investigate the death of its elderly owner. With its light touch and plenty of banter, it’s far closer to modern “cozy” whodunits than gritty, hard-boiled fiction. A really fun read to devour before Christmas arrives.

As much as I love mysteries that are all done and dusted in a weekend, I also enjoy the longer, slower type of whodunit where the plot unfolds over weeks and even months. Murder in the Snow kicks off at Christmastime with a murdered thug, a missing housekeeper, and a possible ghost, but psychoanalyst and amateur detective Mrs. Bradley sticks around to solve the crime.

Bradley is often compared to Agatha Christie’s Miss Marple and appeared in sixty-six novels over half a century. In contrast to Agatha Christie’s famous heroine, Mrs. Bradley is a rather witchy and sarcastic character, but I enjoyed the way she works with her nephew and his wife in this book to solve the mystery of a series of disreputable characters’ involvement in a puzzling crime.

Another unexpected amateur sleuth is the young stockbroker Malcolm Warren who is invited to a wealthy client’s house for the holiday when an apparent accident is followed by a definite murder. A twisting mystery, secrets galore for our sleuth to uncover, and any number of potential killers help create an atmospheric and pacy puzzle.

Published in 1934, this book is interesting for its complex interplay between the different classes and echelons within the grand house. There is a perfect array of characters from the uber-wealthy patriarch and his spoilt daughter to his patronised employees and servants. Perhaps best of all though, Warren is the kind of gutsy hero that was so common in films and books of the thirties, and he keeps the plot ticking along with plenty of wit and charm.

Roughead wrote leisurely, almost Dickensian accounts of UK criminal trials in the 1920s and 1930s. He brought a sharp lawyer’s eye, a flair for the unusual, and a witty, knowledgeable voice to the trials and to the people involved. Madeleine Smith, Constance Kent, and Donald Merritt are among the 12 cases in this sampling from his many collections. Roughead set the bar for literate crime writers who followed.

The murder of the ‘Princes in the Tower’ is the most famous cold case in British history. Matthew Lewis delves into the context of the disappearance and the characters of the suspects and asks a crucial but often overlooked question: what if there was no murder? Lewis provides a rounded and complete assessment of this most fascinating historical mystery.

This is an amazing book that serves as a template for academic writers seeking to reach a wider readership. Flanders delves into not only Victorian Britain’s obsessive fascination with homicide and its detection, but also how newspaper editors and reporters, playwrights, and novelists benefited from and were influenced by particularly gruesome crimes with compelling victims and perpetrators. The book incorporates academic scholarship and recalls some of the most famous crimes of the era and explores their impact on Charles Dickens, Wilkie Collins, Robert Louis Stevenson, and other cultural producers.   

I picked up this book because I loved the cover (who says we don’t choose books by their covers?) and shortly thereafter found myself completely immersed in a 17th-century English Restoration mystery. I would visit that era in my time machine provided it’s fully stocked with soap and hand sanitizer (this time period being the one during which the Great Plague took place). 

Main character Lucy Campion is a chambermaid in the home of a London magistrate. Her days are filled with the drudgery of servant duties—that is, until a murder claims the life of a servant in the household and someone Lucy holds dear is accused of the crime. Knowing that person can’t possibly be the killer, Lucy sets out to find out whodunit. I don’t want to give away any spoilers, so I’ll stop there. 

I learned more about 1660s England reading this book than I ever did… show more.

Mel Starr is an American author who deserves to be better known for his Chronicles of Hugh de Singleton set in late fourteenth-century England.

Hugh is a surgeon as well as bailiff of Brampton. In this eleventh tale, Hugh is escorted to Kensington Palace, his expertise required to treat the ailing Black Prince. But I knew things had to get more serious than that and, sure enough, murder is committed.

Mel Starr’s research is impeccable and I found myself in the heart of medieval England, encountering royalty, rogues, and worse villains. But Hugh’s medical knowledge means he can tell an accident from a deliberate killing and there’s no deceiving him when he’s on a murderer’s trail.

I always like to get in at the beginning of an ongoing romance/relationship and this is the one where Alleyn meets Troy, the artist and his future wife. Actually, no I take that back, it’s a spoiler, don’t pay any attention. What if she’s the killer? Then where would the rest of these books be? 

You might think Marsh’s characters seem no different than Sayers’, Christie’s, etc well-to-do detectives and their privileged suspects, but there is a difference here. There is tension between Alleyn, his traditional outlook, his job, and Troy’s more liberal leanings. But like any great couple, together they make a great, if not very romantic, combination.