78 books like The Damnation Game

My science fiction and fantasy writing is concerned with the values I was exposed to growing up. As a lifelong Quaker, I have struggled—often unsuccessfully—to live out Quakerism’s non-conformist, almost utopian commitment to equality, simplicity, peace, and community. Not only have I tried to bear witness to those values in my writing, but those ideals led me to my career as an instructor at a community college, one of America’s great socioeconomic leveling institutions. My background as a speculative fiction writer has also made me into a teacher of science fiction and fantasy literature at my college, where I read and came to love the books I recommend here. 

I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.

I'm a lot of things. I design games. I study literature and theater. I write novels that are messy fusions of literary and genre fiction. I'm endlessly curious. Each of my books starts with when I hear in my head, the voice of a character asking a question. It's always a silly question, and it's always the one that matters more to them than anything else in the world. "Why does being superintelligent make you evil?" became Soon I Will Be Invincible. "What are people who play video games obsessively really looking for?" became You. Answering the question isn't simple, but of course that's where the fun starts.

I love history, and it infuses most of my fiction. Since I first picked up a book, I’ve never stopped learning about the past. Now, I listen to college courses and podcasts and read books both popular and academic. Sometimes this is for my writing or personal travel, but those things are often just excuses for the fun of immersion in a subject. I particularly enjoy reading and writing alternate/secret history because it merges creative imagination with factual scholarship. But I’m picky about the use of history in all media—factual sloppiness bumps me out of a story as quickly as bad physics drives a scientist from an SF movie. 

The only thing I love reading more than books about myth and legend are books you’re not supposed to read. George Bataille once wrote that if you ever caught him producing a book that he risked nothing to write, you should throw it away, and I take that to heart. Every book should be dangerous, because only danger makes you think. I hope every book I’ve written is, in some sense, dangerous, although of course I also hope my readers do not get ripped to pieces by the devil. That’s a little too dangerous. 

I was born in England, live in America, and write history books about Germany. I’ve published eight books in all (and co-edited two others), and I’m proud that two of them won prizes. I review books, too, in publications like the Guardian and the London Review of Books. History is how I make my living, but it is also a calling and a passion. I can’t imagine doing anything else. I have always enjoyed reading literature and find I am reading even more avidly since the pandemic. There are so many German novels I love it was hard to choose just five. I hope you enjoy my choices.

It’s no wonder South Brooklyn, in the latter half of the last century, is the setting for so many remarkable dramas for both page and screen. In fact, when legendary former NYPD Detective Thomas Dades offered to make introductions to a Colombo Crime Family associate who cooperated with the federal government, I leapt at the opportunity. I was born in Greenpoint in 1971 and grew up on 16th Avenue in the heart of Bensonhurst. It’s not just South Brooklyn’s raw, urban chaotic physical setting, but the sheer volatility of this period in time, where so many transformational trends of the larger culture were evident, and some even epi-centered.

I immersed myself in sports when I was young. Watched every game. Knew every statistic and piece of trivia. Lived and died with my favorite teams’ fortunes. But as I aged and became a writer, the outcomes of the games mattered less and less to me. The sports themselves mattered less and less. What mattered were the stories that I could uncover and tell—stories that, by the nature of sports and competition, branched into all the themes and fields of the human condition.

I've been reading fantasy for 42 years and writing it for 40, and because I was raised by badass women, I've always enjoyed tales of clever, kickass, indomitable heroines. I've written a bunch of them (a dozen books in an urban fantasy series about a sorcerer named Marla Mason; four books in the Axiom space opera series about ship captain Callie Machedo and her love interest, time refugee xenobiologist Elena Oh; contemporary fantasy/romance Heirs of Grace, about an art student who discovers a magical inheritance, and more). I'm also a longtime book reviewer, editor at SF/fantasy trade magazine Locus, and frequent award juror (Bradbury Prize, Philip K. Dick Award, and more), so... I think about SF/fantasy books a lot. 

I have written seven novels to date that have at their heart the idea that there is a wider, unseen game afoot that is being played out in realms about which normal humans are unaware. Six of them form the Allie St Clair ‘Black’ series, and the seventh is a stand-alone novel called The Unforgiver. Why do I write about these things? Very probably my teenage reading of Stephen King’s early work, HP Lovecraft’s collection, and my personal connection to Satan. Just kidding. I’ve never read any Lovecraft. To be serious, how can you not gaze into the infinite cosmos above and not wonder if there’s a lot more going on than we comprehend?