91 books like The Devil Rides Out

Three worlds in one book! There’s the not-so-important world of the Ancelstierre, roughly Edwardian or early-20th-Century-ish, and there’s the Old Kingdom, basically medieval, where Charter Magic wars with Free Magic (and how well Nix thinks through the workings of his forms of magic).

But the third world is the one that takes the cake! An underworld of the dead, with its different levels, gates, and sills. Sabriel discovers her own special inheritance and powers—OK, that’s standard fantasy fare, except that Sabriel’s powers are those of an abhorsen. It’s the Abhorsen’s role to make sure that the dead stay dead, and journey on down into the deeper levels of death. Of course, the dead who keep coming back are the ones who drive the narrative!

Alright, this one isn’t a Regency, and it’s not technically a romance, but it is a love story. It’s set during the Restoration period, so it’s much earlier, but it showcases how a love story can also be an adventure story and a journey of self-discovery.

The heroine, Lady Dona St. Columb, retreats to her estate in Cornwall only to find that a pirate is using her cove as a secret hideaway and her house as his own retreat. They set out on a madcap adventure and fall in love until her husband arrives and attempts to capture her lover, forcing Dona to choose between the life she has and the life she wants.

This is one of my favorite stories because the themes in it are timeless—who among us has not grappled with the same dilemma in the 21st century? I think that makes a book strong—regardless of time… show more.

I love the central female character in this book, Cora Seaborne, who can swing between admirable and ridiculous over the course of a page. I love the dark atmosphere created by the marshes of the Blackwater, where Cora is determined to find evidence of a mysterious creature presumed by locals to be malevolent.

The estuary is a menacing presence in reality (people and animals are sucked in and lost in times of bad weather) and in the imaginations of the villagers. I also love the way that this provides a backdrop for various tumults of the soul experienced by the characters as Cora crashes into the settled lives of a local minister and his family, wreaking accidental havoc.

Hill’s minimalist style, ability to evoke despair, and superb descriptions, combined with the most vivid of imaginations, make her a compelling writer of ghost stories. Hill generally includes all my favourite elements in her ghost stories, starting in familiar surroundings, then moving to more exotic locations, often delivering a shocking twist at the end. In The Man in the Picture, a story set in Venice during Carnival is told to the narrator by an aging professor in his Cambridge rooms on a winter’s night. You don’t read a Susan Hill book to come out feeling better afterwards, but… if you like to be left with a feeling of disquiet, even though you know it’s only a story you just read, The Man in the Picture’s definitely for you.

This collection of short detective stories features Sayers’ most famous sleuth Lord Peter Whimsey, but also the lesser-known Montague Egg. Sayers was a marketing professional, and this comes out in the Egg stories, about a travelling salesman who gets involved in mysteries, the police allowing him to do so partly because of his quirky and unassuming personality. Egg frequently quotes useful maxims from his favourite book The Salesman’s Handbook, thinking laterally to solve puzzles that elude formal detectives. This book has no supernatural aspect but is included here as the idea of a ‘detective that is not a detective’ always intrigued me. I chose this device for my (very different to Egg) detective protagonist Jack Sangster, partly as a result of reading In the Teeth of the Evidence.  

Ordinarily, a werewolf novel with a strong emphasis on the romance angle wouldn’t rate so highly with me, but Kelley Armstrong’s book was the right one at the right time. Elana, our heroine, is the world’s only female werewolf; her job has been killing rogue shapeshifters. She gets tired of that and tries to retire and live as a normal human, but that doesn’t work out.

What I liked about this was that it was my first exposure to a werewolf novel that really dealt with the political and social dynamics of a worldwide werewolf pack. Fortunately, Armstrong is a great storyteller, so there is more here than politics or romance. Her worldbuilding is fantastic, as evidenced by the fact this became the first in a long series of Otherworld novels.

More magic and another enchanting new world to explore. Again I found I could dissolve into the story and be there with the characters. You are taken on adventures through this strange land where magic creeps from every stone. Start with a young girl who must face trials, partake in battles and defeat those who would enslave her people. She inherits the Kystrel a magical pendant with which she can both give and take. The first of three books which I could not put down.

This was the first ‘grown-up’ book I ever read. I was seven. I can still remember the green Penguin Books cover and the smell of old paper that accompanied it. I immediately became captivated by Sherlock Holmes and this mystery on the lonely moors. I still get goosebumps when I read that line, “Mr Holmes, they were the footprints of an enormous hound!” Yikes! 

I love Holmes’s brilliance and his friendship with ‘my friend and colleague, Dr Watson.’ I love his wry sense of humor, his untidy habits, and his Victorian manners. I’m a grandmother now, and I still love Holmes and this book as much as I did when I was a child. 

This novel's structure inspired me to write my book, at least in part. I read it in one sitting while working as a security guard at a nature park on Christmas night years ago. It deals with an unholy presence by the name of Jakerbok, imprisoned in the pages of the book, who perpetually pleads with the reader to “Burn this book!” or else. It is wholly unique, original, and decidedly unsettling.

Grant’s book is yet another series that feature young adults who wield extraordinary powers.

From burning lasers, to telekinesis, to canceling gravity itself, I was fascinated to discover all of the gifts that these teens inherited once their little home of Perdido Beach became isolated, in space and time, from the rest of the world.

In addition to those supernatural elements, Grant explores the very gritty reality of what it would be like to live in an isolated city, devoid of adults in which these teens are forced to govern, manage, lead, and feed their group with ever-diminishing resources.