100 books like Thar She Blows

I read this book late at night while recovering from jetlag, and it was either the perfect book to read late at night while my mind’s guard was down or the worst book to do this with. The stories are hilarious, but also often horrifying, and ingeniously fantastic. A bunny lamp that curses whoever touches it; a woman who gets pregnant from taking birth control pills; a boy who bleeds gold when he drinks his sister’s blood—these stories are sure to keep your brain lit up long after your head has hit the pillow. 

I very nearly stopped reading this book–even though it’s so short as it starts off unbelievably abstract. I didn’t know what was going on, and the descriptions only added to the confusion. But I’m so glad I kept going.

The main character does amnesia in the most charming way, and discovering his past and the strange world he seems both lost in and totally at home in was absolutely enchanting. This has stuck with me ever since, like the most vivid fever dream.

Imagine if you could meet someone from the past without realising? This is what drew me to this magical book. When you are young there are things you just don’t question and this is what I was like. I saw things that adults would have said weren’t there. But I didn’t believe them. I only believed in the power of my imagination. For me anything could appear; a small creature under a tree in the garden or Santa’s sleigh flying through the sky at Christmas – it was all so real I could reach out and touch it. In Darkling Wood is one of those stories that wrap themselves around you and whisk you away, where you’ll leave believing in magic!

I came across this novel after I started following the author on Instagram. It was my first time dabbling in magical realism, and I found myself instantly hooked. Angie is an overweight, fifty-year-old housecleaner with a special skill—she can see the dead. Despite her best efforts to ignore her intuition, the spirits follow her, seek her out, and try to absorb and siphon her human powers. I love the arc of this novel, following the most unlikely of heroines into a death-defying struggle, where she learns that she is stronger than she ever thought possible and more importantly, she doesn’t need anyone else to save her. I rooted for her the entire way through, and now I’m excited to hear the author is making this into a trilogy.

In Orange World, Karen Russell guides readers expertly through a multitude of weird worlds, but in her hands the weird becomes familiar as we enter her characters’ inner lives.

The title story—about a mother striking a deal with the devil to protect her child, only this deal involves breastfeeding the devil himself—struck a chord with me, as my collection also focuses on motherhood, and I wrote many of the stories while in the throes of taking care of my young child.

Other standouts in Russell’s collection are “Bog Girl,” a love story between an ordinary teenage boy and a two-thousand-year-old bog girl; and “The Prospectors” a Depression-era ghost story. I’m inspired by Russell’s level of inventiveness and empathy, her richness of language, and her wide-ranging settings. 

The title story of this brilliant collection is a very funny alien invasion story told from the point of view of a woman who is convinced that the invasion is all about her. The other stories are similarly quirky and delightful.

The late Carol Emshwiller was a groundbreaking visionary writer who began publishing her funny, intriguing, unusual work after she was 30 and had to pry writing time away from the demands of her growing family.

When necessary, she would empty out the playpen in her living room, get into it with her typewriter, and work on her fiction while her preschool children enjoyed the freedom of the apartment. She was known for avant-garde approach, unreliable narrators, quirky humor, and a liberal, feminist outlook. 

Recipient of the Nebula and the  Philip K. Dick Award. The late Ursula K. LeGuin called her "a major fabulist, a marvelous magical realist, one of… show more.

Isabel Allende shows us marvels from South American traditions, archetypal stories with the excitement of passionate lovers and desperate bandits.

Once you finish the stories—not one a clunker—your mind will have been temporarily readjusted to the dangerous and fantastical world of deeply hidden human motivations. It’s as good as her autobiographical Paula, which is an education between covers. At first, I wouldn’t read Isabel Allende because two friends told me she imitated Gabriel Garcia Marquez.

I later learned they had not actually read any of her books. I decided to see for myself. Not true, I told them. Read the books.

It’s science fiction writers like Carol Emshwiller that must be mentioned here, especially when she writes about Ruthie and Joe, who own a robot whom they call the “grey-green” thing, the hound, the Rover, or sometimes just “bitch”. In order to increase their chances for a successful hunt, Joe programs the robot to track a bear, and it does so with ease. Eventually Joe commands the “grey-green thing” to actually kill it, and the robot carries out its deadly mission. At the end you shudder at the thought of the careless use of the machine, not to mention what would happen if the “grey-green thing” had been programmed to kill a human being.

This was one of the books (along with Anthony Doerr’s The Shell Collector) that inspired me to pursue fiction writing rather than poetry.

For the longest time, poetry was my preferred genre, and while I had dabbled in writing fiction, I struggled. It wasn’t until reading The Girl in the Flammable Skirt near the end of my undergrad that I realized fiction doesn’t have to be straight realism—it can be magical, strange, symbolic, weird, fabulist, dreamlike.

Two of Bender’s stories that had the most impact on me were “The Rememberer,” where the narrator’s lover experiences reverse evolution,” and “Drunken Mimi,” a love story between an imp and a mermaid. Maybe not coincidentally, my book also contains a story about a mermaid. 

This novel brings together the past and present experiences of Asian Canadians in a story that’s bursting with light and energy. Much of the book depicts the discrimination faced by Chinese immigrants in Newfoundland in the early 20th century, and I loved how humour was interspersed between moments that stirred feelings of intense anger and sadness.

Throw in a cheeky, time-travelling spirit named Mo and the privileged millennial who learns about the hardship that’s granted him the life he leads, and we’ve got a fresh take on a tragic history from an exciting new literary voice.