Here are 100 books that Sun Don't Shine fans have personally recommended if you like
Sun Don't Shine.
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I grew up on the high plains of eastern Montana. Like most rural folks, we lived close to the bone, even in the best of times. Then, when I was nine, my father died—and things got even harder. We finally had to put our acres up for lease, and I made a goal to leave that hard place. Though I worked hard for this new life I find myself leading—I studied, won scholarships, earned an MFA, and became a professor—ever since I left Montana, I’ve been trying to understand the distance between there and where I find myself now. I’ve been trying to understand rural America.
This book takes on class, gender, and addiction, plus a host of other contemporary issues facing rural America and the nation—and Smarsh still manages to craft a compelling, human memoir.
This book might be the antidote to all the easy, anodyne, partisan conclusions the talking heads offer about rural America. As someone who grew up in rural America but now lives in a small city on the West Coast, I felt challenged reading this memoir.
Smarsh is the best kind of rabble-rouser; she’s telling it straight no matter who is listening.
*Finalist for the National Book Award* *Finalist for the Kirkus Prize* *Instant New York Times Bestseller* *Named a Best Book of the Year by NPR, New York Post, BuzzFeed, Shelf Awareness, Bustle, and Publishers Weekly*
An essential read for our times: an eye-opening memoir of working-class poverty in America that will deepen our understanding of the ways in which class shapes our country and “a deeply humane memoir that crackles with clarifying insight”.*
Sarah Smarsh was born a fifth generation Kansas wheat farmer on her paternal side, and the product of generations of teen mothers on her maternal side. Through…
My sister and I were raised by our single mother in Southeast Detroit, who worked hard to put herself through law school when we were kids. We had a lot of financial struggles growing up, and I had to overcome many obstacles to get where I am today. Because of that, I am drawn to fierce female protagonists who overcome challenges and don’t shy away from struggle. In my own creative writing, I tend to feature strong female characters who have faced some type of instability and have worked hard to better their circumstances. I love an underdog and think there’s a lot of unsung narratives to tell.
I am always looking for books for the middle-grade kiddos in my life, and this book is the perfect book for a fierce youngster. It follows the story of Tessa, a somewhat mouthy (in the best way) young teen who is dealing with a host of issues, including the recent death of her mom.
The minute I met Tessa, I was rooting for her. She's angry and grieving but also charming and tender-hearted. When her aging cat leads her to an abandoned house in the neighborhood, a whole new realm opens to her–one with ghosts, goths, and unexpected allies.
On the verge of her thirteenth birthday, Tess' s life is falling apart. Her mother is dead. Her father is like a zombie. And now her beloved cat, Alice, has started running into the street when cars go by, trying to get run over. The only thing Tess can think of that might help? Running away. As she ventures from home, Tess stumbles upon a crew of manga-loving goth kids hiding out in the local haunted house performing se ances. There, she discovers that the house' s ghostly entity desperately wants a cat to care for in the afterlife, and…
My sister and I were raised by our single mother in Southeast Detroit, who worked hard to put herself through law school when we were kids. We had a lot of financial struggles growing up, and I had to overcome many obstacles to get where I am today. Because of that, I am drawn to fierce female protagonists who overcome challenges and don’t shy away from struggle. In my own creative writing, I tend to feature strong female characters who have faced some type of instability and have worked hard to better their circumstances. I love an underdog and think there’s a lot of unsung narratives to tell.
This was such a fascinating read for me. It’s an epic tale told over the lifetime of a woman warrior named Akmaral that interweaves fact and folklore into a mesmerizing story about matriarchal power, the ferocity of love and hate, and the alternating currents of battle and peace.
I was so absorbed in the beautiful language of this book that I couldn’t put it down. The novel recreates the expansive, unforgiving world of 5th-century Central Asia, a setting firmly rooted in the natural and spiritual worlds and the struggle to survive.
While being dazzled by the writing, I felt like I had a crash course in ancient history as well!
Before the Silk Road had a name, nomads roamed the Asian steppes and women fought side by side as equals with men. Like all women of the Sauromatae, Akmaral is bound for battle from birth, training as a girl in horsemanship, archery, spear, and blade. Her prowess ignites the jealousy of Erzhan, a gifted warrior who hates her as much as he desires her. When Scythian renegades attack, the two must unite to defeat them. Among their captives is Timor, the rebels' enigmatic leader who refuses to be broken, even as he is enslaved. He fascinates Akmaral. But as attraction…
My sister and I were raised by our single mother in Southeast Detroit, who worked hard to put herself through law school when we were kids. We had a lot of financial struggles growing up, and I had to overcome many obstacles to get where I am today. Because of that, I am drawn to fierce female protagonists who overcome challenges and don’t shy away from struggle. In my own creative writing, I tend to feature strong female characters who have faced some type of instability and have worked hard to better their circumstances. I love an underdog and think there’s a lot of unsung narratives to tell.
Miriam Toews has an incredible writing style that is somehow whimsical and also serious, and this book is no exception.
I fell so in love with the characters in this book that I didn’t want the story to end. The novel follows young Swiv, a quirky and fierce kid who is dealing with a lot of very grown-up issues as she navigates an absent father, a feisty grandmother, and a single mother.
While this might sound like a Young Adult novel, it is very much a book for adults, which just shows how talented Toews is at using the voice of young protagonists to unearth some very heavy and serious adult topics. Still, even with the heavy content, Swiv’s special spirit gives the book a welcomed lightness.
FROM THE WRITER OF THE OSCAR-WININNG WOMEN TALKING INTERNATIONAL BESTSELLING AUTHOR LONGLISTED FOR THE DUBLIN LITERARY AWARD
'Go Grandma Elvira!' Margaret Atwood 'Wickedly funny and fearlessly honest.' The New Yorker 'Glorious.' Sarah Moss ____________ You are a small thing, and you must learn to fight.
Swiv has taken this advice too literally. Now she's suspended from school, in the care of her foul-mouthed, hilarious grandmother.
Mom is busy being pregnant, so Grandma gives Swiv a very different education. Swiv learns maths with Amish jigsaws and How to Dig a Winter Grave. Grandma's methods may be unorthodox, but she has faced…
I love reading about artists and creators because I’ve been around them most of my life and they are the people I feel I understand the best – though I’m always surprised by the new crafts, facets, and ideas I learn! I grew up in and around my mother’s ceramic shop, my best friends in high school were artists and I was their dorky theater friend, and the two YA books I wrote centered on issues that face young creators. The passion of creative people and artistic friends has always driven me to do my best and not give up on my dreams.
Linka’s art-thriller is smart, compelling, and almost impossible to stop reading. Not only does it tackle being a first-year student in an art school in Los Angeles, it examines a subject that is often glamorized without being scrutinized: living in poverty as a homeless-at-times college student and artist. The myth of the starving artist is torn apart in this contemporary, empathetic, and intriguing story as we follow Sabine Reyes into the world where she thought she belonged, only to find out it’s not as picture-perfect as it seems. There’s some good romance in here, too and Linka’s sharp, penetrating stare at the character’s choices makes us, as readers, question what would we do? Who would we trust? And what happens when we’re wrong?
Winning a scholarship to California's most prestigious art school seems like a fairy tale ending to Sabine Reye's awful senior year. After losing both her mother and her home, Sabine longs for a place where she belongs. But the cutthroat world of visual arts is nothing like what Sabine had imagined. Colin Krell, the renowned faculty member whom she had hoped would mentor her, seems to take merciless delight in tearing down her best work-and warns her that she'll lose the merit-based award if she doesn't improve.
Desperate and humiliated, Sabine doesn't know where to turn. Then she meets Adam,…
I was born and grew up in India and I’ve always been fascinated by elephants. When I wrote The Problem with Being Slightly Heroic, it felt natural to have Mini, the elephant, become part of its world. She’s not the main character, yet her presence raises questions about the place of these amazing animals in our world and in our hearts. I picked five titles in which elephants are secondary characters, raising similar questions for readers about who these extraordinary creatures are and why we should care. Curiously, I couldn’t find a single novel featuring African elephants.
I was lucky enough to read this book when it was still a manuscript. It’s the story of 10-year old Hastin, driven by poverty but also by his impulsiveness and youthful optimism. Running away from home to make money to help his mother and sick sister, Hastin ends up far from his village in India, and in the clutches of a cruel circus owner. He also becomes keeper to a baby elephant, Nandita. As an outsider to the setting of this book, Lynne Kelly dug in, persevered, and did the hard work of writing the story with respect and care. The baby elephant is a pure delight.
After ten-year-old Hastin's family borrows money to pay for his sister's hospital bill, he leaves his village in northern India to take a job as an elephant keeper and work off the debt. He thinks it will be an adventure, but he isn't prepared for the cruel circus owner. The crowds that come to the circus see a lively animal who plays soccer and balances on milk bottles, but Hastin sees Nandita, a sweet elephant and his best friend, who is chained when she's not performing and hurt with a hook until she learns tricks perfectly. Hastin protects Nandita as…
I moved to New York City in 1984 as homelessness, and the AIDS epidemic were crises all too visible to this newcomer. To my good fortune, my post-doctoral training included some of the earliest experts on mental illness and homelessness. This work became a career goal that has sustained me through almost 40 years of research using qualitative (in-depth) methods. Obtaining federal funding to support this work and mentoring many graduate students were extra benefits that I cherished. Along the way, I wrote a textbook on qualitative methods (now in its 3rd edition), co-authored a book about Housing First, and traveled to Delhi, India to study their ‘pavement dwellers’.
This book is admittedly old (published in 2003), but I find myself returning to it time and again as an important touchstone to understanding the origins and consequences of homelessness in America. Hopper is an anthropologist and activist, one of the first to study the ‘new’ epidemic of homelessness that appeared in the 1980s in cities like New York.
Hopper’s book traces the historical roots and consequences of the epidemic and is prescient in foretelling points of contention, such as the African-American racism underlying housing precarity. Far from the stilted reporting style of academic reporting, this book reads like a conversation and an invitation to learn more.
"It must be some kind of experiment or something, to see how long people can live without food, without shelter, without security."-homeless woman, Grand Central Station, winter
"Homelessness is a routine fact of life on the margins. Materially, it emerges out of a tangled but unmysterious mix of factors: scarce housing, poorly planned and badly implemented policies of relocation and support, dismal prospects of work, exhausted or alienated kin.... Any outreach worker could tell you that list would be incomplete without one more: how misery can come to prefer its own company."-from the book
I spent 16 years teaching in NYC public schools, six of them on Rikers Island the world's biggest jail where I helped incarcerated teens improve their reading and writing skills. That experience helped to launch me on my own writing career. The job of the author? To hold up a mirror to society and reflect upon the page what the reader may not have experienced yet or missed seeing in the world outside the borders of a book.
Booth is an extraordinary writer and Tyrell is her signature story. Tyrell is a young man living under incredible pressure with a family that needs him to have both feet on the ground. But he's always on the verge of going the wrong way. Will the need for fast money put him in prison like his father? Booth is in complete command of her characters, story and pacing here. A marvelous book that will make you grateful for your own choices in life.
An astonishing new voice in teen literature, writing what is sure to be one of the most talked-about debuts of the year.
Tyrell is a young African-American teen who can't get a break. He's living (for now) with his spaced-out mother and little brother in a homeless shelter. His father's in jail. His girlfriend supports him, but he doesn't feel good enough for her -- and seems to be always on the verge of doing the wrong thing around her. There's another girl at the homeless shelter who is also after him, although the desires there are complicated. Tyrell feels…
I have always believed that everyone has a story to tell. I have connected to people throughout my life because I chose to sit, listen, and share stories. I do this in my own neighborhood and on my travels worldwide. I do it with people I don’t have anything in common with and people I think I might not like. Every time, without exception, I learn something. Often, I am inspired. These experiences have tested and grown my compassion, empathy, kindness, and understanding capacity. I suppose this is why I love reading. It’s like meeting strangers and sharing stories.
I loved Jeanette Walls honest and raw telling of her father’s mental illness and her mother’s unorthodox mothering and the impact they both had on her childhood and adulthood. People with mental illness are often portrayed as villains with no redeeming qualities.
Still, Walls finds the bits and pieces of her father that are beautiful, made her childhood sometimes magical, and led to her own successful career and life.
Now a major motion picture starring Brie Larson, Naomi Watts and Woody Harrelson.
This is a startling memoir of a successful journalist's journey from the deserted and dusty mining towns of the American Southwest, to an antique filled apartment on Park Avenue. Jeanette Walls narrates her nomadic and adventurous childhood with her dreaming, 'brilliant' but alcoholic parents.
At the age of seventeen she escapes on a Greyhound bus to New York with her older sister; her younger siblings follow later. After pursuing the education and civilisation her parents sought to escape, Jeanette eventually succeeds in her quest for the 'mundane,…
I’ve been studying China for almost 60 years and have visited the country 40 times. Around 1990 I became aware of the sad situation of migrants from the countryside trying to move to cities to earn a better living. There they are met with low wages, poor living conditions, and discrimination. I spent 6 or 7 years interviewing them and writing about them and the book I wrote won a prize for the best book on 20th century China published in 1999. Then I learned about the workers who were laid off as China modernized, and went to talk with them. The present book is full of empathy and concern for these people.
This is a brilliant anthropological field study of how rural migrants and laid-off Chinese workers cope with their lot in a region where factories have shut down and there are few ways of earning money.
The two competing groups are both very poorly served by the government and they are forced to live among trash with little to no welfare. There are here, again, copious quotations from the people involved and you can learn a lot about the varying conditions that mark the different lives of these two groups of people.
Despite massive changes to its economic policies, China continues to define itself as socialist; since 1949 and into the present, the Maoist slogan "Serve the People" has been a central point of moral and political orientation. Yet several decades of market-based reforms have resulted in high urban unemployment, transforming the proletariat vanguard into a new urban poor. How do unemployed workers come to terms with their split status, economically marginalized but still rhetorically central to the way China claims to understand itself? How does a state dedicated to serving "the people" manage the poverty of its citizens? Mun Young Cho…
