Fans pick 100 books like How We Live Now

I almost didn’t include this Newbery Medal winner book by Louis Sachar on my list of magical middle-grade books set in the real world. Is it really magical? Is it set in the real world? With a fourteen-year-old protagonist, Stanley Yelnats, is it even middle-grade?

Here’s why my love for this book won out. Sachar weaves together a quirky, complex story, just interconnected enough to qualify as “magical.” The setting, a juvenile prison camp with a sadistic warden, is “real-world” enough. And Stanley, though emotionally young for fourteen, is a kind, thoughtful kid well worth rooting for.

About halfway through reading, its darkness almost prompted me to lay this book aside. I’m so glad I didn’t. In the end, its themes of perseverance, hope, and redemption shone through.

And you thought your family was crazy! Set in Malaysia, this fascinating story combines family drama with class issues, ethnic tensions, the effects of colonial rule, and even ghosts. I love how writer Preeta Samarasan evokes a mysterious, almost magical feel to the setting and characters, as the reader gets acquainted with the wealthy, yet deeply dysfunctional family at the center of the story. No matter how bitter, enraging, or disappointing these characters feel towards each other, they are still bonded together, and the story ends on a hopeful note. This family can redeem itself-even if it takes moving to another country to do it.

Family is not just a metaphor- it resides in a physical place, and that place is home. I found this book extremely valuable because it takes an anthropological approach to the meaning of home, exploring the sociological, historical, and even scientific reasons why home is so fundamental to the human condition. The image of a hearth stands out most from this book: that the most fundamental way for humans to make food - fire - created the foundation for viewing home as a place that is crucial to our nourishment and flourishing. This basic aspect of human survival led to a space of protection, peace, comfort, and security- a home. And where there is home, there is family.

Family is the core of Native American identity, and nowhere is this more exemplified than in Eric Gansworth’s book Mending Skins. The book centers on two Tuscarora women, mother and daughter, and their triumphs and struggles as professional women trying to do right by their tribe. I recommend this book because it looks at the complexities of trying to keep Native families together among the backdrop of colonialism and government meddling, which was bent on destroying the Native family. Though broken, the women in this book never feel sorry for themselves, and, as the title suggests, look towards the future and ways to become whole again.

Malcom Gladwell is undoubtedly the best translator of social science research writing these days. 

What the Dog Saw is a compendium of New Yorker essays penned by Gladwell, several of which have a direct link to managing people. Two of my favorites are “Late Bloomers” – an essay on the fallacy of inherent talent, and “Most Likely to Succeed”.

These essays say a lot about employee selection and development, challenging the assumptions held by too many managers that good staff are born, not made, and that selecting top talent is the key to competitive advantage. Gladwell goes with the evidence, but does so in a super-engaging manner. 

Where the Girls Are is about a particular generation of women growing up in post War America, and the impact popular media had on their lives, both for good and for bad. It weaves wonderfully smart, often funny, always engagingly written discussions of pop music, movies, and television shows with Douglas’s own experiences at the time. It’s unabashedly feminist—but it isn’t a speech or a political manifesto. It’s an exploration of the push-pull of growing up female at a transitional time, a time in which attitudes toward women were changing, unevenly, and how pop culture reflected the tensions of the times. This book is history, memoir, sociology, media studies, all at once – immensely informative and very entertaining.

The sociologist Joshua Gamson was among the first to analyze the effects of television on our image of celebrityhood.

In Claims to Fame, he rebels against the democratization of fame and is nostalgic for the days before fame was divorced from merit.

He cites Clifford Geertz’s classic The Interpretation of Cultures to make the point that celebrities are “a powerless elite” with high status and visibility but literally no power of any kind over audiences.

And now, of course, in the age of social media, these discrepancies are magnified.

This is a scholarly work, but don’t let the unassuming title fool you: Stott’s writing is crisp, elegant, and highly readable, and his insights are crucial to any understanding of the New Deal’s place in American culture. He covers the Roosevelt administration’s cultural undertakings—from the WPA projects to Farm Security Administration photographers to FDR’s own political style and “documentary imagination”—but his real subject is the broader documentary impulse that was expressed so forcefully and variously during the 1930s. This impulse was hardly confined to the federal government’s interventions in the arts. The connections he draws between the New Deal and, say, Martha Graham’s dance productions, or James Agee and Walker Evans’s Let Us Now Praise Famous Men, are illuminating and convincing. 

I was so moved by Hua Hsu’s memoir, an elegy to a college best friend whose shocking murder forever haunts him, because it spoke to a certain kind of young friendship. One of the things that bound Hsu to Ken was the art they did (and didn’t) like but which they always talked about.

I was reminded of the chance encounters of my most important friendships—the Sunday nights spent watching Mad Men in a dorm room or the hours spent swapping Photoshop edits of anime characters—and transported back to those days of limitless dreaming. How big the world seemed then, and how much art we were so desperate to make for, and about, each other.

1980s Berlin is famous for two things: a wild counterculture and the sudden demise of the Wall. In recalling the outsize personalities he got to know on both sides of the Wall, Paul Hockenos brings the two strands of history as close together as can be done. The music and party scene, the communes and the squats, arose during this quiet lull in the Cold War, as political, musical, and sexual misfits found their niche in the dead zones along the Wall. Most of us living in Berlin in the 80s enjoyed the peace and quiet. This book shows what most of us were missing out on.