Here are 100 books that Home fans have personally recommended if you like
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I love middle-grade books (for eight to twelve-year-olds), which is why I write in that genre. My Summer of L.U.C.K. trilogy is sprinkled with magical adventures, but each one has real-life kids struggling with real-life problems and finding real-world solutions. I believe that books whose characters experience magical elements along with themes of friendship, perseverance, and self-acceptance will help them learn, as I did when I was a young reader, that whatever troubles they're experiencing, other kids have those troubles too, that they're not alone, and that help is possible.
I almost didn’t include this Newbery Medal winner book by Louis Sachar on my list of magical middle-grade books set in the real world. Is it really magical? Is it set in the real world? With a fourteen-year-old protagonist, Stanley Yelnats, is it even middle-grade?
Here’s why my love for this book won out. Sachar weaves together a quirky, complex story, just interconnected enough to qualify as “magical.” The setting, a juvenile prison camp with a sadistic warden, is “real-world” enough. And Stanley, though emotionally young for fourteen, is a kind, thoughtful kid well worth rooting for.
About halfway through reading, its darkness almost prompted me to lay this book aside. I’m so glad I didn’t. In the end, its themes of perseverance, hope, and redemption shone through.
WINNER OF THE NEWBERY MEDAL
WINNER OF THE NATIONAL BOOK AWARD
SELECTED AS ONE OF TIME MAGAZINE'S 100 BEST YA BOOKS OF ALL TIME
Stanley Yelnats' family has a history of bad luck, so when a miscarriage of justice sends him to Camp Green Lake Juvenile Detention Centre (which isn't green and doesn't have a lake) he is not surprised. Every day he and the other inmates are told to dig a hole, five foot wide by five foot deep, reporting anything they find. Why? The evil warden claims that it's character building, but this is a lie. It's up…
Family is one of the few truly universal experiences that all human beings have, because we all come from somewhere. Every human on Earth is raised by someone, so it’s something we can all relate to, for good or for ill. Universal experiences like family allow us as human beings to relate to others, and that common ground is what provides joy and meaning in life. I appreciate that I don’t have to have a master’s degree or PhD in family studies or family therapy to glean insights into how our families shape us. My own observations and analytical writer’s mind made me realize the importance of storytelling in keeping families together, especially across generations.
And you thought your family was crazy! Set in Malaysia, this fascinating story combines family drama with class issues, ethnic tensions, the effects of colonial rule, and even ghosts. I love how writer Preeta Samarasan evokes a mysterious, almost magical feel to the setting and characters, as the reader gets acquainted with the wealthy, yet deeply dysfunctional family at the center of the story. No matter how bitter, enraging, or disappointing these characters feel towards each other, they are still bonded together, and the story ends on a hopeful note. This family can redeem itself-even if it takes moving to another country to do it.
A spellbinding, exuberant first novel, set in Malaysia, that introduces us to a prosperous Indian immigrant family, as it slowly peels away its closely guarded secrets.
When the family's servant girl, Chellam, is dismissed from the big house for unnamed crimes, it is only the latest in a series of losses that have shaken six-year-old Aasha's life. Her grandmother has passed away under mysterious circumstances and her older sister has disappeared for a new life abroad, with no plans to return. Her parents, meanwhile, seem to be hiding something away - from themselves, and from one another.
Family is one of the few truly universal experiences that all human beings have, because we all come from somewhere. Every human on Earth is raised by someone, so it’s something we can all relate to, for good or for ill. Universal experiences like family allow us as human beings to relate to others, and that common ground is what provides joy and meaning in life. I appreciate that I don’t have to have a master’s degree or PhD in family studies or family therapy to glean insights into how our families shape us. My own observations and analytical writer’s mind made me realize the importance of storytelling in keeping families together, especially across generations.
Family can be an emotionally charged word, especially for people who come from toxic families or don’t even know their biological families. This is why I appreciate this non-fiction book by Bella DePaulo, which acknowledges that there is more than one way to be a family. She goes well beyond the typical nuclear family of mother, father, and biological children to explore how people are living together in the 21st century. One type of configuration she explores, the multi-generational household, is near and dear to my heart because I grew up like that, and it changed my life for the better.
A close-up examination and exploration, How We Live Now challenges our old concepts of what it means to be a family and have a home, opening the door to the many diverse and thriving experiments of living in twenty-first century America.
Across America and around the world, in cities and suburbs and small towns, people from all walks of life are redefining our “lifespaces”—the way we live and who we live with. The traditional nuclear family in their single-family home on a suburban lot has lost its place of prominence in contemporary life. Today, Americans have more choices than ever…
Everybody knows that all animals—bats, bears, sharks, ponies, and people—start out as a single cell: the fertilized egg. But how does something no bigger than the period at the end of this sentence give rise to the remarkable complexity of each of these creatures?
Family is one of the few truly universal experiences that all human beings have, because we all come from somewhere. Every human on Earth is raised by someone, so it’s something we can all relate to, for good or for ill. Universal experiences like family allow us as human beings to relate to others, and that common ground is what provides joy and meaning in life. I appreciate that I don’t have to have a master’s degree or PhD in family studies or family therapy to glean insights into how our families shape us. My own observations and analytical writer’s mind made me realize the importance of storytelling in keeping families together, especially across generations.
Family is the core of Native American identity, and nowhere is this more exemplified than in Eric Gansworth’s book Mending Skins. The book centers on two Tuscarora women, mother and daughter, and their triumphs and struggles as professional women trying to do right by their tribe. I recommend this book because it looks at the complexities of trying to keep Native families together among the backdrop of colonialism and government meddling, which was bent on destroying the Native family. Though broken, the women in this book never feel sorry for themselves, and, as the title suggests, look towards the future and ways to become whole again.
Welcome to the Seventh Annual Conference of the Society for Protection and Reclamation of Indian Images. Expect to find, amid all the refined cultural observations, academic posturing, and political maneuvering, an Indian who defies anyone to protect, let alone reclaim, her image. This is Shirley Mounter, a Tuscarora woman and the chief storyteller among the acerbic, eloquent, and often hilarious speakers who overflow the pages of this latest novel by the noted Onondaga writer Eric Gansworth. A lecture on Indian stereotypes by Shirley's daughter, art historian Annie Boans, calls forth Shirley's recollections, whose outpourings deposit us in the turbulent yet…
Bruce Hunt is a native Floridian writer and photographer. He has authored eleven Florida travel and history books, and over the last three decades has written and photographed hundreds of articles for magazines and newspapers. For five years he was a regular feature writer and photographer for DuPont Registry Tampa Bay Magazine. His work has also appeared in The St. Petersburg Times (Tampa Bay Times), Tampa Tribune, The Visit Tampa Bay Official Visitors Guide, Backpacker Magazine, Rock & Ice Magazine, Skydiving Magazine, Florida Trend Magazine, Celebrity Car Magazine, Coastal Living Magazine, and Southern Living Magazine, among others.
William McKeen’s account of the evolution of 1960s–1970s Key West reads like a novel. Based largely on his interviews with Tom Corcoran (who was there then and knew everybody), McKeen tells the wild tales of some of Key West’s most eccentric and now famous characters from that era, like Tennessee Williams, Thomas McGuane, Margot Kidder, Jim Harrison, Hunter Thompson, and Jimmy Buffett.
For Hemingway and Fitzgerald, there was Paris in the twenties. For others, later, there was Greenwich Village, Big Sur, and Woodstock. But for an even later generation-one defined by the likes of Jimmy Buffett, Tom McGuane, and Hunter S. Thompson-there was another moveable feast: KeyWest, Florida.
The small town on the two-by-four-mile island has long been an artistic haven, a wild refuge for people of all persuasions, and the inspirational home for a league of great American writers. Some of the artists went there to be literary he-men. Some went to re-create themselves. Others just went to disappear-and succeeded. No…
Charlie Jane Anders is the author of All the Birds in the Sky, which Time Magazine listed as one of the hundred best fantasy novels of all time. Her other books include The City in the Middle of the Night, Victories Greater than Death, and Never Say You Can't Survive: How to Get Through Hard Times By Making Up Stories. She organizes the long-running spoken word series Writers With Drinks, helps to organize tours of local bookstores, and also co-hosts the podcast Our Opinions Are Correct. Her short fiction has appeared in Tin House, Conjunctions, Wired Magazine, Slate, and the Boston Review.
This book of speculative short fiction includes some of the best queer representation I've seen in ages. "A Silly Love Story" includes a gender-fluid character named Merion, and "Before We Disperse Like Star Stuff" includes a trans grad student named Min. Cipri manages to combine the surreal and illogical with a pervasive sense of warmth and humanity, which is a nearly impossible feat, and they make it look easy. Each story will leave you wondering what happens next, but the characters will also live on in your imagination long after you've turned the page.
Dark, irreverent, and truly innovative, the speculative stories in Homesick meditate on the theme of home and our estrangement from it, and what happens when the familiar suddenly shifts into the uncanny. In stories that foreground queer relationships and transgender or nonbinary characters, Cipri delivers the origin story for a superhero team comprised of murdered girls; a housecleaner discovering an impossible ocean in her least-favorite clients' house; a man haunted by keys that appear suddenly in his throat; and a team of scientists and activists discovering the remains of a long-extinct species…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
Having moved almost twenty times in my life, I have a passion for home – finding home, creating home, and enjoying home no matter where you land. My personal space is filled with books, my favorites being about homecomings and safe places of peace and restoration. Home fills me with joy and is a theme in each of the historical novels I write. Everyone should have the haven of a home, both here and now and eternally.
Written by one of my favorite historians, this novel explores the rooms and homes that shaped Jane Austen and her timeless literary career. Home indeed shapes us, defines us, and even imbues our work as Lucy Worsley shows. A unique look into the life of a beloved novelist that adds rich layers to the fictional world of Austen and fleshes out her settings of Longbourn, Netherfield, Barton Cottage, etc.
'This is my kind of history: carefully researched but so vivid that you are convinced Lucy Worsley was actually there at the party - or the parsonage.' Antonia Fraser
'A refreshingly unique perspective on Austen and her work and a beautifully nuanced exploration of gender, creativity, and domesticity.' Amanda Foreman
Lucy Worsley 'is a great scene-setter for this tale of triumph and heartbreak.' Sunday Times
On the 200th anniversary of Jane Austen's death, historian Lucy Worsley leads us into the rooms from which our best-loved novelist quietly changed the world.
I have been doing research in the Caribbean for twenty-five years. The region is diverse and magnificent. Caribbean people have sought creative solutions for racial inequality, climate and sustainability, media literacy and information, women’s and family issues. The transnational connections with the US are complex and wide-ranging, and knowing more about this region is an urgent matter. My own work has focused on race and social science, mobility and inequality, and sound and media, all as ways of grappling with colonial legacies and their impact on the daily lives of people who live in this region.
Her withering critiques of tourists might make you mad if you’ve ever been one, but read until the end. While the book spares no one in its scathing view of Antigua’s colonial past and corrupt present, it is the evocative, precise prose and the insistence on a shared humanity that will remain with you long after the sting fades.
From the author of AT THE BOTTOM OF THE RIVER and ANNIE JOHN, a novel set in Antigua, where the idyllic tourist facade hides a colonial legacy of corruption, remedial social investment, and disenfranchised local culture. First published in 1988.
From the moment I could understand that there was a country very far away where my mother was born, where my parents met, where their Russian and Austrian families could live safely, where there was no antisemitism, I wanted to know more about China. The cultures my family came from could not have been more different than Chinese culture, yet my great-grandparents, grandparents and parents chose to find haven in a distant land that presented obstacles, but did not throw up barriers. I’ve come to discover that throughout time, regardless of culture, regardless of station, women have achieved amazing things in the complicated and mysterious society that has been China throughout time.
I have always had a curiosity about the role of missionaries in the developing world. This may be the most revealing story of American missionaries in China. Not only does this biography relate to the story of a young American girl transplanted into China in1892 at the age of four months, but it also gave insight into the lives of the Chinese people few others were able to see. Pearl Sydenstricker felt more Chinese than American. Her friends called her Zhenzhu and she spoke Chinese before and more easily than English.
While Pearl’s father was a zealous missionary, her mother kept the family on an even keel while battling what was, at times, a hostile environment and serious illness. Growing up in the poverty of rural China not only fueled Buck’s writing career, but I also came to understand the origin of the strength and compassion that were the…
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
I'm a writer and journalist with an eye on South and Southeast Asia. I first visited Kolkata, or Calcutta as the city was known back then, in 1995 and fell in love with its spirit, culture, architecture, politics, and decrepitude. I have been back regularly reporting on the city’s cultural life for media like CNN and Nikkei Asia. In 2019, I was selected as artist-in-residence for the Indo-European Art Residency by the Goethe Institute and spent 10 weeks writing a crime fiction set in the Bengali capital. Kolkata is, hands down, my favorite city in the world – despite its poverty, systemic injustice, and political cruelty, there is an energy in the place that is hard to beat.
A cracking, thorough portrait of contemporary Kolkata as the Bengali capital is now known, by an Indian author who grew up in New Jersey (very much the flipside to Calcutta) and who returns to the city of his ancestors to work for a newspaper. The book is well-written, crammed with interesting anecdotes and historic trivia. Past and present are held against the light and the results are often funny. It’s as good as a book by a privileged outsider who speaks the language is likely to be. Perhaps in another decade, a non-fiction chronicle will be written by a resident non-Brahmin writer. I have a feeling the city is waiting for it. In the meantime, Choudhury’s book serves as an excellent introduction to first-time visitors.
'Witty, polished, honest and insightful, The Epic City is likely to become for Calcutta what Suketu Mehta's classic Maximum City is for Mumbai' William Dalrymple, Observer
When Kushanava Choudhury arrived in New Jersey at the age of twelve, he had already migrated halfway around the world four times.
After graduating from Princeton, he moved back to Calcutta, the city which his immigrant parents had abandoned. Taking a job at a newspaper, he found the streets of his childhood unchanged. Shouting hawkers still overran the footpaths, fish sellers squatted on bazaar floors; and politics still meant barricades and bus burnings.
The…
