100 books like The Downstairs Room and Other Speculative Fiction

Zenna Henderson's entire The People series is worth reading, including the original short stories. These were all published at a time when very few female sci-fi authors were published. There is also a film that is fairly faithful to the books. Her creativity, her understanding the experience of immigrants and those who are “different,” and her depictions of the ways humans and immigrants are likely to re/act are timeless, offering stellar insights into our modern-day experiences. Sci-fi authors would do well to read all her books to learn how to do world-building, draw parallels between non-human species and humans, and analogize modern dilemmas as speculative fiction plots.

I felt a deep connection to the characters in this book as they go through a journey of intense struggle. It is a thorough exploration of another world, including both the good and darker aspects of human nature. When I finished this book, I felt I had returned from a great adventure to another land with characters that I had come to know well. The book has a timeless relevance with its insights into human nature and the corruption of power.

I think Le Guin's world-building is nothing short of remarkable. Through her meticulous attention to detail, she crafts a society unlike any other. The exploration of power and its corrupting influence is a central theme.

Doris Lessing is another amazing speculative fiction author with many books and stories to read! This is the third book in a series of five that I highly recommend reading in its entirety and in order. But if you can only read one book, read this one. In this series, Lessing posits an Earth that has been the subject of a millennia-long experiment by beings from the planet Shikasta that includes tipping Earth on its axis to create seasons, which she speculates are the main reason humans have ever-changing moods and are quick to be emotional. A fascinating look into what makes humans the way we are from a unique perspective, along with excellent world-building and an interesting vehicle for storytelling make this a great read.

Ray Bradbury and I share birthdays, so I wanted to include him, and he is one of the greats included in this anthology. It also features Philip K. Dick, Stephen King, Roger Zelazny, Ursula K. Le Guin, Neil Gaiman, and more amazing authors. The story, “All Summer in a Day,” is so powerful that it stayed with me my entire life (I read it in 1964, age 9!). I think it stuck with me because it depicts a group of kids my age at that time bullying another classmate into missing out on a once-in-a-lifetime opportunity out of sheer meanness and children's callousness and carelessness. Bradbury masterfully uses an almost typical classroom setting in an alternate world to show us how WE behave badly regardless of our world setting. Fabulous and sad. Read ANYTHING of his and learn a lot as well as be entertained, but please start here.

If you love a quirky narrator, this is your perfect entry point into historical fiction. In 1890 Atlanta, our heroine—Jo Kuan—works as a lady’s maid by day and offers up wit and wisdom as a secret advice columnist by night. 

The voice in this one is what had me wrapped around Jo’s funny, sharp, insightful little finger. Expect to laugh, get angry, unravel a few mysteries, and learn a few dark things about American history along the way. There’s a reason this book was a Reese’s Book Club pick.

I read this book as a graduate student and found Fader’s ability to make academic research readable and interesting – yes, interesting! – hugely attractive. Ever since I’ve aimed to do the same in my own writing.

This book is a fascinating insight into a community many of us know nothing about, featuring young women’s voices, and relayed by Fader. 

I like a challenge, so I was drawn to how this concept picture book tackles a challenging topic, making it fun and accessible. While colorful robots dance and bicker, the text asks readers to evaluate statements to determine if they’re facts or opinions. Readers learn to question information and to respect the opinions of others, skills many adults haven’t mastered. The best thing about this book is that it fosters critical thinking.

I studied with Jane Kamensky while I was working on a MA in American History. Little did I know that she had a wicked historical character hidden inside. Learning that inspired me to write good history inside a realistic and sexy historical plot. This is a story of hidden identity and unexpected love. 

The characters are a portrait artist and his apprentice. The apprentice appears to be a young man, as only young men would take such a position in 18th-century Boston, and the artist is surprised at his yearning for him. 

Forty years on, The Book of the SubGenius continues to mystify. Is SubGenius a joke disguised as a religion or a religion disguised as a joke? Either way, it’s hilarious.

I picked this book out at random at a bookstore and opened it to find a passage reading, “You probably think you may have wandered into a bookstore and picked this book out at random, but it was ordained that you would find this.” Spooky but intriguing.

I was taken in with the hilarious description of the religious teachings of award-winning siding salesman J.R. “Bob” Dobbs. The doctrine of the Church of the SubGenius is an incisive and unapologetic skewing of pop culture and religious dogma. Plus, tons of astounding artwork and demented collages to drive home the weirdness.

Talal Asad’s genealogical analysis of the concept of religion in Western thought is a classic.

Asad, a Saudi-born anthropologist, proposed that it was the unique product of Western modernity and secularism to perceive religious discourse in the public arena as a disguise for power, which created a bias towards it in public life. This bias was then internationalized through the transposition of an inherently ethnocentric concept of religion.

Among other insights, Asad stressed the need to approach religious traditions in reference to the experience of the believers and the texts or traditions they invoke in their everyday life. A seminal piece of work that can provide a point of reference for anyone working to decolonize religious studies.