Here are 100 books that The American Monomyth fans have personally recommended if you like
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As a student of mythology and archetypal psychology, I invite you to interrogate your assumptions about self and society, to consider the narratives that we all take for granted. We live between great polar opposites. One is how our leaders embody old, toxic stories. The other asks who we might become if we imagine new ones. But only by dropping our sense of innocence and acknowledging the depths of our darkness can we open ourselves to the possibilities of real transformation. I invite you inside our mythic walls, to examine what it means to be an American. I hope to facilitate a collective initiation and invite you to think mythologically.
This country was settled primarily by Puritan extremists who imprinted their deep distrust of the body’s needs onto future generations. The Calvinist obsession with sin and predestination led to a uniquely American situation. As wealth became a sign of grace, poverty indicated moral failure.
Weber’s classic book describes the process in which a perspective that began in renunciation was transformed into the drive to work incessantly in the pursuit of worldly success and, eventually, conspicuous consumption. As the strictly religious fervor dissipated over time, the competitive quest for efficiency, productivity, wealth, and the self-validation they symbolized remained and became our most fundamental value.
What others would later call the “American Dream” endures because, like no other myth, it promises fulfillment both in this world and the next. This helped me understand our obsession with individualism and why America ignores or mistreats many of its children simply because their parents are…
In The Protestant Ethic, Max Weber opposes the Marxist concept of dialectical materialism and relates the rise of the capitalist economy to the Calvinist belief in the moral value of hard work and the fulfillment of one's worldly duties.
As a student of mythology and archetypal psychology, I invite you to interrogate your assumptions about self and society, to consider the narratives that we all take for granted. We live between great polar opposites. One is how our leaders embody old, toxic stories. The other asks who we might become if we imagine new ones. But only by dropping our sense of innocence and acknowledging the depths of our darkness can we open ourselves to the possibilities of real transformation. I invite you inside our mythic walls, to examine what it means to be an American. I hope to facilitate a collective initiation and invite you to think mythologically.
This Black sociologist demands that we take a deep look into the religious basis of American racism.
Of 5,000 cases of lynching reported between 1880 and 1930, at least 40% functioned as actual human sacrifices, very large communal rituals that identified certain individuals as the source of the community’s problems and eliminated them. The sacrifice created a compact between the people and their deities, expiating their sins and reinforcing their values.
"The victim mediated between the sacred and the profane...the burning cross distilled it all: sacrificed Negro joined by the torch with sacrificed Christ, burnt together and discarded...” Well into the 20th century, “The cross – Christianity’s central symbol of Christ’s sacrificial death – became identified with the crucifixion of the Negro.” Forced to carry all the projections of the white unconscious, the Black man became the American Dionysus.
Patterson observes that in recent generations the stereotype of America’s internal…
In the first essay, Patterson analyzes the very latest survey data to delineate the different attitudes, behaviors, and circumstances of Afro-American men and women, dissecting both the external and internal causes for the great disparities he finds.In the second essay, Patterson focuses on the lynching of Afro-American boys and men during the decades after Reconstruction, particularly on the substantial number of cases that constituted apparent ritual human sacrifice. As no one has done before, Patterson reveals how the complex interplay between Christian sacrificial symbolism and the deep recesses of post-bellum Southern culture resulted in some of the most shameful, barbaric…
As a student of mythology and archetypal psychology, I invite you to interrogate your assumptions about self and society, to consider the narratives that we all take for granted. We live between great polar opposites. One is how our leaders embody old, toxic stories. The other asks who we might become if we imagine new ones. But only by dropping our sense of innocence and acknowledging the depths of our darkness can we open ourselves to the possibilities of real transformation. I invite you inside our mythic walls, to examine what it means to be an American. I hope to facilitate a collective initiation and invite you to think mythologically.
This is the scariest book I have ever read. The authors, a communications professor and a psychologist (and veteran), argue that nationalism is the most powerful religion in the United States.
The doctrine that provides the central experience of Christian faith is the sacrifice of an irreplaceable son by an all-powerful father whose will it was that the son should die violently. In the modern world, and especially in America, nationalism has taken on and replicated this mythic function.
What keeps the group together and makes us feel unified is not the sacrifice of the enemy but the sacrifice of the very best of our own. Through successful sacrifice (when enough of our young men are killed), internal hostilities are discharged and the group is re-unified. Sacrifice restores the authority of the nation/god and reconsolidates the group.
This is why we die for the flag, commit our children to do…
This compelling book argues that American patriotism is a civil religion of blood sacrifice, which periodically kills its children to keep the group together. The flag is the sacred object of this religion; its sacrificial imperative is a secret which the group keeps from itself to survive. Expanding Durkheim's theory of the totem taboo as the organizing principle of enduring groups, Carolyn Marvin uncovers the system of sacrifice and regeneration which constitutes American nationalism, shows why historical instances of these rituals succeed or fail in unifying the group, and explains how mass media are essential to the process. American culture…
As a student of mythology and archetypal psychology, I invite you to interrogate your assumptions about self and society, to consider the narratives that we all take for granted. We live between great polar opposites. One is how our leaders embody old, toxic stories. The other asks who we might become if we imagine new ones. But only by dropping our sense of innocence and acknowledging the depths of our darkness can we open ourselves to the possibilities of real transformation. I invite you inside our mythic walls, to examine what it means to be an American. I hope to facilitate a collective initiation and invite you to think mythologically.
This journalist, screenwriter, and novelist is well-versed in psychology, mythology, history, and musicology. His essay in this book, Hear That Long Snake Moan, is the single best piece of non-fiction I have ever read, and it inspired me to write my book.
Our disease – the Western divorce of consciousness from flesh – appears as consumerism, environmental degradation, fundamentalism, perpetual war, genocide, and racism. Yet, mysteriously, it may be possible that the terrible uprooting and enslavement of some fifty million black people over three centuries actually initiated a great healing process.
For all its sorrows, the twentieth century saw periods when Dionysian madness seized the Apollonian mind in its flight from the body and brought it back to Earth. African-American music fundamentally altered America and began the slow process of cleaning out the festering wounds underlying puritanism, nationalism, and materialism. We have a long way to go, but Ventura has…
Essays discuss marriage, sexuality and religion, dance, the sixties, conversation, the American Revolution, television, rock music, motion pictures, cities, and modern myths
As a publishing professional for over 20 years, I’ve worked in a variety of jobs and positions with some of the biggest pop culture creators and brands. Just before the pandemic, I finally took time to invest in myself as a writer and set out to combine my lifelong passions for film, TV, music, video games, and books–with my skills as an award-winning poet–to write my debut novel, from my “certain point of view” as a first-generation Asian American. The books on my list here are from some of the authors that I admire–who are also “one of us”: the bookworms, the pop culture geeks, the hopeless romantics.
I am a lifelong Stephen King fan. I was that potbellied kid, perpetually with a stack of books, who insisted that the librarian let me check out Skeleton Crew, even if she told me it would absolutely give me nightmares. One of many, and often. I read the classics like The Stand and It–and watched the TV and film adaptations of Uncle Stevie’s best. Stephen King’s love of pop culture (music, movies, comic books) is evident in most of what he writes, no less so than in his magnum opus: The Dark Tower series.
Want to see where Marvel Comics, Harry Potter, and Stephen King's other fictional characters start to clash and co-mingle? Well, I’m sure you do, because you know. By the time you get to Book V: The Wolves of the Calla–you are already along for the ride and you know how thin that…
WOLVES OF THE CALLA is the fifth volume in Stephen King's epic Dark Tower series. The Dark Tower is now a major motion picture starring Matthew McConaughey and Idris Elba.
In the fifth novel in StephenKing's bestselling fantasy series, Roland and his ka-tet are bearing through the forests of the Mid-World on their journey to the Dark Tower.
Tracking their every move is a group of farmers from the town of Calla Bryn Sturgis. The trackers have been warned that the Wolves, a band of masked riders, are about to gallop out of the dark land of Thunderclap and raid…
I’m a husband, father, writer, and recovering addict – and not necessarily in that order. Early in my marriage, I became a full-blown, low-bottom cocaine addict. While it wasn’t surprising that active addiction nearly led to divorce, my wife and I were baffled and discouraged when my newfound sobriety brought its own existential marital issues. Frustratingly, there was a dearth of resources for couples in recovery, especially compared to the ample support available to recovering addicts. As an avid freelance writer, I decided to add to this sparse genre by sharing our struggles, setbacks, and successes en route to a happy, secure marriage.
What’s a book against language policing and cancel culture doing on a list about post-addiction marriage? Simple: the self-obsessed, oft-offended nonsense permeating universities exemplifies what married couples in recovery must roundly reject.
The book’s co-authors – a social psychologist and a free speech activist – profess three Great Untruths adversely affecting Generation Z:
What doesn’t kill you makes you weaker. This prompts us to avoid narratives challenging our preconceived notions or personal experiences.
Always trust your feelings. Among other problems, unquestionably trusting our feelings leads to taking offense when none is intended.
Life is a battle between good and evil people. This leads to a blame-first mentality that assumes the worst about others.
They may as well have been speaking to married couples attempting to stay together post-recovery.
New York Times Bestseller * Finalist for the 2018 National Book Critics Circle Award in Nonfiction * A New York Times Notable Book * Bloomberg Best Book of 2018
"Their distinctive contribution to the higher-education debate is to meet safetyism on its own, psychological turf . . . Lukianoff and Haidt tell us that safetyism undermines the freedom of inquiry and speech that are indispensable to universities." -Jonathan Marks, Commentary
"The remedies the book outlines should be considered on college campuses, among parents of current and future students, and by anyone longing for a more sane society." -Pittsburgh Post-Gazette
I am a historian of twentieth century Germany and the Holocaust, but I am also a voracious consumer of popular culture. How do I justify spending so much time watching and analyzing horror and science fiction film and television? Well, write a book about it, of course. The first thing I realized is that many other brilliant scholars have thought about why this imagery permeates contemporary culture, even if I asked different questions about why. I hope you are as inspired and enlightened by this book list as I was.
Eric Kurlander is a brilliant historian of modern Germany who finally treats this topic with the seriousness it deserves. Lots of charlatans and amateurs on the History Channel love to speculate about the Nazis and the occult, but Kurlander brings a historian’s rigor to the subject and reveals a complex relationship between the supernatural and the Nazi worldview. Among his findings is that key Nazi figures used the vast propaganda machinery, including film, to depict its “racial enemies” as monstrous. Kurlander also breaks down absurd beliefs like World Ice Theory and determines the truth behind Hitler’s fascination with the “Spear of Destiny.”
The definitive history of the supernatural in Nazi Germany-the occult ideas, esoteric sciences, and pagan religions touted by the Third Reich in the service of power
"[Kurlander] shows how swiftly irrational ideas can take hold, even in an age before social media."-Michael Dirda, The Washington Post
"A careful, clear-headed, and exhaustive examination of a subject so lurid that it has probably scared away some of the serious research it merits."-National Review
The Nazi fascination with the occult is legendary, yet today it is often dismissed as Himmler's personal obsession or wildly overstated for its novelty. Preposterous though it was, however,…
I've been studying people at work for over 40 years, starting as an undergraduate at Cornell’s School of Labor Relations. As a student, I got involved with the trade union movement in the US, and worked as an assembly-line worker and fruit picker on kibbutzim in Israel. These hands-on experiences made me want to understand and have an impact on the way people spend most of their working hours. I’ve collected survey data from literally thousands of workers in dozens of studies conducted around the world. I’ve published more articles in scholarly journals than I ever imagined possible. And while I’m still passionate about the study of work, I’ve yet to really understand it.
Malcom Gladwell is undoubtedly the best translator of social science research writing these days.
What the Dog Saw is a compendium of New Yorker essays penned by Gladwell, several of which have a direct link to managing people. Two of my favorites are “Late Bloomers” – an essay on the fallacy of inherent talent, and “Most Likely to Succeed”.
These essays say a lot about employee selection and development, challenging the assumptions held by too many managers that good staff are born, not made, and that selecting top talent is the key to competitive advantage. Gladwell goes with the evidence, but does so in a super-engaging manner.
Malcolm Gladwell is the master of playful yet profound insight. His ability to see underneath the surface of the seemingly mundane taps into a fundamental human impulse: curiosity. From criminology to ketchup, job interviews to dog training, Malcolm Gladwell takes everyday subjects and shows us surprising new ways of looking at them, and the world around us. Are smart people overrated? What can pit bulls teach us about crime? Why are problems like homelessness easier to solve than to manage? How do we hire when we can't tell who's right for the job? Gladwell explores the minor geniuses, the underdogs…
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
Ziad Fahmy’s book on the importance of popular culture in the history of modern Egypt and the anti-British revolution of 1919 was a real landmark. Bringing together songs, jokes, vaudeville plays, and more, he manages to draw out a story of Egyptian anti-colonial, nationalism that is not confined to elite circles or confined by bourgeois morality. This is history from the streets. Although it is an academic book, it is written with an engaging style that captures some of the excitement of this period. Published in 2011, Fahmy’s book opened up space for research and writing on the history of Arabic pop culture.
The popular culture of pre-revolution Egypt did more than entertain-it created a nation. Songs, jokes, and satire, comedic sketches, plays, and poetry, all provided an opportunity for discussion and debate about national identity and an outlet for resistance to British and elite authority. This book examines how, from the 1870s until the eve of the 1919 revolution, popular media and culture provided ordinary Egyptians with a framework to construct and negotiate a modern national identity.
Ordinary Egyptians shifts the typical focus of study away from the intellectual elite to understand the rapid politicization of the growing literate middle classes and…
I’ve been fascinated by celebrities and heroes ever since I was a child. That compulsion became something I wanted to understand. I got my chance as the head editor of People magazine. Over the years, I met more than my share of celebrities – Ronald Reagan, Tom Hanks, Malcolm X, and Princess Diana, to name only a few. I began to take notes about my brushes with fame and think about celebrities in history and why they have recently become so dominant in our culture. Celebrity Nation is the result. Enjoy it!
Daniel Boorstin’s The Image is an amazing study by the former Librarian of Congress that first set in place many of the ideas about celebrities that are still with us today.
“The celebrity is a person who is known for [their] well-knowness,” Boorstin wrote. He describes “pseudo-events”, the manufactured illusions that we mistake for reality in a media-saturated world.
Drawing on examples like Charles Lindbergh, Boorstin shows how we come closer and closer to degrading all fame into notoriety. Thus, the heroes of the past are blurred before our eyes and eventually disappear.
The Image is the first book I read about celebrity and it remains one of the best.
First published in 1962, this wonderfully provocative book introduced the notion of “pseudo-events”—events such as press conferences and presidential debates, which are manufactured solely in order to be reported—and the contemporary definition of celebrity as “a person who is known for his well-knownness.” Since then Daniel J. Boorstin’s prophetic vision of an America inundated by its own illusions has become an essential resource for any reader who wants to distinguish the manifold deceptions of our culture from its few enduring truths.
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